Nine days later, Sunday. A ship’s horn is mournful out at sea.
Church steeples pierce the overcast dawn in Charleston, and a solitary bell begins to ring. Then a cluster of them joins in, clanging in a secret language that sounds the same around the world. With the bells comes the first light of dawn, and Scarpetta begins to stir about in her master suite, as she wryly refers to her living area on the second floor of her early-nineteenth-century carriage house. Compared to the somewhat sumptuous homes of her past, what she has is a very odd departure.
Her bedroom and study are combined, the space so crowded she can barely move without bumping into the antique chest of drawers or bookcases, or the long table draped with a black cloth that bears a microscope and slides, latex gloves, dust masks, camera equipment, and various crime scene necessities — all eccentric in their context. There are no closets, just side-by-side wardrobes lined with cedar, and from one of them she selects a charcoal skirt suit, a gray-and-white-striped silk blouse, and low-heeled black pumps.
Dressed for what promises to be a difficult day, she sits at her desk and looks out at the garden, watching it change in the varying shadows and light of morning. She logs into e-mail, checking to see if her investigator, Pete Marino, has sent her anything that might confound her plans for the day. No messages. To double-check, she calls him.
“Yeah.” He sounds groggy. In the background, an unfamiliar woman’s voice complains, “Shit. Now what?”
“You’re definitely coming in?” Scarpetta makes sure. “I got word late last night we have a body on the way from Beaufort, and I’m assuming you’ll be there to take care of it. Plus, we have that meeting this afternoon. I left you a message. You never called me back.”
“Yeah.”
The woman in the background says in the same complaining voice, “What’s she want this time?”
“I’m talking within the hour,” Scarpetta firmly tells Marino. “You need to be on your way now or there will be no one to let him in. Meddicks’ Funeral Home. I’m not familiar with it.”
“Yeah.”
“I’ll be in around eleven to finish up what I can with the little boy.”
As if the Drew Martin case isn’t bad enough. Scarpetta’s first day back to work after she returned from Rome brought in another horrible case, the murder of a little boy whose name she still doesn’t know. He has moved into her mind because he has nowhere else to go, and when she least expects it, she sees his delicate face, emaciated body, and curly brown hair. And then the rest of it. What he looked like when she was done. After all these years, after thousands of cases, a part of her hates the necessity of what she must do to the dead because of what someone did to them first.
“Yeah.” That’s all Marino has to say.
“Petulant, rude…” she mutters as she makes her way downstairs. “I’m so goddamn tired of this.” Blowing out in exasperation.
In the kitchen, her heels are sharp on the terra-cotta tile floor that she spent days on her hands and knees laying in a herringbone pattern when she moved into the carriage house. She repainted the walls plain white to capture light from the garden, and restored the cypress ceiling beams that are original to the house. The kitchen — the most important room — is precisely arranged with the stainless-steel appliances, copper pots and pans (always polished as bright as new pennies), cutting boards, and handcrafted German cutlery of a serious chef. Her niece, Lucy, should be here any minute, and it pleases Scarpetta very much, but she’s curious. Lucy rarely calls and invites herself for breakfast.
Scarpetta picks out what she needs for egg-white omelets stuffed with ricotta cheese and white cap mushrooms sautéed in sherry and unfiltered olive oil. No bread, not even her flat griddle bread grilled on the terra-cotta slab — or testo—she hand-carried from Bologna back in the days when airport security didn’t consider cookware a weapon. Lucy is on an unforgiving diet — in training, as she puts it. For what, Scarpetta always asks. For life, Lucy always says. Preoccupied by whipping egg whites with a whisk and ruminating about what she must deal with today, she’s startled by an ominous thud against an upstairs window.
“Please, no,” she exclaims in dismay, setting down the whisk and running to the door.
