Woman in the Dark

One The Flight

Her right ankle turned under her and she fell. The wind blowing downhill from the south, whipping the trees beside the road, made a whisper of her exclamation and snatched her scarf away into the darkness. She sat up slowly, palms on the gravel pushing her up, and twisted her body sidewise to release the leg bent beneath her.

Her right slipper lay in the road close to her feet. When she put it on she found its heel was missing. She peered around, then began to hunt for the heel, hunting on hands and knees uphill into the wind, wincing a little when her right knee touched the road. Presently she gave it up and tried to break the heel off her left slipper, but could not. She replaced the slipper and rose with her back to the wind, leaning back against the wind’s violence and the road’s steep sloping. Her gown clung to her back, flew fluttering out before her. Hair lashed her cheeks. Walking high on the ball of her right foot to make up for the missing heel, she hobbled on down the hill.

At the bottom of the hill there was a wooden bridge, and, a hundred yards beyond, a sign that could not be read in the darkness marked a fork in the road. She halted there, not looking at the sign but around her, shivering now, though the wind had less force than it had had on the hill. Foliage to her left moved to show and hide yellow light. She took the left-hand fork.

In a little while she came to a gap in the bushes beside the road and sufficient light to show a path running off the road through the gap. The light came from the thinly curtained window of a house at the other end of the path.

She went up the path to the door and knocked. When there was no answer she knocked again.

A hoarse, unemotional masculine voice said: “Come in.”

She put her hand on the latch; hesitated. No sound came from within the house. Outside, the wind was noisy everywhere. She knocked once more, gently.

The voice said, exactly as before: “Come in.”

She opened the door. The wind blew it in sharply, her hold on the latch dragging her with it so that she had to cling to the door with both hands to keep from falling. The wind went past her into the room, to balloon curtains and scatter the sheets of a newspaper that had been on a table. She forced the door shut and, still leaning against it, said: “I am sorry.” She took pains with her words to make them clear notwithstanding her accent.

The man cleaning a pipe at the hearth said: “It’s all right. “ His copperish eyes were as impersonal as his hoarse voice. “I’ll be through in a minute.” He did not rise from his chair. The edge of the knife in his hand rasped inside the brier bowl of his pipe.

She left the door and came forward, limping, examining him with perplexed eyes under brows drawn a little together. She was a tall woman and carried herself proudly, for all she was lame and the wind had tousled her hair and the gravel of the road had cut and dirtied her hands and bare arms and the red crepe of her gown.

She said, still taking pains with her words: “I must go to the railroad. I have hurt my ankle. on the road. Eh?”

He looked up from his work then. His sallow, heavily featured face, under coarse hair nearly the color of his eyes, was not definitely hostile or friendly. He looked at the woman’s face, at her torn skirt. He did not turn his head to call: “Hey, Evelyn.”

A girl — slim maturing body in tan sport clothes, slender sunburned face with dark bright eyes and dark short hair — came into the room through a doorway behind him.

The man did not look around at her. He nodded at the woman in red and said: “This—”

The woman interrupted him: “My name is Luise Fischer.”

The man said: “She’s got a bum leg.”

Evelyn’s dark prying eyes shifted their focus from the woman to the man — she could not see his face — and to the woman again. She smiled, speaking hurriedly: “I’m just leaving. I can drop you at Mile Valley on my way home.”

The woman seemed about to smile. Under her curious gaze Evelyn suddenly blushed, and her face became defiant while it reddened. The girl was pretty. Facing her, the woman had become beautiful; her eyes were long, heavily lashed, set well apart under a smooth broad brow, her mouth was not small but sensitively carved and mobile, and in the light from the open fire the surfaces of her face were as clearly defined as sculptured planes.

The man blew through his pipe, forcing out a small cloud of black powder. “No use hurrying,” he said. “There’s no train till six.” He looked up at the clock on the mantelpiece. It said ten-thirty-three. “Why don’t you help her with her leg?”

The woman said: “No, it is not necessary. I—” She put her weight on her injured leg and flinched, steadying herself with a hand on the back of a chair.

