Without a Hero

THE FOG MAN

HE CAME TWICE A WEEK, rattling through the development in an army-surplus jeep, laying down a roiling smoke screen that melted the trees into oblivion, flattened hills and swallowed up houses, erased Fords, Chevies and Studebakers as if they were as insubstantial as the air itself, and otherwise transformed the world to our satisfaction. Shrubs became dinosaurs, lampposts giraffes, the blacktop of the streets seethed like the surface of the swamp primeval. Our fathers stood there on their emerald lawns, hoses dripping, and they waved languidly or turned their backs to shoot a sparkling burst at the flower beds or forsythias. We took to our bikes, supercharged with the excitement of it, and we ran just behind him, the fog man, wheeling in and out of the tight billowing clouds like fighter pilots slashing across the sky or Grand Prix racers nosing in for the lead on that final excruciating lap. He gave us nothing except those moments of transfiguration, but we chased him as single-mindedly as we chased the ice-cream man in his tinkling white truck full of Drumsticks and Eskimo Pies, chased him till he’d completed his tour of the six connecting streets of the development — up one side and down the other — and lurched across the highway, trailing smoke, for the next.

And then the smoke settled, clinging to the dewy wet grass, the odor of smoldering briquettes fought over the top of the sweet narcotic smell of it, and we were gone, disseminated, slammed behind identical screen doors, in our identical houses, for the comfort and magic of the TV. My father was there, always there, propped up in his recliner, one hand over his eyes to mask an imaginary glare, the other clutched round his sweating drink. My mother was there too, legs tucked under her on the couch, the newspaper spread in her lap, her drink on the cluttered table beside her.

“The fog man was just here,” I would announce. I didn’t expect a response, really — it was just something to say. The show on TV was about a smiling family. All the shows were about smiling families. My mother would nod.

One night I appended a question. “He’s spraying for bugs, right?” This much I knew, this much had been explained to me, but I wanted confirmation, affirmation, I wanted reason and meaning to illuminate my life.

My father said nothing. My mother looked up. “Mosquitoes.”

“Yeah, that’s what I thought — but how come there’s so many of them then? They bit right through my shirt on the front porch.”

My mother tapped at her cigarette, took a sip of her drink. “You can’t get them all,” she said.

It was at about this time that the local power company opened the world’s first atomic power plant at Indian Point. Ten years earlier nuclear fission had been an instrument of war and destruction; now it was safe, manageable; now it would warm our houses and light our lights and power our hi-fis and toasters and dishwashers. The electric company took pains to ensure that the community saw it that way. It was called public relations.

I didn’t know the term then. I was eleven years old, in my first week of my last year of elementary school, and on my way to the power plant in a school bus crammed to the yawning windows with my excitable classmates. This was known as a field trip. The previous year we’d been to a farm in Brewster and the Museum of Natural History in New York. We were starting early this year, but it was all due to the fact of this astonishing new technological force set down amongst us, this revolution in the production of electricity and the streamlining of our lives. We didn’t know what to expect.

The bus rumbled and belched fumes. I sat on the hard cracked leatherette seat beside Casper Mendelson and watched the great gray concrete dome rise up out of the clutch of the trees, dominating the point and the placid broad fish-stinking river beyond it. It was impressive, this huge structure inside of which the titanic forces of the universe were pared down to size. Casper said that it could blow up, like the bomb they’d dropped on the Japanese, and that it would take all of Peterskill and Westchester with it. The river would turn to steam and there’d be nothing left but a crater the size of the Grand Canyon and we’d all be melted in our beds. I gaped out the window at the thing, awestruck, the big dome keeping a lid on all that seething complexity, and I was impressed, but I couldn’t help thinking of the point’s previous incarnation as an amusement park, a place of strung lights, cotton candy and carousels. Now there was this gray dome.

They led us into a little brightly lit building full of colorful exhibits, where we handled things that were meant to be handled, scuffed the gleaming linoleum floors and watched an animated short in which Johnny Atom splits himself in two and saves the world by creating electricity. The whole thing was pretty dull, aside from the dome itself and what Casper had said about it, and within the hour my classmates were filling the place with the roar of a stampede, breaking the handles off things, sobbing, skipping, playing tag and wondering seriously about lunch — which, as it turned out, we were to have back at school, in the cafeteria, after which we were expected to return to our classrooms and discuss what we’d learned on our field trip.

