10



There was scarcely any delay between his knocking and the opening of the cottage door. A bright shaft of sunshine fell upon a black and mauve spotted overall and a sharp red face.

'Turned up again like a bad penny,' said Mrs Penistan. Burden blinked. He hardly knew whether her remark referred to his arrival or her own unexpected appearance. She clarified with one of her shrill laughs, ‘I saw Mr M's advert and I took pity on him, said I'd come back till she turns up.' Leaning towards him, her broom held aloft like a spear, she whispered confidingly, if she turns up.' She stood aside for him to enter. 'Mind the bucket,' she said. 'We're all at sixes and sevens in here. Good thing my boys can't see what I have to contend with. If they set eyes on this place they'd have their mum out of it before you could say knife.' Remembering the ox-like Penistan men, not surely conspicuous for filial piety, Burden could only give a neutral smile. Their mother thrust her face into his and with a laugh, this time so cheerful as to amount to glee, said, 'Wouldn't surprise me if there was bugs in them walls.' A shrill peal of giggles pursued him into the studio.

Her efforts seemed to have made as yet small improvement in the general dirty disarray. Perhaps she had only just arrived. Nothing had been tidied or dusted and to the normal unpleasant smell had been added a sour stench, possibly coming from the dregs which still remained in the dozen or so empty cups on the tables and the floor. Here, as nowhere else, Ruby's vigour and acumen were needed.

Margolis was painting. In addition to the tubes of oil colour arranged about him were various small pots of unidentifiable matter. One seemed to contain sand, another iron filings. He looked up when Burden entered.

'I've decided not to think about it,' he said with as near an approach to firmness as could be imagined. Tm simply getting on with my work.'Ann'll be back.' He added as if this clinched the matter, 'Mrs Penistan agrees with me.'

It was hardly the impression Burden had received on the doorstep. Without comment - let the man be cheerful while he could - he held out the lighter. 'Ever seen it before?'

‘It's a cigarette lighter,' Margolis said sagely. So might some authoritative archaeologist identify an obscure find in an ancient barrow.

The point is, is it your sister's?'

‘I don't know. I've never seen it before. People are always giving her things.' He turned it over. 'Look, it's got her name on it.'

‘It's got Ann on it,' Burden corrected him.

A poised broom preceded Mrs Penistan's entry into the studio. She seemed to find amusement not so much in her employer's remarks as in his very existence, for, standing behind him as he contemplated the lighter, she favoured Burden with a slow deliberate wink.

'Here, let's have a look,' she said. One glance satisfied her. 'No,' she said, 'no.' This time her laughter seemed aimed at his own gullibility or possibly at his supposing Margolis to be capable of identifying anything. Burden envied her her ignorance. Not for her the dilemma of wondering how to contend with genius. Here was a man, inept in practical matters, vague in his speech; therefore he was a lunatic, affording mirth and a kind of rough pity. 'She never had nothing like that,’ she said firmly. 'Her and me, we used to have our coffee break mid-morning. Always had a cigarette with it, she did. You need one of them lighters, I said, seeing the way she got through umpteen boxes of matches. Get some young fellow to give you one. It was way back around Christmas, you see, and her birthday was in Jan.'

'So she may have had it for her birthday?'

if she did, she never showed it to me. Never had a gas lighter, neither. My boy could get you one cost price, him being in the trade, I said, but she ...'

Burden cut her short, his ears painfully anticipating the strident laugh the. end of this story, however humourless, would certainly provoke. ‘I’ll see myself out,' he said.

'Mind the bucket!' Mrs Penistan called after him cheerfully. He went out among the daffodils. Everything was gold this morning, the sunshine, the pale bright flowers of spring and the little object in his pocket.

Kirkpatrick's car was on his driveway. Burden edged past it, his coat brushing the lettering and the mauve flowers.

'He says he's ill,' Mrs Kirkpatrick said in a loud harsh voice.

Burden showed her his card. It might have been an advertising brochure for all the notice she took of it.

