Killing the Shadows

FIFTY-FOUR

Six hundred miles away in London, Steve Preston had congratulated himself on persuading the Assistant Commissioner that he had enough evidence to go through with his plan. Now all that was left to do was to brief the team who would back up Joanne and Neil when they brought in Gerard, and the forensic squad who would assist in the search of Coyne’s flat.

“I’ve given this a lot of thought. I don’t want to arrest him in his flat, because, as you all know, that means that under PACE, we can only do a Section Thirty-two search, with all the restrictions that implies. What I want to do is to wait until he leaves the flat then pick him up in the open. We’ll bring him in to the Yard and arrest him on suspicion of murder, and then we can do a Section Eighteen search, which gives us a lot more scope. To make sure he doesn’t get out of our grasp, I’m detailing one of you to be on a bike and another on a motorbike. He’s a keen cyclist, there’s every chance that when he does leave, he’ll be on two wheels.”

He forced his face into a serious expression, battening the hatches on his feelings of exultation. “I want him back here in one piece,” he said forcefully. “No accidents, nobody falling down the stairs, no unexplained cuts, bruises or broken bones. I want him handled as if he was fine china. As soon as we get him back here, I want Coyne arrested on suspicion of murder. Let’s put the shits up him right away. But no delays over letting him call his brief. I want this done by the book. Nothing that anyone can pick on afterwards and say, ‘Hang on a minute, you didn’t follow PACE here, mate.’ Anybody got any questions?”

A young DC raised a hand. “What exactly are we looking for in Coyne’s flat?”

“Good question,” Steve said. “Anything that could tie him in to Susan Blanchard’s murder, or the North London rapes. So that means newspaper cuttings, any maps with crime scenes marked on them, diaries, photographs. And I want every knife in the place. Also any clothing that matches the descriptions of the cycle gear that the cyclist on the Heath or the rapist was wearing. I know, after all this time, we’re probably clutching at straws. But I want Coyne, and together we’re going to nail him and lay Susan Blanchard to rest at last.”

He looked around the room. No more questions. He turned to the pin board behind him and pointed to a photograph of Susan’s twin sons. “I don’t want justice for me. I don’t even want justice for the Met. I want justice for those two. Now go out there and get it for them.” He hated the cheap emotional shot, but they needed to be gung ho, and he knew exactly how to get them there.

Steve watched the officers file out of the room, wondering how much time he had before they brought their prisoner back. He needed to find out what the hell Fiona was up to. He’d tried her mobile several times since he’d got back to the Yard, but all he’d had was a recorded message telling him that it was not possible to connect his call. Thanks to Sarah Duvall, he knew she’d gone to Scotland to review the evidence in the Drew Shand case. A call to the officer in charge was probably as good a place to start as any.

He picked up the nearest phone and asked the switchboard to connect him to Lothian and Borders Police. It took little time to discover that the man he needed to speak to was Superintendent Sandy Galloway. But Galloway wasn’t in the building. Frustrated, Steve arranged for them to pass on a message asking Galloway to call him back as soon as possible.

What on earth was Fiona playing at, leaving messages he couldn’t return? Given the terms they’d been on when last they met, it had to be something serious. It might be worth trying Kit, he thought. But dialling their home number simply connected him to another answering machine.

There was nothing more he could do. Now he had to clear his mind and concentrate on how he would handle Gerard Coyne. This was too important to allow anything to distract him.

It was worse, far worse than the corresponding scene in the TV adaptation. Worse, infinitely worse than her imagination had prepared her for. Her first thought was that he was dead. Kit slumped naked on the toilet, his arms chained to the walls, his legs hobbled round the toilet. His skin was white, his head sunk on his chest. He was only held upright by his bonds. She could see no sign of breath or pulse. In the vein of his left arm, there was a shunt. And on the walls around him, amateurish daubs of trees and flowers, gruesome in shades from dark-carmine to rust-brown. About half of the walls of the compact bathroom were covered. She had no way of estimating how much blood that had required. Her chest contracted in an agony of fear and distress.

With a wordless moan that was closer to a sob, Fiona rushed forward, falling to her knees and throwing her arms around his chill flesh. Her eyes were already brimming with tears. To her amazement, she felt a flicker of movement against her face. Then a breath like a soft groan tickled her ear.

“Kit?” she stammered. “Kit? Can you hear me?” She put a hand to his neck and felt a weak and irregular pulse. She took his head between her hands and gently raised it level with hers. His eyelids flickered, the whites of his eyes showing through the lashes. “I’m here, Kit. It’s me, Fiona. It’s going to be all right.”

His eyes opened a crack and he groaned. She held him close, desperate to transfer her warmth to him. Shock, that’s what it was. Loss of blood and the cold had sent him into shock. The first thing she had to do was get him warm. Fiona gently moved away from him and ran through to the bedroom. She grabbed a sleeping bag, a couple of flannel shirts and a pair of jeans, then hurried back to the bathroom. She draped the sleeping bag over his shoulders, keeping up a constant flow of reassuring words. Then she pulled the carrier bag out of her jacket and took out the bolt cutters. It took all her strength, but she managed to snap through the chain that fettered his legs and unwrap it from his ankles. His legs were stiff and cold in her hands, but she pulled them round to the front of the toilet and fed his feet through the legs of his jeans, pulling them up to his knees.