I remember the day for the impression that imposing gray dome made on me, but also because it was the first chance I got to have a look at Maki Duryea, the new girl who’d been assigned to the other sixth-grade section. Maki was black — or not simply black, but black and Oriental both. Her father had been stationed in Osaka during the occupation; her mother was Japanese. I watched her surreptitiously that morning as I sat in the rear of the bus with Casper. She was somewhere in the middle, sitting beside Donna Siprelle, a girl I’d known all my life. All I could make out was the back of her head, but that was enough, that alone was a revelation. Her hair was an absolute, unalloyed, interstellar black, and it disappeared behind the jutting high ridge of the seat back as if it might go on forever. It had hung iron straight when we first climbed aboard the bus that morning, but on the way back it was transformed, a leaping electric snarl that engulfed the seat and eclipsed the neat little ball of yellow curls that clung to the back of Donna Siprelle’s head. “Maki Duryea, Maki Duryea,” Casper began to chant, though no one could hear him but me in the pandemonium of that preprandial school bus. Annoyed, I poked him with a savage elbow but he kept it up, louder now, to spite me.

There were no blacks in our school, there were no Asians or Hispanics. Italians, Poles, Jews, Irish, the descendants of the valley’s Dutch and English settlers, these we had, these we were, but Maki Duryea was the first black — and the first Asian. Casper’s father was Jewish, his mother a Polish Catholic. Casper had the soaring IQ of a genius, but he was odd, skewed in some deep essential way that set him apart from the rest of us. He was the first to masturbate, the first to drink and smoke, though he cared for neither. He caused a panic throughout the school when he turned up missing one day after lunch and was found, after a room-by-room, locker-by-locker search, calmly reading on the fire escape; he burst from his chair at the back of the classroom once and did fifty frantic squat-thrusts in front of the hapless teacher and then blew on his thumb till he passed out. He was my best friend.

He turned to me then, on the bus, and broke off his chant. His eyes were the color of the big concrete dome, his head was shaved to a transparent stubble. “She stinks,” he said, grinning wildly, his eyes leaping at my own. “Maki Duryea, Maki Duryea, Maki Duryea”—he took up the chant again before subsiding into giggles. “They don’t smell like we do.”

My family was Irish. Irish, that’s all I knew. A shirt was cotton or it was wool. We were Irish. No one talked about it, there was no exotic language spoken in the. house, no ethnic dress or cuisine, we didn’t go to church. There was only my grandfather.

He came that year for Thanksgiving, a short big-bellied man with close-cropped white hair and glancing white eyebrows and a trace of something in his speech I hadn’t heard before — or if I had it was in some old out-of-focus movie dredged up for the TV screen, nothing I would have remembered. My grandmother came too. She was spindly, emaciated, her skin blistered with shingles, a diabetic who couldn’t have weighed more than ninety pounds, but there was joy in her and it was infectious. My father, her son, woke up. A festive air took hold of the house.

My grandfather, who years later dressed in a suit for my father’s funeral and was mistaken for a banker, had had a heart attack and he wasn’t drinking. Or rather, he was strictly enjoined from drinking and my parents, who drank themselves, drank a lot, drank too much, took pains to secrete the liquor supply. Every bottle was removed from the cabinet, even the odd things that hadn’t been touched in years — except by me, when I furtively unscrewed the cap of this or that and took a sniff or touched my tongue tentatively to the cold hard glass aperture — and the beer disappeared from the refrigerator. I didn’t know what the big deal was. Liquor was there, a fact of life, it was unpleasant and adults indulged in it as they indulged in any number of bizarre and unsatisfactory practices. I kicked a football around the rock-hard frozen lawn.

And then one afternoon — it was a day or two before Thanksgiving and my grandparents had been with us a week — I came in off the front lawn, my fingers numb and nose running, and the house was in an uproar. A chair was overturned in the corner, the coffee table was slowly listing over a crippled leg and my grandmother was on the floor, frail, bunched, a bundle of sticks dropped there in a windstorm. My grandfather stood over her, red-faced and raging, while my mother snatched at his elbow like a woman tumbling over the edge of a cliff. My father wasn’t home from work yet. I stood there in the doorway, numb from the embrace of the wind, and heard the inarticulate cries of those two women against the oddly inflected roars of that man, and I backed out the door and pulled it closed behind me.

