All the Time in the World

Jolene: A Life

SHE MARRIED MICKEY HOLLER WHEN SHE WAS FIFTEEN. Married him to get out of her latest foster home where her so-called dad used to fool with her, get her to hold him, things like that. Even before her menses started. And her foster mom liked to slap her up the head for no reason. Or for every reason. So she married Mickey. And he loved her — that was a plus. She had never had that experience before. It made her look at herself in the mirror and do things with her hair. He was twenty, Mickey. Real name Mervin. He was a sweet boy if without very much upstairs, as she knew even from their first date. He had a heel that didn’t touch the ground and weak eyes but he was not the kind to lay a hand on a woman. And she could tell him what she wanted, like a movie, or a grilled-cheese sandwich and a chocolate shake, and it became his purpose in life. He loved her, he really did, even if he didn’t know much about it.

But anyway she was out of the house now, and wearing a wedding ring to South Sumter High. Some of the boys said smutty things but the girls looked upon her with a new respect.

Mickey’s uncle Phil had come to the justice of the peace with them to be best man. After the ceremony he grinned and said, Welcome to our family, Jolene honey, and gave her a big hug that lasted a mite too long. Uncle Phil was like a father to Mickey and employed him to drive one of the trucks in his home oil delivery business. Mickey Holler was almost an orphan. His real father was in the state penitentiary with no parole for the same reason his mother was in the burial ground behind the First Baptist Church. Jolene asked Mickey, as she thought permissible now that she was a relation, what his mother had done to deserve her fate. But he got all flustered when he tried to talk about it. It happened when he was only twelve. She was left to gather for herself that his father was a crazy drunk who had done bad things even before this happened. But anyway that was why Jolene was living now with Mickey under the same roof with his uncle Phil and aunt Kay.

Aunt Kay was real smart. She was an assistant manager in the Southern People’s Bank across the square from the courthouse. So between her and Uncle Phil’s oil business, they had a nice ranch house with a garden out back and a picnic table and two hammocks between the trees.

Jolene liked the room she and Mickey occupied, though it looked into the driveway, and she had what she could do to keep it nice, with Mickey dropping his greasy coveralls on the floor. But she understood the double obligations of being a wife and an un-paying boarder besides. As she was home from school before anyone finished their jobs for the day, she tried to make herself useful. She would have an hour or so to do some of her homework and then she would go into the kitchen and put up something for everyone’s dinner.

Jolene had always liked school — she felt at home there. Her favorite subject was art. She had been drawing from the time she was in third grade, when the class had done a mural of the Battle of Gettysburg and she drew more of it than anyone. She couldn’t do much art now at this time in her life as a married woman, not being just for herself anymore. But she still noticed things. She was someone who had an eye for what wants to be drawn. Mickey had a white hairless chest with a collarbone that stood out across from shoulder to shoulder like he was someone’s beast of burden. And a long neck and a backbone that she could use to do sums. He surely did love her — he cried sometimes he loved her so much — but that was all. She had a sixteenth birthday and he bought her a negligee he picked out himself at Berman’s department store. It was three sizes too big. Jolene could take it back for exchange, of course, but she had the unsettling thought that as Mickey’s wife all that would happen in her life to come was she would grow into something that size. He liked to watch her doing her homework, which made her realize he had no ambition, Mickey Holler. He would never run a business and play golf on the weekend like Uncle Phil. He was a day-to-day person. He did not ever talk about buying his own home, or moving toward anything that would make things different for them than they were now. She could think this of him even though she liked to kiss his pale chest and run her fingers over the humps of his backbone.

Uncle Phil was tall with a good strong jaw and a head of shining black hair he combed in a kind of wave, and he had a deep voice and he joked around with a lot of self-assurance, and dark meaningful eyes — oh, he was a man, of that there was no doubt. At first it made Jolene nervous when he would eye her up and down. Or he would sing a line from a famous love song to her. You are so beautiful to mee! And then he would laugh to let her know it was all just the same horsing around as he was accustomed to doing. He was tanned from being out on the county golf course, and even the slight belly he had on him under his knit shirt seemed just right. The main thing about him was that he enjoyed his life, and he was popular — they had their social set, though you could see most of their friends came through him.

Aunt Kay was not exactly the opposite of Phil, but she was one who attended to business. She was a proper sort who never sat back with her shoes off, and though kind and correct as far as Jolene was concerned, clearly would have preferred to have her home to herself now that Mickey had someone to take care of him. Jolene knew this — she didn’t have to be told. She could work her fingers to the bone and Aunt Kay would still never love her. Aunt Kay was a Yankee and had come to live in the South because of a job offer. She and Uncle Phil had been married fifteen years. She called him Phillip, which Jolene thought was putting on airs. She wore suits and panty hose, always, and blouses with collars buttoned to the neck. She was no beauty, but you could see what had interested Phil — her very light blue icy eyes, maybe, and naturally blond hair, and she had the generous figure that required a panty girdle, which she was never without.

But now Uncle Phil got in the habit of waking them up in the morning, coming into their room without knocking and saying in his deep voice, “Time for work, Mickey Holler!” but looking at Jolene in the meantime as she pulled the covers up to her chin.

She knew the man was doing something he shouldn’t be doing with that wake-up routine and it made her angry but she didn’t know what she could do about it. Mickey seemed blind to the fact that his own uncle, his late mother’s brother, had an eye for her. At the same time she was excited to have been noticed by this man of the world. She knew that as a handsome smiling fellow with white teeth, Phil would be quite aware of his effect on women, so she made a point of seeming to be oblivious of him as anything but her husband’s uncle and employer. But this became more and more difficult, living in the same house with him. She found herself thinking about him. In her mind Jolene made up a story: How gradually, over time, it would become apparent that she and Uncle Phil were meant for each other. How an understanding would arise between them and go on for some years until, possibly, Aunt Kay died, or left him — it wasn’t all that clear in Jolene’s mind.