The girl hurried to her, stammering contritely: “I... I didn’t think. Forgive me.” She put an arm around the woman and helped her into the chair.

The man stood up to put his pipe on the mantelpiece, beside the clock. He was of medium height, but his sturdiness made him look shorter. His neck, rising from the V of a gray sweater, was short, powerfully muscled. Below the sweater he wore loose gray trousers and heavy brown shoes. He clicked his knife shut and put it in his pocket before turning to look at Luise Fischer.

Evelyn was on her knees in front of the woman, pulling off her right stocking, making sympathetic clucking noises, chattering nervously: “You’ve cut your knee too. Tch-tch-tch! And look how your ankle’s swelling. You shouldn’t’ve tried to walk all that distance in these slippers.” Her body hid the woman’s bare leg from the man. “Now, sit still and I’ll fix it up in a minute.” She pulled the torn red skirt down over the bare leg.

The woman’s smile was polite. She said carefully: “You are very kind.”

The girl ran out of the room.

The man had a paper package of cigarettes in his hand. He shook it until three cigarettes protruded half an inch and held them out to her. “Smoke?”

“Thank you.” She took a cigarette, put it between her lips, and looked at his hand when he held a match to it. His hand was thick-boned, muscular, but not a laborer’s. She looked through her lashes at his face while he was lighting his cigarette. He was younger than he had seemed at first glance — perhaps no older than thirty-two or — three-and his features, in the flare of his match, seemed less stolid than disciplined.

“Bang it up much?” His tone was merely conversational.

“I hope I have not.” She drew up her skirt to look first at her ankle, then at her knee. The ankle was perceptibly though not greatly swollen; the knee was cut once deeply, twice less seriously. She touched the edges of the cuts gently with a forefinger. “I do not like pain,” she said very earnestly.

Evelyn came in with a basin of steaming water, cloths, a roll of bandage, salve. Her dark eyes widened at the man and woman, but were hidden by lowered lids by the time their faces had turned toward her. “I’ll fix it now. I’ll have it all fixed in a minute.” She knelt in front of the woman again, nervous hand sloshing water on the floor, body between Luise Fischer’s leg and the man.

He went to the door and looked out, holding the door half a foot open against the wind.

The woman asked the girl bathing her ankle: “There is not a train before it is morning?” She pursed her lips thoughtfully.

“No.”

The man shut the door and said: “It’ll be raining in an hour.” He put more wood on the fire, then stood — legs apart, hands in pockets, cigarette dangling from one side of his mouth watching Evelyn attend to the woman’s leg. His face was placid.

The girl dried the ankle and began to wind a bandage around it, working with increasing speed, breathing more rapidly now. Once more the woman seemed about to smile at the girl, but instead she said, “You are very kind.”

The girl murmured: “It’s nothing.”

Three sharp knocks sounded on the door.

Luise Fischer started, dropped her cigarette, looked swiftly around the room with frightened eyes. The girl did not raise her head from her work. The man, with nothing in his face or manner to show he had noticed the woman’s fright, turned his face toward the door and called in his hoarse, matter-of-fact voice: “All right. Come in.”

The door opened and a spotted Great Dane came in, followed by two tall men in dinner clothes. The dog walked straight to Luise Fischer and nuzzled her hand. She was looking at the two men who had just entered. There was no timidity, no warmth in her gaze.

One of the men pulled off his cap — it was a gray tweed, matching his topcoat — and came to her, smiling. “So this is where you landed?” His smile vanished as he saw her leg and the bandages. “What happened?” He was perhaps forty years old, well groomed, graceful of carriage, with smooth dark hair, intelligent dark eyes — solicitous at the moment — and a close-clipped dark mustache. He pushed the dog aside and took the woman’s hand.

“It is not serious, I think.” She did not smile. Her voice was cool. “I stumbled in the road and twisted my ankle. These people have been very—”

He turned to the man in the gray sweater, holding out his hand, saying briskly: “Thanks ever so much for taking care of Fräulein Fischer. You’re Brazil, aren’t you?”

The man in the sweater nodded. “And you’d be Kane Robson.”

