Collected Stories

II THE VILLAGE

A Rose for Emily

WHEN Miss Emily Grierson died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument, the women mostly out of curiosity to see the inside of her house, which no one save an old manservant, a combined gardener and cook, had seen in at least ten years.

It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. But garages and cotton gins had encroached and obliterated even the august names of that neighborhood; only Miss Emily's house was left, lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps: an eyesore among eyesores. And now Miss Emily had gone to join the representatives of those august names where they lay in the cedar-bemused cemetery among the ranked and anonymous graves of Union and Confederate soldiers who fell at the battle of Jefferson.

Alive, Miss Emily had been a tradition, a duty, and a care; a sort of hereditary obligation upon the town, dating from that day in 1894 when Colonel Sartoris, the mayor, he who fathered the edict that no Negro woman should appear on the streets without an apron, remitted her taxes, the dispensation dating from the death of her father on into perpetuity. Not that Miss Emily would have accepted charity. Colonel Sartoris invented an involved tale to the effect that Miss Emily's father had loaned money to the town, which the town, as a matter of business, preferred this way of repaying. Only a man of Colonel Sartoris' generation and thought could have invented it, and only a woman could have believed it.

When the next generation, with its more modern ideas, became mayors and aldermen, this arrangement created some little dissatisfaction. On the first of the year they mailed her a tax notice. February came, and there was no reply.

They wrote her a formal letter, asking her to call at the sheriff's office at her convenience. A week later the mayor wrote her himself, offering to call or to send his car for her, and received in reply a note on paper of an archaic shape, in a thin, flowing calligraphy in faded ink, to the effect that she no longer went out at all. The tax notice was also enclosed, without comment.

They called a special meeting of the Board of Aldermen.

A deputation waited upon her, knocked at the door through which no visitor had passed since she ceased giving china-painting lessons eight or ten years earlier. They were admitted by the old Negro into a dim hall from which a stairway mounted into still more shadow. It smelled of dust and disuse: a close, dank smell. The Negro led them into the parlor. It was furnished in heavy, leather-covered furniture. When the Negro opened the blinds of one window, they could see that the leather was cracked; and when they sat down, a faint dust rose sluggishly about their thighs, spinning with slow motes in the single sun-ray. On a tarnished gilt easel before the fireplace stood a crayon portrait of Miss Emily's father.

They rose when she entered; a small, fat woman in black, with a thin gold chain descending to her waist and vanishing into her belt, leaning on an ebony cane with a tarnished gold head. Her skeleton was small and spare; perhaps that was why what would have been merely plumpness in another was obesity in her. She looked bloated, like a body long submerged in motionless water, and of that pallid hue.

Her eyes, lost in the fatty ridges of her face, looked like two small pieces of coal pressed into a lump of dough as they moved from one face to another while the visitors stated their errand.

She did not ask them to sit. She just stood in the door and listened quietly until the spokesman came to a stumbling halt. Then they could hear the invisible watch ticking at the end of the gold chain.

Her voice was dry and cold. "I have no taxes in Jefferson. Colonel Sartoris explained it to me. Perhaps one of you can gain access to the city records and satisfy yourselves."

"But we have. We are the city authorities, Miss Emily. Didn't you get a notice from the sheriff, signed by him?"

"I received a paper, yes," Miss Emily said. "Perhaps he considers himself the sheriff... I have no taxes in Jefferson."

"But there is nothing on the books to show that, you see. We must go by the..."

"See Colonel Sartoris. I have no taxes in Jefferson."

"But, Miss Emily"

"See Colonel Sartoris." (Colonel Sartoris had been dead almost ten years.) "I have no taxes in Jefferson. Tobe!" The Negro appeared. "Show these gentlemen out."

II

SO SHE vanquished them, horse and foot, just as she had vanquished their fathers thirty years before about the smell. That was two years after her father's death and a short time after her sweetheart, the one we believed would marry her, had deserted her. After her father's death she went out very little; after her sweetheart went away, people hardly saw her at all. A few of the ladies had the temerity to call, but were not received, and the only sign of life about the place was the Negro man, a young man then, going in and out with a market basket.

"Just as if a man, any man, could keep a kitchen properly," the ladies said; so they were not surprised when the smell developed. It was another link between the gross, teeming world and the high and mighty Griersons.

A neighbor, a woman, complained to the mayor, Judge Stevens, eighty years old.

"But what will you have me do about it, madam?" he said.

"Why, send her word to stop it," the woman said. "Isn't there a law?"

"I'm sure that won't be necessary," Judge Stevens said.

"It's probably just a snake or a rat that nigger of hers killed in the yard. I'll speak to him about it."

The next day he received two more complaints, one from a man who came in diffident deprecation. "We really must do something about it, Judge. I'd be the last one in the world to bother Miss Emily, but we've got to do something." That night the Board of Aldermen met: three graybeards and one younger man, a member of the rising generation.

"It's simple enough," he said. "Send her word to have her place cleaned up. Give her a certain time to do it in, and if she don't..."

"Dammit, sir," Judge Stevens said, "will you accuse a lady to her face of smelling bad?"

So the next night, after midnight, four men crossed Miss Emily's lawn and slunk about the house like burglars, sniffing along the base of the brickwork and at the cellar openings while one of them performed a regular sowing motion with his hand out of a sack slung from his shoulder. They broke open the cellar door and sprinkled lime there, and in all the outbuildings. As they recrossed the lawn, a window that had been dark was lighted and Miss Emily sat in it, the light behind her, and her upright torso motionless as that of an idol. They crept quietly across the lawn and into the shadow of the locusts that lined the street. After a week or two the smell went away.

That was when people had begun to feel really sorry for her. People in our town, remembering how old lady Wyatt, her great-aunt, had gone completely crazy at last, believed that the Griersons held themselves a little too high for what they really were. None of the young men were quite good enough for Miss Emily and such. We had long thought of them as a tableau, Miss Emily a slender figure in white in the background, her father a spraddled silhouette in the foreground, his back to her and clutching a horsewhip, the two of them framed by the back-flung front door. So when she got to be thirty and was still single, we were not pleased exactly, but vindicated; even with insanity in the family she wouldn't have turned down all of her chances if they had really materialized.

When her father died, it got about that the house was all that was left to her; and in a way, people were glad. At last they could pity Miss Emily. Being left alone, and a pauper, she had become humanized. Now she too would know the old thrill and the old despair of a penny more or less.

The day after his death all the ladies prepared to call at the house and offer condolence and aid, as is our custom.

Miss Emily met them at the door, dressed as usual and with no trace of grief on her face. She told them that her father was not dead. She did that for three days, with the ministers calling on her, and the doctors, trying to persuade her to let them dispose of the body. Just as they were about to resort to law and force, she broke down, and they buried her father quickly.

We did not say she was crazy then. We believed she had to do that. We remembered all the young men her father had driven away, and we knew that with nothing left, she would have to cling to that which had robbed her, as people will.

Ill

SHE WAS SICK for a long time. When we saw her again, her hair was cut short, making her look like a girl, with a vague resemblance to those angels in colored church windows: sort of tragic and serene.

The town had just let the contracts for paving the sidewalks, and in the summer after her father's death they began the work. The construction company came with niggers and mules and machinery, and a foreman named Homer Barron, a Yankee, a big, dark, ready man, with a big voice and eyes lighter than his face. The little boys would follow in groups to hear him cuss the niggers, and the niggers singing in time to the rise and fall of picks. Pretty soon he knew everybody in town. Whenever you heard a lot of laughing anywhere about the square, Homer Barron would be in the center of the group. Presently we began to see him and Miss Emily on Sunday afternoons driving in the yellow-wheeled buggy and the matched team of bays from the livery stable.

At first we were glad that Miss Emily would have an interest, because the ladies all said, "Of course a Grierson would not think seriously of a Northerner, a day laborer."

But there were still others, older people, who said that even grief could not cause a real lady to forget noblesse oblige without calling it noblesse oblige. They just said, "Poor Emily. Her kinsfolk should come to her." She had some kin in Alabama; but years ago her father had fallen out with them over the estate of old lady Wyatt, the crazy woman, and there was no communication between the two families.

They had not even been represented at the funeral.

And as soon as the old people said, "Poor Emily," the whispering began. "Do you suppose it's really so?" they said to one another. "Of course it is. What else could..." This behind their hands; rustling of craned silk and satin behind jalousies closed upon the sun of Sunday afternoon as the thin, swift clop-clop-clop of the matched team passed: "Poor Emily."

She carried her head high enough even when we believed that she was fallen. It was as if she demanded more than ever the recognition of her dignity as the last Grierson; as if it had wanted that touch of earthiness to reaffirm her imperviousness. Like when she bought the rat poison, the arsenic.

That was over a year after they had begun to say "Poor Emily," and while the two female cousins were visiting her.

"I want some poison," she said to the druggist. She was over thirty then, still a slight woman, though thinner than usual, with cold, haughty black eyes in a face the flesh of which was strained across the temples and about the eyesockets as you imagine a lighthouse-keeper's face ought to look. "I want some poison," she said.

"Yes, Miss Emily. What kind? For rats and such? I'd recom..."

"I want the best you have. I don't care what kind."

The druggist named several. "They'll kill anything up to an elephant. But what you want is..."

"Arsenic," Miss Emily said. "Is that a good one?"

"Is... arsenic? Yes, ma'am. But what you want..."

"I want arsenic."

The druggist looked down at her. She looked back at him, erect, her face like a strained flag. "Why, of course," the druggist said. "If that's what you want. But the law requires you to tell what you are going to use it for."

Miss Emily just stared at him, her head tilted back in order to look him eye for eye, until he looked away and went and got the arsenic and wrapped it up. The Negro delivery boy brought her the package; the druggist didn't come back. When she opened the package at home there was written on the box, under the skull and bones: "For rats."

IV

SO THE NEXT day we all said, "She will kill herself"; and we said it would be the best thing. When she had first begun to be seen with Homer Barron, we had said, "She will marry him." Then we said, "She will persuade him yet," because Homer himself had remarked he liked men, and it was known that he drank with the younger men in the Elks' Club that he was not a marrying man. Later we said, "Poor Emily" behind the jalousies as they passed on Sunday afternoon in the glittering buggy, Miss Emily with her head high and Homer Barron with his hat cocked and a cigar in his teeth, reins and whip in a yellow glove.

Then some of the ladies began to say that it was a disgrace to the town and a bad example to the young people. The men did not want to interfere, but at last the ladies forced the Baptist minister, Miss Emily's people were Episcopal, to call upon her. He would never divulge what happened during that interview, but he refused to go back again. The next Sunday they again drove about the streets, and the following day the minister's wife wrote to Miss Emily's relations in Alabama.

So she had blood-kin under her roof again and we sat back to watch developments. At first nothing happened.

Then we were sure that they were to be married. We learned that Miss Emily had been to the jeweler's and ordered a man's toilet set in silver, with the letters H. B. on each piece.