But Uncle Phil was not one for dreaming. One afternoon she was scrubbing their kitchen floor for them, down on her knees in her shorts with her rump up in the air, and he had come home early, in that being his own boss he could come and go as he liked. She was humming “I Want to Hold Your Hand” and didn’t hear him.

He stood in the door watching how the scrubbing motion was rendered on her behind, and no sooner did she realize she was not alone than he was lifting her from the waist in her same kneeling position and carrying her that way into his bedroom, the scrub brush still in her hand.

That night in her own bed she could still smell Uncle Phil’s aftershave lotion and feel the little cotton balls of their chenille bedspread in the grasp of her fingers. She was too sore even for Mickey’s fumblings.

And that was the beginning. In all Jolene’s young life she had never been to where she couldn’t wait to see someone. She tried to contain herself, but her schoolwork began to fall off, though she had always been a conscientious student even if not the smartest brain in her class. But it was that way with Phil, too — it was so intense and constant that he was no longer laughing. It was more like they were equals in their magnetic attraction. They just couldn’t get enough. It was every day, always while Aunt Kay was putting up her numbers in the Southern People’s Bank and Mickey, poor Mickey was riding his oil route as Uncle Phil devised it to the furthermost reaches of the town line and beyond.

Well, the passion between people can never be anything but drawn to a conclusion by the lawful spouses around them, and after a month or two of this everyone knew it, and the crisis came banging open the bedroom door shouting her name, and all at once Mickey was riding Phil’s back like a monkey, beating him about the head and crying all the while, and Phil, in his skivvies, with Mickey pounding him, staggered around the combined living and dining room till he backpedaled the poor boy up against their big TV and smashed him through the screen. Jolene, in her later reflections, when she had nothing in the world to do but pass the time, remembered everything — she remembered the bursting sound of the TV glass, she remembered how surprised she was to see how skinny Phil’s legs were, and that the sun through the blinds was so bright because daylight saving had come along unbeknownst to the lovers, which was why the working people had got home before they were supposed to. But at the time there was no leisure for thought. Aunt Kay was dragging her by the hair through the hall over the shag carpet and into the kitchen across the fake-tile flooring and she was out the kitchen door, kicked down the back steps, and thrown out like someone’s damn cat and yowling like one, too.

Jolene waited out there by the edge of the property, crouching in the bushes in her shift with her arms folded across her breasts. She waited for Phil to come out and take her away, but he never did. Mickey is the one who opened the door. He stood there looking at her, in the quiet outside, while from the house they listened to the shouting and the sound of things breaking. Mickey’s hair was sticking up and his glasses were bent broken across his nose. Jolene called to him. She was crying; she wanted him to forgive her and tell her it was all right. But what he did, her Mickey, he got in his pickup in his bloody shirt and drove away. That was what Jolene came to think of as the end of Chapter 1 in her life story, because where Mickey drove to was the middle of the Catawba River Bridge, and there he stopped and with the engine still running he jumped off into that rocky river and killed himself.

MORE THAN ONE NEIGHBOR must have seen her wandering the streets, and by and by a police cruiser picked her up, and first she was taken to the emergency room, where it was noted that her vital signs were okay, though they showed her where a clump of her red hair had been pulled out. Then she was put into a motel off the interstate while the system figured out what to do with her. She was a home wrecker but also a widow but also a juvenile with no living relatives. The fosters she had left to marry Mickey would take no responsibility for her. Time passed. She watched soaps. She cried. A matron was keeping an eye on her morning and night. Then a psychiatrist who worked for the county came to interview her. A day after that she was driven to a court hearing with testimony by this county psychiatrist she had told her story to in all honesty, and that was something that embittered her as the double-cross of all time, because on his recommendation she was remanded to the juvenile loony bin until such time as she was to become a reasonable adult able to take care of herself.

Well, so there she was moping about on their pills, half asleep for most of the day and night, and of course as she quickly learned this was no place to regain her sanity, if she ever lost it in the first place, which she knew just by looking at who else was there that she hadn’t. About two months into the hell there, they one morning took off her usual gray hanging frock and put her in a recognizable dark dress, though a size too big, and fixed her hair with a barrette and drove her in a van to the courthouse once again, though this time it was for her testimony as to her relations with Uncle Phil, who was there at the defense table looking awful. She didn’t know what was different about him till she realized his hair was without luster and, in fact, gray. Then she knew that all this time she had been so impressed he had been dyeing it. He was hunched over from the fix he was in and he never looked at her, this man of the world. A little of the old feeling arose in her and she was angry with herself but she couldn’t help it. She waited for some acknowledgment, but it never came. What it was, Aunt Kay had kicked him out, he was sleeping in his office, his business had gone down the tube, and none of his buddies would play golf with him anymore.

Jolene was called upon to show the judge that she was, at sixteen, underage for such doings, which made Phil a statutory rapist. There was a nice legal argument for just a minute or two as to how she was a married woman at the time, an adulteress in fact, and certainly not unknowing in the ways of carnal life, but that didn’t hold water, apparently. She was excused and taken back to the loony bin and put back in her hanging gray frock and slippers and that was it for the real world. She heard that Phil pulled eighteen months in the state prison. She couldn’t sympathize, being in one of her own.

Jolene didn’t think much about Mickey, but she drew his face over and over. She drew headstones in a graveyard and then drew his face on the gravestones. This seemed to her a worthy artistic task. The more she drew of Mickey the more she remembered the details of how he looked out at her on the last evening of his life, but it was hard with just crayons — they would only give her crayons to draw with, not the colored pencils she asked for.