“Right.” Robson jerked his head at the man who still stood just inside the door. “Mr. Conroy.”

Brazil nodded. Conroy said, “How do you do,” and advanced toward Luise Fischer. He was an inch or two taller than Robson — who was nearly six feet himself — and some ten years younger, blond, broad-shouldered, and lean, with a beautifully shaped small head and remarkably symmetrical features. A dark overcoat hung over one of his arms and he carried a black hat in his hand. He smiled down at the woman and said: “Your idea of a lark’s immense.”

She addressed Robson: “Why have you come here?” He smiled amiably, raised his shoulders a little. “You said you weren’t feeling well and were going to lie down. When Helen went up to your room to see how you were, you weren’t there. We were afraid you had gone out and something had happened to you.” He looked at her leg, moved his shoulders again. “Well, we were right. “

Nothing in her face responded to his smile. “I am going to the city,” she told him. “Now you know.”

“All right, if you want to” — he was good-natured — “but you can’t go like that.” He nodded at her torn evening dress. “We’ll take you back home, where you can change your clothes and pack a bag and—” He turned to Brazil. “When’s the next train?”

Brazil said: “Six.” The dog was sniffing at his legs. “You see,” Robson said blandly, speaking to the woman again. “There’s plenty of time.”

She looked down at her clothes and seemed to find them satisfactory. “I go like this,” she replied.

“Now, look here, Luise,” Robson began again, quite reasonably. “You’ve got hours before train time — time enough to get some rest and a nap and to—”

She said simply: “I have gone.”

Robson grimaced impatiently, half humorously, and turned his palms out in a gesture of helplessness. “But what are you going to do?” he asked in a tone that matched the gesture. “You’re not going to expect Brazil to put you up till train time and then drive you to the station?”

She looked at Brazil with level eyes and asked calmly: “Is it too much?”

Brazil shook his head carelessly. “Uh-uh.”

Robson and Conroy turned together to look at Brazil. There was considerable interest in their eyes, but no visible hostility. He bore the inspection placidly.

Luise Fischer said coolly, with an air of finality: “So.”

Conroy looked questioningly at Robson, who sighed wearily and asked: “Your mind’s made up on this, Luise?”

“Yes.”

Robson shrugged again, said: “You always know what you want.” Face and voice were grave. He started to turn away toward the door, then stopped to ask: “Have you got enough money?” One of his hands went into the inner breast pocket of his dinner jacket.

“I want nothing,” she told him.

“Right. If you want anything later, let me know. Come on, Dick.”

He went to the door, opened it, twisted his head around to direct a brisk “Thanks, good night” at Brazil, and went out.

Conroy touched Luise Fischer’s forearm lightly with three fingers, said “Good luck” to her, bowed to Evelyn and Brazil, and followed Robson out.

The dog raised his head to watch the two men go out. The girl Evelyn stared at the door with despairing eyes and worked her hands together. Luise Fischer told Brazil: “You will be wise to lock your door.”

He stared at her for a long moment, brooding, and while no actual change seemed to take place in his expression, all his facial muscles stiffened. “No,” he said finally, “I won’t lock it.”

The woman’s eyebrows went up a little, but she said nothing. The girl spoke, addressing Brazil for the first time since Luise Fischer’s arrival. Her voice was peculiarly emphatic. “They were drunk.”

“They’ve been drinking,” he conceded. He looked thoughtfully at her, apparently only then noticing her perturbation. “You look like a drink would do you some good.”

She became confused. Her eyes evaded his. “Do... do you want one?”

“I think so.” He looked inquiringly at Luise Fischer, who nodded and said: “Thank you.”

The girl went out of the room. The woman leaned forward a little to look intently up at Brazil. Her voice was calm enough, but the deliberate slowness with which she spoke made her words impressive: “Do not make the mistake of thinking Mr. Robson is not dangerous.”

He seemed to weigh this speech almost sleepily; then, regarding her with a slight curiosity, he said: “I’ve made an enemy?”

Her nod was sure.

He accepted that with a faint grin, offering her his cigarettes again, asking: “Have you?”

