Book of the Dead

Chapter 13

After dark. Scarpetta shines her flashlight on a stainless-steel Colt revolver in the middle of the alley behind her house.

She hasn’t called the police. If the coroner is involved in this latest turn of sinister events, then calling the police might make matters worse. No telling who he has in his pocket. Bull has quite a story, and she doesn’t know what to think. He says when the crows flapped off from the oak tree in her garden, he knew that had meaning, so he told her an untruth, said he had to go on home, when what he intended to do was some sneaking — that’s how he put it. He tucked himself behind shrubbery between her two sets of gates and waited. He waited the better part of five hours. Scarpetta had no idea.

She went about her business. Finished what she was doing in the garden. Took a shower. Worked in her upstairs office. Made phone calls. Checked on Rose. Checked on Lucy. Checked on Benton. All the while, she didn’t know Bull was hiding between the two sets of gates behind the house. He says it’s like fishing. You don’t catch anything unless you fool the fish into thinking you’ve left for the day. When the sun was lower and the shadows longer and Bull had been sitting on dark, cool bricks between the gates all afternoon, he saw a man in the alleyway. The man walked right up to Scarpetta’s outer gate and tried to squeeze his hand through it to unlock it. When that didn’t work, he started to climb the ironwork, and that’s when Bull swung the gate open and got into it with him. He thinks it’s the man who was on the chopper, but whoever it was, he was up to something serious, and when they got into the scuffle, the man dropped his gun.

“Stay right here,” she tells Bull in the dark alley. “If one of the neighbors comes out or anyone shows up for any reason, no one gets near anything. No one touches anything. Fortunately, I don’t think anybody can see what we’re doing.”

The beam of Bull’s flashlight probes the uneven bricks as she returns to her house. She climbs the stairs to the second story, and in a few minutes is back in the alley with her camera and crime scene case. She takes photographs. She pulls on latex gloves. She picks up the revolver, opens the cylinder, and ejects six thirty-eight-caliber cartridges, placing them in one paper bag, the gun in another. She seals them with bright yellow evidence tape that she labels and initials with a Sharpie.

Bull continues to search, his flashlight bobbing as he walks, stops, crouches, then walks some more, all of it very slowly. A few more minutes pass, and he says, “There’s something here. I think you better look.”

She walks over to him, watching where she steps, and about a hundred feet from her gates on the leaf-littered asphalt is a small gold coin attached to a broken gold chain. They blaze in the beam of her flashlight, the gold as bright as the moon.

“You were this far away from my gates when you struggled with him?” she says with doubt. “Then why’s his gun way over there?” She points toward the dark shapes of her gates and garden wall.

“Hard to tell where I was,” he says. “Things like that happen fast. I didn’t think I was way over here, but I can’t say it as a fact.”

She looks back toward her house. “From here to there is pretty far,” she says. “You sure you didn’t chase him after he dropped the gun?”

“All I can say,” Bull says, “is a gold chain with a gold coin isn’t going to lie around out here long. So I could have chased him and it got broke when we tussled. I didn’t think I chased him, but when you got life and death going on, time and distance don’t always measure right.”

“They don’t always,” she agrees.

She pulls on fresh gloves and picks up the broken necklace by a small area of the chain. Without a lens, she can’t tell what type of coin it is, can make out only a crowned head on one side, a wreath and the number 1 on the other.

“So it probably broke off when I started tussling with him,” Bull decides, as if he’s convinced himself. “Sure hope they don’t make you turn all this over to them. The police, I mean.”

“There’s nothing to turn over,” she says. “So far, there’s no crime. Just a scuffle between you and a stranger. Which I don’t intend to mention to anyone. Except Lucy. We’ll see what we can do in the labs tomorrow.”

He’s already been in trouble. He’s not getting into trouble again, especially on her account.

“When folks find a gun lying around, they supposed to call the police,” Bull says.

“Well, I’m not going to.” She packs up what she carried outside.

“You’re fretting they’d think I was involved in something and haul me off. Don’t you get in a mess because of me, Dr. Kay.”