Then something good happened. One of the girls in the ward smashed the mirror over the sink in the bathroom and used a sliver of it to cut her wrists. Well, that of course wasn’t good, but all the mirrors in the bathroom were removed and nobody could see herself except maybe if they stood on the bed and the sunlight was in the right place in the windows behind the mesh screen. So Jolene began a business in portraits. She drew a girl’s face, and soon they were waiting in line to have her draw them. If they didn’t have a mirror, they had Jolene. Some of her likenesses were not very good, but since in most cases they were a lot better than the originals, nobody minded. Mrs. Ames, the head nurse, thought that was good therapy for everyone and so Jolene was given a set of watercolors with three brushes, and a big thick sketchpad, and when the rage for portraits had played itself out, she painted everything else — the ward, the game room, the yard where they walked, the flowers in the flower bed, the sunset through the black mesh, everything.

But since she was as sane as anyone, she was more and more desperate to get out of there. After a year or so she made the best deal she could, with one of the night attendants, a sharp-faced woman sallow in coloring but decent and roughly kind to people, name of Cindy. Jolene thought Cindy, with the leathery lines in her face, might be no less than fifty years old. She had an eye for Jolene right from the beginning. She gave her cigarettes to smoke outside behind the garbage bins, and she knew hair and makeup. She said, Red — Jolene had what they call strawberry hair, so that of course was her nickname there — Red, you don’t want to cover up those freckles. They are charming in a girl like you, they give your face a sunlight. And, see, if you keep pulling back your hair into ponytails your hairline will recede, so we’ll cut it just a bit shorter so that it curls up as it wants to and we let it frame your sweet face and, lo and behold, you are as pretty as a picture.

Cindy liked the freckles on Jolene’s breasts, too, and it wasn’t too bad being loved up by a woman. It was not her first choice, but Jolene thought, Once you get going it doesn’t matter who it is or what they’ve got — there is the same panic, after all, and we are blind at such moments. But anyway that was the deal, and though in order to get herself out of the loony bin she agreed to live with Cindy in her own home, where she would cuddle secretly like her love child, she did so only until she could escape from there as well. With just a couple of clicks of door locks, and some minutes of hiding in a supply closet, and then with more keys turning and a creak of gate swings, Jolene rode to freedom in the trunk of Cindy’s beat-up Corolla. It was even easier, after one night, walking out Cindy’s front door in broad daylight once the woman had gone back to work.

Jolene hit the road. She wanted out of that town and out of that county however she could. She had almost a hundred dollars from her watercolor business. She hitched some and rode some local buses. She had a small suitcase and a lot of attitude to get her safe across state lines. She worked in a five-and-ten in Lexington and an industrial laundry in Memphis. There was always a YWCA, to stay out of trouble. And while she did have to take a deep breath and sell it once or twice across the country, it had the virtue of hardening her up for her own protection. She was just seventeen by then but carrying herself with some new clothes like she was ten years older, so that nobody would know there was just this scared girl-child inside the hip slinger with the platform strap shoes.

Which brought her to Phoenix, Arizona, a hot flat city of the desert, but with a lot of fast-moving people who lived inside their air-conditioning.

SHE APPRECIATED THAT in the West human society was less tight-assed, nobody cared that much what you did or who your parents were and most everyone you met came from somewhere else. Before long she was working at a Dairy Queen and had a best friend, Kendra, who was one of her roommates, a northern girl from Akron, Ohio.

The Dairy Queen was at the edge of city life with a view over warehouses to the flat desert with its straight roads and brownish mountains away in the distance. She had to revert back to her real age to get this job. It involved roller-skating, a skill that she fortunately had not forgotten. You skated out to the customers with their order on a tray that you hooked to the car window. It was only minimum, but some men would give you a good tip, though women never did. And anyway that wasn’t to last long, because this cute guy kept coming around every day. He had long hair, a scraggly lip beard, and a ring in his ear — he looked like a rock star. He wore an undershirt with his jeans and boots, so you could see the tattoos that went up and down his arms, across his shoulders, and onto his chest. He even had a guitar in the back of his 1965 plum Caddy convertible. Of course she ignored his entreaties, though he kept coming back, and if another girl waited on him he asked her where Jolene was. All the girls wore name tags, you see. One day he drove up, and when she came back with his order he was sitting on the top of the front seat with a big smile, though a front tooth was missing. He strummed his guitar and he said, Listen to this, Jolene, and he sang this song he had made up, and as he sang he laughed in appreciation, as if someone else was singing.

Jolene, Jolene

She is so mean

She won’t be seen with me

At the Dairy Queen.

Jolene, Jolene

Please don’t be mean

Your name it means to me

My love you’ll glean from me

I am so keen to see

How happy we will be

When you are one with me

Jolene, Jolene

My Dairy Queen

Well, she knew he was a sly one, but he’d gone to the trouble of thinking it up, didn’t he? The people in the next car laughed and applauded and she blushed right through her freckles, but she couldn’t help laughing along with them. And of course with his voice not very good and his guitar not quite in tune, she knew he was no rock star, but he was loud and didn’t mind making a fool of himself and she liked that.

In fact, the guy was by profession a tattoo artist. His name was Coco Leger, pronounced Lerjay. He was originally from New Orleans, and she did go out dancing with him the next Saturday, though her friend Kendra strongly advised against it. The guy is a sleaze, Kendra said. Jolene thought she might be right. On the other hand, Kendra had no boyfriend of her own at the moment. And she was critical about most everything — their jobs, what she ate, the movies they saw, the furniture that came with the rental apartment, and maybe even the city of Phoenix in its entirety.

But Jolene went on the date and Coco was almost a gentleman. He was a good disco dancer, though a bit of a show-off with all his pelvic moves, and what was the harm after all. Coco Leger made her laugh, and she hadn’t had a reason to laugh in a long time.