She stared through him as if studying some distant thing and replied slowly: “Yes, but I have lost a worse friend.”

Evelyn came in, carrying a tray that held glasses, mineral water, and a bottle of whiskey. Her dark eyes, glancing from man to woman, were inquisitive, somewhat furtive. She went to the table and began to mix drinks.

Brazil finished lighting his cigarette and asked: “Leaving him for good?”

For the moment during which she stared haughtily at him it seemed that the woman did not intend to answer his question; but suddenly her face was distorted by an expression of utter hatred and she spit out a venomous “Ja!”

He set his glass on the mantelpiece and went to the door. He went through the motions of looking out into the night; yet he opened the door a bare couple of inches and shut it immediately, and his manner was so far from nervous that he seemed preoccupied with something else.

He turned to the mantelpiece, picked up his glass, and drank. Then, his eyes focused contemplatively on the lowered glass, he was about to speak when a telephone bell rang behind a door facing the fireplace. He opened the door, and as soon as he had passed out of sight his hoarse, unemotional voice could be heard. “Hello?... Yes... Yes, Nora... Just a moment.” He re-entered the room, saying to the girl: “Nora wants to talk to you.” He shut the bedroom door behind her.

Luise said: “You cannot have lived here long if you did not know Kane Robson before tonight.”

“A month or so; but, of course, he was in Europe till he came back last week” — he paused — “with you.” He picked up his glass. “Matter of fact, he is my landlord.”

“Then you—” She broke off as the bedroom door opened. Evelyn stood in the doorway, hands to breast, and cried: “Father’s coming — somebody phoned him I was here.” She hurried across the room to pick up hat and coat from a chair.

Brazil said: “Wait. You’ll meet him on the road if you go now. You’ll have to wait till he gets here, then duck out back and beat him home while he’s jawing at me. I’ll stick your car down at the foot of the back road.” He drained his glass and started for the bedroom door.

“But you won’t” — her lip quivered — “won’t fight with him? Promise me you won’t.”

“I won’t.” He went into the bedroom, returned almost immediately with a soft brown hat on his head and one of his arms in a raincoat. “It’ll only take me five minutes.” He went out the front door.

Luise Fischer said: “Your father does not approve?” The girl shook her head miserably. Then suddenly she turned to the woman, holding her hands out in an appealing gesture, lips — almost colorless — moving jerkily as her words tumbled out: “You’ll be here. Don’t let them fight. They mustn’t.”

The woman took the girl’s hands and put them together between her own, saying: “I will do what I can, I promise you.”

“He mustn’t get in trouble again,” the girl moaned. “He mustn’t!”

The door opened and Brazil came in.

“That’s done,” he said cheerfully, and took off his raincoat, dropped it on a chair, and put his damp hat on it. “I left it at the end of the fence.” He picked up the woman’s empty glass and his own and went to the table. “Better slide out to the kitchen in case he pops in suddenly.” He began to pour whiskey into the glasses.

The girl wet her lips with her tongue, said, “Yes, I guess so,” indistinctly, smiled timidly, pleadingly, at Luise Fischer, hesitated, and touched his sleeve with her fingers. “You — you’ll behave?”

“Sure.” He did not stop preparing his drinks.

“I’ll call you up tomorrow.” She smiled at Luise Fischer and moved reluctantly toward the door.

Brazil gave the woman her glass, pulled a chair around to face her more directly, and sat down.

“Your little friend,” the woman said, “she loves you very much.”

He seemed doubtful. “Oh, she’s just a kid,” he said.

“But her father,” she suggested, “he is not nice — eh?”

“He’s cracked,” he replied carelessly, then became thoughtful. “Suppose Robson phoned him?”

“Would he know?”

He smiled a little. “In a place like this everybody knows all about everybody.”

“Then about me,” she began, “you—”

She was interrupted by a pounding on the door that shook it on its hinges and filled the room with thunder. The dog came in, stiff-legged on its feet.

Brazil gave the woman a brief grim smile and called: “All right. Come in.”