She disarms the alarm and hurries out to the garden patio where a yellow finch flutters helplessly on old brick. She gently picks it up, and its head lolls from side to side, eyes half shut. She talks soothingly to it, strokes its silky feathers as it tries to right itself and fly, and its head lolls from side to side. It’s just stunned, will suddenly recover, and it falls over and flutters and its head lolls from side to side. Maybe it won’t die. Foolish wishful thinking for someone who knows better, and she carries the bird inside. In the locked bottom drawer of the kitchen desk is a locked metal box, and inside that, the bottle of chloroform.
She sits on the back brick steps and doesn’t get up as she listens to the distinctive roar of Lucy’s Ferrari.
It turns off King Street and parks on the shared driveway in front of the house, and then Lucy appears on the patio, an envelope in hand.
“Breakfast isn’t ready, not even coffee,” she says. “You’re sitting out here and your eyes are red.”
“Allergies,” Scarpetta says.
“The last time you blamed allergies — which you don’t have, by the way — was when a bird flew into a window. And you had a dirty trowel on the table just like that.” Lucy points to an old marble table in the garden, a trowel on top of it. Nearby, beneath a pittosporum, is freshly dug earth covered by broken pieces of pottery.
“A finch,” Scarpetta says.
Lucy sits next to her and says, “So it appears Benton’s not coming for the weekend. When he is, you always have a long grocery list on the counter.”
“Can’t get away from the hospital.” The small, shallow pond in the middle of the garden has Chinese jasmine and camellia petals floating in it like confetti.
Lucy picks up a loquat leaf knocked down from a recent rain, twirls it by the stem. “I hope that’s the only reason. You come back from Rome with your big news and what’s different? Nothing that I can tell. He’s there, you’re here. No plans to change that, right?”
“Suddenly you’re the relationship expert?”
“An expert on ones that go wrong.”
“You’re making me sorry I told anyone,” Scarpetta says.
“I’ve been there. It’s what happened with Janet. We started talking about commitment, about getting married when it finally became legal for perverts to have more rights than a dog. Suddenly, she couldn’t deal with being gay. And it was over before it began. And not in a nice way.”
“Not nice? How about unforgivable?”
“I should be the unforgiving one, not you,” Lucy says. “You weren’t there. You don’t know what it’s like to be there. I don’t want to talk about it.”
A small statue of an angel that watches over the pond. What it protects, Scarpetta has yet to discover. Certainly not birds. Maybe not anything. She gets up and brushes off the back of her skirt.
“Is this why you wanted to talk to me,” she says, “or did it just happen to pop into your mind while I was sitting here feeling awful because I had to euthanize another bird?”
“It’s not why I called you last night and said I need to see you,” Lucy says, still playing with the leaf.
Her hair, cherrywood-red with highlights of rose-gold, is clean and shiny and tucked behind her ears. She wears a black T-shirt that shows off a beautiful body earned by punishing workouts and good genetics. She’s going somewhere, Scarpetta has a suspicion, but she’s not going to ask. She sits down again.
“Dr. Self.” Lucy stares at the garden, the way people stare when they aren’t looking at anything except what’s bothering them.
It’s not what Scarpetta expected her to say. “What about her?”
“I told you to keep her close, always keep your enemies close,” Lucy says. “You didn’t pay attention. Haven’t cared that she disparages you every chance she gets because of that court case. Says you’re a liar and a professional sham. Just Google yourself on the Internet. I track her, forwarded her bullshit to you, and you barely look at it.”
“How could you possibly know whether I barely look at something?”
“I’m your system administrator. Your faithful IT. I know damn well how long you keep a file open. You could defend yourself,” Lucy says.
“From what?”
“Accusations that you manipulated the jury.”
“What court’s about. Manipulating the jury.”
“That you talking? Or am I sitting with a stranger?”
“If you’re hog-tied, tortured, and can hear the screams of your loved ones being brutalized and killed in another room, and you take your own life to escape their fate? That’s not a goddamn suicide, Lucy. That’s murder.”