The next day my grandfather, sixty-eight years old and stiff in the knees, walked two miles in twenty-degree weather to Peterskill, to the nearest liquor store. It was dark, suppertime, and we didn’t know where he was. “He just went out for a walk,” my mother said. Then the phone rang. It was the neighbor two doors down. There was a man passed out in her front yard — somebody said we knew him. Did we?

I spent the next two days — Thanksgiving and the day after — camping in the sorry patch of woods at the end of the development. I wasn’t running away, nothing as decisive or extreme as that — I was just camping, that was all. I gnawed cold turkey up there in the woods, lifted congealed stuffing to my mouth with deadened fingers. In the night I lay shivering in my blankets, never colder before or since.

We were Irish. I was Irish.

That winter, like all winters in those days, was interminable, locked up in the grip of frozen slush and exhaust-blackened snow. The dead dark hours of school were penance for some crime we hadn’t yet committed. The TV went on at three-thirty when we got home from school, and it was still on when we went to bed at nine. I played basketball that winter in a league organized by some of the fathers in the development, and three times a week I walked home from the fungus-infested gym with a crust of frozen sweat in my hair. I grew an inch and a half, I let my crewcut grow out and I began to turn up the collar of my ski jacket. I spent most of my time with Casper, but in spite of him, as the pale abbreviated days wore on, I found myself growing more and more at ease with the idea of Maki Duryea.

She was still foreign, still exotic, still the new kid and worse, much worse, the whole business complicated by the matter of her skin color and her hair and the black unblinking depths of her eyes, but she was there just like the rest of us and after a while it seemed as if she’d always been there. She was in the other section, but I saw her on the playground, in the hallway, saw her waiting on line in the cafeteria with a tray in her hands or struggling up the steps of the school bus in a knit hat and mittens no different from what the other girls wore. I didn’t have much to say to any of the girls really, but I suppose I must have said things to her in passing, and once, coming off the playground late, I found myself wedged up against her on the crowded school bus. And then there was the time the dancing teacher, with a casual flick of her wrist, paired me off with her.

Everything about dancing was excruciating. It was not kickball, it was not basketball or bombardment. The potential for embarrassment was incalculable. We were restless and bored, the gymnasium was overheated against the sleet that rattled at the windows, and the girls, entranced, wore peculiar little smiles as Mrs. Feldman demonstrated the steps. The boys slouched against one adamantine wall, poking one another, shuffling their feet and playing out an elaborate ritual to demonstrate that none of this held the slightest interest for them, for us, though it did, and we were nervous about it despite ourselves. Alone, of all the two classes combined, Casper refused to participate. Mrs. Feldman sent him to the principal’s office without so much as a second glance, chose partners arbitrarily for the remainder of the class and started up the ancient phonograph and the arcane scratchy records of songs no one knew and rhythms no one could follow, and before I was fully cognizant of what was happening I found myself clutching Maki Duryea’s damp palm in my own while my arm lay like a dead thing across the small of her back. She was wearing a sweater thick enough for Arctic exploration and she was sweating in the choking humid jungle atmosphere of the gymnasium. I could smell her, but despite what Casper had said the heat of her body gave off a luxurious yeasty soporific odor that held me spellbound and upright through the droning eternity of the record.

The dance, the big dance that all this terpsichorean instruction was leading up to, was held on February 29, and Mrs. Feldman, in an evil twist of fate, decided to honor custom and have the girls invite the boys as their partners. We did perspective drawing in art class — great lopsided vistas of buildings and avenues dwindling in the distance — while the girls made up the invitations with strips of ribbon, construction paper and paste. My mind was on basketball, ice fishing, the distant trembling vision of spring and summer and liberation from Mrs. Feldman, the gym and the cafeteria and all the rest, and I was surprised, though I shouldn’t have been, when Maki’s invitation arrived. I didn’t want to go. My mother insisted. My father said nothing.

And then the telephone began to ring. My mother answered each call with quiet determination, immovable, unshakable, whispering into the phone, doodling on a pad, lifting the drink or a cigarette to her lips. I don’t know what she said exactly, but she was talking to the other mothers, the mothers of sons who hadn’t been invited to the dance by Maki Duryea, and she was explaining to them precisely how and why she could and would allow her son to go to the dance with a Negro. In later years, as the civil-rights movement arose and Malcolm X and Martin Luther King fell and the ghettoes burned, she never had much to say about it, but I could feel her passion then, on the telephone, in the cool insistent rasp of her voice.