The door was violently opened by a medium-sized man in a glistening black rubber coat that hung to his ankles. Dark eyes set too close together burned under the down-turned brim of his gray hat. A pale bony nose jutted out above ragged, short-cut, grizzled mustache and beard. One fist gripped a heavy applewood walking stick.

“Where is my daughter?” this man demanded. His voice was deep, powerful, resounding.

Brazil’s face was a phlegmatic mask. “Hello, Grant,” he said.

The man in the doorway took another step forward. “Where is my daughter?”

The dog growled and showed its teeth. Luise Fischer said: “Franz!” The dog looked at her and moved its tail sidewise an inch or two and back.

Brazil said: “Evelyn’s not here.”

Grant glared at him. “Where is she?”

Brazil was placid. “I don’t know.”

“That’s a lie!” Grant’s eyes darted their burning gaze around the room. The, knuckles of his hand holding the stick were white. “Evelyn!” he called.

Luise Fischer, smiling as if entertained by the bearded man’s rage, said: “It is so, Mr. Grant. There is nobody else here.”

He glanced briefly at her, with loathing in his mad eyes. “Bah! The strumpet’s word confirms the convict’s!” He strode to the bedroom door and disappeared inside.

Brazil grinned. “See? He’s cracked. He always talks like that — like a guy in a bum book.”

She smiled at him and said: “Be patient.”

“I’m being,” he said dryly.

Grant came out of the bedroom and stamped across to the rear door, opened it, and disappeared through it.

Brazil emptied his glass and put it on the floor beside his chair. “There’ll be more fireworks when he comes back.”

When the bearded man returned to the room, he stalked in silence to the front door, pulled it open, and, holding the latch with one hand, banging the ferrule of his walking stick on the floor with the other, roared at Brazil: “For the last time, I’m telling you not to have anything to do with my daughter! I shan’t tell you again.” He went out, slamming the door.

Brazil exhaled heavily and shook his head. “Cracked,” he sighed. “Absolutely cracked.”

Luise Fischer said: “He called me a strumpet. Do people here—”

He was not listening to her. He had left his chair and was picking up his hat and coat. “I want to slip down and see if she got away all right. If she gets home first she’ll be O.K. Nora — that’s her stepmother — will take care of her. But if she doesn’t — I won’t be long.” He went out the back way.

Luise Fischer kicked off her remaining slipper and stood up, experimenting with her weight on her injured leg. Three tentative steps proved her leg stiff but serviceable. She saw then that her hands and arms were still dirty from the road and, exploring, presently found a bathroom opening off the bedroom. She hummed a tune to herself while she washed and, in the bedroom again, while she combed her hair and brushed her clothes — but broke off impatiently when she failed to find powder or lipstick. She was studying her reflection in a tall looking glass when she heard the outer door opening.

Her face brightened. “I am here,” she called, and went into the other room.

Robson and Conroy were standing inside the door.

“So you are, my dear,” Robson said, smiling at her start of surprise. He was paler than before and his eyes were glassier, but he seemed otherwise unchanged. Conroy, however, was somewhat disheveled; his face was flushed and he was obviously rather drunk.

The woman had recovered composure. “What do you want?” she demanded bluntly.

Robson looked around. “Where’s Brazil?”

“What do you want?” she repeated.

He looked past her at the open bedroom door, grinned, and crossed to it. When he turned from the empty room she sneered at him. Conroy had gone to the fireplace, where the Great Dane was lying, and was standing with his back to the fire, watching them.

Robson said: “Well, it’s like this, Luise: you’re going back home with me.”

She said: “No.”

He wagged his head up and down, grinning.

“I haven’t got my money’s worth out of you yet.” He took a step toward her.

She retreated to the table, caught up the whiskey bottle by its neck. “Do not touch me!” Her voice, like her face, was cold with fury.

The dog rose, growling.

Robson’s dark eyes jerked sidewise to focus on the dog, then on Conroy — and one eyelid twitched — then on the woman again.

Conroy — with neither tenseness nor furtiveness to alarm woman or dog-put his right hand into his overcoat pocket, brought out a black pistol, put its muzzle close behind one of the dog’s ears, and shot the dog through the head. The dog tried to leap, fell on its side; its legs stirred feebly. Conroy, smiling foolishly, returned the pistol to his pocket.