“What about legally?”
“I really don’t care.”
“You sort of used to.”
“I sort of didn’t. You don’t know what’s been in my mind when I’ve worked cases all these years and often found myself the only advocate for the victims. Dr. Self wrongly hid behind her shield of confidentiality and didn’t divulge information that could have prevented profound suffering and death. She deserves worse than she got. Why are we talking about this? Why are you getting me upset?”
Lucy meets her eyes. “What do they say? Revenge is best served cold? She’s in contact with Marino again.”
“Oh, God. As if this past week hasn’t been hell enough. Has he completely lost his mind?”
“When you came back from Rome and spread the word, did you think he was going to be happy about it? Do you live in outer space?”
“Clearly, I must.”
“How can you not see it? Suddenly he goes out and gets drunk every night, gets a new trashy girlfriend. He’s really picked one this time. Or don’t you know? Shandy Snook, as in Snook’s Flamin’ Chips?”
“Flamin’ what? Who?”
“Greasy, oversalted potato chips flavored with jalapeño and red pepper sauce. Made her father a fortune. She moved here about a year ago. Met Marino at the Kick ’N Horse this past Monday night, and it was love at first sight.”
“He tell you all this?”
“Jess told me.”
Scarpetta shakes her head, has no idea who Jess is.
“Owns the Kick ’N Horse. Marino’s biker hangout, and I know you’ve heard him talk about it. She called me because she’s worried about him and his latest trailer-park paramour, worried about how out of control he’s getting. Jess says she’s never seen him like this.”
“How would Dr. Self know Marino’s e-mail address unless he contacted her first?” Scarpetta asks.
“Her personal e-mail address hasn’t changed since he was her patient in Florida. His has. So I think we can figure out who wrote who first. I can find out for sure. Not that I have the password for the personal e-mail account on his home computer, although minor inconveniences like that have never stopped me. I’d have to…”
“I know what you’d have to do.”
“Have physical access.”
“I know what you’d have to do, and I don’t want you to. Let’s don’t make this any worse than it is.”
“At least some of the e-mails he’s gotten from her are now on his office desktop for all the world to see,” Lucy says.
“That makes no sense.”
“Of course it does. To make you angry and jealous. Payback.”
“And you noticed them on his desktop because?”
“Because of the little emergency last night. When he called me and said he’d been notified that an alarm was going off, indicating the fridge was malfunctioning, and he wasn’t anywhere near the office and could I check. He said if I need to call the alarm company, the number’s on the list taped to his wall.”
“An alarm?” she says, baffled. “No one notified me.”
“Because it didn’t happen. I get there and everything’s status quo. The fridge is fine. I go into his office to get the number of the alarm company so I can check to be sure everything really is okay, and guess what’s on his desktop.”
“This is ridiculous. He’s acting like a child.”
“He’s no child, Aunt Kay. And you’re going to have to fire him one of these days.”
“And manage how? I can barely manage now. I’m already short-staffed, without a single eligible person on the horizon to hire.”
“This is just the beginning. He’s going to get worse,” Lucy says. “He’s not the person you once knew.”
“I don’t believe that, and I could never fire him.”
“You’re right,” Lucy says. “You couldn’t. It would be a divorce. He’s your husband. God knows you’ve spent a hell of a lot more time with him than you have with Benton.”
“He most assuredly isn’t my husband. Don’t goad me, please.”
Lucy picks up the envelope from the steps and hands it to her. “Six of them, all from her. Coincidentally, starting on this past Monday, your first day back at work from Rome. The same day we saw your ring and, great sleuths that we are, figured out it wasn’t from Cracker Jacks.”
“Any e-mails from Marino to Dr. Self?”
“He must not want you to see whatever he wrote. I recommend you bite on a stick.” Indicating the envelope and what’s inside it. “How is he? She misses him. Thinks about him. You’re a tyrant, a has-been, and he must be miserable working for you, and what can she do to help him?”