“No one’s hauling you anywhere,” she says.

Gianni Lupano’s black Porsche 911 Carrera is permanently located in Charleston, no matter how seldom he’s here.

“Where is he?” Lucy asks Ed.

“Haven’t seen him.”

“But he’s still in town.”

“I talked to him yesterday. He called and asked me to get maintenance up there because his air-conditioning wasn’t working right. So while he was out, and I don’t know where he went, they changed the filter. He’s a private one. I know about his coming and going because he gets me to start his car once a week so the battery don’t go dead.” Ed opens a foam to-go box, and his small office smells like french fries. “You mind? Don’t want it to get cold. Who told you about his car?”

“Rose didn’t know he has a place in the building,” Lucy says from the doorway, watching the lobby, seeing who walks in. “When she found out, she figured who he is and told me she’s seen him driving an expensive sports car that she thought was a Porsche.”

“She’s got a Volvo as old as my cat.”

“I’ve always loved cars, so Rose knows a lot about them, whether she likes it or not,” Lucy says. “Ask her about Porsche, Ferrari, Lamborghini, she’ll tell you. Around here, people don’t rent Porsches. Maybe a Mercedes but not a Porsche like he’s got. So I figured he might keep it here.”

“How’s she doing?” Ed sits at his desk, eating a cheeseburger from the Sweetwater Cafe. “That was a bad time of it earlier.”

“Well,” Lucy says. “She’s not feeling all that great.”

“I had the flu shot this year. Got the flu twice, plus a cold. It’s like giving you candy so you don’t get a cavity. Last time I’m doing it.”

“Was Gianni Lupano here when Drew was murdered in Rome?” Lucy asks. “I was told he was in New York, but that doesn’t mean it’s true.”

“She won the tournament here on a Sunday, the middle of the month.” He wipes his mouth with a paper napkin, picks up a big soda, and sucks on the straw. “I know that night Gianni left Charleston, because he asked me to look after his car. Said he didn’t know when he’d be back, then all of a sudden, here he is.”

“But you haven’t seen him.”

“Almost never do.”

“You talk to him on the phone.”

“That’s usually it.”

“I don’t understand it,” Lucy says. “Other than Drew playing the Family Circle Cup, why would he be in Charleston? The tournament’s what? One week a year?”

“You’d be surprised the people who got places in the area. Movie stars, even.”

“His car have a GPS?”

“It’s got everything. That’s some car.”

“I need to borrow the key.”

“Oh.” Ed sets the cheeseburger back in the container. “I can’t do that.”

“Don’t worry. I’m not going to drive it, just need to check something, and I know you won’t say a word about it.”

“I can’t give you the key.” He’s stopped eating. “He ever found out…”

“I need the key for ten minutes, fifteen at the most. He’ll never find out, I promise.”

“Maybe you could start her up while you’re at it. No harm in it.” He rips open a packet of ketchup.

“Will do.”

She goes out a back door and finds the Porsche in a secluded corner of the parking lot. She turns on the engine and opens the glove box to check the registration. The Carrera is a 2006 and registered to Lupano. She turns on the GPS, checks the history of the stored destinations, and writes them down.

The rapid respiration of the magnet keeping cool.

Inside the MRI suite, Benton looks through glass at Dr. Self’s sheet-draped feet. She’s on a sliding table inside the bore of the fourteen-ton magnet, her chin taped down to remind her not to move her head, which is against a coil that will receive the radio frequency pulses necessary to image her brain. Over her ears is a set of gradient-damping headphones. Through them, a little later, when the functional imaging starts, she’ll hear the audiotape of her mother’s voice.

“So far, so good,” he says to Dr. Susan Lane. “Except for her fun and games. I’m awfully sorry she’s kept everybody waiting.” To the tech: “Josh? How about you? Awake?”

“Can’t tell you how much I’ve been looking forward to this,” Josh says from his console. “My little girl’s been throwing up all day. Ask my wife how much she’d like to kill me right now.”

“Never known one person to bring such happiness into the world.” Benton means Dr. Self, the eye of the storm. He looks through glass at her feet, catches a glimpse of stockings. “She’s wearing hose?”