One thing led to another. There was first a small heart to be embossed for free on her behind, and before long she was working as an apprentice at Coco’s Institute of Body Art. He showed her how to go about things, and she caught on quick and eventually she got to doing customers who wanted the cheap stock tattoos. It was drawing with a needle, a slow process like using only the tip of your paintbrush one dab at a time. Coco was very impressed with how fast she learned. He said she was a real asset. He fired the woman who worked for him, and after a serious discussion Jolene agreed to move in with him in his two rooms above his store, or studio, as he called it.

Kendra, who was still at the Dairy Queen, sat and watched her pack her things. I can see what he sees in you, Jolene, she said. You’ve got a trim little figure and everything moves the way it should without your even trying. Thank you, Kendra. Your skin is so fair, Kendra said. And you’ve got that nose that turns up, and a killer smile. Thank you, Kendra, she said again, and gave her a hug because, though she was happy for herself, she was sad for Kendra, whose really pretty face would not be seen for what it was by most men in that she was a heavyset girl with fat on her shoulders who was not very graceful on skates. But, Kendra continued, I can’t see what you see in him. This is a man born to betray.

Still, she didn’t want to go back to skating for tips. Coco was teaching her a trade that suited her talents. But when after just a couple of weeks Coco decided they should get married, she admitted to herself she knew nothing about him, his past, his family. She knew nothing, and when she asked, he just laughed and said, Babe, I am an orphan in the storm, just like you. They didn’t much like me where I come from, but as I understan’, neither of us has a past to write home about, he said holding her and kissing her neck. What counts is this here moment, he whispered, and the future moments to come.

She said the name Jolene Leger, pronounced Lerjay, secretly to herself and thought it had a nice lilt to it. And so after another justice of the peace and a corsage in her hand and a flowered dress to her ankles and a bottle of champagne, she was in fact Jolene Leger, a married woman once again. They went back to the two rooms above the store and smoked dope and made love, with Coco singsonging to her in her rhythm Jolene Jolene she’s a love machine, and after he fell asleep and began to snore she got up and stood at the window and looked out on the street. It was three in the morning by then, but all the streetlights were on and the traffic signals were going, though not a human being was in sight. It was all busyness on that empty street in its silence, all the store signs blazing away, the neon colors in the windows, the Laundromat, the check-cashing store, the one-hour photo and passport, the newsdealer, the coffee shop, and the dry cleaner’s, and the parking meters looking made of gold under the amber light of the streetlamps. It was the world going on as if people were the last thing it needed or wanted.

She found herself thinking that if you shaved off Coco’s scraggly lip beard and if his tattoos could be scrubbed away, and you took off his boots with the lifts in them and got him a haircut and maybe set a pair of eyeglasses on his nose, he would look not unlike her first husband, the late Mickey Holler, and she began to cry.

For a while she was sympathetic to Coco’s ways and wanted to believe his stories. But it became more and more difficult. He was away in his damn car half the time, leaving her to man the shop as if he didn’t care what business they lost. He kept all moneys to himself. She realized she was working without a salary, which only a wife would do — who else would stand for that? It was a kind of slavery, wasn’t it? Which is what Kendra said, tactlessly, when she came to visit. Coco was critical of most everything Jolene did or said. And when she needed money for groceries or some such he would only reluctantly peel off a bill or two from his carefully hoarded wad. She began to wonder where he got all his cash — certainly not from the tattooing trade, which was not all that great once the dry, cold Arizona winter set in. And when a reasonable-looking woman did come in, he carried on saying all sorts of suggestive things as if they were the only two people in the room. I really don’t like that, Jolene told him. Not at all. You married yourself a good-lookin’ stud, Coco said. Get used to it. And when Jolene found herself doing a snake or a whiskered fish for some muscleman, and, as you’d expect working so close-up, he’d come on to her, all Coco could say when she complained was, That’s what makes the world go roun’. She became miserable on a daily basis. The drugs he was dealing took up more and more of his time and when she confronted him he didn’t deny it. In fact, he said, it was the only way to keep the shop going. You should know without I have to tell you, Jolene, no artist in this USA can make it he don’t have somethin’ on the side.

One day a taxicab pulled up and a woman carrying a baby and holding a valise came into the store. She was a blonde, very tall, statuesque even, and although the sign was clearly printed on the store window, she said, Is this the Institute of Body Art of which Coco Leger is the proprietor? Jolene nodded. I would like to see him, please, the woman said, putting the valise down and shifting the baby from one arm to the other. She looked about thirty or thirty-five and she was wearing a hat, and had just a linen jacket and a yellow dress with hose and shoes, which was most unusual on this winter day in Phoenix, or in any season of the year for that matter, where you didn’t see anyone who wasn’t wearing jeans. Jolene had the weirdest feeling come over her. She felt that she was a child again. She was back in childhood — she’d only been a pretend adult and was not Mrs. Coco Leger except in her stupid dreams. It was a premonition. She looked again at the baby and at that moment knew what she didn’t have to be told. Its ancestry was written all over its runty face. All it lacked was a little lip beard.

And you are? Jolene asked. I am Marin Leger, the wife of that fucking son of a bitch, the woman said.

As if any confirmation was needed, her large hand coming around from under the baby’s bottom had a gold band impressed into the flesh of its fourth finger.

I have spent every cent I had tracking him down and I want to see him now, this very instant, the woman said. A moment later, as if a powerful magic had been invoked, Coco’s Caddy rolled to the curb and it may have been worth everything to see the stunned expression on his face as he got out of the car and both saw Marin Leger and was seen by her through the shop window. But, being Coco, he recovered nicely. His face lit up and he waved as if he couldn’t have been more delighted. And came through the door with a grin. Looka this, he said. Will ya looka this! he said, his arms spread wide. Because she was the taller of the two, the hug he gave her mashed his face against the baby in her arms, who commenced to cry loudly. And as Coco stepped back he suffered the free hand of the woman smartly against his cheek.