“Will he never learn?” Mostly, it’s depressing.
“You should have kept the news from him. How could you not know what it would do to him?”
Scarpetta notices the purple Mexican petunias climbing the north garden wall. She notices the lavender lantana. They look a bit parched.
“Well, aren’t you going to read the damn things?” Lucy indicates the envelope again.
“I’m not going to give them that power right now,” Scarpetta says. “I have more important things to deal with. That’s why I’m dressed in a damn suit and going into the damn office on a damn Sunday when I could be working in my garden or even going for a damn walk.”
“I ran a background check on the guy you’re meeting with this afternoon. Recently, he was the victim of an assault. No suspect. And related to this, he was charged with a misdemeanor for possession of marijuana. The charge was dropped. Beyond that, not even a speeding ticket. But I don’t think you should be alone with him.”
“What about the brutalized little boy all alone in my morgue? Since you haven’t said anything, I assume your computer searches are still coming up empty-handed.”
“It’s like he didn’t exist.”
“Well, he did. And what was done to him is one of the worst things I’ve ever seen. Maybe it’s time we go out on a limb.”
“And do what?”
“I’ve been thinking about statistical genetics.”
“I still can’t believe no one’s doing it,” Lucy says. “The technology’s there. It’s been there. It’s all so stupid. Alleles are shared among relatives, and, as is true of any other database, it’s all a function of probability.”
“A father, mother, sibling would have a higher score. And we’d see it and focus on it. I think we should try it.”
“If we do, what happens if it turns out this little kid was killed by a relative? We use statistical genetics in a criminal case, and what happens in court?” Lucy says.
“If we figure out who he is, then we’ll worry about court.”
Belmont, Massachusetts. Dr. Marilyn Self sits before a window in her room with a view.
Sloping lawns, forests and fruit trees, and old brick buildings harken back to a genteel era when the wealthy and famous could disappear from their lives, briefly or for as long as needed, or in some hopeless cases, forever, and be treated with the respect and pampering they deserved. At McLean Hospital, it’s perfectly normal to spot famous actors, musicians, athletes, and politicians strolling the cottage-style campus, designed by the famous landscape architect Frederick Law Olmsted, whose other famous projects include New York’s Central Park, the grounds of the U.S. Capitol, the Biltmore Estate, and Chicago’s 1893 World’s Fair.
It isn’t perfectly normal to spot Dr. Marilyn Self. But she doesn’t intend to be here much longer, and when the public eventually finds out the truth, her reasons will be clear. To be safe and sequestered, and then, as has always been the story of her life, a destiny. What she calls a meant-to-be. She’d forgotten Benton Wesley works here.
Shocking Secret Experiments: Frankenstein.
Let’s see. She continues to script her first show when she returns to the air. While in seclusion to guard my life, I unwittingly and unwillingly became an eyewitness — worse, a guinea pig — to clandestine experiments and abuse. In the name of science. It is as Kurtz said in Heart of Darkness—“The horror! The horror!” I was subjected to a modern form of what was done in asylums during the darkest days of the darkest times when people who didn’t have the proper tools were considered subhuman and treated like…Treated like…? The right analogy will come to her later.
Dr. Self smiles as she imagines Marino’s ecstasy when he discovered she had written back to him. He probably believes that she (the most famous psychiatrist in the world) was happy to hear from him. He still believes she cares! She’s never cared. Even when he was her patient in her less prominent Florida days, she didn’t care. He was little more than a therapeutic amusement, and yes (she admits it), a dash of spice, because his adoration of her was almost as pathetic as his besotted sexual obsession with Scarpetta.
Poor, pathetic Scarpetta. Amazing what a few well-placed calls can do.
