Killing the Shadows

FOURTY-SEVEN

Her flat was like her, Steve thought. Light, bright and smart. Stylish and bold. Terry lived on the top floor of an old brick building off City Road. The three floors below her were occupied by a graphic design business, a leather goods workshop and a company providing post-production facilities to independent film makers. The label by the third-floor button in the goods lift read simply, Fowler Storage. Steve suspected there was no planning permission for residential use for the top storey. He also suspected that Terry didn’t give a toss.

Her living space consisted of a large open room around forty feet by fifty feet. A door at the far end gave on to a narrow bathroom and a shower cubicle. The main area was whitewashed, the floor painted a dark glossy terra cotta There was a sleeping area with a brass bed and brass rails for hanging clothes, a sitting area with half a dozen beanbags and a mini stereo system, a work area with a desk, a computer and floor-to-ceiling bookshelves. A kitchen area was squeezed into a corner by the windows, complete with a round pine table and six folding chairs. A portable TV and video on a trolley were stowed in one corner. The walls were decorated with framed Keith Haring prints, their bright splashes the main source of colour.

She’d opened the door with a flourish, imitating a trumpet fanfare through pursed lips. He’d stood on the threshold, appraising the room with a professional eye. He nodded. “Great views,” he said. “I like it.”

Then he was through the door and in her arms, their hungry mouths searching for satisfaction. No time to undress, just the urgent fumbling aside of whatever clothes got in the way, desire sweeping everything away except the consciousness of each other’s body.

Afterwards, they lay in untidy array, breath mingling, both for once entirely lacking in selfconsciousness. “So, what’s the main course?” Steve asked.

Terry giggled and snuggled her hands under his shirt. “That wasn’t even the starter. Think of it as an amuse-bouche.”

“Consider me amused.”

Terry freed herself from his arms and stood up, lithe movements that he followed with his eyes. “Let’s get comfortable,” she said, pulling her dress over her head and kicking off her shoes.

“Sounds good to me,” he agreed, getting to his feet. He scooped his mobile phone and pager out of his pockets and crossed to the desk, where he put them down next to the keyboard. He shrugged out of his clothes, throwing them over the desk chair. “Bathroom?” he asked.

Terry pointed. “Down there.”

“Don’t go away,” he said.

“As if.” As soon as the bathroom door closed behind him, she jumped to her feet and moved purposefully to the desk. She stared down at the phone and pager. The mood had been shattered the previous evening by a phone call that hadn’t even been his case, bringing to the surface all his worries and fears for his friend. And, even worse, thrusting Fiona Cameron into the space between them. She wasn’t sure what the past history there was, but all her instincts told her there was more to it than mere friendship. His body language changed whenever Fiona’s name cropped up, betraying something lurking beneath the surface. Tonight, she didn’t want Fiona in bed with them. Impulsive as always, Terry reached out. It was the work of a moment to switch off both phone and pager. Besides, she reasoned as she crossed to the bed, tonight was Friday night and the end of the working week. If she was going to have a relationship with this man, Terry knew she would have to change his workaholic ways. And there was no time like the present.

Sarah Duvall stood under the feeble spray from the shower head and wondered why every police station she’d served in had had crappy showers. She’d spent the last hour in the computer room where the officers on her squad were patiently entering the results of all the Smithfield interviews that had been conducted already and were still going on all over Greater London. While the interviews with Redford remained so unproductive, she’d decided to crack the whip in other areas of the investigation. She’d only walked away from the computers when she realized that the lines of print on the screen were wavering before her eyes as if through the lens of a swimming pool. If she had any more caffeine, her system would probably go into cardiac crisis, so she’d headed for the women’s showers in the hope that a cascade of cool water would restore her brain to something approaching working order.

The first twenty-four hours were crucial to a murder investigation. Unfortunately for Duvall, those essential hours had passed over a week ago. And she was left picking over a very cold trail. So far as she could tell, not a single witness statement apart from that of the literary agent had anything approaching a positive lead that would tie Redford more strongly into the crime. And that only spoke to motivation, not direct connection to the murder. The only concrete thing they had was a sighting of a metallic-grey four-wheel-drive, possibly a Toyota or a Mitsubishi, seen by a passing motorist parked behind Georgia Lester’s Jaguar on the day of her disappearance. The driver hadn’t seen either Georgia or the occupant of the 4x4. But there was no record of Charles Redford possessing such a vehicle. She already had someone checking with car hire firms to see if he’d hired one recently.