Now, darlin’, just be calm, he told her, stay calm. There is an esplanation for everthin’. Come with me, we have to talk, he said to her, as if he’d been waiting for her all along. Believe it or not I am greatly relieved to see you, he said to her. He took no further notice of the kid in her arms, and as he picked up her bag and ushered her out the door, he looked back at Jolene and told her out of the side of his mouth to hold tight, to hold tight, and outside he gallantly opened the car door for Marin Leger and sat her and their baby down and went off with them in the plum-colored Caddy 1965 convertible he had once driven up every day to see Jolene wiggle her ass on skates.

Jolene, Jolene, of the Dairy Queen, she is so mean, she smashed the machinery … She had never been so calm in her life as she quietly and methodically trashed the Leger Institute of Body Art, turning over the autoclave, pulling down the flash posters, banging the tattoo guns by their cables against the rear exposed-brick wall until they cracked, scattering the needle bars, pouring the inks on the floor, pulling the display case of 316L stainless-steel body jewelry off the wall, tearing the paperback tattoo books in the rotating stand. She smashed the director’s chairs to pieces and threw a metal footstool through the back-door window. She went upstairs and, suddenly aware for the first time how their rooms smelled of his disgusting unwashed body, she busted up everything she could, tore up the bedding, swept everything out of the medicine cabinet, and pulled down the curtains she had chosen to make the place more homey. She took an armful of her clothes and stuffed them into two paper sacks and when she found in a shoe box on their closet shelf a ziplock plastic bag with another inside it packed with white stuff that felt under the thumb like baking powder, she left it exactly where it was and, downstairs again, cleaned out the few dollars that were in the cash register, picked up the phone, left a precise message for the Phoenix PD, and, putting up the BACK IN FIVE sign, she slammed the door behind her and was gone.

She was still dry-eyed when she went to the pawnshop two blocks away and got fifteen dollars for her wedding band. She waited at the storefront travel agency where the buses stopped and didn’t begin to cry till she wondered, for the first time in a long time, who her mom and dad might have been and if they were still alive as she thought they must be if they were too young to do anything but name her Jolene and leave her for the authorities to raise.

IN VEGAS SHE waitressed at a coffee shop till she had enough money to have her hair straightened, which is what the impresario of the Starlet Topless told her she had to do if she wanted a job. So if she shook her head as she leaned back holding on to the brass pole, her hair swished back and forth across her shoulders. Wearing a thong and high heels was not the most comfortable thing in the world, but she got the idea of things quickly enough and became popular as the most petite girl in the place. The other girls liked her, too — they called her Baby and watched out for her. She rented a room in the apartment of a couple of them. Even the bouncer was solicitous after she lied to him that she was involved.

When she met Sal, a distinguished gray-haired man of some girth, it was at the request of the manager, who took her to a table in the back. That this man Sal chose not to sit at the bar and stare up her ass suggested to her he was not the usual bum who came into Starlet’s. He was a gentleman who though not married had several grandchildren. The first thing he did on their first date when she came up to his penthouse suite was show her their pictures. That’s the kind of solid citizen Mr. Sal Fontaine was. She stood at the window looking out over all of Vegas. Quiet and soft-spoken Sal was not only a dear man, as she came to know him, but one highly respected as the founder and owner of Sal’s Line, with an office and banks of phones with operators taking calls from people all over the country wanting Sal’s Line on everything from horses to who would be the next president. Without ceremony, which was his way, he put a diamond choker on her neck and asked her to move in with him. She couldn’t believe her luck, living with a man highly regarded in the community in his penthouse suite of six rooms overlooking all of Vegas. It had maid service every morning. From the French restaurant downstairs you could order dinner on a rolling cart that turned into a table. Sal bought her clothes, she signed his name at the beauty parlor, and when they went out, though he was so busy it was not that often, she was treated with respect by the greeters, and by Sal’s associates, mostly gentlemen of the same age range as his. She was totally overwhelmed. With all the leggy ass in Las Vegas, imagine, little Jolene, treated like a princess! And not only that but with time on her hands to develop a line of her own, of greeting cards she drew, psychedelic in style, sometimes inspired by her experience with tattoo designs but always with the sentiments of loving family relationships that she dreamed up, as if she knew all about it.

She never thought she could be so happy. Sal liked her to climb all over him, he liked her to be on top, and they were very tender and caressing of one another, certainly on her part, because always in the back of her mind was the fear of his overexerting himself. And he talked so quietly, and he believed or pretended to believe her life story — the parts that were made up as well as the parts that were true.

As she became used to the life, she reflected that Sal Fontaine did not give of himself easily. It wasn’t a matter of his material generosity. He never confided in her. There was a distance in him, or maybe even a gloom, that for all his success he could not change in himself. If she had questions, if she was curious, she met a wall. He moved slowly, as if the air set up a resistance just to him. When he smiled it was a sad smile despite his capped teeth. And he had heavy jowls and hooded sad eyes made darker by the deep blue pouches under them. Maybe he could not forget what he had lost, his old country or his original family, who was she to say?

She would tell him she loved him, and at the moment she said it, she did. The rest of the time she sort of shrugged to herself. The contractual nature of their relationship was all too clear to her, and she began to suspect that the regard Sal’s friends held for her was not what they might have expressed among themselves. Her life, once the novelty wore off, was like eating cotton candy all day long. Her long straight red hair now shone with highlights. In the mornings she would swim in the hotel Olympic-size pool with her hair in a single braid, trailing. She was this Jolene person who wore different Vegas-style outfits depending on the time of day or night. She saw herself in an I. Magnin fitting-room mirror one day and the word that came to her mind was hard. When had it happened that she’d taken on that set of the mouth and stony gaze of the Las Vegas bimbo? Jesus.

