29

Rampart, New York

Magnified images of death reflected on Morten’s glasses.

Staring into his twenty-four-inch monitor, the pathologist was thankful he’d persuaded the town and county to buy the scanning electron microscope. The unit took up one corner of his small lab across the hall from the cooler and the autopsy room at Rampart General. He was using it to search for microscopic clues into the cause and manner of death of the third victim whose remains were found at the scene.

The deceased was a female.

Her identity was still unknown, but since the case had gained a greater profile-Field of Screams, one New York City paper called it-Compton was confident that it was only a matter of time before they had confirmation, because now he had more help.

Radiographs of the deceased’s teeth had been sent electronically to the chief forensic odontologist at the New York State Police lab in Albany. The FBI was also assisting in accelerating DNA analysis for comparison through its CODIS system with forensic DNA evidence from other criminal investigations across the country and around the world. The FBI was also comparing the deceased’s DNA with the sample provided by Kate Page.

While awaiting word on identification, Compton continued his investigation with the scanning electron microscope. It was unusual for a small jurisdiction like Rampart to have such a piece of equipment. The price tag of a new Swiss-made model was $250,000, but Compton got a second-hand version for next to nothing through a contact at MIT.

The green light to buy it was part of the agreement by the locals to convince Compton not to accept a job offer in Arizona. He’d also taken a course on how to operate the equipment. And recently, he’d attended a conference in Chicago that included a workshop on how to use the technology to analyze markings of bones found at crime scenes.

The unit’s magnification power was stunning. The image on the screen of bones looked otherworldly, but to Compton it was evidence. He’d already concluded that the deceased was approximately five feet four inches or five feet three inches in height. Twenty-three to thirty years of age. The cause, manner and time of death remained a challenge because of the condition of the remains.

When the remains were removed, the forensic investigators working on the immediate scene sifted the soil and used metal detectors to determine if bullets were fired into the body, or if a knife, or identifying jewelry, or any other evidence was present.

The body had been found in a makeshift grave in bramble, leaving much of it exposed to air, which had an impact on the rate of decomposition. Little skin was left, much of it like leather. Some of the bones were no longer enfleshed or connected by ligaments, which meant they’d been displaced. At first Compton theorized that a combination of decomposition and animal disturbance accounted for the displacement, but the scanning electron microscope pointed him to something chilling.

Further analysis revealed that the body had, in fact, been dismembered, postmortem.

He’d found marks left on the bones, marks indicating cutting.

With the higher magnification he was able to study the striations formed by the cutting teeth of the saw. The marks were unique in the push and pull strokes. This could point to a specific saw used. Compton was making notes for the report he would send to the FBI for its Firearms/Toolmarks Unit (FTU). The Bureau’s analysts could compare the marks and use their expertise and tool databases to point to the model and make of the saw used.

It would be a lead.

Compton removed his glasses, rubbed his tired eyes and reflected on the case. The killer had dismembered the victim after death and placed the remains in a shallow grave like pieces of a puzzle awaiting assembly.

Field of Screams is not that far off the mark.

We’ve got something evil at work.

Compton’s phone rang.

“Morton, Colin Hawkley in Albany.”

“Hey, Colin.”

“Got an ID on your female deceased, are you ready to take it down?’

As Compton reached for his pen he stared at his monitor. The magnified images were about to become more than bones. Soon they’d have a name; soon they’d be someone’s daughter or someone’s wife or someone’s sister.

They’d be a life to be mourned.

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