“You’re lucky she’s wearing anything. When I brought her in, she insisted on taking everything off,” Dr. Lane says.

“I’m not surprised.” He’s careful. Although Dr. Self can’t hear them unless they use the intercom, she can see them. “Manic as hell. Has been since she got here. Been a productive stay. Ask her. She’s as sane as a judge.”

“I did ask her about anything metal, asked if she had on an underwire bra,” Dr. Lane says. “Told her the scanner has a magnetic pull sixty thousand times greater than the earth’s and nothing ferrous can be near it, and bra burning would have a different meaning if there was underwire and she didn’t tell us. She said she did, was quite proud of the fact, and went on and on about the—ah-hmmm—burden of having large breasts. Of course, I told her she had to take off the bra, and she said she preferred to take off everything and asked for a johnny.”

“I rest my case.”

“So she has on a johnny, but I did convince her to keep her pants on. And her stockings.”

“Good job, Susan. Let’s get this over with.”

Dr. Lane pushes the talk button of the intercom and says, “What we’re going to do now is start with some localizing images — structural imaging, in other words. This first part is going to last about six minutes, and you’re going to hear some rather loud, strange noises that the machine makes. How are you doing?”

“Can we start, please?” Dr. Self’s voice.

Intercom off, and Dr. Lane says to Benton, “You ready for the PANAS?” Positive and Negative Affect Scales rating.

Benton pushes the intercom button again and says, “Dr. Self, I’m going to start with a series of questions about how you’re feeling. And I’ll be asking you these same questions several other times during our session, all right?”

“I know what a PANAS is.” Her voice.

Benton and Dr. Lane exchange glances, their facial expressions relaxed, revealing nothing as Dr. Lane says sarcastically, “Wonderful.”

Benton says, “Ignore it. Let’s just do this.”

Josh looks at Benton, ready to start. Benton thinks of his conversation with Dr. Maroni and the implied accusation that Josh told Lucy about their VIP patient, and then Lucy told Scarpetta. It still puzzles Benton. What was Dr. Maroni trying to say? As he looks at Dr. Self through the glass, something comes to him. The file that isn’t in Rome. The Sandman’s file. Maybe it’s here at McLean.

A monitor displays vital signs remotely relayed by Dr. Self’s finger holder and a blood pressure cuff. Benton says, “BP one twelve over seventy-eight.” He writes it down. “Pulse seventy-two.”

“What’s her pulse ox?” Dr. Lane asks.

He tells her that Dr. Self’s arterial oxyhemoglobin saturation — or the measurement of oxygen saturation in her blood — is ninety-nine. Normal. He presses the intercom button to start the PANAS.

“Dr. Self? Are you ready for a few questions?”

“Finally.” Her voice over the intercom.

“I’ll ask questions, and I want you to rate what you’re feeling on a scale of one to five. One means you feel nothing. Two means you feel a little. Three is moderately, four is very much, and five is extremely. Make sense?”

“I’m familiar with a PANAS. I’m a psychiatrist.”

“It appears she’s a neuroscientist, too,” Dr. Lane comments. “She’s going to cheat this part of it.”

“I don’t care.” Benton presses the intercom button and goes through the questions, the same ones he’ll ask her several more times during the testing. Is she feeling upset, ashamed, distressed, hostile, irritable, guilty? Or interested, proud, determined, active, strong, inspired, excited, enthusiastic, alert? She assigns a rating of one to all of them, claiming she feels nothing.

He checks her vitals and writes them down. They are normal, unchanged.

“Josh?” Dr. Lane indicates it’s time.

The structural scan begins. What sounds like loud hammering, and images of Dr. Self’s brain are displayed on Josh’s computer screen. They don’t reveal much. Unless there is some gross pathology, such as a tumor, they will see nothing until later, when thousands of images captured by the MRI are analyzed.

“We’re ready to begin,” Dr. Lane says over the intercom. “You all right in there?”

“Yes.” Impatient.

