A behind-the-scenes look at the making of the film Ashes in the Snow
Photo: 2016 J. Michael Smith
Film slate!
Courtesy of Sorrento Productions & Tauras Films
Lina comforts a grieving Andrius. Left on the cutting room floor! This scene does not appear in the film.
Courtesy of Sorrento Productions & Tauras Films
Lina draws and documents the deportation and her experience in Siberia. When the NKVD discover her drawings, they burn them. Lina’s drawings quickly become ashes in the snow, hence the title of the film.
Courtesy of Sorrento Productions & Tauras Films
Lina is forced to watch as the NKVD burn her drawings. Challenging to shoot because temperatures rose and the production team had to create fake snow!
Courtesy of Sorrento Productions & Tauras Films
Lina braves winter in the Arctic, fighting not only for her own life but for the lives of her fellow prisoners.
Photo: 2016 J. Michael Smith
The entire film was shot on location in Lithuania and the majority of the production crew was Lithuanian. Lithuanian cities featured in the film include Vilnius, Nida, Palanga, and Kaunas (featured in photo).
Courtesy of Sorrento Productions & Tauras Films
Upon seeing her drawing, Andrius assures Lina that she will be accepted to art school.
Courtesy of Sorrento Productions & Tauras Films
Lina’s mother, Elena, bravely addresses the guards in defense of others.
Courtesy of Sorrento Productions & Tauras Films
Lina makes her way to Andrius, who is digging a grave. This scene was deleted from the final cut of the film.
Courtesy of Sorrento Productions & Tauras Films
Lina and deportees at the weigh station after a day of work in the beet fields.
Photo: 2016 J. Michael Smith
The train tracks leading Lina, her family, and the deportees away from Lithuania. Securing and aging actual trains for the film was one of the biggest challenges for the production team.
Photo: 2016 J. Michael Smith
An NKVD officer guards the locked train cars filled with Lithuanian deportees.
Courtesy of Sorrento Productions & Tauras Films
Lina, determined to find food and save her family.
Photo: 2016 J. Michael Smith
Deportation scene at the train station where many deportees were separated from their luggage.
Photo: 2016 J. Michael Smith
The truck that Lina and her family were loaded into during the scene of deportation from their home.
Photo: 2016 J. Michael Smith
Off-camera, Bel Powley (Lina) watches a scene via the monitor.
Photo: 2016 J. Michael Smith
An extra rests in a train car between takes.
Vytautas Juozenas for SEG Inc.
Extras waiting to shoot a scene near the jurta. They were costumed in heavy clothes, though this was shot in late May on an extremely hot day.
Photo: 2016 J. Michael Smith
Guards in the train depot.
Photo: 2016 J. Michael Smith
Actors portraying the NKVD prepare to shoot a scene with Commander Komarov and Kretzsky at the train station.
Vytautas Juozenas for SEG Inc.
An NKVD officer shows his mettle and prepares to shoot.
Photo: 2016 J. Michael Smith
Files outlining prisoners’ charges on the desk in the train depot.
Photo: 2016 J. Michael Smith
Watching via the monitor as cameras roll during Lina’s flashback scene of her summers in Palanga.
Photo: 2016 J. Michael Smith
Ruta Sepetys on set with Martin Wallström (left) as Kretzsky and director Marius Markevicius (center).
Vytautas Juozenas for SEG Inc.
Hands of a deportee. The wardrobe and makeup departments tasked specific staff members with applying dirt and aging throughout the production.
Photo: 2016 J. Michael Smith
Director Marius Markevicius (second from left) plans a shot of Andrius (center, lying) with cinematographer Ramunas Greicius (left).
Photo: 2016 J. Michael Smith
Author cameo! Ruta in costume, hair, and makeup before filming a scene as an extra.
Photo: 2016 J. Michael Smith
Ruta Sepetys (center) on set with the extras in the film, some of whom were survivors of Siberia themselves and many of whom had relatives who were deported.