I went to the dance with Maki Duryea. She wore a stiff organdy dress with short sleeves that left her looking awkward and under-dressed and I wore a tie and sportcoat and arranged my hair for the occasion. I held her and I danced with her, though I didn’t want to, though I snapped at her when she asked if I wanted a brownie and a cup of punch, though I looked with envy and longing to the streamer-draped corner where Casper alternately leered at me and punched Billy Matechik in the shoulder; I danced with her, but that was it, that was as far as I could go, and I didn’t care if the snow was black and the dome blew off the reactor and Johnny Atom came and melted us all in our sleep.

It was a late spring and we tried to force it by inaugurating baseball season while the snow still lingered atop the dead yellow grass and the frozen dirt beneath it. We dug out balls and mitts and stood in the street in T-shirts, gooseflesh on our arms, shoulders quaking, a nimbus of crystallized breath suspended over our heads. Casper didn’t play ball — foot, hand, base or basket — and he stood hunched in his jacket, palming a cigarette and watching us out of his mocking gray eyes. I caught cold and then flu and stayed in bed a week. On the first of April I went trout fishing, a ritual of spring, but the day was gloomy and lowering, with a stiff wind and temperatures in the twenties. I cast a baited hook till my arm lost all sensation. The trout might as well have been extinct.

Since the time of the dance I’d had nothing to do with Maki Duryea. I wouldn’t even look at her. If she’d suddenly exploded in flames on the playground or swelled up to the size of a dirigible I wouldn’t have known. I’d taken a steady stream of abuse over the dance episode, and I was angry and embarrassed. For a full month afterward I was the object of an accelerated program of ear snapping and head knuckling, the target of spitballs and wads of lined notebook paper with crude hearts scrawled across their rumpled interiors, but we were innocent then, and no one used the epithets we would later learn, the language of hate and exclusion. They turned on me because I had taken Maki Duryea to the dance — or rather, because I had allowed her to take me — and because she was different and their parents disapproved in a way they couldn’t yet define. I resented her for it, and I resented my mother too.

And so, when the rumors first began to surface, I took a kind of guilty satisfaction in them. There had been trouble at Maid’s house. Vandals — and the very term gave me a perverse thrill — vandals had spray-painted racial slurs on the glistening black surface of their macadam driveway. My mother was incensed. She took her drink and her cigarettes and huddled over the phone. She even formed a committee of two with Casper’s mother (who was one of the few who hadn’t phoned over the dance invitation), and they met a time or two in Casper’s living room to drink a clear liquid in high-stemmed glasses, tap their cigarettes over ashtrays and lament the sad state of the community, the development, the town, the country, the world itself.

While our mothers were wringing their hands and buzzing at one another in their rasping secretive voices, Casper took me aside and showed me a copy of the local newspaper, flung on the lawn not five minutes earlier by Morty Solomon as he weaved up the street on his bicycle. I didn’t read newspapers. I didn’t read books. I didn’t read anything. Casper forced it into my hands and there it was, the rumor made concrete: VANDALS STRIKE AGAIN. This time, a cross had been burned on the Duryea lawn. I looked up at Casper in amazement. I wanted to ask him what that meant, a cross — a cross was religious, wasn’t it, and this didn’t have anything to do with religion, did it? — but I felt insecure in my confusion and I held back.

“You know what we ought to do?” he said, watching me closely.

I was thinking of Maki Duryea, of her hair and her placid eyes, thinking of the leaping flames and the spray paint in the driveway. “What?”

“We ought to egg them.”

“But—” I was going to ask how we could egg them if we didn’t know who did it, but then I caught the startling perverse drift of what he was suggesting and in my astonishment I blurted, “But why?”

He shrugged, ducked his head, scuffed a foot on the carpet. We were in the hallway, by the telephone stand. I heard my mother’s voice from the room beyond, though the door was closed and she was talking in a whisper. The voice of Casper’s mother came right back at her in raspy collusion. Casper just stared at the closed door as if to say, There, there’s your answer.

After a moment he said, “What’s the matter — you afraid?”

I was twelve now, twelve and a half. How could anyone at that age admit to fear? “No,” I said, “I’m not afraid.”