Two days later we learned that she had bought a complete outfit of men's clothing, including a nightshirt, and we said, "They are married." We were really glad. We were glad because the two female cousins were even more Grierson than Miss Emily had ever been.

So we were not surprised when Homer Barron, the streets had been finished some time since, was gone. We were a little disappointed that there was not a public blowing-off, bur we believed that he had gone on to prepare for Miss Emily's coming, or to give her a chance to get rid of the cousins. (By that time it was a cabal, and we were all Miss Emily's allies to help circumvent the cousins.) Sure enough, after another week they departed. And, as we had expected all along, within three days Homer Barron was back in town. A neighbor saw the Negro man admit him at the kitchen door at dusk one evening.

And that was the last we saw of Homer Barron. And of Miss Emily for some time. The Negro man went in and out with the market basket, but the front door remained closed.

Now and then we would see her at a window for a moment, as the men did that night when they sprinkled the lime, but for almost six months she did not appear on the streets. Then we knew that this was to be expected too; as if that quality of her father which had thwarted her woman's life so many times had been too virulent and too furious to die.

When we next saw Miss Emily, she had grown fat and her hair was turning gray. During the next few years it grew grayer and grayer until it attained an even pepper-and-salt iron-gray, when it ceased turning. Up to the day of her death at seventy-four it was still that vigorous iron-gray, like the hair of an active man.

From that time on her front door remained closed, save for a period of six or seven years, when she was about forty, during which she gave lessons in china-painting. She fitted up a studio in one of the downstairs rooms, where the daughters and granddaughters of Colonel Sartoris' contemporaries were sent to her with the same regularity and in the same spirit that they were sent to church on Sundays with a twenty-five-cent piece for the collection plate. Meanwhile her taxes had been remitted.

Then the newer generation became the backbone and the spirit of the town, and the painting pupils grew up and fell away and did not send their children to her with boxes of color and tedious brushes and pictures cut from the ladies' magazines. The front door closed upon the last one and remained closed for good. When the town got free postal delivery, Miss Emily alone refused to let them fasten the metal numbers above her door and attach a mailbox to it. She would not listen to them.

Daily, monthly, yearly we watched the Negro grow grayer and more stooped, going in and out with the market basket. Each December we sent her a tax notice, which would be returned by the post office a week later, unclaimed. Now and then we would see her in one of the downstairs windows: she had evidently shut up the top floor of the house like the carven torso of an idol in a niche, looking or not looking at us, we could never tell which. Thus she passed from generation to generation: dear, inescapable, impervious, tranquil, and perverse.

And so she died. Fell ill in the house filled with dust and shadows, with only a doddering Negro man to wait on her.

We did not even know she was sick; we had long since given up trying to get any information from the Negro. He talked to no one, probably not even to her, for his voice had grown harsh and rusty, as if from disuse.

She died in one of the downstairs rooms, in a heavy walnut bed with a curtain, her gray head propped on a pillow yellow and moldy with age and lack of sunlight.

V

THE NEGRO met the first of the ladies at the front door and let them in, with their hushed, sibilant voices and their quick, curious glances, and then he disappeared. He walked right through the house and out the back and was not seen again.

The two female cousins came at once. They held the funeral on the second day, with the town coming to look at Miss Emily beneath a mass of bought flowers, with the crayon face of her father musing profoundly above the bier and the ladies sibilant and macabre; and the very old men some in their brushed Confederate uniforms on the porch and the lawn, talking of Miss Emily as if she had been a contemporary of theirs, believing that they had danced with her and courted her perhaps, confusing time with its mathematical progression, as the old do, to whom all the past is not a diminishing road but, instead, a huge meadow which no winter ever quite touches, divided from them now by the narrow bottle-neck of the most recent decade of years.

Already we knew that there was one room in that region above stairs which no one had seen in forty years, and which would have to be forced. They waited until Miss Emily was decently in the ground before they opened it.

The violence of breaking down the door seemed to fill this room with pervading dust. A thin, acrid pall as of the tomb seemed to lie everywhere upon this room decked and furnished as for a bridal: upon the valance curtains of faded rose color, upon the rose-shaded lights, upon the dressing table, upon the delicate array of crystal and the man's toilet things backed with tarnished silver, silver so tarnished that the monogram was obscured. Among them lay a collar and tie, as if they had just been removed, which, lifted, left upon the surface a pale crescent in the dust. Upon a chair hung the suit, carefully folded; beneath it the two mute shoes and the discarded socks.

The man himself lay in the bed.

For a long while we just stood there, looking down at the profound and fleshless grin. The body had apparently once lain in the attitude of an embrace, but now the long sleep that outlasts love, that conquers even the grimace of love, had cuckolded him. What was left of him, rotted beneath what was left of the nightshirt, had become inextricable from the bed in which he lay; and upon him and upon the pillow beside him lay that even coating of the patient and biding dust.

Then we noticed that in the second pillow was the indentation of a head. One of us lifted something from it, and leaning forward, that faint and invisible dust dry and acrid in the nostrils, we saw a long strand of iron-gray hair.

Hair

THIS GIRL, this Susan Reed, was an orphan. She lived with a family named Burchett, that had some more children, two or three more. Some said that Susan was a niece or a cousin or something; others cast the usual aspersions on the character of Burchett and even of Mrs. Burchett: you know.

Women mostly, these were.

She was about five when Hawkshaw first came to town.

It was his first summer behind that chair in Maxey's barber shop that Mrs Burchett brought Susan in for the first time.

Maxey told me about how him and the other barbers watched Mrs Burchett trying for three days to get Susan (she was a thin little girl then, with big scared eyes and this straight, soft hair not blonde and not brunette) into the shop. And Maxey told how at last it was Hawkshaw that went out into the street and worked with the girl for about fifteen minutes until he got her into the shop and into his chair: him that hadn't never said more than Yes or No to any man or woman in the town that anybody ever saw. "Be durn if it didn't look like Hawkshaw had been waiting for her to come along," Maxey told me.

That was her first haircut. Hawkshaw gave it to her, and her sitting there under the cloth like a little scared rabbit.

But six months after that she was coming to the shop by herself and letting Hawkshaw cut her hair, still looking like a little old rabbit, with her scared face and those big eyes and that hair without any special name showing above the cloth. If Hawkshaw was busy, Maxey said she would come in and sit on the waiting bench close to his chair with her legs sticking straight out in front of her until Hawkshaw got done. Maxey says they considered her Hawkshaw's client the same as if she had been a Saturday night shaving customer. He says that one time the other barber, Matt Fox, offered to wait on her, Hawkshaw being busy, and that Hawkshaw looked up like a flash. "I'll be done in a minute," he says. "I'll tend to her." Maxey told me that Hawkshaw had been working for him for almost a year then, but that was the first time he ever heard him speak positive about anything.

That fall the girl started to school. She would pass the barber shop each morning and afternoon. She was still shy, walking fast like little girls do, with that yellow-brown head of hers passing the window level and fast like she was on skates. She was always by herself at first, but pretty soon her head would be one of a clump of other heads, all talking, not looking toward the window at all, and Hawkshaw standing there in the window, looking out. Maxey said him and Matt would not have to look at the clock at all to tell when five minutes to eight and to three o'clock came, because they could tell by Hawkshaw. It was like he would kind of drift up to the window without watching himself do it, and be looking out about the time for the school children to begin to pass. When she would come to the shop for a haircut, Hawkshaw would give her two or three of those peppermints where he would give the other children just one, Maxey told me.

No; it was Matt Fox, the other barber, told me that. He was the one who told me about the doll Hawkshaw gave her on Christmas. I don't know how he found it out. Hawkshaw never told him. But he knew some way; he knew more about Hawkshaw than Maxey did. He was a married man himself, Matt was. A kind of fat, flabby fellow, with a pasty face and eyes that looked tired or sad something. A funny fellow, and almost as good a barber as Hawkshaw. He never talked much either, and I don't know how he could have known so much about Hawkshaw when a talking man couldn't get much out of him. I guess maybe a talking man hasn't got the time to ever learn much about anything except words.

Anyway, Matt told me about how Hawkshaw gave her a present every Christmas, even after she got to be a big girl.

She still came to him, to his chair, and him watching her every morning and afternoon when she passed to and from school. A big girl, and she wasn't shy any more.

You wouldn't have thought she was the same girl. She got grown fast. Too fast. That was the trouble. Some said it was being an orphan and all. But it wasn't that. Girls are different from boys. Girls are born weaned and boys don't ever get weaned. You see one sixty years old, and be damned if he won't go back to the perambulator at the bat of an eye.

It's not that she was bad. There's not any such thing as a woman born bad, because they are all born bad, born with the badness in them. The thing is, to get them married before the badness comes to a natural head. But we try to make them conform to a system that says a woman can't be married until she reaches a certain age. And nature don't pay any attention to systems, let alone women paying any attention to them, or to anything. She just grew up too fast. She reached the point where the badness came to a head before the system said it was time for her to. I think they can't help it. I have a daughter of my own, and I say that.

So there she was. Matt told me they figured up and she couldn't have been more than thirteen when Mrs Burchett whipped her one day for using rouge and paint, and during that year, he said, they would see her with two or three other girls giggling and laughing on the street at all hours when they should have been in school; still thin, with that hair still not blonde and not brunette, with her face caked with paint until you would have thought it would crack like dried mud when she laughed, with the regular simple gingham and such dresses that a thirteen-year-old child ought to wear pulled and dragged to show off what she never had yet to show off, like the older girls did with their silk and crepe and such.

Matt said he watched her pass one day, when all of a sudden he realized she never had any stockings on. He said he thought about it and he said he could not remember that she ever did wear stockings in the summer, until he realized that what he had noticed was not the lack of stockings, but that her legs were like a woman's legs: female. And her only thirteen.

I say she couldn't help herself. It wasn't her fault. And it wasn't Burchett's fault, either. Why, nobody can be as gentle with them, the bad ones, the ones that are unlucky enough to come to a head too soon, as men. Look at the way they all the men in town treated Hawkshaw. Even after folks knew, after all the talk began, there wasn't a man of them talked before Hawkshaw. I reckon they thought he knew too, had heard some of the talk, but whenever they talked about her in the shop, it was while Hawkshaw was not there. And I reckon the other men were the same, because there was not a one of them that hadn't seen Hawkshaw at the window, looking at her when she passed, or looking at her on the street; happening to kind of be passing the picture show when it let out and she would come out with some fellow, having begun to go with them before she was fourteen. Folks said how she would have to slip out and meet them and slip back into the house again with Mrs Burchett thinking she was at the home of a girl friend.

They never talked about her before Hawkshaw. They would wait until he was gone, to dinner, or on one of those two-weeks' vacations of his in April that never anybody could find out about; where he went or anything. But he would be gone, and they would watch the girl slipping around, skirting trouble, bound to get into it sooner or later, even if Burchett didn't hear something first. She had quit school a year ago. For a year Burchett and Mrs Burchett thought that she was going to school every day, when she hadn't been inside the building even. Somebody, one of the high-school boys maybe, but she never drew any lines: schoolboys, married men, anybody would get her a report card every month and she would fill it out herself and take it home for Mrs Burchett to sign. It beats the devil how the folks that love a woman will let her fool them.

