10

Midnight. The river was black and silent.

Byrne stood on the riverbank in Manayunk. He looked back, toward the road. No streetlights. The parking lot was dim, long-shadowed by moonlight. If someone pulled in at that moment, even to turn around, Byrne would not be seen. The only illumination came from the headlights of the cars on the expressway, glimmering on the other side of the river.

A madman could pose his victim on the riverbank, take his time, compelled by whatever madness ruled his world.

Philadelphia had two rivers. Where the Delaware was the working soul of the city, the Schuylkill, and its winding course, always held a dark fascination for Byrne.

Byrne's father Padraig had been a longshoreman his entire working life. Byrne owed his childhood, his education, his life to the water. He had learned in grade school that Schuylkill meant "hidden river." In all his years in Philadelphia-which, except for his time in the service, had been Kevin Byrne's whole life-he had looked at the river as an enigma. It was more than one hundred miles long, and he honestly had no idea where it led. From the oil refineries in southwest Philly to Shawmont and beyond, he had worked its banks as a police officer, but never really followed it out of his jurisdiction, an authority that ended where Philadelphia County became Montgomery County.

He stared down into the dark water. In it he saw the face of Anton Krotz. He saw Krotz's eyes.

Good to see you again, Detective.

For what was probably the thousandth time in the past few days, Byrne second-guessed himself. Had he hesitated out of fear? Was he responsible for Laura Clarke's death? He realized that, for the past year or so, he had begun to question himself more than he ever had, had seen the architecture of his indecision. When he was a young cocky street cop he had known-known-that every decision he made had been right.

He closed his eyes.

The good news was that the visions were gone. For the most part. For many years he had been plagued and blessed with a vague sort of second sight, the ability to sometimes see things at a crime scene that no one else could see, an ability that began years earlier when he had been pronounced dead after plunging into the icy Delaware River. The visions were tied to migraine headaches-or so he had convinced himself-and when he had taken a bullet to the brain from the gun of a psychopath, the headaches stopped. He'd thought the visions were gone, too. But now and then they came back with a vengeance, sometimes for only a vivid split second. He'd learned to accept it. Sometimes it was just a glimpse of a face, a sliver of sound, a rippled vision not unlike something seen in a fun-house mirror.

The premonitions came less often these days, and that was a good thing. But Byrne knew that at any moment he might put his hand on a victim's hand, or brush up against something at a crime scene, and he would feel that terrible surge, the fearsome knowledge that would take him to the dark recess of a killer's mind.

How had Natalya Jakos known this about him?

When Byrne opened his eyes, Anton Krotz's image was gone. Now there was another pair of eyes. Byrne thought about the man who had carried Kristina Jakos to this place, the raging storm of madness that compelled someone to do what he had done to her. Byrne stepped onto the edge of the dock, the very spot where they had discovered Kristina's body. He felt a dark exhilaration knowing he was in the same place where the killer had stood just a few days earlier. He felt the images seep into his consciousness, saw the man-

— cutting through skin and muscle and flesh and bone… taking a blowtorch to the wounds… dressing Kristina Jakos in that strange dress… slipping one arm into a sleeve, then the other, like you would dress a sleeping child, her cold flesh unresponsive to his touch… carrying Kristina Jakos down to the riverbank under cover of night… getting his twisted scenario just right as he- heard something. Footsteps?

Byrne's peripheral vision caught a shape, just a few feet away, a hulking black silhouette stepping from the deep shadows-

He turned toward the figure, his pulse thrumming in his ears, his hand on his weapon. There was no one there. He needed sleep. Byrne drove home to his two-room apartment in South Philly. She wanted to be a dancer.

Byrne thought of his daughter, Colleen. She had been deaf since birth, but it had never stopped her, never even slowed her down. She was a straight-A student, a terrific athlete. Byrne wondered what her dreams were. When she was small she had wanted to be a cop like him. He had talked her out of that one pronto. Then there was the obligatory ballerina stage, launched when he took her to see a hearing-impaired staging of The Nutcracker. Over the last few years she had talked quite a bit about becoming a teacher. Had that changed? Had he asked her lately? He made a mental note to do so. She would, of course, roll her eyes, flash a sign telling him he was so queer. He'd do it anyway.

He wondered if Kristina's father had ever asked his little girl about her dreams.

Byrne found a spot on the street and parked. He locked the car, entered his building, pulled himself up the steps. Either he was getting older, or the steps were getting steeper. Had to be the latter, he thought. He was still in his prime.

From the darkness of the vacant lot across the street, a man watched Byrne. He saw the light come on in the detective's second-floor window, watched his big shadow ripple across the blinds. From his perspective he witnessed a man coming home to a life that was in all ways the same as it had been the day before, and the day before that. A man who found reason and meaning and purpose in his life.

He envied Byrne as much as hated him.

The man was slight of build, with small hands and feet, thinning brown hair. He wore a dark coat, was ordinary in every manner, except for his facility for mourning, an unexpected and unwanted aptitude he never would have believed possible at this point in his life.

For Matthew Clarke the substance of grief had settled into the pit of his stomach like a dead weight. His nightmare had started the moment Anton Krotz took his wife from that booth. He would never forget his wife's hand on the back of the booth, her pale skin and painted nails. The terrifying glimmer of the knife at her throat. The hellish roar of the SWAT officer's rifle. The blood.

Matthew Clarke's world was in a tailspin. He did not know what the next day would bring, or how he would be able to go on. He did not know how he would bring himself to do the simplest of things: order breakfast, make a phone call, pay a bill, pick up the dry cleaning.

Laura had a dress at the cleaners.

Nice to see you, they would say. How is Laura?

Dead.

Murdered.

He didn't know how he would react in these inevitable situations. Who could possibly know? What was the training for this? Would he find a face brave enough to respond? It wasn't as if she had died from breast cancer, or leukemia, or a brain tumor. It wasn't as if he'd had a moment to prepare. She'd had her throat cut in a diner, the most degrading, public death possible. All under the watchful eye of the ever- vigilant Philadelphia Police Department. And now her children would live out their lives without her. Their mother was gone. His best friend was gone. How does one go about accepting all that?

Despite all these uncertainties, Matthew Clarke was sure of one thing. One fact was as apparent to him as the knowledge that rivers ran to the sea, as clear as the crystal dagger of sorrow in his heart.

Detective Kevin Francis Byrne's nightmare was just beginning.

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