CHAPTER 52

Sconces spread radiant amber fans on the walls, but at this hour the lights are dim and shadows dominate.

Randal Six has only now realized that the blocks of vinyl-tile flooring in the hallway are like the squares in a crossword puzzle. This geometry gives him comfort.

He visualizes in his mind one letter of his name with every step that he takes, spelling himself along the tile floor, block by block, toward freedom.

This is the dormitory floor, where the most recently awakened members of the New Race are housed until they are polished and ready to infiltrate the city.

Half the doors stand open. Beyond some of them, naked bodies are locked in every imaginable sexual posture.

Especially in their early weeks, the tank-born are filled with anguish that arises from their knowledge of what they are. They also suffer intense anxiety because they come to full consciousness with the immediate understanding that, as Victor's chattel, they do not control the primary issues of their lives and possess no free will; therefore, in their beginning is their end, and their lives are mapped without hope of mystery.

They are sterile but vigorous. In them, sex has been divorced entirely from the purpose of procreation and functions solely as a vent for stress.

They copulate in groups, tangled and writhing, and it seems to Randal Six, whose autism makes him different from them, that these thrusts provide them no pleasure, only release from tension.

The sounds issuing from these orgiastic groups have no quality of joy, no suggestion of tenderness. These are bestial noises, low and rough, insistent almost to the point of violence, eager to the point of desperation.

The slap of flesh on flesh, the wordless grunts, the guttural cries that seem charged with rage-all this frightens Randal Six as he passes these rooms. He feels the urge to run but dares not step on the lines between the vinyl blocks; he must place each foot entirely in a square, which requires a deliberative pace.

The hallway increasingly seems like a tunnel, the chambers on both sides like catacombs in which the restless dead embrace in cold desire.

Heart knocking as if to test the soundness of his ribs, Randal spells his name often enough to reach an intersection of corridors. Using the final letter, he spells a crossing word-left-which allows him to turn in that direction.

From the letter t, he sidesteps four blocks, spelling right backward as he goes. With the letter r as his new beginning, he is able to spell his name and, thereby, proceed forward along this new hall, toward the choice of elevators or a stairwell.

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