So she quit school and went to work in the ten-cent store.

She would come to the shop for a haircut, all painted up, in some kind of little flimsy off-color clothes that showed her off, with her face watchful and bold and discreet all at once, and her hair gummed and twisted about her face. But even the stuff she put on it couldn't change that brown-yellow color. Her hair hadn't changed at all. She wouldn't always go to Hawkshaw's chair. Even when his chair was empty, she would sometimes take one of the others, talking to the barbers, filling the whole shop with noise and perfume and her legs sticking out from under the cloth. Hawkshaw wouldn't look at her then. Even when he wasn't busy, he had a way of looking the same: intent and down-looking like he was making out to be busy, hiding behind the making-out.

That was how it was when he left two weeks ago on that April vacation of his, that secret trip that folks had given up trying to find where he went ten years ago. I made Jefferson a couple of days after he left, and I was in the shop. They were talking about him and her.

"Is he still giving her Christmas presents?" I said.

"He bought her a wrist watch two years ago," Matt Fox said. "Paid sixty dollars for it."

Maxey was shaving a customer. He stopped, the razor in his hand, the blade loaded with lather. "Well, I'll be durned," he said. "Then he must... You reckon he was the first one, the one that..."

Matt hadn't looked around. "He ain't give it to her yet," he said.

"Well, durn his tight-fisted time," Maxey said. "Any old man that will fool with a young girl, he's pretty bad. But a fellow that will trick one and then not even pay her nothing..."

Matt looked around now; he was shaving a customer too.

"What would you say if you heard that the reason he ain't give it to her is that he thinks she is too young to receive jewelry from anybody that ain't kin to her?"

"You mean, he don't know? He don't know what everybody else in this town except maybe Mr and Mrs Burchett has knowed for three years?"

Matt went back to work again, his elbow moving steady, the razor moving in little jerks. "How would he know? Ain't anybody but a woman going to tell him. And he don't know any women except Mrs Cowan. And I reckon she thinks he's done heard."

"That's a fact," Maxey says.

That was how things were when he went off on his vacation two weeks ago. I worked Jefferson in a day and a half, and went on. In the middle of the next week I reached Division. I didn't hurry. I wanted to give him time. It was on a Wednesday morning I got there.

II

IF THERE HAD BEEN love once, a man would have said that Hawkshaw had forgotten her. Meaning love, of course.

When I first saw him thirteen years ago (I had just gone on the road then, making North Mississippi and Alabama with a line of work shirts and overalls) behind a chair in the barber shop in Porterfield, I said, "Here is a bachelor born. Here is a man who was born single and forty years old."

A little, sandy-complected man with a face you would not remember and would not recognize again ten minutes later, in a blue serge suit and a black bow tie, the kind that snaps together in the back, that you buy already tied in the store. Maxey told me he was still wearing that serge suit and tie when he got off the south-bound train in Jefferson a year later, carrying one of these imitation leather suitcases.

And when I saw him again in Jefferson in the next year, behind a chair in Maxey 's shop, if it had not been for the chair I wouldn't have recognized him at all. Same face, same tie; be damned if it wasn't like they had picked him up, chair, customer and all, and set him down sixty miles away without him missing a lick. I had to look back out the window at the square to be sure I wasn't in Porterfield myself any time a year ago. And that was the first time I realized that when I had made Porterfield about six weeks back, he had not been there.

It was three years after that before I found out about him.

I would make Division about five times a year: a store and four or five houses and a sawmill on the State line between Mississippi and Alabama. I had noticed a house there. It was a good house, one of the best there, and it was always closed.

When I would make Division in the late spring or the early summer there would always be signs of work around the house. The yard would be cleaned up of weeds, and the flower beds tended to and the fences and roof fixed. Then when I would get back to Division along in the fall or the winter, the yard would be grown up in weeds again, and maybe some of the pickets gone off the fence where folks had pulled them off to mend their own fences or maybe for firewood; I don't know. And the house would be always closed; never any smoke at the kitchen chimney. So one day I asked the storekeeper about it and he told me.

It had belonged to a man named Starnes, but the family was all dead. They were considered the best folks, because they owned some land, mortgaged. Starnes was one of these lazy men that was satisfied to be a landowner as long as he had enough to eat and a little tobacco. They had one daughter that went and got herself engaged to a young fellow, son of a tenant farmer. The mother didn't like the idea, but Starnes didn't seem to object. Maybe because the young fellow (his name was Stribling) was a hard worker; maybe because Starnes was just too lazy to object. Anyway, they were engaged and Stribling saved his money and went to Birmingham to learn barbering. Rode part of the way in wagons and walked the rest, coming back each summer to see the girl.

Then one day Starnes died, sitting in his chair on the porch; they said that he was too lazy to keep on breathing, and they sent for Stribling. I heard he had built up a good trade of his own in the Birmingham shop, saving his money; they told me he had done picked out the apartment and paid down on the furniture and all, and that they were to be married that summer. He came back. All Starnes had ever raised was a mortgage, so Stribling paid for the burial. It cost a right smart, more than Starnes was worth, but Mrs Starnes had to be suited. So Stribling had to start saving again.

But he had already leased the apartment and paid down on the furniture and the ring and he had bought the wedding license when they sent for him again in a hurry. It was the girl this time. She had some kind of fever. These backwoods folks: you know how it is. No doctors, or veterinaries, if they are. Cut them and shoot them: that's all right. But let them get a bad cold and maybe they'll get well or maybe they'll die two days later of cholera. She was delirious when Stribling got there. They had to cut all her hair off. Stribling did that, being an expert you might say; a professional in the family. They told me she was one of these thin, unhealthy girls anyway, with a lot of straight hair not brown and not yellow.

She never knew him, never knew who cut off her hair.

She died so, without knowing anything about it, without knowing even that she died, maybe. She just kept on saying, "Take care of maw. The mortgage. Paw won't like it to be left so. Send for Henry (That was him: Henry Stribling; Hawkshaw: I saw him the next year in Jefferson. "So you're Henry Stribling," I said). The mortgage. Take care of maw. Send for Henry. The mortgage. Send for Henry." Then she died. There was a picture of her, the only one they had.

Hawkshaw sent it, with a lock of the hair he had cut off, to an address in a farm magazine, to have the hair made into a frame for the picture. But they both got lost, the hair and the picture, in the mail somehow. Anyway he never got either of them back.

He buried the girl too, and the next year (he had to go back to Birmingham and get shut of the apartment which he had engaged and let the furniture go so he could save again) he put a headstone over her grave. Then he went away again and they heard how he had quit the Birmingham shop.

He just quit and disappeared, and they all saying how in time he would have owned the shop. But he quit, and next April, just before the anniversary of the girl's death, he showed up again. He came to see Mrs Starnes and went away again in two weeks.

After he was gone they found out how he had stopped at the bank at the county seat and paid the interest on the mortgage. He did that every year until Mrs Starnes died.

She happened to die while he was there. He would spend about two weeks cleaning up the place and fixing it so she would be comfortable for another year, and she letting him, being as she was better born than him; being as he was one of these parveynoos. Then she died too. "You know what Sophie said to do," she says. "That mortgage. Mr Starnes will be worried when I see him."

So he buried her too. He bought another headstone, to suit her. Then he begun to pay the principal on the mortgage. Starnes had some kin in Alabama. The folks in Division expected the kin to come and claim the place. But maybe the kin were waiting until Hawkshaw had got the mortgage cleared. He made the payment each year, coming back and cleaning up the place. They said he would clean up that house inside like a woman, washing and scrubbing it. It would take him two weeks each April. Then he would go away again, nobody knew where, returning each April to make the payment at the bank and clean up that empty house that never belonged to him.

He had been doing that for about five years when I saw him in Maxey's shop in Jefferson, the year after I saw him in a shop in Porterfield, in that serge suit and that black bow tie. Maxey said he had them on when he got off the south-bound train that day in Jefferson, carrying that paper suitcase. Maxey said they watched him for two days about the square, him not seeming to know anybody or to have any business or to be in any hurry; just walking about the square like he was just looking around.

It was the young fellows, the loafers that pitch dollars all day long in the clubhouse yard, waiting for the young girls to come giggling down to the post office and the soda fountain in the late afternoon, working their hips under their dresses, leaving the smell of perfume when they pass, that gave him his name. They said he was a detective, maybe because that was the last thing in the world anybody would suspect him to be. So they named him Hawkshaw, and Hawkshaw he remained for the twelve years he stayed in Jefferson, behind that chair in Maxey's shop. He told Maxey he was from Alabama.

"What part?" Maxey said. "Alabama's a big place. Birmingham?" Maxey said, because Hawkshaw looked like he might have come from almost anywhere in Alabama except Birmingham.

"Yes," Hawkshaw said. "Birmingham."

And that was all they ever got out of him until I happened to notice him behind the chair and to remember him back in Porterfield.

"Porterfield?" Maxey said. "My brother-in-law owns that shop. You mean you worked in Porterfield last year?"

"Yes," Hawkshaw said. "I was there."

Maxey told me about the vacation business. How Hawkshaw wouldn't take his summer vacation; said he wanted two weeks in April instead. He wouldn't tell why. Maxey said April was too busy for vacations, and Hawkshaw offered to work until then, and quit. "Do you want to quit then?" Maxey said that was in the summer, after Mrs Burchett had brought Susan Reed to the shop for the first time.

"No," Hawkshaw said. "I like it here. I just want two weeks off in April."

"On business?" Maxey said.

"On business," Hawkshaw said.

When Maxey took his vacation, he went to Porterfield to visit his brother-in-law; maybe shaving his brother-in-law's customers, like a sailor will spend his vacation in a rowboat on an artificial lake. The brother-in-law told him Hawkshaw had worked in his shop, would not take a vacation until April, went off and never came back. "He'll quit you the same way," the brother-in-law said. "He worked in a shop in Bolivar, Tennessee, and in one in Florence, Alabama, for a year and quit the same way. He won't come back. You watch and see."

Maxey said he came back home and he finally got it out of Hawkshaw how he had worked for a year each in six or eight different towns in Alabama and Tennessee and Mississippi. "Why did you quit them?" Maxey said. "You are a good barber; one of the best children's barbers I ever saw. Why did you quit?"

"I was just looking around," Hawkshaw said.

Then April came, and he took his two weeks. He shaved himself and packed up that paper suitcase and took the north-bound train.

"Going on a visit, I reckon," Maxey said.

"Up the road a piece," Hawkshaw said.

So he went away, in that serge suit and black bow tie.

Maxey told me how, two days later, it got out how Hawkshaw had drawn from the bank his year's savings. He boarded at Mrs Cowan's and he had joined the church and he spent no money at all. He didn't even smoke. So Maxey and Matt and I reckon everybody else in Jefferson thought that he had saved up steam for a year and was now bound on one of these private sabbaticals among the fleshpots of Memphis. Mitch Ewing, the depot freight agent, lived at Mrs Cowan's too. He told how Hawkshaw had bought his ticket only to the junction-point. "From there he can go to either Memphis or Birmingham or New Orleans," Mitch said.