Her mind races. Her thoughts are nonstop inside her room at the Pavilion, where meals are catered and a concierge is available, should one wish to go to the theater or a Red Sox game or a health spa. The privileged patient at the Pavilion gets rather much whatever he or she wants, which in Dr. Self’s case is her own e-mail account and a room that happened to be occupied by another patient named Karen when Dr. Self was admitted nine days ago.
The unacceptable room assignment was, of course, remedied easily enough without administrative intervention or delay on Dr. Self’s first day when she entered Karen’s room before dawn and awakened her by gently blowing on her eyes.
“Oh!” Karen exclaimed in relief when she realized it was Dr. Self, not a rapist, hovering over her. “I was having a strange dream.”
“Here. I brought you coffee. You were sleeping like the dead. Perhaps you stared too long at the crystal light fixture last night?” Dr. Self looked up at the shadowy shape of the Victorian crystal light fixture above the bed.
“What!” Karen exclaimed in alarm, setting down her coffee on the antique bedside table.
“One must be most careful about staring at anything crystal. It can have a hypnotic effect and put you into a trancelike state. What was your dream?”
“Dr. Self, it was so real! I felt someone’s breath in my face and I was scared.”
“Do you have any idea who? Perhaps someone in your family? A family friend?”
“My father used to rub his whiskers against my face when I was little. I could feel his breath. How funny! I’m just now remembering that! Or maybe I’m imagining it. Sometimes I have a problem knowing what’s real.” Disappointed.
“Repressed memories, my dear,” Dr. Self said. “Don’t doubt your inner Self [said slowly]. It’s what I tell all my followers. Don’t doubt your what, Karen?”
“Inner Self.”
“That’s right. Your inner Self [said very slowly] knows the truth. Your inner Self knows what’s real.”
“A truth about my father? Something real I don’t remember?”
“An unbearable truth, an unthinkable reality you couldn’t face back then. You see, my dear, everything really is about sex. I can help you.”
“Please help me!”
Patiently, Dr. Self led her back in time, back to when she was seven, and with some insightful guidance navigated her back to the scene of her original psychic crime. Karen finally, for the first time in her pointless, used-up life, recounted her father crawling into bed with her and rubbing his exposed erect penis against her buttocks, his boozy breath in her face, and then a warm, wet stickiness all over her pajama bottoms. Dr. Self went on to direct poor Karen to the traumatic realization that what happened wasn’t an isolated incident, because sexual abuse, with rare exception, is repeated, and her mother must have been aware, based on the condition of little Karen’s pajamas and the bedcovers, meaning her mother turned a blind eye to what her husband was doing to their younger daughter.
“I remember my father bringing me hot chocolate in bed once and I spilled it,” Karen finally said. “I remember the warm stickiness on my pajama bottoms. Maybe that’s what I’m remembering and not…”
“Because it was safe to think it was hot chocolate. And then what followed?” No answer. “If you spilled it? Whose fault was it?”
“I spilled it. It was my fault,” Karen says, tearfully.
“Perhaps why you’ve abused alcohol and drugs ever since? Because you feel what happened is your fault?”
“Not ever since. I didn’t start drinking or smoking pot until I was fourteen. Oh, I don’t know! I don’t want to go into another trance, Dr. Self! I can’t bear the memories! Or if it wasn’t real, now I think it is!”
“It’s just as Pitres wrote in his Leçons cliniques sur l’hystérie et l’hypnotisme in 1891,” Dr. Self said as the woods and lawn beautifully materialized in the dawn — a view that soon would be hers. She explained delirium and hysteria, and intermittently looked up at the crystal light fixture over Karen’s bed.
“I can’t stay in this room!” Karen cried. “Won’t you please trade rooms with me?” she begged.
Lucious Meddick snaps a rubber band on his right wrist as he parks his shiny black hearse in the alley behind Dr. Scarpetta’s house.