“The first thirty seconds, you’re not going to hear anything,” Dr. Lane explains. “So be silent and relax. Then you’re going to hear an audiotape of your mother’s voice, and I want you to just listen. Be completely still and just listen.”

Dr. Self’s vitals remain the same.

An eerie sonar sound that brings to mind a submarine as Benton looks at Dr. Self’s blanketed feet on the other side of the glass.

“The weather here’s been perfectly wonderful, Marilyn.” The recorded voice of Gladys Self. “I haven’t even bothered with the air conditioner — not that it works. Rattles like a huge insect. I just keep the windows and doors open because the temperature isn’t so bad right now.”

Although this is the neutral set, the most innocuous one of all, Dr. Self’s vital signs have changed.

“Pulse seventy-three, seventy-four,” Benton says, writing it down.

“I’d say this isn’t neutral for her,” Dr. Lane says.

“I was thinking of all those gorgeous fruit trees you used to have when you lived down here, Marilyn, the ones the Department of Agriculture had to cut down because of the citrus canker. I love a pretty yard. And you’d be pleased to know that silly eradication program has pretty much ground to a halt because it doesn’t work. Such a shame. Life is all about timing, isn’t it?”

“Pulse seventy-five, seventy-six. Pulse ox ninety-eight,” Benton says.

“…The darnedest thing, Marilyn. This submarine going back and forth all day about a mile offshore. Has a little American flag waving from the whatever you call it. The tower where the periscope is? Must be the war. Back and forth, back and forth, some kind of practice, the little flag waving. I say to my friends, practice for what? Did anybody tell them they don’t need submarines in Iraq…?”

The first neutral set ends, and during a thirty-second recovery period, Dr. Self’s blood pressure is taken again. It’s gone up to one sixteen over eighty-two. Then her mother’s voice again. Gladys Self talks about where she likes to shop these days in South Florida, and the never-ending construction, high-rises sprouting up everywhere, she says. A lot of them empty because the real estate market has gone to hell. Mainly because of the war in Iraq. What it’s done to everyone.

Dr. Self reacts the same way.

“Wow,” Dr. Lane says. “Something’s certainly got her paying attention. Just look at her pulse ox.”

It’s dropped to ninety-seven.

Her mother’s voice again. Positive comments. Then the criticism.

“…You were a pathological liar, Marilyn. From the time you could talk, I never could get the truth out of you. Then later? What happened? Where did you get those morals of yours? Not from anyone in this family. You and your dirty little secrets. It’s disgusting and reprehensible. What happened to your heart, Marilyn? If only your fans knew! Shame on you, Marilyn…”

Dr. Self’s oxygenated blood has dropped ninety-six percent, her breathing more rapid, shallower, and audible through the intercom.

“…The people you threw away. And you know what and who I mean. You lie as if it’s the truth. That’s what’s worried me all your life, and it will catch up with you one of these days…”

“Pulse one hundred and twenty-three,” Dr. Lane says.

“She just moved her head,” Josh says.

“Can the motion software correct for it?” Dr. Lane asks.

“I don’t know.”

“…And you think money solves everything. Send your widow’s mites and it absolves you of responsibility. Pay people off. Oh, we’ll see. One of these days you’ll reap what you sow. I don’t want your money. I have drinks in the tiki bar with my friends and they don’t even know who you are to me…”

Pulse one hundred and thirty-four. Oxygenated blood down to ninety-five. Her feet are restless. Nine seconds left. Mother talks, activating neurons in her daughter’s brain. Blood flows to those neurons, and with the increase of blood is an increase in deoxygenated blood that is detected by the scanner. Functional images are captured. Dr. Self is in physical and emotional distress. It isn’t an act.

“I don’t like what’s going on with her vitals. That’s it. No more,” Benton says to Dr. Lane.

“I agree.”

He gets on the intercom. “Dr. Self. We’re going to stop.”

From a locked cabinet inside the computer lab, Lucy retrieves a tool kit, a thumb drive, and a small black box as she talks to Benton on the phone.