"Well, he's gone, anyway," Maxey said. "And mark my words, that's the last you'll see of that fellow in this town."

And that's what everybody thought until two weeks later.

On the fifteenth day Hawkshaw came walking into the shop at his regular time, like he hadn't even been out of town, and took off his coat and begun to hone his razors. He never told anybody where he had been. Just up the road a piece.

Sometimes I thought I would tell them. I would make Jefferson and find him there behind that chair. He didn't change, grow any older in the face, any more than that Reed girl's hair changed, for all the gum and dye she put on it.

But there he would be, back from his vacation "up the road a piece," saving his money for another year, going to church on Sunday, keeping that sack of peppermints for the children that came to him to be barbered, until it was time to take that paper suitcase and his year's savings and go back to Division to pay on the mortgage and clean up the house.

Sometimes he would be gone when I got to Jefferson, and Maxey would tell me about him cutting that Reed girl's hair, snipping and snipping it and holding the mirror up for her to see like she was an actress. "He don't charge her," Matt Fox said. "He pays the quarter into the register out of his own pocket."

"Well, that's his business," Maxey said. "All I want is the quarter. I don't care where it comes from."

Five years later maybe I would have said, "Maybe that's her price." Because she got in trouble at last. Or so they said. I don't know, except that most of the talk about girls, women, is envy or retaliation by the ones that don't dare to and the ones that failed to. But while he was gone one April they were whispering how she had got in trouble at last and had tried to doctor herself with turpentine and was bad sick.

Anyhow, she was off the streets for about three months; some said in a hospital in Memphis, and when she came into the shop again she took Matt's chair, though Hawkshaw's was empty at the time, like she had already done before to devil him, maybe. Maxey said she looked like a painted ghost, gaunt and hard, for all her bright dress and such, sitting there in Matt's chair, filling the whole shop with her talking and her laughing and her perfume and her long, naked-looking legs, and Hawkshaw making out he was busy at his empty chair.

Sometimes I thought I would tell them. But I never told anybody except Gavin Stevens. He is the district attorney, a smart man: not like the usual pedagogue lawyer and office holder. He went to Harvard, and when my health broke down (I used to be a bookkeeper in a Gordonville bank and my health broke down and I met Stevens on a Memphis train when I was coming home from the hospital) it was him that suggested I try the road and got me my position with this company. I told him about it two years ago. "And now the girl has gone bad on him, and he's too old to hunt up another one and raise her," I said. "And some day he'll have the place paid out and those Alabama Starnes can come and take it, and he'll be through. Then what do you think he will do?"

"I don't know," Stevens said.

"Maybe he'll just go off and die," I said.

"Maybe he will," Stevens said.

"Well," I said, "he won't be the first man to tilt at windmills."

"He won't be the first man to die, either," Stevens said.

III

SO LAST WEEK I went on to Division. I got there on a Wednesday. When I saw the house, it had just been painted.

The storekeeper told me that the payment Hawkshaw had made was the last one; that Starnes' mortgage was clear.

"Them Alabama Starnes can come and take it now," he said.

"Anyway, Hawkshaw did what he promised her, promised Mrs Starnes," I said.

"Hawkshaw?" he said. "Is that what they call him? Well, I'll be durned. Hawkshaw. Well, I'll be durned."

It was three months before I made Jefferson again. When I passed the barber shop I looked in without stopping. And there was another fellow behind Hawkshaw's chair, a young fellow. "I wonder if Hawk left his sack of peppermints," I said to myself. But I didn't stop. I just thought, 'Well, he's gone at last,' wondering just where he would be when old age got him and he couldn't move again; if he would probably die behind a chair somewhere in a little three-chair country shop, in his shirt sleeves and that black tie and those serge pants.

I went on and saw my customers and had dinner, and in the afternoon I went to Stevens' office. "I see you've got a new barber in town," I said.

"Yes," Stevens said. He looked at me a while, then he said, "You haven't heard?"

"Heard what?" I said. Then he quit looking at me.

"I got your letter," he said, "that Hawkshaw had paid off the mortgage and painted the house. Tell me about it."

So I told him how I got to Division the day after Hawkshaw had left. They were talking about him on the porch of the store, wondering just when those Alabama Starnes would come in. He had painted the house himself, and he had cleaned up the two graves; I don't reckon he wanted to disturb Starnes by cleaning his. I went up to see them. He had even scrubbed the headstones, and he had set out an apple shoot over the girl's grave. It was in bloom, and what with the folks all talking about him, I got curious too, to see the inside of that house. The storekeeper had the key, and he said he reckoned it would be all right with Hawkshaw.

It was clean inside as a hospital. The stove was polished and the woodbox filled. The storekeeper told me Hawkshaw did that every year, filled the woodbox before he left.

"Those Alabama kinsfolk will appreciate that," I said. We went on back to the parlor. There was a melodeon in the corner, and a lamp and a Bible on the table. The lamp was clean, the bowl empty and clean too; you couldn't even smell oil on it. That wedding license was framed, hanging above the mantel like a picture. It was dated April 4, 1905.

"Here's where he keeps that mortgage record," the storekeeper (his name is Bidwell) said. He went to the table and opened the Bible. The front page was the births and deaths, two columns. The girl's name was Sophie. I found her name in the birth column, and on the death side it was next to the last one. Mrs Starnes had written it. It looked like it might have taken her ten minutes to write it down. It looked like this: Sofy starnes Dide april 16 th 1905. Hawkshaw wrote the last one himself; it was neat and well written, like a bookkeeper's hand: Mrs Will Starnes. April 23, 1916.

"The record will be in the back," Bidwell said.

We turned to the back. It was there, in a neat column, in Hawkshaw's hand. It began with April 16, 1917, $200.00.

The next one was when he made the next payment at the bank: April 16, 1918, $200.00; and April 16, 1919, $200.00; and April 16, 1920, $200.00; and on to the last one: April 16, 1930, $200.00. Then he had totaled the column and written under it: "Paid in full. April 16, 1930."

It looked like a sentence written in a copy book in the oldtime business colleges, like it had flourished, the pen had, in spite of him. It didn't look like it was written boastful; it just flourished somehow, the end of it, like it had run out of the pen somehow before he could stop it.

"So he did what he promised her he would," Stevens said.

"That's what I told Bidwell," I said.

Stevens went on like he wasn't listening to me much.

"So the old lady could rest quiet. I guess that's what the pen was trying to say when it ran away from him: that now she could lie quiet. And he's not much over forty-five. Not so much anyway. Not so much but what, when he wrote 'Paid in full' under that column, time and despair rushed as slow and dark under him as under any garlanded boy or crownless and crestless girl."

"Only the girl went bad on him," I said. "Forty-five's pretty late to set out to find another. He'll be fifty-five at least by then."

Stevens looked at me then. "I didn't think you had heard," he said.

"Yes," I said. "That is, I looked in the barber shop when I passed. But I knew he would be gone. I knew all the time he would move on, once he had that mortgage cleared. Maybe he never knew about the girl, anyway. Or likely he knew and didn't care."

"You think he didn't know about her?"

"I don't see how he could have helped it. But I don't know. What do you think?"

"I don't know. I don't think I want to know. I know something so much better than that."

"What's that?" I said. He was looking at me. "You keep on telling me I haven't heard the news. What is it I haven't heard?"

"About the girl," Stevens said. He looked at me.

"On the night Hawkshaw came back from his last vacation, they were married. He took her with him this time."

Centaur in Brass

IN OUR TOWN Flem Snopes now has a monument to himself: a monument of brass, none the less enduring for the fact that, though it is constantly in sight of the whole town and visible from three or four points miles out in the country, only four people, two white men and two Negroes, know that it is his monument, or that it is a monument at all.

He came to Jefferson from the country, accompanied by his wife and infant daughter and preceded by a reputation for shrewd and secret dealing. There lives in our county a sewing-machine agent named Suratt, who used to own a half interest in a small back-street restaurant in town, himself no mean hand at that technically unassailable opportunism which passes with country folks and town folks, too for honest shrewdness.

He travels about the county steadily and constantly, and it was through him that Snope's doings first came to our ears: how first, a clerk in a country store, Snopes one day and to everyone's astonishment was married to the store owner's daughter, a young girl who was the belle of the countryside.

They were married suddenly, on the same day upon which three of the girl's erstwhile suitors left the county and were seen no more.

Soon after the wedding Snopes and his wife moved to Texas, from where the wife returned a year later with a well grown baby. A month later Snopes himself returned, accompanied by a broad-hatted stranger and a herd of half-wild mustang ponies, which the stranger auctioned off, collected the money, and departed. Then the purchasers discovered that none of the ponies had ever had a bridle on. But they never learned if Snopes had had any part in the business, or had received any part of the money.

The next we heard of him was when he appeared one day in a wagon laden with his family and household goods, and with a bill-of-sale for Suratt's half of the restaurant. How he got the bill-of-sale, Suratt never told, and we never learned more than that there was somehow involved in the affair a worthless piece of land which had been a portion of Mrs. Snopes's dowry. But what the business was even Suratt, a humorous, talkative man who was as ready to laugh at a joke on himself as at one on anyone else, never told. But when he mentioned Snopes's name after that, it was in a tone of savage and sardonic and ungrudging admiration.

"Yes, sir," he said, "Flem Snopes outsmarted me. And the man that can do that, I just wish I was Jiim, with this whole State of Mississippi to graze on."

In the restaurant business Snopes appeared to prosper.

That is, he soon eliminated his partner, and presently he was out of the restaurant himself, with a hired manager to run it, and we began to believe in the town that we knew what was the mainspring of his rise and luck. We believed that it was his wife; we accepted without demur the evil which such little lost towns like ours seem to foist even upon men who are of good thinking despite them. She helped in the restaurant at first. We could see her there behind the wooden counter worn glass-smooth by elbows in their eating generations: young, with the rich coloring of a calendar; a face smooth, unblemished by any thought or by anything else: an appeal immediate and profound and without calculation or shame, with (because of its unblemishment and not its size) something of that vast, serene, impervious beauty of a snowclad virgin mountain flank, listening and not smiling while Major Hoxey, the town's lone rich middle-aged bachelor, graduate of Yale and soon to be mayor of the town, incongruous there among the collarless shirts and the overalls and the grave, country-eating faces, sipped his coffee and talked to her.

Not impregnable: impervious. That was why it did not need gossip when we watched Snopes's career mount beyond the restaurant and become complement with Major Hoxey's in city affairs, until less than six months after Hoxey's inauguration Snopes, who had probably never been close to any piece of machinery save a grindstone until he moved to town, was made superintendent of the municipal power plant. Mrs. Snopes was born one of those women the deeds and fortunes of whose husbands alone are the barometers of their good name; for to do her justice, there was no other handle for gossip save her husband's rise in Hoxey's administration.

