Choke Point

Knox walks along the avenue, Nieuwezijds Voorburgwal, beneath an oppressive quicksilver marine layer that makes everyone look small, the tram and cabs toylike. The only relief to the impervious gray comes in the form of an occasional umbrella—of little use against the steady mist. He wears nondescript brown shoes, blue jeans and a tan Scottevest windbreaker with sixteen zippered internal pockets all containing various necessities. A roll of coins to palm in a fistfight. A penlight. A pack of waterproof matches. A pick gun for the occasional locked door. A sewing kit in case he’s wounded. That he blends in is never in question. The Detroit Tigers cap helps to hide his face with its two-day beard and Tunisian tan. He passes a dozen of himself. Keeps his right shoulder to the storefronts to reduce his exposure. Uses reflections off the glass to his advantage.

The coffee shop is abuzz with conversation as he enters. This is his fifth visit here in as many days and it’s always the same. The crowd is a sprinkling of tourists on top of a foundation of firmly rooted locals. English is spoken as much as Dutch. There is an intensity to the conversation that one doesn’t hear as much in the U.S. The women look masculine in their short haircuts. Only the piercings give them away. Knox is a fan of femininity, and mourns its passing.

He finds a chair at a table occupied by a young couple, and installs himself. A waitress with a lip stud and midnight purple eye shadow takes his order for an espresso. Knox pulls out his mobile—an iPhone on a prepaid SIM—and sends a text across the room. Of the twenty or so in the café, twenty or so have their phones out. Including Sonia.

Wait for signal. Leave cafe. Take tram to Centraal. Take 13 to Westermarkt. Proceed south on Keizersgracht to the Dylan Hotel. Wait in the lobby.

He hits SEND, his eyes straying over the balcony. Knox uses the camera to surreptitiously get a closer look, just as he used it a day earlier to capture her number as her phone rebooted. Her elegant fingers with their close-clipped black polished nails nudge her phone almost absentmindedly as the text comes through. She eventually drags the phone to a reading distance, and—if he had to guess—she reads the message twice.

His camera is on his lap by the time her head snaps up and she scans the room. He can only wonder what she’s experiencing. He’s banking on a journalist’s curiosity; an investigative reporter’s paranoia; a woman’s intuition. Given the controversy of the topic she’s been covering, and the unfortunate outcome for at least two of her sources, she must give weight to the possibility that she herself is being watched. He won’t know until he tries.

It’s everything he can do to keep himself in the chair. Time crawls. The overhead fans spin more slowly. He sees every twitch of character on every face, hears the scrape of chair legs on marble, the sputter of lips sipping steaming coffee. She’s on heightened alert, observing everything taking place in the café. She not only awaits the signal mentioned in the message, but wants to identify who’s responsible.

Knox waits. He’s in the business of opportunity. He stands. Lets a girl screen him. Crosses to the man with the heavy eyebrows and expressionless face.

“I hope you don’t mind,” Knox says, reaching his target. He speaks English.

He fires off a photograph. A volley of four flashes burst, blinding the man.

“Thank you!” he says. He moves and takes another picture, placing himself between the man tailing Sonia and the door.

He sees his plan has worked perfectly. Sonia is outside and moving across the street.

Her tail realizes she’s gone.

Too late.

Knox uses the iPhone’s camera to take a photo of the Nikon’s small display. He texts the photo to Grace.

Sonia boards a tram. Her tail is too late.

—

GRACE’S PHONE BUZZES in her right hand. Even though she expects the text, the sensation nonetheless startles her. Standing outside Centraal Station, she feigns studying the tram schedule display. Her jaw lifted, her eyes are nonetheless trained on the faces of all the passengers disembarking a Line 5 tram. She raises the phone to where she can see Knox’s photo of the man in the café, while studying the faces of those departing the tram.

She slips her iPhone into her black leather bag.

The area outside the station is jammed. Busier than she’d expected. She works to filter out the noise and confusion, to focus. She’s noticed three pairs of police on patrol. One is behind and heading away from her. Another to her left dealing with a vagrant. The third pair enters the station.

And yet, despite the chaos, there is something reassuring that everyone has a place to be, a place to go, a schedule to keep. If only the world were more like a train station, she thinks. When had the comforting sense of order been replaced by randomness?

Sonia appears from the door of the number 5 tram, as expected. She has a beautiful face: wide-set dark eyes, gorgeous Indian skin. She’s shorter than Grace expected, perhaps her same height, wearing a soft purple scarf over her head, designer blue jeans and a flowing top beneath a tailored brown leather coat. She doesn’t hurry, doesn’t look back. Grace has the sense she’s paying attention to her surroundings. Her body language is magnificent, that of a bored commuter, but a close look at her eyes tells the observer she is alert and busy-minded. Grace is immediately impressed.

A half dozen outdoor platforms serve the station. Platform 4 is currently serving Line 13.

Sonia is following Knox’s directions to the letter.

Grace waits, sipping a coffee and swallowing her impatience. It is a deficiency her trainers have worked hard to remove. Not easily done. But she has learned to overcome it with small tricks, aware of its destructiveness.

Sonia’s tail appears only minutes later on the next number 5. He’s a clever one, this bastard. He inspects the schedule display, turns around. Grace does as Knox asked. She moves toward him and they collide. Her coffee spills across him.

“Shit,” he curses in Dutch-accented English.

As Grace catches sight of Sonia climbing onto the number 13 tram, she rattles off an apology in Mandarin. She’s brushing his side now, feeling a lump under his coat that is the weapon, down his leg as she kneels. He swipes at her hands, not wanting the contact. The delay is effective. At least twenty seconds and counting. She is telling him in Mandarin that she wishes to pay for the stains she has created. She proffers euros he has no use for, making sure that he knocks them from her hands in the process of his refusal. Making a scene. Forty seconds. Fifty. Head held low in an act of contrition, when the real point is to keep him from getting a good look at her. There may be cause for them to meet later. Grace cannot afford to be recognized.

It’s over quickly. He steps out of the puddle and makes physical contact with her as he pushes her aside in his disgust. A simple shove to the shoulder, but she goes over like a feather duster, impressed. He’s on the scent like a hound, pulled by the same string that aimed him at Platform 4. She could follow, but Knox has instructed her not to, and though it was difficult at first, she has learned to trust his areas of expertise. She has come to respect, even admire, his abilities—his street savvy, his people instinct, his understanding of crowds. He is capable of things most people don’t ever think of. But she does think of these things because she has been trained to, because it interests her. She enjoys the role of the predator, the voyeur, the phantom. She thrives in shadow. This man understands these worlds in ways others do not; there is much to learn from him, though she is loath to admit it. It comes to him naturally, a second nature; he’s like a natural-born musician who doesn’t understand his own talent. But she understands for him. She knows what he does not: that there are few like him, that he teaches without meaning to, that he can frighten with a look, calm with a word or two. For now, she is content to follow his lead in some areas while making sure he never thinks she is. So she lets the tail go. The minute delay was all that was asked of her and she has accomplished it. The rest is now on Knox’s meeting with Sonia. Grace can get back to what she does best—though what exactly that is, she’s still working out.