Next she took the chisel and the lump hammer and attacked the shackles holding him to the wall. Beginning with his right arm, a couple of blows were all it took to rip the metal eye out of the wall. His arm fell uselessly to his side and he groaned again.

Fiona moved round to the other side and considered. She didn’t want to disturb the shunt in his arm, afraid that if she took it out, he’d start bleeding again. She took a roll of elastoplast out of the first-aid kit and carefully wound it round the shunt, holding it firmly in place. Then she repeated the procedure with the hammer and chisel, freeing his left arm. He fell forward, a dead weight collapsed over his knees. Somehow, struggling against the mass of his torso, Fiona managed to dress him in the shirts, cutting the sleeves to get them over the chains and handcuffs.

Then, grunting with the effort, she hauled him to his feet, propping him against the wall so she could pull up his trousers. It was all taking too long, she thought with a surge of panic. His captor couldn’t be far away. Surely he wouldn’t take the risk of leaving Kit alone for too long.

Fiona let Kit slump back on to the toilet. She took out the heat packs, flexed them to activate the chemical reaction that would produce life-saving warmth and tucked them inside the shirts next to his skin. Then she went back to the bedroom and searched till she found a pair of thick socks and some battered trainers.

Her next stop was the living room. Inside one of the cupboards she found a couple of cans of Coke. Perfect. Fluid, and sugar. The caffeine probably wouldn’t be a problem for a man who routinely consumed as much coffee as Kit did. As she turned back, the narrow metal cabinet caught her eye. Where there should have been the shotgun that Kit used to pot rabbits, there was an empty space. A box of cartridges lay open, half-empty. Fresh panic seized her. Wherever he was, Kit’s abductor had a double-barrelled shotgun. What was already a desperate situation had suddenly become worse.

Hurrying back to the bathroom, she thrust Kit’s feet into socks and trainers. Then she pulled him upright from his slumped position. “Come on, Kit. I need you conscious, my darling, I need you able to function.”

The warmth had begun to do its work. With a shivering tremor, Kit’s eyes opened properly. He looked at her with puzzlement. “Fiona,” he croaked.

“Yes, it’s me, you’re not hallucinating. I found you, sweetheart. Now, I need you to drink this.” She held the can of Coke to his lips and forced herself to be patient while he sipped it through dry and cracked lips. “We’re going to get you out of here, I promise,” she said.

“Where’s Blake?” he said, his voice cracked and strange, his consonants slurred.

“Blake?” Fiona asked, wondering from what delirious corner of his mind he’d dredged that name.

“Francis Blake,” he insisted. “He brought me here. He did this to me.”

It shouldn’t have made sense, but suddenly, it did. The man she’d passed on the way to the bothy. Memory jolted into place. She’d never met Blake, but she’d heard his voice on TV. The aural recollection triggered a visual image. She hadn’t seen much of the stranger’s face, but now she had a template to set it against, she knew it was him. Francis Blake was the man with the axe. But even as her mind accepted the identification, her intelligence balked at it. Why on earth would Francis Blake have kidnapped Kit? How could he be this particular serial killer? It was meaningless, absurd.

It was also something she couldn’t afford the time to consider now. “He’s gone,” she said with a confidence she didn’t feel. But where was Blake, and what was he doing? Judging by the axe, he’d gone for firewood. Either that or it was simply an elaborate way to disguise the shotgun, constructing a hide of sticks around it. Obviously, he must have been heading back to the bothy, having hidden his vehicle somewhere else. But he’d heard her approach. Even if he didn’t know who she was, he knew she was heading for the only habitation on that particular track and so he must have turned round, to make it look as if he was walking away.

A simple enough ruse, but it had worked. She hadn’t felt a moment’s suspicion. And now he knew she was there. He couldn’t just let them go, could he? It was inconceivable.

Fiona shook her head in an attempt to clear her thoughts. “I’m going to get the Land Rover,” she said, keeping her voice brisk in an attempt to hide the fear twisting her guts. “I want you to stay here. If you can drink the rest of the Coke, that would be good. But don’t worry if your fingers don’t work yet. The circulation will take a while to come back. Do you know how much blood you’ve lost?”

“More than a pint,” he sighed, his voice still sounding like a drunk. “I passed out then. I suppose he must have stopped.” He blinked and focused properly on his surroundings for the first time, shuddering at the bloodwork on the walls. “Fuck,” he said with a laugh that turned into a cough. “He’s a fucking terrible painter.”