But there was still that intangible thing: partly something in her air, her face; partly what we had already heard about Flem Snopes's methods. Or perhaps what we knew or believed about Snopes was all; perhaps what we thought to be her shadow was merely his shadow falling upon her. But anyway, when we saw Snopes and Hoxey together we would think of them and of adultery in the same instant, and we would think of the two of them walking and talking in amicable cuckoldry. Perhaps, as I said, this was the fault of the town. Certainly it was the fault of the town that the idea of their being on amicable terms outraged us more than the idea of the adultery itself. It seemed foreign, decadent, perverted: we could have accepted, if not condoned, the adultery had they only been natural and logical and enemies.

But they were not. Yet neither could they have been called friends. Snopes had no friends; there was no man nor woman among us, not even Hoxey or Mrs. Snopes, who we believed could say, "I know his thought" least of all, those among whom we saw him now and then, sitting about the stove in the rear of a certain smelly, third-rate grocery, listening and not talking, for an hour or so two or three nights a week.

And so we believed that, whatever his wife was, she was not fooling him. It was another woman who did that: a Negro woman, the new young wife of Tom-Tom, the day fireman in the power plant.

Tom-Tom was black: a big bull of a man weighing two hundred pounds and sixty years old and looking about forty.

He had been married about a year to his third wife, a young woman whom he kept with the strictness of a Turk in a cabin two miles from town and from the power plant where he spent twelve hours a day with shovel and bar.

One afternoon he had just finished cleaning the fires and he was sitting in the coal-bunker, resting and smoking his pipe, when Snopes, his superintendent, employer and boss, came in. The fires were clean and the steam was up again, and the safety valve on the middle boiler was blowing off.

Snopes entered: a potty man of no particular age, broad and squat, in a clean though collarless white shirt and a plaid cap. His face was round and smooth, either absolutely impenetrable or absolutely empty. His eyes were the color of stagnant water; his mouth was a tight, lipless seam. Chewing steadily, he looked up at the whistling safety valve.

"How much does that whistle weigh?" he said after a time.

"Must weight ten pound, anyway," Tom-Tom said.

"Is it solid brass?"

"If it ain't, I ain't never seed no brass what is solid," Tom-Tom said.

Snopes had not once looked at Tom-Tom. He continued to look upward toward the thin, shrill, excruciating sound of the valve. Then he spat, and turned and left the boiler-room.

II

HE BUILT HIS monument slowly. But then, it is always strange to what involved and complex methods a man will resort in order to steal something. It's as though there were some intangible and invisible social force that mitigates against him, confounding his own shrewdness with his own cunning, distorting in his judgment the very value of the object of his greed, which in all probability, had he but picked it up and carried it openly away, nobody would have remarked or cared. But then, that would not have suited Snopes, since he apparently had neither the high vision of a confidence man nor the unrecking courage of a brigand.

His vision at first, his aim, was not even that high; it was no higher than that of a casual tramp who pauses in passing to steal three eggs from beneath a setting hen. Or perhaps he was merely not certain yet that there really was a market for brass. Because his next move was five months after Harker, the night engineer, came on duty one evening and found the three safety whistles gone and the vents stopped with one-inch steel screw plugs capable of a pressure of a thousand pounds.

"And them three boiler heads you could poke a hole through with a soda straw!" Harker said. "And that damn black night fireman, Turl, that couldn't even read a clock face, still throwing coal into them! When I looked at the gauge on the first boiler, I never believed I would get to the last boiler in time to even reach the injector.

"So when I finally got it into Turl's head that that 100 on that dial meant where Turl would not only lose his job, he would lose it so good they wouldn't even be able to find the job to give it to the next misbegotten that believed that live steam was something you blowed on a window pane in cold weather, I got settled down enough to ask him where them safety valves had gone to.

"'Mr. Snopes took um off,' Turl says.

"'What in the hell for?'

"'I don't know. I just telling you what Tom-Tom told me. He say Mr. Snopes say the shut-off float in the water tank ain't heavy enough. Say that tank start leaking some day, and so he going to fasten them three safety valves on the float and make it heavier.'

"'You mean ' I says. That's as far as I could get: 'You mean '

"'That what Tom-Tom say. I don't know nothing about it.'

"But they were gone. Up to that night, me and Turl had been catching forty winks or so now and then when we got caught up and things was quiet. But you can bet we never slept none that night. Me and him spent that whole night, time about, on that coal pile, where we could watch them three gauges. And from midnight on, after the load went off, we never had enough steam in all three of them boilers put together to run a peanut parcher. And even when I was in bed, at home, I couldn't sleep. Time I shut my eyes I would begin to see a steam gauge about the size of a washtub, with a red needle big as a shovel moving up toward a hundred pounds, and I would wake myself up hollering and sweating."

But even that wore away after a while, and then Turl and Harker were catching their forty winks or so again. Perhaps they decided that Snopes had stolen his three eggs and was done. Perhaps they decided that he had frightened himself with the ease with which he had got the eggs. Because it was five months before the next act took place.

Then one afternoon, with his fires cleaned and steam up again, Tom-Tom, smoking his pipe on the coal pile, saw Snopes enter, carrying in his hand an object which Tom-Tom said later he thought was a mule shoe. He watched Snopes retire into a dim corner behind the boilers, where there had accumulated a miscellaneous pile of metal junk, all covered with dirt: fittings, valves, rods and bolts and such, and, kneeling there, begin to sort the pieces, touching them one by one with the mule shoe and from time to time removing one piece and tossing it behind him, into the runway.

Tom-Tom watched him try with the magnet every loose piece of metal in the boiler-room, sorting out the iron from the brass: then Snopes ordered Tom-Tom to gather up the segregated pieces of brass and bring them in to his office.

Tom-Tom gathered the pieces into a box. Snopes was waiting in the office. He glanced once into the box, then he spat. "How do you and Turl get along?" he said. Turl, I had better repeat, was the night fireman; a Negro too, though he was saddle-colored where Tom-Tom was black, and in place of Tom-Tom's two hundred pounds Turl, even with his laden shovel, would hardly have tipped a hundred and fifty.

"I tends to my business," Tom-Tom said. "What Turl does wid hisn ain't no trouble of mine."

"That ain't what Turl thinks," Snopes said, chewing, watching Tom-Tom, who looked at Snopes as steadily in turn; looked down at him. "Turl wants me to give him your day shift. He says he's tired firing at night."

"Let him fire here long as I is, and he can have it," TomTorn said.

"Turl don't want to wait that long," Snopes said, chewing, watching Tom-Tom's face. Then he told Tom-Tom how Turl was planning to steal some iron from the plant and lay it at Tom-Tom's door and so get Tom-Tom fired. And Tom-Tom stood there, huge, hulking, with his hard round little head. "That's what he's up to," Snopes said. "So I want you to take this stuff out to your house and hide it where Turl can't find it. And as soon as I get enough evidence on Turl, I'm going to fire him."

Tom-Tom waited until Snopes had finished, blinking his eyes slowly. Then he said immediately: "I knows a better way than that!"

"What way?" Snopes said. Tom-Tom didn't answer. He stood, big, humorless, a little surly; quiet; more than a little implacable though heatless. "No, no," Snopes said. "That won't do. You have any trouble with Turl, and I'll fire you both. You do like I say, unless you are tired of your job and want Turl to have it. Are you tired of it?"

"Ain't no man complained about my pressure yet," Tom-Tom said sullenly.

"Then you do like I say. You take that stuff out home with you tonight. Don't let nobody see you; not even your wife. And if you don't want to do it, just say so. I reckon I can get somebody that will do it."

And that's what Tom-Tom did. And he kept his own counsel too, even when afterward, as discarded fittings and such accumulated again, he would watch Snopes test them one by one with the magnet and sort him out another batch to take out home and hide. Because he had been firing those boilers for forty years, ever since he was a man. At that time there was but one boiler, and he had got twelve dollars a month for firing it, but now there were three, and he got sixty dollars a month; and now he was sixty, and he owned his little cabin and a little piece of corn, and a mule and a wagon in which he rode into town to church twice each Sunday, with his new young wife beside him and a gold watch and chain.

And Harker didn't know then, either, even though he would watch the junked metal accumulate in the corner and then disappear over night until it came to be his nightly joke to enter with his busy, bustling air and say to Turl: "Well, Turl, I notice that little engine is still running. There's a right smart of brass in them bushings and wrist pins, but I reckon it's moving too fast to hold that magnet against it." Then more soberly; quite soberly, in fact, without humor or irony at all, since there was some of Suratt in Harker too: "That durn fellow! I reckon he'd sell the boilers too, if he knowed of any way you and Tom-Tom could keep steam up without them."

And Turl didn't answer. Because by that time Turl had his own private temptations and worries, the same as Tom-Tom, of which Harker was also unaware.

In the meantime, the first of the year came and the city was audited.

"They come down here," Harker said, "two of them, in glasses. They went over the books and they poked around everywhere, counting everything in sight and writing it down. Then they went back to the office and they was still there at six o'clock when I come on. It seems that there was something wrong; it seems like there was some old brass parts wrote down in the books, only the brass seemed to be missing or something. It was on the books all right, and the new valves and things it had been replaced with was there. But be durn if they could find a one of them old pieces except one busted bib that had got mislaid under the work-bench someway or other. It was right strange. So I went back with them and held the light while they looked again in all the corners, getting a right smart of soot and grease on them, but that brass just naturally seemed to be plumb missing. So they went away.

"And the next morning early they come back. They had the city clerk with them this time and they beat Mr. Snopes down here and so they had to wait till he come in in his check cap and his chew, chewing and looking at them while they told him. They was right sorry; they hemmed and hawed a right smart, being sorry. But it wasn't nothing else they could do except to come back on him, long as he was the superintendent; and did he want me and Turl and Tom-Tom arrested right now, or would tomorrow do? And him standing there, chewing, with them eyes like two gobs of cup grease on a hunk of raw dough, and them still telling him how sorry they was.

"'How much does it come to?' he says.

"'Three hundred and four dollars and fifty-two cents, Mr. Snopes.'

"'Is that the full amount?'

"'We checked our figures twice, Mr. Snopes.'

"'All right,' he says. And he reaches down and hauls out the money and pays them the three hundred and four dollars and fifty-two cents in cash, and asks for a receipt."

Ill

THEN THE NEXT Summer came, with Harker still laughing at and enjoying what he saw, and seeing so little, thinking how they were all fooling one another while he looked on, when it was him who was being fooled. For in that Summer the thing ripened, came to a head. Or maybe Snopes just decided to cut his first hay crop; clean the meadow for reseeding. Because he could never have believed that on the day when he sent for Turl, he had set the capital on his monument and had started to tear the scaffolding down.

It was in the evening; he returned to the plant after supper and sent for Turl; again two of them, white man and Negro, faced one another in the office.

"What's this about you and Tom-Tom?" Snopes said.