One evening they were sitting watching television and Sal said, out of the blue, that she didn’t have to worry, she would be taken care of, he would settle something on her. Thank you, sweetheart, she said, not knowing exactly how or when he would do that but understanding the essential meaning — that she was in a situation designed not to last. The next morning she took all her greeting-card designs to a print shop at the edge of town and spent two hours making decisions about the stock she wanted, the layouts, the typefaces, the amounts to print of each item, and so on. It was real business and it made her feel good, even though she had no idea of who would distribute her cards let alone who would buy them. Step by step, she told herself in the cab back. Step by step.

A week later the phone rang just when they were getting up and Sal told her quickly to get dressed and go have breakfast in the coffee shop because some men were coming for a meeting. She said that was okay, she would stay out of the way in the bedroom with a cup of coffee and the Sun. Don’t argue, he shouted, and threw a dress at her face. She was speechless — he had never yelled at her before. She was waiting for the elevator when the doors opened and they came out, the men to meet with Sal. She saw them and they saw her, two of them looking, like so many of the men in Vegas, as if they had never felt the sun on their face.

But then in the coffee shop it dawned on her. She all at once turned cold and then sick to her stomach. She ran to the ladies’ and sat there in a cold sweat. Such stories as you heard were never supposed to intrude into your own life.

How long did she sit there? When she found the courage to come out, and then out of the coffee shop into the lobby, she saw an ambulance at the front entrance. She stood in the crowd that gathered and saw the elevator doors open and someone with an oxygen mask over his face and hooked up to an intravenous line being wheeled on a gurney through the lobby.

That it was Sal Fontaine was quickly agreed upon by everyone. Exactly what had happened to him was less clear. Finally, a police officer walking by said it was a heart attack. A heart attack.

She did not even have her purse, just the orange print mini she wore and the sandals. She didn’t even have any makeup — she had nothing. She saw the name of the hospital on the ambulance as it drove off and decided to go upstairs and put something on and take a cab there. But she couldn’t move. She walked up the winding staircase to the mezzanine and sat there in an armchair with her hands between her knees. Finally, she got up the courage to go back to the penthouse floor. If it was a heart attack, what were the police and TV cameras doing there? Everyone in the world was in the corridor, and the door to the apartment was sealed with yellow tape and under guard and everything was out of her reach — Mr. Sal Fontaine, and all her clothes, and her diamond choker, and even the money he had given her over time, despite the fact that he never allowed her to pay for anything.

She had over a thousand dollars in the drawer on her side of the bed. She knew that eventually she could reclaim it if she wanted to be questioned by the police. But whatever was to happen to her now might not be as bad as what would happen if she risked it. Even if she told them nothing, what would Sal’s Line be on the chances of her living to her nineteenth birthday, which happened also to be the next day? He was not around to tell her.

Which is how life changes, as lightning strikes, and in an instant what was is not what is and you find yourself sitting on a rock at the edge of the desert, hoping some bus will come by and take pity on you before you’re found lying dead there like any other piece of roadkill.

TWO YEARS LATER, Jolene was living alone in Tulsa, Oklahoma. She had heard from a truck driver at a whistle stop in north Texas, where she was waiting tables, that Tulsa was a boomtown with not enough people for all the jobs. She’d taken a room at a women’s residential hotel and first found work, part-time, in the public library shelving books and then full-time as a receptionist at a firm that leased oil-drilling equipment. She had not been with anyone in a while, but it was kind of nice actually. She was surprised at how pleasant life could be when you were on your own. She liked the way she felt walking in the street or sitting at a desk. Self-contained. Nothing begging inside her. I have come of age, she told herself. I have come of age.

To make some extra cash, she worked after hours on a call basis for a caterer. She had to invest in the uniform — white blouse, black trousers, and black pumps — but each time she was called it meant sixty dollars, for a minimum three hours. She wore her hair in the single braid down her back and she kept her eyes lowered as instructed but, even so, managed to see a good deal of the upper crust of Tulsa.

She was serving champagne on a tray at a private party one evening when this six-footer with blow-dried hair appeared before her. He was good-looking and he knew it. He grabbed a glass of champagne, drank it off, took another, and followed her into the kitchen. He didn’t get anything out of her but her name, but he tracked her down through the caterer and sent her flowers with a note, signed Brad G. Benton, asking her out to dinner. Nobody in all her life had ever done that.

So she bought herself a dress and went out to dinner with Brad G. Benton at the country club, where the table linen was starched and there were crystal wineglasses and padded red leather chairs with brass studs. She wouldn’t remember what she ate. She sat and listened with her hands in her lap. She didn’t have to say much; he did all the talking. Brad G. Benton was not thirty-five and already a senior VP at this stockbrokerage where they kept on giving him bonuses. He didn’t want just to get her in bed. He said since Jesus had come into his heart, the only really good sex remaining to him was connubial sex. He said, Of course you need someone precious and special enough for that, like you, Jolene, and looked deeply into her eyes.

At first, she couldn’t believe he was serious. After a couple of more dates she realized he was. She was thinking Brad G. Benton must be crazy. On the other hand, this was the Bible Belt — she had seen these super-sincere people at her receptionist’s job. They might be rich and do sophisticated business around the world, but they were true believers in God’s written word, with no ifs, ands, or buts. From the looks of things it was a knockout combination, though a little weird, like they had one foot in the boardroom and one in heaven.