'He says he's got a cold.' Into this last word she put an infinite scorn as if a cold were of all afflictions the least credible and the most bizarre. She let Burden in and, leaving him alone with the two wide-eyed silent children, said, 'You might as well sit down. I'll tell him you're here.'

Two or three minutes later. .Kirkpatrick came down. He was wearing a silk dressing gown under which he appeared to be fully clothed. Burden recalled similarly attired figures, but gayer and more debonair, who featured in those bedroom comedies of the thirties, still ruthlessly acted by local dramatic societies, to whose performances he was sometimes dragged by his wife. The setting of chintz-covered chairs and mock wood panelling enhanced this impression, but Kirkpatrick had a hangdog look. Had this been a real stage, the audience would have supposed him to have forgotten his opening lines. His face was unshaven. He managed a smile for his children and just touched the little girl's long fair hair.

'I'm going to make the beds,' said Mrs Kirkpatrick. It was not, Burden thought, a statement normally capable of being interpreted as a threat, but she succeeded in putting into it an almost sinister menace. Her husband gave her an encouraging nod, smiling as might one who wishes to foster his wife's interest in some unusual intellectual pursuit.

'I'm sorry to hear you're feeling unwell.'

'I expect it's psychological,' Kirkpatrick said. 'Yesterday afternoon upset me a good deal.'

A psychological cold, Burden thought. That's a new one. 'Pity,' he said aloud, 'because I'm afraid you may have to go through the mill again. Don't you think it would be better if we were to stop this farce about your being interested in Miss Margolis for the sake of her brother's paintings?' Kirkpatrick's gaze travelled to the ceiling. From above violent noises could be heard as if his wife were not so much making the beds as breaking the furniture. 'We know very well you were her lover,' he said roughly. 'You threatened to kill her. On your own admission you were in Stowerton on Tuesday night.'

'Not so loud,' Kirkpatrick said, an agonized note in his voice. 'All right. It's all true. I've been thinking - that's why I feel so bloody - I've been thinking I'll have to tell you. It's not her,’ he said, and he looked at the boy and girl. 'It's my kiddies. I don't want to lose my kiddies.' In a low voice he added, 'They always give custody to the mother, never mind what sort of mother she is.'

Burden gave an impatient shrug. 'Ever seen this before?'

The colour which flooded Kirkpatrick's face was the outward sign of an emotion Burden could not define. Guilt? Horror? He waited.

'It's Ann's.'

'Sure of that?'

'I saw her with it.' Dropping pretence, he said, 'She flaunted it in my face.'

Although it was warm in the office, Kirkpatrick kept his raincoat on. He had come of his own free will, Burden told Wexford, to talk in comparative comfort away from his wife.

'Did you give this lighter to Miss Margolis?' Wexford asked.

'Me? How could I afford a thing like that?' 'Tell me how you know it's hers.' Kirkpatrick folded his hands and bowed his head. 'It was about a month ago,' he said, his voice scarcely above a whisper. 'I called for her but she was out. Margolis

‘Didn't seem to want to know me and I sat out in the car waiting for her to come back. Not this car,' he said with a small painful frown, 'the other one I had, the black one.'

He sighed and went on, his voice still low, 'She came back in hers about half an hour later - she'd been getting it serviced. I got out and went up to her. That lighter you've got there, it was oh the shelf in her Alpine and I picked it . up. I knew she hadn't had it before and when I saw the inscription, "For Ann who lights my life", well, I knew her and I knew what sort of terms she'd be on with the giver’ A tiny thread of hysteria crept into his tone. ‘I saw red. I could have killed her then. Christ, I didn't mean that!' He passed his hand across his mouth as if by this action he could wipe away the injudicious words. 'I didn't mean that. You know I didn't, don't you?'

Wexford said very smoothly, 'I know very little about you, Mr Kirkpatrick. You seem to have a split personality. One day you tell me Miss Margolis was merely the key into her brother's art gallery, the next that you were passionately jealous of her. Which personality is - er, the dominant one?'

'I loved her,' he said stonily. 'I was jealous.'