Intended for horses, not huge vehicles, what kind of nonsense is this? His heart is still pounding. He’s a nervous wreck. Damn lucky he didn’t scrape against trees or the high brick wall that separates the alley and old houses along it from a public garden. What kind of ordeal is this to put him through, and already his brand-new hearse is feeling out of alignment, was pulling to one side as it bumped over pavers, kicking up dust and dead leaves. He climbs out, leaving the engine rumbling, noticing some old lady staring out her upstairs window at him. Lucious smiles at her, can’t help but think it won’t be long before the old bag needs his services.
He presses the intercom button on a formidable iron gate and announces, “Meddicks’.”
After a long pause, which requires him to make the announcement again, a woman’s strong voice sounds through the speaker: “Who is this?”
“Meddicks’ Funeral Home. I have a delivery….”
“You brought a delivery here?”
“Yes, ma’am.”
“Stay inside your vehicle. I’ll be right there.”
The southern charm of General Patton, Lucious thinks, somewhat humiliated and irked as he climbs back into his hearse. He rolls up his window and thinks of the stories he’s heard. At one time Dr. Scarpetta was as famous as Quincy, but something happened when she was the chief medical examiner…. He can’t remember where. She got fired or couldn’t take the pressure. A breakdown. A scandal. Maybe more than one of each. Then that highly publicized case in Florida a couple years back, some naked lady strung up from a rafter, tortured and tormented until she couldn’t take it anymore and hung herself with her own rope.
A patient of that TV talk-show shrink. He tries to remember. Maybe it was more than one person tortured and killed. He’s quite sure Dr. Scarpetta testified and was key in convincing the jury to find Dr. Self guilty of something. And in a number of articles he’s read since, she has referred to Dr. Scarpetta as “incompetent and biased,” a “closet lesbian,” and a “has-been.” Probably true. Most powerful women are like men or at least wish they were men, and when she started out, there weren’t many women in her profession. Now there must be thousands of them. Supply and demand, nothing special about her anymore, no-sirree-bob, women all over the place — young ones — getting ideas from TV and doing the same thing she does. That and all the other stuff said about her sure as heck would explain why she moved to the Lowcountry and works out of a tiny carriage house — a former stable, let’s be honest — which certainly isn’t what Lucious works out of, not hardly.
He lives in the upstairs of the funeral home the Meddick family has owned in Beaufort County for more than a hundred years. The three-story mansion on a former plantation still has the original slave cabins, sure isn’t some itty-bitty carriage house on an old narrow alleyway. Shocking, downright shocking. It’s one thing to embalm bodies and prepare them for burial in a professionally outfitted room in a mansion, quite another to do autopsies in a carriage house, especially if you’re dealing with floaters—greenies, he calls them — and others who are hard as hell to make presentable to families, no matter how much D-12 deodorant powder you use so they don’t stink up the chapel.
A woman appears behind her two sets of gates, and he begins to indulge in his favorite preoccupation, voyeurism, scrutinizing her through the dark-tinted side window. Metal clanks as she opens and shuts the first black gate, then the outer one — tall with flat, twisted bars centered by two J-curves that look like a heart. As if she has a heart, and by now he’s sure she doesn’t. She’s dressed in a power suit, has blond hair, and he calculates she’s five-foot-five, wears a size-eight skirt, a size-ten blouse. Lucious is darn near infallible when it comes to his deductions about what people would look like naked on an embalming table, jokes around about having what he calls “x-ray eyes.”
Since she so rudely ordered him not to get out of his vehicle, he doesn’t. She knocks on his dark window, and he starts to get flustered. His fingers twitch in his lap, try to rise to his mouth as if they have a will of their own, and he tells them no. He snaps himself hard with the rubber band around his wrist and tells his hands to stop it. He snaps the rubber band again and grips the wood-grain steering wheel to keep his hands out of trouble.
She knocks again.
He sucks on a wint-o-green Life Saver and rolls down his window. “You sure got a strange location to be hanging out your shingle,” he says with a big practiced smile.
“You’re in the wrong place,” she tells him, not so much as a good morning or nice to meet you. “What in the world are you doing here?”