“Don’t ask questions,” he says. “We just finished a scan. Better put, had to abort one. I can’t tell you about it, but I need something.”

“Okay.” She sits in front of a computer.

“I need you to talk to Josh. I need you to get in.”

“To do what?”

“A patient is having her e-mails forwarded to the Pavilion’s server.”

“And?”

“And also on the same server are electronic files. One for an individual who saw the Pavilion’s clinical director. You know who I mean.”

“And?”

“And he saw a person of interest in Rome last November,” Benton says over the phone. “All I can tell you is this patient of interest served in Iraq, seems he’s a referral from Dr. Self.”

“And?” Lucy logs on to the Internet.

“Josh just finished the scan. The one aborted. On a person who’s leaving tonight, meaning no more forwarded e-mails. Time is of the essence.”

“Still there? The person who’s leaving?”

“Right now, yes. Josh has already left, has a sick baby at home. Is in a hurry.”

“If you give me your password, I can access the network,” Lucy says. “That will make it easier. But you’re going to be down for about an hour.”

She reaches Josh on his cell phone. He’s in his car, driving away from the hospital. That’s even better. She tells him Benton can’t get into his e-mail, there’s something going on with the server, she has to fix it immediately, sounds like it will take some time. She can do it remotely, but she needs the system administrator password unless he wants to turn around and handle it himself. He sure doesn’t want to do that, starts talking about his wife, their baby. Okay, it would be great if Lucy could take care of it. They work on technical problems all the time, and it would never occur to him that her intention is to access a patient’s e-mail account and Dr. Maroni’s private files. Even if Josh suspected the worst, he would assume she would just hack in, wouldn’t ask. He knows her abilities, how she makes her money, for God’s sake.

She doesn’t want to hack into Benton’s hospital. And it would take too long. An hour later, she calls Benton back. “Don’t have time to look,” she says. “Leave that up to you. I forwarded everything. And your e-mail’s up.”

She leaves the lab and rides off on her Agusta Brutale motorcycle and is overwhelmed by anxiety and anger. Dr. Self is at McLean. She has been for almost two weeks. Goddamn it. Benton has known it.

She rides fast, the warm wind slapping her helmet, as if trying to bring her to her senses.

She understands why Benton couldn’t say a word, but it’s not right. Dr. Self and Marino e-mailing each other, and all the while she’s under Benton’s nose at McLean. He doesn’t warn Marino or Scarpetta. He doesn’t warn Lucy as the two of them watch Marino on camera in the morgue, giving Shandy a tour. Lucy making comments about Marino, about his e-mails to Dr. Self, and Benton just listens, and now Lucy feels stupid. She feels betrayed. He doesn’t mind asking her to break into confidential electronic files, but he can’t tell her that Dr. Self is a patient and is sitting in her private room at the very private Pavilion, paying three thousand fucking dollars a day to fuck everyone.

Sixth gear, tucked in, and passing cars on the Arthur Ravenel Jr. Bridge with its soaring peaks and vertical cables that remind her of the Stanford Cancer Center, of the lady playing incongruous songs on her harp. Marino may have been messed up already, but he didn’t bargain for the chaos Dr. Self could cause. He’s too simple to comprehend a neutron bomb. Compared to Dr. Self, he’s a big, dumb kid with a slingshot in his back pocket. Maybe he started it by sending her an e-mail, but she knows how to finish something. She knows how to finish him.

Racing past shrimp boats docked in Shem Creek, crossing the Ben Sawyer Bridge to Sullivan’s Island, where Marino lives in what he said at one time was his dream home — a tiny, run-down fishing shack on stilts, with a red metal roof. The windows are dark, not even a porch light on. Behind the shack, a very long pier cuts through the marsh and ends at a narrow creek that snakes to the Intracoastal Waterway. When he moved here, he bought a drift boat and enjoyed exploring the creeks and fishing or just cruising and drinking beer. She’s not sure what happened. Where did he go? Who’s living in his body?