'Of course you were,' Wexford said scornfully, 'and you don't know a Bonnard from a bull's foot.'

'Go on about the lighter,'said Burden.

Instead of continuing, the man said wretchedly, 'My wife mustn't know. God, I was mad, crazy, ever to go near that girl.' Perhaps he noticed that Wexford made him no promises of discretion, noticed and understood the implication, for he said wildly, ‘I didn't kill her, I don't know anything about it.'

'For a man in love you're not showing much grief, Mr Kirkpatrick. Let's get back to the lighter, shall we?'

Kirkpatrick shivered in the warm room. 'I was jealous as hell,' he said. 'She took the lighter from me and looked at it in a peculiar way.'

'What d'you mean, a peculiar way?'

'As if there was something to laugh at,' he said savagely, 'as if it was all one hell of a big joke.' He passed his hand across his forehead. 'I can see her now in that spotted fur-coat, beautiful, free I've never been free like that. She was holding that little bit of gold in her hand. She read out those words on the bottom, read them aloud, and went on laughing. "Who gave it to you?" I said. "He's got a pretty turn of phrase, my generous friend, hasn't he?" she said. "You'd never think of anything like that, Alan. All you ever do is add two and two and make it come to about sixteen." I don't know what she meant.' His fingers had left white marks where they had pressed the skin. 'You talk about showing grief,' he said, ‘I loved her all right, or I thought I did. If you love someone you ought to be sorry when they're dead, oughtn't you? But, my God, if I couldn't have her, just me all to myself, I'd rather she was dead!'

'What were you doing in Stowerton on Tuesday night?' Wexford snapped.

‘I don't have to tell you that.' He said it limply, not defiantly. Then he unbuttoned his coat as if he had suddenly grown hot.

‘I wouldn't do that,' said Burden, 'not if you're going. As you said yesterday we can't keep you here.'

Kirkpatrick stood up. He looked weary to the point of distress, ‘I can go?' He fumbled with his coat belt, his fingers jerking. 'There's nothing more I can tell you, anyway.'

'Perhaps it'll come to you,' Wexford said. 'I'll tell you what, we'll drop by later in the day.'

'When the children are in bed,' Burden added. 'Maybe your wife knows what you were doing in Stowerton.'

if you do that,' Kirkpatrick said fiercely, 'you'll lose me my children.' Breathing heavily, he turned his face to the wall.

'He can cool off in there with Drayton for company,' Wexford said over a cup of coffee in the Carousel Cafe. It was opposite the police station and he preferred it to their canteen. His entry always had the effect of clearing the place of less desirable elements and now they, were alone with the espresso machine, the rubber plants and the jukebox playing Mantovani.

'Funny Ruby recognizing him like that,' said Burden, 'yet not being sure she recognized him as Geoff Smith.'

‘I don't know, Mike. According to your moral code and maybe mine too, his behaviour wasn't exactly ethical, but it wasn't suspicious. She wouldn't have taken much notice of him.'

'Enough to know he was short, young and dark. Kirkpatrick's not that short, must be five feet eight or nine. It's the alias that puzzles me. Smith's obvious, but why Geoff? Why not John, for heaven's sake, or William?'

'Maybe Geoffrey is Kirkpatrick's middle name. We'll have to ask him.' Wexford drew his chair in from the gangway. A slim fair girl in skirt and sweater had come into the cafe and was making for a table beyond the room divider. 'Little Miss Grover,' he whispered. 'Let off the lead for once. If her father was up and about she wouldn't have the chance to pop out even for five minutes.'

'I've heard he's a bit of a tyrant,' Burden said, watching the girl. Her expression was dreamy, far away. 'Wonder what he was up to, slipping a disc? It's not as if he did manual work.'

'Save your detecting for what you get paid for,' said Wexford with a grin.

Linda Grover had ordered a raspberry milk shake. Burden watched her suck it up through a straw and look round with faint embarrassment as the straw made gurgling sounds in the dregs. A little drift of pink foam clung to her upper lip. Her hair, soft and satiny as a child's, was yet another golden eye-catcher on this golden day. 'Regular customer of theirs, Kirkpatrick,' he said. 'Buys his evening paper there. I wonder if he bought a knife too?'