You don’t know anything about me, Jolene told him in an effort to satisfy herself of her integrity. I expect soon to know everything, he said flashing a big handsome smile that could have been a leer.

He was so damn cocky. She almost resented that there was never any doubt in his mind as to what she would say. He insisted she quit her job and move to a hotel at his expense until the wedding day. Oh, what day is that? she said, teasing, but he was a wild man: The engagement will necessarily be short, he said, slipping a diamond ring on her finger.

A week later they were married in the chapel of the First Methodist church there in Tulsa that looked like Winchester Cathedral. Brad G. Benton brought her to live in his apartment in a new building that had a swimming pool in the basement and a gym on the roof. They were high enough to see out over the whole city, though there wasn’t that much to see in Tulsa, Oklahoma.

So once more her fortunes had changed and little Jolene was a young matron of the upper class. She wanted to write to someone about this incredible turn in her life, but who could she write to? Who? There was no one. In that sense nothing had changed, because she was as alone as she had always been, a stranger in a strange land.

Things in the marriage were okay at first, though some of Brad G. Benton’s ideas were not to her taste. He was very athletic and no sooner satisfied in one orifice than she was turned over for the other. Also, he seemed not to notice her artwork. She had bought an easel and set up a little studio in what was designed to be the maid’s room, because the Indian woman who cooked and cleaned had her own home to go to each evening. Jolene painted there and stretched her canvas, and she took a figure-painting class once a week where there were live models. She did well, her teacher was very encouraging, but Brad took none of this in. He just didn’t notice — he was too busy with his work and his workouts and his nights out and his nights in her.

It turned out that Brad G. Benton’s family was prominent in Tulsa. Not one of them had come to the wedding, their purpose being to define to her what white trash meant. At first she didn’t care that much. But she’d see their pictures in the newspapers being honored at charity events. They had wings of buildings named after them. One day, coming from shopping, she looked out of the cab window as it passed a glass office tower that said BENTON INTERNATIONAL on a giant brass cube balanced on one of its corners in the plaza out front.

She said to Brad, I would think they had more respect for you if not for me. But he only laughed. It was not so much that he was a democrat in his ideals, as she was to realize, it was part of his life’s work to do outrageous things and raise hell. It was how he kept everyone’s attention. He loved to twist noses out of joint. He was contrary. He hadn’t joined the Benton family enterprise as he was supposed to — it was a holding company with many different kinds of business in their hands — but had gone off on his own to show what he was made of.

Jolene knew that if she wanted to prove anything to his family, if she wanted any kind of social acceptance in Tulsa, Oklahoma, she would have to work for it. She would have to start reading books and take a course or two in something intellectual and embrace the style of life, the manners, the ways of doing and talking by being patient and keeping her eyes and ears open. She would attend their church, too. As wild as he was, Brad was like his father, what he called a strong Christian. That was the one place they would have to meet and, she was willing to bet, speak to one another. And how then could the family not speak to her?

Oddly enough, she was looking as good as she ever had, and Brad took her once a week to dinner at the country club to show her off. By then everyone in town knew this so-called Cinderella story. Grist for the mill. He was heedless. He just didn’t worry about it, whereas she could hardly raise her head. One evening, his father and mother were sitting at a far table with their guests, who looked as if they were there to serve them no less than the waiters. Brad waved — it was more like a salute — and the father nodded and resumed his conversation.

Through no fault of her own Jolene had stepped into a situation that was making her life miserable. Whatever was going on with these people, what did it have to do with her? Nothing. She was as nothing.

To tell the truth, she had made Brad for a creep that first time he came on to her at that cocktail party. He’d padded into the kitchen, stalking her like some animal, taken the empty champagne tray out of her hands, and told her redheads smelled different. And he stood there sniffing her and going, Hmmm, yes, like warm milk.

AFTER HER BABY WAS BORN, when Brad G. Benton started to bat her around, Jolene could not help but remember that first impression. Every little thing drove him crazy. It got so she couldn’t do anything, say anything, without he would go off half-cocked. He took to hitting her, slapping her face, punching her. What are you doing? she screamed. Stop it, stop it! It was his new way of getting off. He would say, You like this? You like it? He’d knock her around, then push her down on the bed. She grew accustomed to living in fear of getting beaten up and forced against her will. She was still to learn what they would teach at the shelter — it happens once, that’s it, you leave. But now she just tried to see it through. Brad G. Benton had been to college, he came of money and he wore good clothes, and she was flattered that he would fall for her when she hadn’t even a high school diploma. And then of course there were the apologies and the beggings for forgiveness and the praying in church together, and by such means she slowly became a routinely abused wife.

Only when it was all over would she realize it wasn’t just having the baby; it was their plans for him, the Bentons’ plans for her Mr. Nipplebee. He was an heir, after all. The minute they’d found out she was pregnant, they went to work. And after he was born, they slowly gave it to Brad in bits and pieces, what their investigators had learned about her life before. Never mind that she had tried to tell Brad about her marriages, her life on the road. He never wanted to hear it; he had no curiosity about her — none. She had appeared in Tulsa as a vision, God’s chosen sex partner for him, a fresh and wet and shining virgin with red hair. All those beatings were what he was told, and all those apologies were the way his love for her was hanging on. She would feel sorry for him if she could because he was so wired, such a maniac. It was as if his wildness, his independent choice of life, was being driven from him, as if it was the Devil. It was those parents slowly absorbing him back into their righteousness.

One day Brad G. Benton appeared at the door to her little studio room when he ordinarily would be at work. She was ruling off a grid on one of her canvases as she had been taught. Brad! she said, smiling, but there was no recognition in his eyes. He kicked the stool out from under her. He broke the easel over his knee, he bashed her canvases against the wall, tore down the drawings she had pinned up there, and then he squeezed tubes of paint into her face as he held her down on the floor. And he began hitting her as she lay there. He punched her face, he punched her in the throat. When he got off her, she could hear his breathing — it was like crying. He stood over her, kicked her in the side, and as suddenly as he had come he was gone.