Luise Fischer spun around at the sound of the shot. Screaming at Conroy, she raised the bottle to hurl it. But Robson caught her wrist with one hand, wrenched the bottle away with the other. He was grinning, saying, “No, no, my sweet,” in a bantering voice.

He put the bottle on the table again, but kept his grip on her wrist.

The dog’s legs stopped moving.

Robson said: “All right. Now, are you ready to go?” She made no attempt to free her wrist. She drew herself up straight and said very seriously: “My friend, you do not know me yet if you think I am going with you.”

Robson chuckled. “You don’t know me if you think you’re not,” he told her.

The front door opened and Brazil came in. His sallow face was phlegmatic, though there was a shade of annoyance in his eyes. He shut the door carefully behind him, then addressed his guests. His voice was that of one who complains without anger. “What the hell is this?” he asked. “Visitors’ day? Am I supposed to be running a roadhouse?”

Robson said: “We are going now. Fräulein Fischer’s going with us.”

Brazil was looking at the dead dog, annoyance deepening in his copperish eyes. “That’s all right if she wants to,” he said indifferently.

The woman said: “I am not going.”

Brazil was still looking at the dog. “That’s all right too,” he muttered, and with more interest: “But who did this?” He walked over to the dog and prodded its head with his foot. “Blood all over the floor,” he grumbled.

Then, without raising his head, without the slightest shifting of balance or stiffening of his body, he drove his right fist up into Conroy’s handsome, drunken face.

Conroy fell away from the fist rigidly, with upbent knees, turning a little as he fell. His head and one shoulder struck the stone fireplace, and he tumbled forward, rolling completely over, face upward, on the floor.

Brazil whirled to face Robson.

Robson had dropped the woman’s wrist and was trying to get a pistol out of his overcoat pocket. But she had flung herself on his arm, hugging it to her body, hanging with her full weight on it, and he could not free it, though he tore her hair with his other hand.

Brazil went around behind Robson, struck his chin up with a fist so he could slide his forearm under it across the taller man’s throat. When he had tightened the forearm there and had his other hand wrapped around Robson’s wrist, he said: “All right. I’ve got him.”

Luise Fischer released the man’s arm and fell back on her haunches. Except for the triumph in it, her face was as businesslike as Brazil’s.

Brazil pulled Robson’s arm up sharply behind his back. The pistol came up with it, and when the pistol was horizontal Robson pulled the trigger. The bullet went between his back and Brazil’s chest, to splinter the corner of a bookcase in the far end of the room.

Brazil said: “Try that again, baby, and I’ll break your arms. Drop it!”

Robson hesitated, let the pistol clatter down on the floor. Luise Fischer scrambled forward on hands and knees to pick it up. She sat on a corner of the table, holding the pistol in her hand.

Brazil pushed Robson away from him and crossed the room to kneel beside the man on the floor, feeling his pulse, running hands over his body, and rising with Conroy’s pistol, which he thrust into a hip pocket.

Conroy moved one leg, his eyelids fluttered sleepily, and he groaned.

Brazil jerked a thumb at him and addressed Robson curtly: “Take him and get out.”

Robson went over to Conroy, stooped to lift his head and shoulders a little, shook him, and said irritably: “Come on, Dick, wake up. We’re going.”

Conroy mumbled, “I’m a’ ri’,” and tried to lie down again.

“Get up, get up,” Robson snarled, and slapped his cheeks.

Conroy shook his head and mumbled: “Do’ wan’a.”

Robson slapped the blond face again. “Come on, get up, you louse.”

Conroy groaned and mumbled something unintelligible.

Brazil said impatiently: “Get him out anyway. The rain’ll bring him around.”

Robson started to speak, changed his mind, picked up his hat from the floor, put it on, and bent over the blond man again. He pulled him up into something approaching a sitting position, drew one limp arm over his shoulder, got a hand around Conroy’s back and under his armpit, and rose, slowly lifting the other on unsteady legs beside him.

Brazil held the front door open. Half dragging, half carrying Conroy, Robson went out.

