Graver turned off the porch light, threw the dead bolt on the door, and walked back into the living room. He went over to his desk and sat down, picked up the notepad and looked at his doodles. Jesus, what a situation. What a goddamned night.
He tossed the notepad aside. He was restless still, far too wired by the events of the evening. He picked up the dish towel from the magazine stand and absently began folding it lengthwise, matching the corners, letting his thoughts drift. He thought about going for another swim, to clear his head, but then, too quickly, even before he could avoid it, he was remembering the weedy field and the fight that Tisler’s stiffening limbs had put up against the final confirmation of his death. Tisler had managed to surprise everyone, had managed to set minds to work on his death that had never given him a second thought when he was alive. That was, of course, a sad inversion of the way life should be played.
But Graver learned a lesson every day on the fallacy of the concept that life “ought” to be a certain way. Everyone believed in that, of course; perhaps it was the last vestige of a long-submerged Platonism-the idea of the ideal, that somewhere there was lightness and perfection and if we could only adjust or fine-tune ourselves or society or our environment, then life would be as it “ought” to be.
Maybe Tisler’s suicide was his own comment on the “oughtness” fallacy. Maybe he decided that was a screwed concept-or maybe he decided that just a little more pressure on the trigger was the precise amount of fine tuning needed to bring the idea of “oughtness” full circle to perfection.
When the telephone rang on the corner of his desk, it startled him. He cringed to think that there were still developments breaking in Tisler’s grim death. It was approaching one o’clock. It occurred to him that he might not answer it, though there was never really any possibility that he wouldn’t. But he did let it ring six times. Still holding the dish towel in one hand, he reluctantly picked up the receiver with his other.
“Hello.”
“Marcus?”
It was a woman’s voice, not Dore’s, not instantly recognizable. His mind began reeling through an inventory of voices.
“Yes,” he said, waiting for another audible clue. And then immediately he was cautious, even suspicious, afraid she might disconnect without speaking again.
The next voice was a man’s. “Graver, this is Victor Last.”
Graver recognized this voice immediately, even though he didn’t think he had heard it in eight years. Last’s voice was distinctive for its softness, even kindness, and its peculiar accent Last was the son of British parents who owned a shipping business in Veracruz, Mexico, where Last was raised. His pronunciation was a wonderful amalgam of several languages.
“Well, this is a surprise, Victor,” Graver said. He was wary.
“Yeah, well, I’m in the city now,” Last said. “Thought I ought to check in with you.”
Graver could hear the hollow, rushing-air sound of Last attempting to cover the mouthpiece while he spoke to someone with him, probably the woman who had been on the telephone when Graver answered it.
“Uh, look,” Last said, coming back on the line, “I’d, uh, I’d like to talk to you. Could we get together for a drink?”
“Victor, you’ve caught me at a bad time. I’ve got a lot of fires to put out at-”
“It actually would be best tonight,” Last interrupted. His voice was calm and natural, agreeable, as though Graver had called him to ask for a meeting at Last’s convenience.
This polite disconnect with the reality of their situation put Graver on guard even more. Graver looked at the dish towel in his hand. Shit.
“Okay. Where are you? North? South?”
“The best place, I think, would be where we used to meet,” Last said casually. Graver noted that he had avoided saying the name.
“Is it still there?”
“Sure.”
“It’s late. It’ll be closed.”
“I checked it out,” Last said. “It’ll be open.”
“Fine,” Graver said in resignation. “I’ll be there in twenty minutes.”
“Twenty minutes,” Last said, and the line went dead.