"'Bout me and which?" Turl said. "If Tom-Tom depending on me for his trouble, he sho' done quit being a fireman and turned waiter. It take two folks to have trouble, and Tom-Tom ain't but one, I don't care how big he is."

Snopes watched Turl. "Tom-Tom thinks you want to fire the day shift."

Turl looked down. He looked briefly at Snopes's face; at the still eyes, the slow unceasing jaw, and down again. "I can handle as much coal as Tom-Tom," he said.

Snopes watched him: the smooth, brown, aside-looking face. "Tom-Tom knows that, too. He knows he's getting old. But he knows there ain't nobody else can crowd him but you." Then, watching Turl's face, Snopes told him how for two years Tom-Tom had been stealing brass from the plant, in order to lay it on Turl and get him fired; how only that day Tom-Tom had told him that Turl was the thief.

Turl looked up. "That's a lie," he said. "Can't no nigger accuse me of stealing when I ain't, I don't care how big he is."

"Sho'," Snopes said. "So the thing to do is to get that brass back."

"If Tom-Tom got it, I reckon Mr. Buck Conner the man to get it back," Turl said. Buck Conner was the city marshal.

"Then you'll go to jail, sure enough. Tom-Tom'll say he didn't know it was there. You'll be the only one that knew it was there. So what you reckon Buck Conner'll think? You'll be the one that knew where it was hid at, and Buck Conner'll know that even a fool has got more sense than to steal something and hide it in his corn-crib. The only thing you can do is to get that brass back. Go out there in the daytime, while Tom-Tom is at work, and get it and bring it to me and I'll put it away somewhere to use as evidence on Tom-Tom. Unless maybe you don't want that day shift. Just say so, if you don't. I reckon I can find somebody else that does."

And Turl agreed to do that. He hadn't fired any boilers for forty years. He hadn't done anything at all for as long as forty years, since he was just past thirty. But even if he were a hundred, no man could ever accuse him of having done anything that would aggregate forty years net. "Unless Turl's night prowling might add up that much," Harker said.

"If Turl ever gets married, he wan't need no front door a-tall; he wouldn't know what it was for. If he couldn't come tom-catting in through the back window, he wouldn't know what he come after. Would you, Turl?"

So from here on it is simple enough, since a man's mistakes, like his successes, usually are simple. Particularly the success.

Perhaps that's why it is so often missed: it was just overlooked.

"His mistake was in picking out Turl to pull his chestnuts,"

Harker said. "But even Turl wasn't as bad as the second mistake he made at the same time without knowing it. And that was, when he forgot about that high yellow wife of Tom-Tom's. When I found out how he had picked out Turl, out of all the niggers in Jefferson, that's prowled at least once (or tried to) every gal within ten miles of town, to go out to Tom-Tom's house knowing all the time how Tom-Tom would be down here wrastling coal until seven o'clock and then have two miles to walk home, and expect Turl to spend his time out there hunting for anything that ain't hid in Tom-Tom's bed, and when I would think about Tom-Tom down here, wrastling them boilers with this same amical cuckoldry like the fellow said about Mr. Snopes and Colonel Hoxey stealing brass so he can keep Turl from getting his job away from him, and Turl out yonder tending to Tom-Tom's home business at the same time, sometimes I think I will die.

"It was bound to not last. The question was, which would happen first: if Tom-Tom would catch Turl, or if Mr. Snopes would catch Turl, or if I would bust a blood vessel laughing some night. Well, it was Turl. He seemed to be having too much trouble locating that brass; he had been hunting it for three weeks already, coming in a little late almost every night now, with Tom-Tom having to wait until Turl come before he could start home. Maybe that was it. Or maybe Mr. Snopes was out there himself one day, hid in the bushes too, waiting for it to get along toward dark (it was already April then); him on one side of Tom-Tom's house and Turl creeping up through the corn patch on the other. Anyway, he come back down here one night and he was waiting when Turl come in about a half hour late, as usual, and Tom-Tom all ready to go home soon as Turl got here. Mr. Snopes sent for Turl and asked him if he had found it.

"'Find it when?' Turl says.

"'While you was out there hunting for it about dusk tonight,' Mr. Snopes says. And there's Turl, wondering just how much Mr. Snopes knows, and if he can risk saying how he has been at home in bed since six-thirty this morning, or maybe up to Mottstown on business. 'Maybe you are still looking for it in the wrong place,' Mr. Snopes says, watching Turl, and Turl not looking at Mr. Snopes except maybe now and then. 'If Tom-Tom had hid that iron in his bed, you ought to done found it three weeks ago,' Mr. Snopes says. 'So suppose you look in that corn-crib where I told you to look.'

"So Turl went out to look one more time. But he couldn't seem to find it in the corn-crib neither. Leastways, that's what he told Mr. Snopes when Mr. Snopes finally run him down back here about nine o'clock one night. Turl was on a kind of a spot, you might say. He would have to wait until along toward dark to go up to the house, and already Tom-Tom had been grumbling some about how Turl was getting later and later about coming to work every night. And once he found that brass, he would have to begin getting back to the plant at seven o'clock, and the days getting longer all the time.

"So Turl goes back to give one more go-round for that brass evidence. But still he can't find it. He must have looked under every shuck and thread in Tom-Tom's bed tick, but without no more success than them two audits had. He just couldn't seem to find that evidence nohow. So then Mr. Snopes says he will give Turl one more chance, and if he don't find that evidence this time, Mr. Snopes is going to tell Tom-Tom how there is a strange tom-cat on his back fence.

And whenever a nigger husband in Jefferson hears that, he finds out where Turl is at before he even sharpens his razor: ain't that so, Turl?

"So the next evening Turl goes out to look again. To do or die this time. He comes creeping up out of the woods about sundown, the best time of day for brass hunting, specially as there is a moon that night. So here he comes, creeping up through the corn patch to the back porch, where the cot is, and pretty soon he can make out somebody in a white nightgown laying on the cot. But Turl don't rise up and walk even then; that ain't Turl's way. Turl plays by the rules. He creeps up: it's dust-dark by then, and the moon beginning to shine a little all careful and quiet, and tom-cats up on to the back porch and stoops over the cot and puts his hand on nekkid meat and says, 'Honeybunch, papa's done arrived.'"

IV

IN THE VERY QUIET hearing of it I seemed to partake for the instant of Turl's horrid surprise. Because it was Tom-Tom on the cot; Tom-Tom, whom Turl believed to be at the moment two miles away, waiting for Turl to come and take over from him at the power plant.

The night before, on his return home Tom-Tom had brought with him a last year's watermelon which the local butcher had kept all Winter in cold storage and which he had given to Tom-Tom, being himself afraid to eat it, and a pint of whiskey. Tom-Tom and his wife consumed them and went to bed, where an hour later she waked Tom-Tom by her screaming. She was violently ill, and she was afraid that she was dying. She was too frightened to let Tom-Tom go for help, and while he dosed her as he could, she confessed to him about herself and Turl. As soon as she told it she became easier and went off to sleep, either before she had time to realize the enormity of what she had done, or while she was still too occupied in being alive to care.

But Tom-Tom wasn't. The next morning, after he convinced himself that she was all right, he reminded her of it.

She wept some, and tried to retract; she ran the gamut of tears to anger, through denial and cajolery back to tears again. But she had Tom-Tom's face to look at all the while, and so after a time she hushed and she just lay there, watching him as he went methodically about cooking breakfast, her own and his, saying no word, apparently oblivious of even her presence. Then he fed her, made her eat, with the same detachment, implacable and without heat. She was waiting for him to leave for work; she was doubtless then and had been all the while inventing and discarding practical expedients; so busy that it was mid-morning before she realized that he had no intention of going to town, though she did not know that he had arranged to get word to the plant by seven that morning that he would take the day off.

So she lay there in the bed, quite quiet, her eyes a little wide, still as an animal, while he cooked their dinner and fed her again with that clumsy and implacable care. And just before sundown he locked her in the bedroom, she still saying no word, not asking him what he was about, just watching with her quiet, still eyes the door until it closed and the key clicked. Then Tom-Tom put on one of her nightgowns and with a naked butcher knife beside him, he lay down on the cot on the back porch. And there he was, without having moved for almost an hour, when Turl crept on to the porch and touched him.

In the purely reflex action of Turl's turning to flee, Tom-Tom rose, clutching the knife, and sprang at Turl. He leaped astride of Turl's neck and shoulders; his weight was the impetus which sent Turl off the porch, already running when his feet touched earth, carrying with him on the retina of his fear a single dreadful glint of moonlight on the blade of the lifted knife, as he crossed the back lot and, with Tom-Tom on his back, entered the trees the two of them a strange and furious beast with two heads and a single pair of legs like an inverted centaur speeding phantom-like just ahead of the boardlike streaming of Tom-Tom's shirt-tail and just beneath the silver glint of the lifted knife, through the moony April woods.

"Tom-Tom big buck man," Turl said. "Make three of me. But I sho' toted him. And whenever I would see the moon glint that butcher knife, I could a picked up two more like him without even stopping." He said that at first he just ran; it was only when he found himself among the trees that it occurred to him that his only hope was to rake Tom-Tom off against a tree trunk. "But he helt on so tight with that one arm that whenever I busted him into a tree, I had to bust into the tree too. And then we'd bounce off and I'd catch that moonglint in that nekkid knife, and I could a picked up two more Tom-Toms.

"'Bout that time was when Tom-Tom started squalling. He was holding on with both hands then, so I knowed that I had done outrun that butcher knife anyhow. But I was good started then; my feets never paid Tom-Tom no more mind when he started squalling to stop and let him off than they did me. Then Tom-Tom grabbed my head with both hands and begun to haul it around like I was a runaway bareback mule, and then I seed the ditch. It was about forty foot deep and it looked a solid mile across, but it was too late then. My feets never even slowed up. They run far as from here to that door yonder out into nekkid air before us even begun to fall. And they was still clawing that moonlight when me and Tom-Tom hit the bottom."

The first thing I wanted to know was, what Tom-Tom used in lieu of the butcher knife which he had dropped. He didn't use anything. He and Turl just sat there in the ditch and talked. Because there is a sanctuary beyond despair for any beast which has dared all, which even its mortal enemy respects. Or maybe it was just nigger nature. Anyway, it was perfectly plain to both of them as they sat there, perhaps panting a little while they talked, that Tom-Tom's home had been outraged, not by Turl, but by Flem Snopes; that Turl's life and limbs had been endangered, not by Tom-Tom, but by Flem Snopes.

That was so plain to them that they sat there quietly in the ditch, getting their wind back, talking a little without heat like two acquaintances meeting in the street; so plain that they made their concerted plan without recourse to definite words on the subject. They merely compared notes; perhaps they laughed a little at themselves. Then they climbed out of the ditch and returned to Tom-Tom's cabin, where Tom-Tom unlocked his wife, and he and Turl sat before the hearth while the woman prepared a meal for them, which they ate as quietly but without loss of time: the two grave, scratched faces leaned to the same lamp, above the same dishes, while in the background the woman watched them, shadowy and covert and unspeaking.