The Duryea house lay outside the confines of the development. It was a rental house, two stories over a double garage in need of paint and shingles, and it sat on a steep rutted dirt road half a mile away. There were no streetlights along that unfinished road and the trees overhung it so that the deepest shadows grew deeper still beneath them. It was a warm, slick, humid night at the end of May, the sort of night that surprises you with its richness and intensity, smells heightened, sounds muffled, lights blurred to indistinction. When we left Casper’s it was drizzling.

Casper bought the eggs, two dozen, at the corner store out on the highway. His parents were rich — rich compared to mine, at any rate — and he always seemed to have money. The storekeeper was a tragic-looking man with purple rings of puffed flesh beneath his eyes and a spill of gut that was like an avalanche beneath the smeared white front of his apron. Casper slipped two cigars into his pocket while I distracted the man with a question about the chocolate milk — did it come in a smaller size?

As we started up the dirt road, eggs in hand, Casper was strangely silent. When a dog barked from the driveway of a darkened house he clutched my arm, and a moment later, when a car turned into the street, he pulled me into the bushes and crouched there, breathing hard, till the headlights faded away. “Maki Duryea,” he whispered, chanting it as he’d chanted it a hundred times before, “Maki Duryea, Maki Duryea.” My heart was hammering. I didn’t want to do this. I didn’t know why I was doing it, didn’t yet realize that the whole purpose of the exercise was to invert our parents’ values, trash them, grind them into the dirt, and that all ethical considerations were null in the face of that ancient imperative. I was a freedom fighter. The eggs were hand grenades. I clutched them to my chest.

We hid ourselves in the wild tangle of shrubs gone to seed outside the house and watched the steady pale lighted windows for movement. My hair hung limp with the drizzle. Casper squatted over his ankles and fingered his box of eggs. I could barely make him out. At one point a figure passed in front of the window — I saw the hair, the mat of it, the sheen — and it might have been Maki, but I wasn’t sure. It could have been her mother. Or her sister or aunt or grandmother — it could have been anybody. Finally, when I was as tired of crouching there in the bushes as I’ve ever been tired of being anywhere, even the dentist’s, the lights flicked off. Or no, they didn’t just flick off — they exploded in darkness and the black torrent of the night rushed in to engulf the house.

Casper rose to his feet. I heard him fumbling with his cardboard carton of eggs. We didn’t speak — speech would have been superfluous. I rose too. My eggs, palpable, smooth, fit the palm of my hand as if they’d been designed for it. I raised my arm — baseball, football, basketball — and Casper stirred beside me. The familiar motion, the rush of air: I will never forget the sound of that first egg loosing itself against the front of the house, a wetness there, a softness, the birth of something. No weapon, but a weapon all the same.

The summer sustained me. Hot, unfettered, endless. On the first day of vacation I perched in an apple tree at the end of the cul-de-sac that bordered the development and contemplated the expanse of time and pleasure before me, and then it was fall and I was in junior high. Maki Duryea had moved. I’d heard as much from Casper, and one afternoon, at the end of summer, I hiked up that long rutted dirt road to investigate. The house stood empty. I climbed the ridge behind it to peer in through the naked windows and make sure. Bare floors stretched to bare walls.

And then, in the confusion of the big parking lot at the junior high where fifty buses deposited the graduates of a dozen elementary schools, where I felt lost and out of place and shackled in a plaid long-sleeved shirt new that morning from the plastic wrapping, I saw her. She sprang down from another bus in a cascade of churning legs and arms and anxious faces, a bookbag slung over one shoulder, hair ironed to her waist. I couldn’t move. She looked up then and saw me and she smiled. Then she was gone.

That night, as I slapped a hard black ball against the side of the house, thinking nothing, I caught a faint electrifying whiff of a forgotten scent on the air, and there he was, the fog man, rattling by the house in his open jeep. My bike lay waiting at the curb and my first impulse was to leap for it, but I held off. There was something different here, something I couldn’t quite place at first. And then I saw what it was: the fog man was wearing a mask, a gas mask, the sort of thing you saw in war movies. He’d collected the usual escort of knee-pumping neighborhood kids by the time he’d made his second pass down the street in front of our house, and I’d moved to the curb now to study this phenomenon, this subtle alteration in the texture of things. He looked different in the mask, sinister somehow, and his eyes seemed to glitter.

The fog obliterated the houses across from me, the wheeling children vanished, the low black roiling clouds melted toward me across the perfect sweep of the lawn. And then, before I knew what I was doing, I was on my bike with the rest of them, chasing the fog man through the mist, chasing him as if my life depended on it.