Fiona stood up and hugged his head to her chest. “I’ll be as quick as I can.” She let him go, and took the craft knife out of the bag, sliding the blade out an inch then putting it carefully in her jacket pocket. Leaving him behind was the hardest thing she had ever done, but the only way out for them was in the Land Rover. She couldn’t afford to wait for Caroline to summon the cavalry, not now she knew Blake had a gun.

She crossed to the front door and inched it open. She stared across the clearing down the track through the trees. Nothing stirred. Her flesh prickled with apprehension. He could be anywhere in those trees, sighting her down the barrel of a gun. He could be lurking behind the Land Rover, axe ready to swing down on her head. The prospect made her stomach cramp. Cautiously, she opened the door further, her free hand slipping into her pocket and gripping the knife handle. Still nothing stirred. If he was watching her with the gun at his shoulder, she’d be a harder target moving than standing still dithering, she told herself firmly. Now or never.

From a standing start, she sprinted across the clearing and down the track. She reached the Land Rover with a rapidity that surprised her, having forgotten how much more direct this route was than the initial approach she’d taken to the bothy. She yanked the door open and jumped inside, then leaned her head on the steering wheel for a moment, a sob of relief escaping from her gasping mouth. Get a grip, she chastised herself, straightening up.

Thrusting the keys into the ignition, she had a moment’s panic. What if Blake had disabled the engine? Quickly, she turned the keys and almost wept with relief when the starter motor turned over and caught first time. She slammed it into gear and roared up the remainder of the track, hauling on the heavy steering as she entered the clearing to swing the vehicle round in a circle so the tailgate faced the cottage door.

Leaving the engine running, she opened the rear door of the Land Rover, then hurried back inside. Kit was more upright now, leaning back against the toilet cistern. He was still deathly pale, but his eyes were open and he seemed more alert. Fiona scrabbled around in the bedroom, unearthing a couple of blankets and a pillow. She grabbed the rest of Kit’s shirts and took her bundle out to the Land Rover, adding the sleeping bag on a second trip. She made a sort of bed on the floor, then returned for Kit.

“I’m going to need some help from you,” she said. “I can’t carry you.”

Kit nodded. “I think I can just about stand up now. There’s a walking stick in the living room. That might help.” His voice was cracked and barely audible.

Fiona found it propped up in a corner. It was a modern aluminium stick, spring-loaded to absorb impact, and telescopic. She extended it slightly, so that Kit could use it as a shepherd would a crook.

Back in the bathroom, she pushed Kit’s hand through the fabric loop and helped him clasp the handgrip. “Pins and needles,” he muttered.

“Trust me, that’s a good sign,” Fiona said. She slipped under his other arm and between them, they got him to his feet.

“Christ, I’ve got cramp,” he moaned, his right leg buckling as it took his weight.

It felt like an eternity before he was able to put one foot in front of the other. Fiona could feel the sweat of fear pooling in the small of her back. Slowly, they stumbled the few yards to the front door. Then they were at the Land Rover. Fiona manoeuvred him so that he was sitting on the tailgate. Then she swung his legs on board and settled him as comfortably as possible. “Are you OK?” she asked.

He managed a wan smile. “Compared to what? My head’s splitting, everything’s spinning, and I feel sick as a dog.”

“It’s only dehydration and low blood pressure. Trust me, Kit.”

A tremendous wave of euphoria flooded Fiona as she finally closed the door and put the Land Rover in gear. She’d made it. Against all the odds, she’d found him in time. They were going to make it! She moved off, almost feeling like singing. Into the woods, then out into the open. She could see the belt of conifers ahead that hid the final approach to the bridge.

As they drew nearer to the trees, Kit’s voice came faintly from the back. “He’s not going to let us go this easy, Fiona,” he said weakly. “Pull up.”

Much as it ran against her instincts to get out as fast as possible — she did as he asked. She squirmed round in her seat to face him. “What’s wrong, Kit?”

“If the bridge is down, we’re stuck,” he said. “In the glove box — binoculars. Go and have a look up ahead. Please.”

“He’s got your gun. Kit. He could be watching us right now.”

“He’d have shot us already. Please?”

Fiona thought for a moment. There was sense in what Kit had said. If Blake had been on this side of the ravine, he could have picked them off easily when they were getting into the Land Rover. And at least she had the conifers for cover. In Kit’s state of shock, she wasn’t prepared to take unnecessary risks. She climbed out and, sticking close to the edge of the trees, walked to the curve in the road that brought the bridge into view. As she rounded the bend, taking cover behind some closely planted spruce, she smiled at the sight of the bridge still in place. Kit’s fears had been groundless, she thought happily.

But, because he’d made her take the binoculars, she decided to check anyway. It wouldn’t hurt just to make certain there was no loose planking. She raised the glasses to her eyes and focused on the bridge. At first, everything seemed to be fine. Then her heart leapt in panic. She lowered the binoculars, took a deep breath and looked again. She could have wept.

On the far side of the bridge, both ropes had been cut part way through, the fraying obvious through the powerful field glasses.

There was no way out. The bridge had changed from a lifeline to a deathtrap.