Tom-Tom took her to the barn with them to help load the brass into the wagon, where Turl spoke for the first time since they climbed together out of the ditch in Harker's "amical" cuckoldry: "Great God, man, how long did it take you to tote all this stuff out here?"

"Not long," Tom-Tom said. "Been working at it 'bout two years."

It required four trips in the wagon; it was daybreak when the last load was disposed of, and the sun was rising when Turl entered the power plant, eleven hours late.

"Where in hell you been?" Harker said.

Turl glanced up at the three gauges, his scratched face wearing an expression of monkeylike gravity. "Been helping a friend of mine."

"Helping what friend of yours?"

"Boy named Turl," Turl said, squinting at the gauges.

V

"AND THAT WAS all he said," Harker said. "And me looking at that scratched face of hisn, and at the mate of it that Tom-Tom brought in at six o'clock. But Turl didn't tell me then. And I ain't the only one he never told nothing that morning. Because Mr. Snopes got there before six o'clock, before Turl had got away. He sent for Turl and asked him if he had found that brass and Turl told him no.

"'Why didn't you find it?' Mr. Snopes said.

"Turl didn't look away, this time. 'Because it ain't no brass there. That's the main reason.'

"'How do you know there ain't?' Mr. Snopes says.

"And Turl looked him straight in them eyes. 'Because Tom-Tom say it ain't,' Turl says.

"Maybe he ought to knew then. But a man will go to any length to fool himself; he will tell himself stuff and believe it that he would be downright mad with a fellow he had done trimmed for believing it. So now he sends for Tom-Tom.

"'I ain't got no brass,' Tom-Tom says.

"'Where is it, then?'

"'It's where you said you wanted it.'

"'Where I said I wanted it when?'

"'When you took them whistle valves off the boilers,' Tom-Tom says.

"That's what whipped him. He didn't dare to fire neither one of them, you see. And so he'd have to see one of them there all day long every day, and know that the other one was there all night long every night; he would have to know that during every twenty-four hours that passed, one or the other of them was there, getting paid paid, mind you, by the hour for living half their lives right there under that tank with them four loads of brass in it that now belonged to him by right of purchase and which he couldn't claim now because now he had done waited too late.

"It sure was too late. But next New Year it got later. Come New Year's and the town got audited again; again them two spectacled fellows come down here and checked the books and went away and come back with not only the city clerk, but with Buck Conner too, with a warrant for Turl and Tom-Tom. And there they were, hemming and hawing, being sorry again, pushing one another in front to talk. It seems how they had made a mistake two years ago, and instead of three-hundred-and-four-fifty-two of this here evaporating brass, there was five-hundred-and-twenty-five dollars worth, leaving a net of over two-hundred-and-twenty dollars. And there was Buck Conner with the warrant, all ready to arrest Turl and Tom-Tom when he give the word, and it so happening that Turl and Tom-Tom was both in the boiler-room at that moment, changing shifts.

"So Snopes paid them. Dug down and hauled out the money and paid them the two-hundred-and-twenty and got his receipt. And about two hours later I happened to pass through the office. At first I didn't see nobody because the light was off. So I thought maybe the bulb was burned out, seeing as that light burned all the time. But it wasn't burned out; it was just turned out. Only before I turned it on I saw him, setting there. So I didn't turn the light on. I just went on out and left him setting there, setting right still."

VI

IN THOSE DAYS Snopes lived in a new little bungalow on the edge of town, and, when shortly after that New Year he resigned from the power plant, as the weather warmed into Spring they would see him quite often in his tiny grassless and treeless side yard. It was a locality of such other hopeless little houses inhabited half by Negroes, and washed clay gullies and ditches filled with scrapped automobiles and tin cans, and the prospect was not pleasing. Yet he spent quite a lot of his time there, sitting on the steps, not doing anything.

And so they wondered what he could be looking at there, since there was nothing to see above the massed trees which shaded the town itself except the low smudge of the power plant, and the water tank. And it too was condemned now, for the water had suddenly gone bad two years ago and the town now had a new reservoir underground. But the tank was a stout one and the water was still good to wash the streets with, and so the town let it stand, refusing at one time a quite liberal though anonymous offer to purchase and remove it.

So they wondered what Snopes was looking at. They didn't know that he was contemplating his monument: that shaft taller than anything in sight and filled with transient and symbolical liquid that was not even fit to drink, but which, for the very reason of its impermanence, was more enduring through its fluidity and blind renewal than the brass which poisoned it, than columns of basalt or of lead.

Dry September

THROUGH THE BLOODY September twilight, aftermath of sixty-two rainless days, it had gone like a fire in dry grass: the rumor, the story, whatever it was. Something about Miss Minnie Cooper and a Negro. Attacked, insulted, frightened: none of them, gathered in the barber shop on that Saturday evening where the ceiling fan stirred, without freshening it, the vitiated air, sending back upon them, in recurrent surges of stale pomade and lotion, their own stale breath and odors, knew exactly what had happened.

"Except it wasn't Will Mayes," a barber said. He was a man of middle age; a thin, sand-colored man with a mild face, who was shaving a client. "I know Will Mayes. He's a good nigger. And I know Miss Minnie Cooper, too."

"What do you know about her?" a second barber said.

"Who is she?" the client said. "A young girl?"

"No," the barber said. "She's about forty, I reckon. She ain't married. That's why I don't believe..."

"Believe, hell!" a hulking youth in a sweat-stained silk shirt said. "Wont you take a white woman's word before a nigger's?"

"I don't believe Will Mayes did it," the barber said. "I know Will Mayes."

"Maybe you know who did it, then. Maybe you already got him out of town, you damn nigger-lover."

"I don't believe anybody did anything. I don't believe anything happened. I leave it to you fellows if them ladies that get old without getting married don't have notions that a man can't "

"Then you are a hell of a white man," the client said. He moved under the cloth. The youth had sprung to his feet.

"You don't?" he said. "Do you accuse a white woman of lying?"

The barber held the razor poised above the half-risen client. He did not look around.

"It's this durn weather," another said. "It's enough to make a man do anything. Even to her."

Nobody laughed. The barber said in his mild, stubborn tone: "I ain't accusing nobody of nothing. I just know and you fellows know how a woman that never..."

"You damn nigger-lover!" the youth said.

"Shut up, Butch," another said. "We'll get the facts in plenty of time to act."

"Who is? Who's getting them?" the youth said. "Facts, hell!"

"You're a fine white man," the client said. "Ain't you?"

In his frothy beard he looked like a desert rat in the moving pictures. "You tell them, Jack," he said to the youth. "If there ain't any white men in this town, you can count on me, even if I ain't only a drummer and a stranger."

"That's right, boys," the barber said. "Find out the truth first. I know Will Mayes."

"Well, by God!" the youth shouted. "To think that a white man in this town..."

"Shut up, Butch," the second speaker said. "We got plenty of time."

The client sat up. He looked at the speaker. "Do you claim that anything excuses a nigger attacking a white woman? Do you mean to tell me you are a white man and you'll stand for it? You better go back North where you came from. The South don't want your kind here."

"North what?" the second said. "I was born and raised in this town."

"Well, by God!" the youth said. He looked about with a strained, baffled gaze, as if he was trying to remember what it was he wanted to say or to do. He drew his sleeve across his sweating face. "Damn if I'm going to let a white woman..."

"You tell them, Jack," the drummer said. "By God, if they..."

The screen door crashed open. A man stood in the floor, his feet apart and his heavy-set body poised easily. His white shirt was open at the throat; he wore a felt hat. His hot, bold glance swept the group. His name was McLendon. He had commanded troops at the front in France and had been decorated for valor.

"Well," he said, "are you going to sit there and let a black son rape a white woman on the streets of Jefferson?"

Butch sprang up again. The silk of his shirt clung flat to his heavy shoulders. At each armpit was a dark halfmoon, "That's what I been telling them! That's what I..."

"Did it really happen?" a third said. "This ain't the first man scare she ever had, like Hawkshaw says. Wasn't there something about a man on the kitchen roof, watching her undress, about a year ago?"

"What?" the client said. "What's that?" The barber had been slowly forcing him back into the chair; he arrested himself reclining, his head lifted, the barber still pressing him down.

McLendon whirled on the third speaker. "Happen? What the hell difference does it make? Are you going to let the black sons get away with it until one really does it?"

"That's what I'm telling them!" Butch shouted. He cursed, long and steady, pointless.

"Here, here," a fourth said. "Not so loud. don't talk so loud."

"Sure," McLendon said; "no talking necessary at all. I've done my talking. Who's with me?" He poised on the balls of his feet, roving his gaze.

The barber held the drummer's face down, the razor poised. "Find out the facts first, boys. I know Willy Mayes. It wasn't him. Let's get the sheriff and do this thing right."

McLendon whirled upon him his furious, rigid face. The barber did not look away. They looked like men of different races. The other barbers had ceased also above their prone clients. "You mean to tell me," McLendon said, "that you'd take a nigger's word before a white woman's? Why, you damn nigger-loving..."

The third speaker rose and grasped McLendon's arm; he too had been a soldier. "Now, now. Let's figure this thing out. Who knows anything about what really happened?"

"Figure out hell!" McLendon jerked his arm free. "All that're with me get up from there. The ones that ain't..."

He roved his gaze, dragging his sleeve across his face.

Three men rose. The drummer in the chair sat up. "Here," he said, jerking at the cloth about his neck; "get this rag off me. I'm with him. I don't live here, but by God, if our mothers and wives and sisters..." He smeared the cloth over his face and flung it to the floor. McLendon stood in the door and cursed the others. Another rose and moved toward him. The remainder sat uncomfortable, not looking at one another, then one by one they rose and joined him.

The barber picked the cloth from the floor. He began to fold it neatly. "Boys, don't do that. Will Mayes never done it. I know."

"Come on," McLendon said. He whirled. From his hip pocket protruded the butt of a heavy automatic pistol. They went out. The screen door crashed behind them, reverberant in the dead air.

The barber wiped the razor carefully and swiftly, and put it away, and ran to the rear, and took his hat from the wall. "I'll be back as soon as I can," he said to the other barbers. "I can't let..." He went out, running. The two other barbers followed him to the door and caught it on the rebound, leaning out and looking up the street after him. The air was flat and dead. It had a metallic taste at the base of the tongue.

"What can he do?" the first said. The second one was saying "Jees Christ, Jees Christ" under his breath. "I'd just as lief be Will Mayes as Hawk, if he gets McLendon riled."

"Jees Christ, Jees Christ," the second whispered.

"You reckon he really done it to her?" the first said.

II

SHE WAS thirty-eight or thirty-nine. She lived in a small frame house with her invalid mother and a thin, sallow, unflagging aunt, where each morning between ten and eleven she would appear on the porch in a lace-trimmed boudoir cap, to sit swinging in the porch swing until noon. After dinner she lay down for a while, until the afternoon began to cool. Then, in one of the three or four new voile dresses which she had each summer, she would go downtown to spend the afternoon in the stores with the other ladies, where they would handle the goods and haggle over the prices in cold, immediate voices, without any intention of buying.