Duvall turned off the trickle of water and stepped out of the cubicle. She towelled herself dry and climbed into the only clean clothes in her locker a pair of blue jeans and a Chicago PD sweatshirt. Not exactly ideal, but better than the crumpled outfit she’d been wearing for the past thirty-six hours. The clean material against her skin made her feel more refreshed than the shower had. A cursory glance in the mirror, and she was ready to roll again.

When she walked back into the operations room, she instantly plugged in to the fresh sense of excitement that buzzed under the hum of the computers. She was two steps into the room when one of her sergeants bounded up to her. “We’ve got something in from Dorset,” he said, unable to keep his face solemn.

Duvall felt her tired face trying a smile on for size. “Tell me more,” she said, pulling out the nearest chair and sitting down.

“There’s an outhouse at the bottom of a field at the back of the property. They didn’t realize it belonged to the cottage, which is why they haven’t searched it before now. Anyway, it turns out the husband mentioned it to one of their officers, so they broke in there a couple of hours ago and that’s where he butchered her. It’s got stone benches along one wall, and there are bloodstains all over them. Even better, he left his tools behind. Knives, hacksaw, chisel, hammer, the lot.”

Duvall nodded. “Probably thought that was safer than hanging on to them or trying to dispose of them somewhere else. I take it they’ve got a full forensic team in there now?”

“They’re going over it inch by inch.”

“Great. Keep me informed.”

He moved off, glad to have some definite purpose. He had completely missed the troubled look on his boss’s face. For the first time since Redford had grandstanded his way into her interview room, something had come up that didn’t gel with what he had said. She’d have to double-check. But Duvall was as sure as she could be that he had said he had taken Georgia to, “a place he’d known about for years, a place they’d never find.” That squared with what the book had said.

It was, however, entirely at odds with the Dorset Police’s discovery.

Uneasiness crept through Duvall’s weary body, as palpable as nausea. What if her instinct had led her astray? What if Redford was nothing more than an attention-seeker? What if there was still a killer on the loose? She shook her head, unwilling to concede the possibility. It couldn’t be. Redford was so right, she felt it in her heart.

But what if she were wrong?

The pain came first. A desperate localized agony inside his head, red, yellow and white waves behind his eyes. When he tried to groan, Kit found his mouth couldn’t move. Then the secondary pains began to take focus. His shoulders ached, his wrists smarted. He tried to shift his position and found himself rolling helplessly from his side on to his back. His hands dug uncomfortably into his spine, and he had to rock his shoulders furiously to get back into the less painful position he’d started off in. Nothing made sense. Opening his eyes was no help. The darkness was more profound than it had been before he’d forced his eyelids apart.

His stomach grumbled. The waves of pain from his head seemed to be directly connected to his gut, producing an uncomfortable queasiness. Slowly, he realized that wherever he was, he was in motion. Now he could hear the low grumble of an engine and the hiss of road noise. Muffled voices separated out and he understood that a radio was playing. It dawned on him that he was inside a moving vehicle and the driver was listening to the radio.

Comprehension brought memory back with bewildering swiftness. The courier at the door with the box of books. The movement out of the corner of his eye. Then nothing, till now.

With appalling clarity that momentarily banished pain, Kit recognized the scenario. He was trapped in a nightmare of his own invention. He was living the story of Susannah Tremayne, the second victim of the serial killer he’d dubbed the Blood Painter. The killer had captured her by pretending to be a courier delivering a package. Then he’d loaded her into his van and driven her to the holiday cottage.

Twenty-four hours earlier, it would have been at the front of his mind. He would never have opened the door to a courier, not even one of the ones he was familiar with. But that had been before Charles Redford had been arrested, before Sarah Duvall had told Fiona the killer was in custody and life could return to normal, without the bite of fear cutting into every moment.

They’d been catastrophically wrong. Terror clutched at his heart. He knew exactly what lay in store for him. After all, he’d written the script.

