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"MARIA WYETH," she repeated to Freddy Chaikin's receptionist. The reception room was full of glossy plants in chinoiserie pots and Maria had an abrupt conviction that the plants were consuming the oxygen she needed to breathe. She should not have come here without calling. Only people in trouble came unannounced to see their agents. If Freddy Chaikin thought she carried trouble with her he would avoid her, because trouble was something no one in the city liked to be near. Failure, illness, fear, they were seen as infectious, contagious blights on glossy plants. It seemed to Maria that even the receptionist was avoiding her eyes, fearing contamination. "He's kind of expecting me," Maria added in a near whisper.

"Maria Wyeth," the receptionist said. "Mr. Chaikin is in the projection room, do you want to wait? Or could he call you."

"No. I mean yes. But tell him it has to be today or—"

The receptionist waited.

“Or I'll talk to him tomorrow," Maria said finally.

In the elevator was an actor she recognized but had never met, the star of a canceled television Western. He was with a short agent in a narrow dark suit, and the agent smiled at Maria as the elevator door closed.

"The word on Carter's dailies is sensational," the agent said.

Maria smiled and nodded. It did not require an answer: it was a cue for the actor, who waited a suitable instant and then picked it up. "Your pocketbook's open," he drawled, and the look he gave Maria was dutifully charged with sexual appreciation, meant not for Maria herself but for Carter Lang's wife. She leaned against the padded elevator wall and closed her eyes. If she could tell Les Goodwin about the actor in the elevator he would laugh. When she got home she thought about calling him, but instead she went upstairs and lay face down on Kate's empty bed, cradled Kate's blanket, clutched Kate's baby pillow to her stomach and fought off a wave of the dread. The time seemed to have passed for telling Les Goodwin funny stories.

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