Brazil shut the door, leaned his back against it, and shook his head in mock resignation.

Luise Fischer put Robson’s pistol down on the table and stood up. “I am sorry,” she said gravely. “I did not mean to bring to you all this—”

He interrupted her carelessly: “That’s all right.” There was some bitterness in his grin, though his tone remained careless. “I go on like this all the time. God! I need a drink.”

She turned swiftly to the table and began to fill glasses.

He looked her up and down reflectively, sipped, and asked: “You walked out just like that?”

She looked down at her clothes and nodded yes.

He seemed amused. “What are you going to do?”

“When I go to the city? I shall sell these things” — she moved her hands to indicate her rings — “and then — I do not know.”

“You mean you haven’t any money at all?” he demanded.

“That is it,” she replied coolly.

“Not even enough for your ticket?”

She shook her head no, raised her eyebrows a little, and her calmness was almost insolence. “Surely that is a small amount you can afford to lend me.”

“Sure,” he said, and laughed. “But you’re a pip.”

She did not seem to understand him.

He drank again, then leaned forward. “Listen, you’re going to look funny riding the train like that.” He flicked two fingers at her gown. “Suppose I drive you in and I’ve got some friends that’ll put you up till you get hold of some clothes you can go out in?”

She studied his face carefully before replying: “If it is not too much trouble for you.”

“That’s settled, then,” he said. “Want to catch a nap first?”

He emptied his glass and went to the front door, where he made a pretense of looking out at the night.

As he turned from the door he caught her expression, though she hastily put the frown off her face. His smile, voice were mockingly apologetic: “I can’t help it. They had me away for a while — in prison, I mean — and it did that to me. I’ve got to keep making sure I’m not locked in.” His smile became more twisted. “There’s a name for it — claustrophobia — and that doesn’t make it any better.”

“I am sorry,” she said. “Was it — very long ago?”

“Plenty long ago when I went in,” he said dryly, “but only a few weeks ago that I got out. That’s what I came up here for — to try to get myself straightened out, see how I stood, what I wanted to do.”

“And?” she said softly.

“And what? Have I found out where I stand, what I want to do? I don’t know.” He was standing in front of her, hands in pockets, glowering down at her. “I suppose I’ve just been waiting for something to turn up, something I could take as a sign which way I was to go. Well, what turned up was you. That’s good enough. I’ll go along with you.”

He took his hands from his pockets, leaned down, lifted her to her feet, and kissed her savagely.

For a moment she was motionless. Then she squirmed out of his arms and struck at his face with curved fingers. She was white with anger.

He caught her hand, pushed it down carelessly, and growled: “Stop it. If you don’t want to play you don’t want to play, that’s all.”

“That is exactly all,” she said furiously.

“Fair enough.” There was no change in his face, none in his voice.

Presently she said: “That man — your little friend’s father — called me a strumpet. Do people here talk very much about me?”

He made a deprecatory mouth. “You know how it is. The Robsons have been the big landowners, the local gentry, for generations, and anything they do is big news. Everybody knows everything they do, and so—”

“And what do they say about me?”

He grinned. “The worst, of course. What do you expect? They know him.”

“And what do you think?”

“About you?”

She nodded. Her eyes were intent on his.

“I can’t very well go around panning people,” he said, “only I wonder why you ever took up with him. You must’ve seen him for the rat he is.”

“I did not altogether,” she said simply. “And I was stranded in a little Swiss village.”

“Actress?”

She nodded. “Singer.”

The telephone bell rang.

He went unhurriedly into the bedroom. His unemotional voice came out: “Hello?... Yes, Evelyn... Yes.” There was a long pause. “Yes; all right, and thanks.”

He returned to the other room as unhurriedly as he had left, but at the sight of him Luise Fischer half rose from the table. His face was pasty, yellow, glistening with sweat on forehead and temples, and the cigarette between the fingers of his right hand was mashed and broken.

“That was Evelyn. Her father’s justice of the peace. Conroy’s got a fractured skull — dying. Robson just phoned he’s going down to swear out a warrant. That damned fireplace. I can’t live in a cell again!”