She lay there moaning in pain, too frightened and shocked even to get up until she thought of the baby. She dragged herself to the nursery. The Cherokee woman who had heard everything sat beside the crib with her hand over her eyes. But the baby was sleeping peacefully. Jolene washed her face and, wrapping up her Mr. Nipplebee, she took him with her as she dragged herself to a doctor. She was told that she had had her cheek fractured, two broken ribs, contusions of the throat, and a bruised kidney. How did this happen? the doctor asked her. She was afraid to tell him, and, besides, it hurt too much to talk. But the nurse in the office didn’t have to be told. She wrote out the name and address of a women’s shelter and said, Go there right now. I’ll order you a cab. And in that way, with her precious in her arms and only what she wore, Jolene left her marriage.

She could hardly bear staying at the shelter, where there were these wimpy women looking for her friendship, her companionship. Jolene wouldn’t even go to the group sessions. She stayed by herself and nursed Mr. Nipplebee.

The shelter gave her the name of a woman lawyer and she put down a retainer. Get me a divorce as fast as you can, she told the lawyer. The money — I don’t care, I’ll take anything they give. I just want out of here and out of Tulsa, Oklahoma. And then she waited, and waited, and nothing happened. Absolutely nothing. This went on for some time. And the next thing Jolene knew, when she was about strapped of her savings account, the lawyer quit on her. She was an older woman who wore pin-striped suits and big loopy bronze earrings. I may be broke, Jolene said to her, but Brad G. Benton has money to burn and I can pay you afterward out of the alimony or child care.

You didn’t tell me you had a past including a stretch in juvenile detention, the lawyer said. To say nothing of a previous as yet un-annulled marriage to a convicted drug dealer.

Jolene was so stunned she didn’t think to ask how the lawyer knew that if she hadn’t told her.

She was up against a scumbag husband on his own turf, so what could she expect but that there was worse to come, as there was, if he knew all along where she was hiding, and if he knew by first names everyone in town, as he probably did the very police officers who came one morning to arrest her for unlawful kidnapping of her own child, who they took from her arms and drove off in one squad car with Jolene in another as she looked back screaming.

I don’t want to hear about what is the law in this country and what is not, Jolene told the Legal Aid person who was assigned to her. Do you know what it means to have your child torn from you? Do you have to have that happen to you to know that it is worse than death? Because though you want to kill yourself, you cannot have that relief for thinking of the child’s welfare in the hands of a sick father who never smiled at him and was jealous of him from the day he was born.

My baby, she said aloud when she was alone. My baby.

He had her coloring and button nose and carrot-red fuzz for hair. He drank from her with a born knowledge of what was expected of him. He was a whole new life in her arms, and for the very first time she could remember she had something she wanted. She was Jolene, his mother, and could believe in God now, who had never before seemed to her to be much of a fact of life.

And so now there was a hearing for the divorce Brad had filed for. And his whole miserable family was there — they loved him after all now that he was getting rid of her and her past was thrown in her face. They had it all down, including the medical records of her STD from Coco, her living in sin, and even her suspension one term at South Sumter High for smoking pot. It was a no-brainer, her Legal Aid kid was out of his league, and without giving it much thought, the judge ruled she was an unfit mother and granted Brad G. Benton sole custody of her Mr. Nipplebee.

On top of everything, in the fullness of her milk that she had to pump out, she must have done something wrong, because she ended up in the hospital with a staph infection that had to be drained, like the milk had gone bad and turned green. But she had a chance to think. She thought of her choices. She could kill Brad G. Benton — it’d be simple enough to buy some kind of gun and wait on him — but then the baby would be raised by the Benton family. So what was the point? She could find a job and see the baby every second Sunday for one hour, as allowed by the judge, and rely on the passing of time for the moment when nobody would be looking and she could steal him back and run for it. But then on her first visitation what happened was that Brad was up in the gym and a new large Indian woman was with Mr. Nipplebee, and Brad’s crone of a mother stood with her back to the door and they wouldn’t let Jolene hold him but just sit by the crib and watch him sleep. And she thought, If I stay on in Tulsa for my visitations, he will grow up learning to think of me as an embarrassment, a poor relation, and I can’t have that.

THESE DAYS, JOLENE has this job in West Hollywood inking for a small comic-book company, except they don’t call them comic books — they call them graphic novels. Because most of them aren’t funny at all. They are very serious. She likes the people at work, they are all good pals and go out for pizza together. But where she lives is down near the farmers’ market, in a studio apartment that is sacred to her. Nobody can come in no matter how good a friend. She has a little stereo for her Keith Jarrett CDs and she lights a candle and drinks a little wine and dreams of plans for herself. She thinks someday, when she has more experience, of writing a graphic novel of her own, The Life of Jolene.

She has a pastel sketch she once did of her precious baby. It is so sweet! It’s the only likeness she has. Sometimes she looks at this sketch and then at her own face in the mirror, and because he takes after her in his coloring and features, she tries to draw him at what he might look like at his present age, which is four and a half.

Friends tell Jolene she could act in movies because she may be twenty-five but she looks a lot younger. And they like her voice that she has courtesy of her ex-husband, the way it cracks like Janis Joplin’s. And her crooked smile, which she doesn’t tell them is the result of a busted cheekbone. So she’s had some photos taken and is sending them out to professional agents.

I mean, why not? Jolene says to herself. Her son could see her up on the screen one day? And when she took herself back to Tulsa in her Rolls-Royce automobile he would answer the door and there would be his movie-star mother.