The patch of a front yard is sandy and dappled with spindly weeds. Under the shack, she picks her way through an assortment of junk. Old ice chests, a rusting grill, crab pots, rotting fishnets, garbage cans that smell like a swamp. She climbs warped wooden steps and tries the paint-peeled door. The lock is flimsy, but she doesn’t want to pry it open. Better to take the door off the hinges and get in that way. A screwdriver, and she’s inside Marino’s dream house. He has no alarm system, always says his guns are alarming enough.

She pulls the string of an overhead bulb, and in the harsh glare and uneven shadows, she looks around to see what’s changed since she was here last. When was that? Six months ago? He’s done nothing new, as if he stopped living here after a while. The living room is a bare wooden floor with a cheap plaid couch, two straight-back chairs, a big-screen TV, a home computer and printer. Against a wall is a kitchenette, a few empty beer cans and a bottle of Jack Daniel’s on the counter, lots of cold cuts and cheese and more beer inside the refrigerator.

She sits at Marino’s desk and from the USB port of his computer removes a two-hundred-and-fifty-six-megabyte thumb drive attached to a lanyard. She opens her tool kit and selects needle-nose pliers, a screwdriver pen, a battery-powered drill — as tiny as one a jeweler might use. Inside the small black box are four unidirectional microphones, each no more than eight millimeters in size, or about the size of a baby aspirin. Pulling the plastic casing off the thumb drive, she removes the shaft and the lanyard, and embeds a microphone, its metal mesh top unnoticeable in the small hole where the lanyard originally was attached. The drill makes a quiet hum as it bores a second hole in the base of the casing, where she inserts the ring of the lanyard, reattaching it.

Next she digs into a pocket of her cargo pants and pulls out another thumb drive — the one she retrieved from the lab — and inserts it into the USB port. She downloads her own version of a spyware application that will relay Marino’s every keystroke to one of her e-mail accounts. She scrolls through his hard drive, looking for documents. Almost nothing except the e-mails from Dr. Self that he copied onto his computer at the office. No big surprise. She doesn’t imagine him sitting around writing professional journal articles or a novel. He’s bad enough about doing paperwork. She plugs his thumb drive back into the port and begins a quick walk around, opening drawers. Cigarettes, a couple Playboy magazines, a.357-magnum Smith & Wesson, a few dollars and loose change, receipts, junk mail.

She’s never figured out how he fits inside the bedroom, where the closet is a rod attached between the walls at the foot of the bed, clothes jammed and sloppily hung, other items on the floor, including his huge boxer shorts, socks. She spots a lacy red bra and panties, a studded black leather belt and a crocodile one, way too small to be his, a plastic butter tub filled with condoms and cock rings. The bed is unmade. God knows when the linens were washed last.

Next door is a bathroom the size of a phone booth. A toilet, a shower, a sink. Lucy checks the medicine cabinet, finds the expected toiletries and hangover remedies. She removes a bottle of Fiorinal with Codeine prescribed to Shandy Snook. It’s almost empty. On another shelf is a tube of Testroderm, prescribed to someone she’s never heard of, and she enters the information on her iPhone. She reattaches the door to its hinges and makes her way down the dark, rickety stairs. The wind has kicked up, and she hears a faint noise coming from the pier. She slips out her Glock, listening, shining the light in the direction of the noise, but the beam falls short, the length of the pier dissolving into solid darkness.

She climbs stairs that lead to the pier, old with curling boards, some of them missing. The smell of pluff mud is strong, and she begins to swat at no-see-ums and remembers what an anthropologist told her. It’s all about your blood type. Pests like mosquitos like type O. That would be her, but she’s never been sure how a no-see-um can smell her blood type if she isn’t bleeding. They swarm around her, attacking her, even biting her scalp.

Her footsteps are quiet as she walks and listens, hearing a bumping sound. The flashlight moves over weathered wood and bent rusty nails, and a breeze touches the marsh grass, whispers through it. The lights of Charleston seem distant in the sulfur-smelling, humid air, the moon elusive behind thick clouds, and at the end of the pier, she looks down at the source of the disconcerting sound. Marino’s bass boat is gone, and bright orange bumpers rock against pilings in dull thuds.