Dead Man's Grip

6

He’d had enough of Meat Loaf. Just as the railway-crossing barrier began to rise, Stuart Ferguson switched to an Elkie Brooks album. ‘Pearl’s a Singer’ began to play. That song had been on in the pub the first time he’d gone out with Jessie.

Some women on a first date tried to distance themselves from you, until they knew you better. But they’d had six months of getting to know each other over the phone and the Internet. Jessie had been waiting tables in a truck stop just north of Edinburgh when they’d first met, late at night, and chatted for over an hour. They were both going through marriage bust-ups at the time. She’d scrawled her phone number on the back of the receipt and hadn’t expected to hear from him again.

When they’d settled into the quiet side booth, on their first proper date, she’d snuggled up to him. As the song started playing, he’d slipped an arm around her shoulder, fully expecting her to flinch or pull away. Instead she’d snuggled even closer and turned her face towards him, and they’d kissed. They continued kissing, without a break, for the entire duration of the song.

He smiled as he drove forward, bumping over the rail tracks, mindful of a wobbly moped rider just in front of him, the wipers clunking. His heart was heavy with longing for Jessie, the song both beautiful and painful for him at the same time. Tonight he would be back in her arms.

‘In one hundred yards turn left,’ commanded the female voice of his satnav.

‘Yes, boss,’ he grunted, and glanced down at the left-angled arrow on the screen, directing him off Station Road and into Portland Road.

He indicated and changed down a gear, braking well in advance, careful to get the weighting of the heavy lorry stabilized before making the sharp turn on the wet road.

In the distance he saw flashing headlights. A white van, tailgating a car. Tosser, he thought.