“Wrong place, wrong time. That’s what keeps people like you and me in business,” Lucious replies with his toothy smile.
“How did you get this address?” she says in the same unfriendly tone. She seems like she’s in a real big hurry. “This isn’t my office. This certainly isn’t the morgue. I’m sorry for your inconvenience, but you need to leave right now.”
“I’m Lucious Meddick from Meddicks’ Funeral Home in Beaufort, right outside of Hilton Head.” He doesn’t shake her hand, doesn’t shake anybody’s hand if he can avoid it. “I guess you could call us the resort of funeral homes. Family-run, three brothers, including me. The joke is when you call for a Meddick, it doesn’t mean the person’s still alive. Get it?” He jerks his thumb toward the back of the hearse, says, “Died at home, probably a heart attack. Oriental lady, old as dirt. I reckon you’ve got all the information on her already. Your neighbor up there some kind of spy or something?” He looks up at the window.
“I talked to the coroner about this case last night,” Scarpetta says in the same tone. “How did you get this address?”
“The coroner…”
“He gave you this address? He knows where my office is….”
“Now, hold on. First off, I’m new when it comes to deliveries. Was bored to death sitting at a desk and dealing with bereft families, decided it was time to hit the road again.”
“We can’t have this conversation here.”
Oh, yes, they will, and he says, “So I bought me this 1998 V-twelve Cadillac, dual carburetors, dual exhaust, cast aluminum wheels, flagstaffs, violet beacon, and canyon black bier. Couldn’t be more fully loaded unless the fat lady in the circus was in it.”
“Mr. Meddick, Investigator Marino’s on his way to the morgue. I just called him.”
“Second of all, I’ve never delivered a body to you. So I had no idea where your office is until I looked it up.”
“I thought you said the coroner told you.”
“That’s not what he told me.”
“You really need to leave. I can’t have a hearse behind my house.”
“See, this Oriental lady’s family wants us to handle the funeral, so I told the coroner it may as well be me for transport. Anyway, I looked up your address.”
“Looked it up? Looked it up where? And why didn’t you call my death investigator?”
“I did, and he never bothered to call me back so I had to look up your location, like I said.” Lucious snaps the rubber band. “On the Internet. Listed with the Chamber of Commerce.” He cracks the sliver of Life Saver between his back teeth.
“This is an unlisted address and has never been on the Internet, nor has it ever been confused with my office — the morgue — and I’ve been here two years. You’re the first person to do this.”
“Now, don’t get huffy with me. I can’t help what’s on the Internet.” He snaps the rubber band. “But then if I’d been called earlier in the week when that little boy was found, I would have delivered his body and now we wouldn’t have this problem. You walked right past me at the scene and ignored me, and had you and me worked that one together, sure as shooting you would have given me the right address.” He snaps the rubber band, pissed off she’s not more respectful.
“Why were you at that scene if the coroner didn’t ask you to transport the body?” She’s getting very demanding, staring at him now like he’s a troublemaker.
“My motto is ‘Just Show Up.’ You know, like Nike’s ‘Just Do It.’ Well, mine’s ‘Just Show Up.’ Get it? Sometimes when you’re the first one to show up, that’s all it takes.”
He snaps the rubber band, and she stares pointedly at him doing it, then looks at the police scanner inside his hearse. He runs his tongue over the transparent plastic retainer he wears on his teeth to stop him from biting his nails. Snaps the rubber band around his wrist. Snaps it hard, like a whip, and it hurts like hell.
“Head to the morgue now, please.” She looks up at the neighbor looking down at them. “I’ll make sure Investigator Marino meets you.” She steps away from the hearse, suddenly noticing something at the back of it. She stoops to take a closer look. “The day just gets better,” she says, shaking her head.
He climbs out and can’t believe it. “Shit!” he exclaims. “Shit! Shit! Shit!”