Before she let herself out of Drew Shand’s flat, Fiona took a look at the Edinburgh street map on his reference shelf and decided to walk back to her hotel. A brisk couple of miles on the city streets might clear her head. She set off through the Georgian streets of the New Town, heading for Queensferry Road, the damp air clinging to her skin and hair. She was almost the only person on the streets. She turned on to the Dean Bridge, enjoying the spectacle of walking above tree-top level, with random blocks of light from the backs of the New Town tenements glowing pale-yellow through the insubstantial mist. It could have felt spooky, she thought, and if someone with the gifts of Kit or Drew had been describing it, it would have crept off the page and made the hair on the back of her neck stand up. As it was, after a day of airports and the enclosed office at St. Leonard’s, it felt curiously liberating, a brief escape from the concerns of work and love.

When she arrived back at her hotel, she was almost reluctant to go in. The brief time out had refreshed her, leaving her ready for something more enjoyable than thoughts of murder. The only tantalizing prospect the evening had to offer now was the chance of a conversation with Kit.

Fiona checked at reception for messages. Nothing. She’d hoped he would have called, in response to one of her earlier e — mail messages. Never mind, she thought. She’d call home in the hope that he was monitoring the answering machine and would pick up when he heard her voice. She went up to her room and called room service. While she waited, she booted up the laptop and checked her e — mail again. Nothing from Kit. Not like him, she thought. They’d had no contact since she’d left that morning, which was a break in their usual pattern of communication.

Glancing at her watch, she saw it was just past nine. He couldn’t still be working. He should answer the phone.

Quickly, she dialled the familiar number, her fingers stumbling so she had to abort the call and start again. The phone rang out. Three, four, five rings. Then the answering machine. His recorded voice for once provided no comfort. She waited for the bleep. “Kit, it’s me. If you’re there, pick up, please…Come on, I need to talk to you…” She waited in vain.

While she ate the pasta she’d ordered and sipped a glass of wine, Fiona flicked through the letters again, checking to see if there was anything she’d missed.

When the phone rang she dropped her fork with a clatter. She grabbed the receiver eagerly and said, “Hello?”

“This is DCI Duvall.”

Fiona felt intense disappointment. “Oh. Hello. I was expecting someone else.”

“I wondered what progress you’d made,” Duvall said abruptly.

Fiona outlined her day’s work in some detail. As she reported her findings, Duvall made no response apart from the occasional noncommittal sound of someone making notes.

When she had finished, Duvall spoke. “So, you’ve found nothing to contradict the theory that Redford is the killer?” she asked.

It was, Fiona thought, an odd way to put it. “Nothing. Why? Has something come up at your end?” A nervous prickle of anxiety crept across her chest.

She felt the hesitation build at the other end of the phone. “A minor discrepancy, that’s all,” Duvall said briskly.

“How minor?” Fiona demanded.

Duvall outlined what the Dorset Police had uncovered, and how it was at odds with the little Redford had said on the subject. “We’ll have more sense of its significance when we get the forensics back from the outhouse.”

“But that could be days,” Fiona protested. “If you have got the wrong man in custody, then other people could be at risk.” One person in particular, she thought, fear beginning to clench her stomach. “The killer’s going to feel very safe. He’ll be confident about striking again.” And I can’t raise Kit.

“I’m aware of that. We’re doing everything we can to corroborate what Redford is saying.”

“I’ve not heard from Kit all day,” Fiona blurted out.

“One of my team was supposed to interview him this afternoon. I’ll check out what he had to say. He may have indicated he had plans for the evening,” Duvall said with a confident authority she didn’t feel. “I’ll get back to you.”

“I’ll be waiting for your call.” Fiona replaced the phone gently, as if somehow so doing would also keep Kit safe. She was, she recognized, terrified. Suddenly, she bolted for the bathroom, making it just in time. Undigested pasta swilled round in a bilious red sea of tomato sauce and wine. Her stomach kept on emptying itself in a reflex long after there was nothing left to bring up. She leaned back on her heels, a sheen of sweat across her forehead, her breath coming in ragged gasps.

The thought of Sarah Duvall’s call forced her to her feet. She flushed the toilet and brushed her teeth. What was taking her so long? She ran her hands through her hair, gazing at herself in the mirror. Her eyes were haunted, her face made gaunt by the inner fears eating her away. “You look like shit,” she told her reflection. “Get a grip, Cameron.”

The phone ringing catapulted her out of the bathroom and across the bedroom. “Yes, Fiona Cameron, hello?”

“We seem to have a slight problem,” Duvall said hesitantly.

Jesus God, no, she screamed silently. “What sort of a problem?” she forced out.

“Apparently, he wasn’t at home when my officer called on him.”