'Let's go back and see,' said Wexford. The sun and the warmth made their walk across the street too short. 'Makes all the difference to the place, doesn't it?' he said as they passed up the steps and the cold stone walls of the police station enclosed them.

Drayton sat at one end of the office, Kirkpatrick at the other. They looked like strangers, indifferent, faintly antagonistic, waiting for a train. Kirkpatrick looked up, his mouth twitching.

'I thought you were never coming,' he said desperately to Wexford. 'If I tell you what I was doing in Stowerton you'll think I'm mad.'

Better a madman than a murderer, Wexford thought. He drew up a chair. 'Try me.'

. 'She wouldn't come out with me,' Kirkpatrick mumbled, ‘on account of that damned car. I didn't believe she was going to that party, so,' he said defiantly, 'I went to Stowerton to check up on her. I got there at eight and I waited for hours and hours. She didn't come. God, I just sat there and waited and when she didn't come I knew she'd lied to me. I knew she'd found someone richer, younger, harder - Oh, what the hell!' He gave a painful cough. 'That's all I did,' he said, 'waited.' He lifted his eyes to Burden. 'When you found me yesterday morning at the cottage, I was going to tell her, ask her who she thought she was to cheat on me!'

Black against the sunlight, Drayton stood staring his contempt. What was he thinking? Wexford wondered. That he with his dark glow of virility, a glow that today was almost insolent, could never be brought so low?

'It got dark,' Kirkpatrick said, ‘I parked my car by the side of Cawthorne's under a tree. They were making a hell of a racket in there, shouting and playing music. She never came. The only person to come out was a drunk spouting Omar Khayyam. I was there for three hours, oh, more than that

Wexford moved closer to the desk, folded his hands and rested his wrists on the rosewood. 'Mr Kirkpatrick,' he said gravely, 'this story of yours may be true, but you must realize that to me it sounds a bit thin. Can you produce anyone who might help to verify it?'

Kirkpatrick said bitterly, 'That's my affair, isn't it? You've done your job. I've never heard of the police hunting up witnesses to disprove their own case.'

'Then you have a lot to learn. We're not here to make "cases" but to see right is done.’ Wexford paused. Three hours, he thought. That covered the time of arrival at Ruby's house, the time when the neighbour heard the crash, the time when two people staggered from the house. 'You must have seen the party guests arriving. Didn't they see you?'

'I put the car right down the side turning till it got dark, down by the side of the launderette.' Hs face grew sullen. 'That girl saw me,' he said.

'What girl?'

'The girl from Grover's shop.'

'You saw her at seven when you bought your evening paper,' Wexford said, trying to keep his patience. 'What you were doing at seven isn't relevant.'

A sulky flush settled on Kirkpatrick's face, ‘I saw her again,' he said, in Stowerton.'

'You didn't mention it before.' This time impatience had got the upper hand and every word was edged with testiness.

‘I'm sick of being made to look a fool,' Kirkpatrick said resentfully, ‘I'm sick of it. If I get out of this I'm going to chuck in my job. Maybe someone's got to flog soap and powder arid lipstick, but not me. I'd rather be out of work.' He clenched his hands, if I get out of this,' he said.

'The girl,' said Wexford. ‘Where did you see the girl?' .

‘I was down the side road by the back of the launderette, just a little way down. She was coming along in a car and she stopped at the traffic lights. I was standing by my car, then. Don't ask me what time it was. I wouldn't know.' He drew his breath in sharply. 'She looked at me and giggled. But she won't remember. I was just a joke to her, a customer who'd kept her late. She saw me standing by that thing and it was good for a laugh. Lipdew! I reckon she thinks about me and has a good laugh every time she washes her ...'

Drayton's face had gone white and he stepped forward, his fingers closing into fists. Wexford interposed swiftly to cut off the last word, the word that might have been innocent or obscene.

'In that case,' he said, 'she will remember, won't she?'

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