Fiona groaned. “Something’s happened to him.”

“I don’t think you should jump to conclusions, Dr. Cameron. My officer admitted he was over an hour late in getting to their appointment. Mr. Martin may well have given up on him. I understand from Ms Lester’s husband that a group of her fellow writers were planning to get together today to hold a sort of wake. That’s probably where Mr. Martin is right now. Look, Redford’s confession checks out in every detail but one. He’s been treating his interviews like a game, a battle of wits. It’s entirely possible that he was deliberately misleading us because he’s determined not to give us anything concrete. He wants to get away with this, I’m sure of it.” Duvall’s voice showed not a trace of doubt. “I’m sure Mr. Martin will be in touch. Try not to worry.”

“Easier said than done, DCI Duvall.”

“I still believe we have the right man in custody.”

“You would say that. You’ve got too much invested in this to say otherwise.”

“If Mr. Martin hasn’t been in touch by tomorrow morning, call me.”

“Bet on it.” She slammed the phone down. Her hand shook as she removed it from the receiver. “Oh God,” she breathed. “Please God, let it not be him.”

She began to pace the room. Six strides, turn, six strides, turn, like a cat in a cage. There was no comfort for her in Duvall’s apparent confidence. She knew Kit wouldn’t have left her high and dry without a word. “Think, Fiona, think,” she urged herself.

She grabbed her personal organizer and looked up Jonathan Lewis’s number. She didn’t have many of Kit’s friends’ numbers, but Jonathan and his wife Trish had been regular dinner companions over the past couple of years, so they’d made it to her list. Trish answered on the third ring, sounding pleasantly surprised to hear from Fiona. “Is Jonathan in?” Fiona asked.

“No, he’s gone off on this wake they’re holding for Georgia. Isn’t Kit with them?” Trish answered.

“He must be. I’m up in Edinburgh and I’ve been trying to get hold of him without success.”

“They were supposed to be meeting at six,” Trish said.

“Do you know where?”

“Jonathan said something about some drinking club in Soho where Adam’s a member. But I don’t know what it’s called. I know he was expecting to see Kit there.”

“You’re probably right,” Fiona sighed. “He’s most likely halfway through the second bottle by now. Sorry to bother you, Trish.”

“It’s no bother. If it’s urgent, you could give Jonathan a ring on his mobile.”

Fiona copied down Jonathan’s number and called it as soon as she ended her conversation with Trish. The mobile rang half a dozen times before it was answered. It sounded as if a small riot was going on in the background. “Hello? Jonathan?” she shouted. “It’s Fiona Cameron. Is Kit with you, by any chance?”

“Hello? Fiona? No, where is the bugger? He’s supposed to be here.”

“He’s not there?”

“No, that’s what I’m saying.”

“He’s not been in touch?”

“No, hang on.” Somewhat muffled, she heard him shout, “Anybody heard anything from Kit? Like why he’s not here?” There was a brief pause, then Jonathan came back on to her. “Nobody’s heard from him, Fiona. I don’t know what he’s playing at, but he’s not here.”

Fiona felt her stomach contract again. “If he turns up, tell him to call me. Please, Jonathan.”

“No problem. Take it easy, Fiona, but take it.” The connection terminated and Fiona was left stranded with fear coursing through her again. She wanted to scream. But she forced herself to take a rational approach to the situation.

If Kit was going to be targeted, the obvious book to copy would be The Blood Painter. Because it had been successfully adapted for TV, it fitted the pattern the killer had adopted so far. If the killer was following the pattern of the book, Kit must still be alive. The characteristic of the Blood Painter was that he held his victims prisoner and drained their blood at daily intervals, using it to paint murals in the place where he held them captive. So if Kit was truly the next victim, whoever had him needed to keep him alive for a couple of days at least so he could reproduce the murder in the book as faithfully as possible.

All she had to do was to work out where he was being held.

It had been a while since she’d read the book, but she remembered that the victims of the Blood Painter had all rented remote holiday cottages in the six months before their deaths. When he came to kill them, the Blood Painter rented the same cottage and held them captive there for the week while he slowly bled them to death and created his grotesque paintings.

But she and Kit had never rented a holiday cottage. They’d not had so much as a weekend break in the UK, preferring to take their holidays abroad. Where could he be holding Kit? Where could they be if the killer was truly determined to follow the book?