She was of comfortable people not the best in Jefferson, but good people enough and she was still on the slender side of ordinary looking, with a bright, faintly haggard manner and dress. When she was young she had had a slender, nervous body and a sort of hard vivacity which had enabled her for a time to ride upon the crest of the town's social life as exemplified by the high school party and church social period of her contemporaries while still children enough to be unclass-conscious.

She was the last to realize that she was losing ground; that those among whom she had been a little brighter and louder flame than any other were beginning to learn the pleasure of snobbery male and retaliation female. That was when her face began to wear that bright, haggard look. She still carried it to parties on shadowy porticoes and summer lawns, like a mask or a flag, with that bafflement of furious repudiation of truth in her eyes. One evening at a party she heard a boy and two girls, all schoolmates, talking. She never accepted another invitation.

She watched the girls with whom she had grown up as they married and got homes and children, but no man ever called on her steadily until the children of the other girls had been calling her "aunty" for several years, the while their mothers told them in bright voices about how popular Aunt Minnie had been as a girl. Then the town began to see her driving on Sunday afternoons with the cashier in the bank. He was a widower of about forty, a high-colored man, smelling always faintly of the barber shop or of whisky.

He owned the first automobile in town, a red runabout; Minnie had the first motoring bonnet and veil the town ever saw. Then the town began to say: "Poor Minnie."

"But she is old enough to take care of herself," others said. That was when she began to ask her old schoolmates that their children call her "cousin" instead of "aunty."

It was twelve years now since she had been relegated into adultery by public opinion, and eight years since the cashier had gone to a Memphis bank, returning for one day each Christmas, which he spent at an annual bachelors' party at a hunting club on the river. From behind their curtains the neighbors would see the party pass, and during the over-the-way Christmas day visiting they would tell her about him, about how well he looked, and how they heard that he was prospering in the city, watching with bright, secret eyes her haggard, bright face. Usually by that hour there would be the scent of whisky on her breath. It was supplied her by a youth, a clerk at the soda fountain: "Sure; I buy it for the old gal. I reckon she's entitled to a little fun."

Her mother kept to her room altogether now; the gaunt aunt ran the house. Against that background Minnie's bright dresses, her idle and empty days, had a quality of furious unreality. She went out in the evenings only with women now, neighbors, to the moving pictures. Each afternoon she dressed in one of the new dresses and went downtown alone, where her young "cousins" were already strolling in the late afternoons with their delicate, silken heads and thin, awkward arms and conscious hips, clinging to one another or shrieking and giggling with paired boys in the soda fountain when she passed and went on along the serried store fronts, in the doors of which the sitting and lounging men did not even follow her with their eyes any more.

Ill

THE BARBER WENT SWIFTLY up the street where the sparse lights, insect-swirled, glared in rigid and violent suspension in the lifeless air. The day had died in a pall of dust; above the darkened square, shrouded by the spent dust, the sky was as clear as the inside of a brass bell. Below the east was a rumor of the twice-waxed moon.

When he overtook them McLendon and three others were getting into a car parked in an alley. McLendon stooped his thick head, peering out beneath the top, "Changed your mind, did you?" he said. "Damn good thing; by God, tomorrow when this town hears about how you talked tonight"

"Now, now," the other ex-soldier said. "Hawkshaw's all right. Come on, Hawk; jump in."

"Will Mayes never done it, boys," the barber said. "If anybody done it. Why, you all know well as I do there ain't any town where they got better niggers than us. And you know how a lady will kind of think things about men when there ain't any reason to, and Miss Minnie anyway..."

"Sure, sure," the soldier said. "We're just going to talk to him a little; that's all."

"Talk hell!" Butch said. "When we're through with the..."

"Shut up, for God's sake!" the soldier said. "Do you want everybody in town..."

"Tell them, by God!" McLendon said. "Tell every one of the sons that'll let a white woman..."

"Let's go; let's go: here's the other car." The second car slid squealing out of a cloud of dust at the alley mouth.

McLendon started his car and took the lead. Dust lay like fog in the street. The street lights hung nimbused as in water. They drove on out of town.

A rutted lane turned at right angles. Dust hung above it too, and above all the land. The dark bulk of the ice plant, where the Negro Mayes was night watchman, rose against the sky. "Better stop here, hadn't we?" the soldier said.

McLendon did not reply. He hurled the car up and slammed to a stop, the headlights glaring on the blank wall.

"Listen here, boys," the barber said; "if he's here, don't that prove he never done it? Don't it? If it was him, he would run. Don't you see he would?" The second car came up and stopped. McLendon got down; Butch sprang down beside him. "Listen, boys," the barber said.

"Cut the lights off!" McLendon said. The breathless dark rushed down. There was no sound in it save their lungs as they sought air in the parched dust in which for two months they had lived; then the diminishing crunch of McLendon's and Dutch's feet, and a moment later McLendon's voice: "Will!... Will!"

Below the east the wan hemorrhage of the moon increased.

It heaved above the ridge, silvering the air, the dust, so that they seemed to breathe, live, in a bowl of molten lead. There was no sound of nightbird nor insect, no sound save their breathing and a faint ticking of contracting metal about the cars. Where their bodies touched one another they seemed to sweat dryly, for no more moisture came. "Christ!" a voice said; "let's get out of here."

But they didn't move until vague noises began to grow out of the darkness ahead; then they got out and waited tensely in the breathless dark. There was another sound: a blow, a hissing expulsion of breath and McLendon cursing in undertone. They stood a moment longer, then they ran forward. They ran in a stumbling clump, as though they were fleeing something. "Kill him, kill the son," a voice whispered. McLendon flung them back.

"Not here," he said. "Get him into the car."

"Kill him, kill the black son!" the voice murmured. They dragged the Negro to the car. The barber had waited beside the car. He could feel himself sweating and he knew he was going to be sick at the stomach.

"What is it, captains?" the Negro said. "I ain't done nothing. Tore God, Mr John." Someone produced handcuffs.

They worked busily about the Negro as though he were a post, quiet, intent, getting in one another's way. He submitted to the handcuffs, looking swiftly and constantly from dim face to dim face. "Who's here, captains?" he said, leaning to peer into the faces until they could feel his breath and smell his sweaty reek. He spoke a name or two. "What you all say I done, Mr John?"

McLendon jerked the car door open. "Get in!" he said.

The Negro did not move. "What you all going to do with me, Mr John? I ain't done nothing. White folks, captains, I ain't done nothing: I swear 'fore God." He called another name.

"Get in!" McLendon said. He struck the Negro. The others expelled their breath in a dry hissing and struck him with random blows and he whirled and cursed them, and swept his manacled hands across their faces and slashed the barber upon the mouth, and the barber struck him also.

"Get him in there," McLendon said. They pushed at him.

He ceased struggling and got in and sat quietly as the others took their places. He sat between the barber and the soldier, drawing his limbs in so as not to touch them, his eyes going swiftly and constantly from face to face. Butch clung to the running board. The car moved on. The barber nursed his mouth with his handkerchief.

"What's the matter, Hawk?" the soldier said.

"Nothing," the barber said. They regained the highroad and turned away from town. The second car dropped back out of the dust. They went on, gaining speed; the final fringe of houses dropped behind.

"Goddamn, he stinks!" the soldier said.

"We'll fix that," the drummer in front beside McLendon said. On the running board Butch cursed into the hot rush of air. The barber leaned suddenly forward and touched McLendon's arm.

"Let me out, John," he said.

"Jump out, nigger-lover," McLendon said without turning his head. He drove swiftly. Behind them the sourceless lights of the second car glared in the dust. Presently McLendon turned into a narrow road. It was rutted with disuse. It led back to an abandoned brick kiln, a series of reddish mounds and weed and vine-choked vats without bottom. It had been used for pasture once, until one day the owner missed one of his mules. Although he prodded carefully in the vats with a long pole, he could not even find the bottom of them.

"John," the barber said.

"Jump out, then," McLendon said, hurling the car along the ruts. Beside the barber the Negro spoke: "Mr Henry."

The barber sat forward. The narrow tunnel of the road rushed up and past. Their motion was like an extinct furnace blast: cooler, but utterly dead. The car bounded from rut to rut.

"Mr Henry," the Negro said.

The barber began to tug furiously at the door. "Look out, there!" the soldier said, but the barber had already kicked the door open and swung onto the running board. The soldier leaned across the Negro and grasped at him, but he had already jumped. The car went on without checking speed.

The impetus hurled him crashing through dust-sheathed weeds, into the ditch. Dust puffed about him, and in a thin, vicious crackling of sapless stems he lay choking and retching until the second car passed and died away. Then he rose and limped on until he reached the highroad and turned toward town, brushing at his clothes with his hands. The moon was higher, riding high and clear of the dust at last, and after a while the town began to glare beneath the dust.

He went on, limping. Presently he heard cars and the glow of them grew in the dust behind him and he left the road and crouched again in the weeds until they passed. McLendon's car came last now. There were four people in it and Butch was not on the running board.

They went on; the dust swallowed them; the glare and the sound died away. The dust of them hung for a while, but soon the eternal dust absorbed it again. The barber climbed back onto the road and limped on toward town.

IV

As SHE DRESSED for supper on that Saturday evening, her own flesh felt like fever. Her hands trembled among the hooks and eyes, and her eyes had a feverish look, and her hair swirled crisp and crackling under the comb. While she was still dressing the friends called for her and sat while she donned her sheerest underthings and stockings and a new voile dress. "Do you feel strong enough to go out?" they said, their eyes bright too, with a dark glitter. "When you have had time to get over the shock, you must tell us what happened. What he said and did; everything."

In the leafed darkness, as they walked toward the square, she began to breathe deeply, something like a swimmer preparing to dive, until she ceased trembling, the four of them walking slowly because of the terrible heat and out of solicitude for her. But as they neared the square she began to tremble again, walking with her head up, her hands clenched at her sides, their voices about her murmurous, also with that feverish, glittering quality of their eyes.

They entered the square, she in the center of the group, fragile in her fresh dress. She was trembling worse. She walked slower and slower, as children eat ice cream, her head up and her eyes bright in the haggard banner of her face, passing the hotel and the coatless drummers in chairs along the curb looking around at her: "That's the one: see? The one in pink in the middle."

"Is that her? What did they do with the nigger? Did they?"

"Sure. He's all right."

"All right, is he?"

"Sure. He went on a little trip." Then the drug store, where even the young men lounging in the doorway tipped their hats and followed with their eyes the motion of her hips and legs when she passed.

They went on, passing the lifted hats of the gentlemen, the suddenly ceased voices, deferent, protective. "Do you see?" the friends said. Their voices sounded like long, hovering sighs of hissing exultation. "There's not a Negro on the square. Not one."

They reached the picture show. It was like a miniature fairyland with its lighted lobby and colored lithographs of life caught in its terrible and beautiful mutations. Her lips began to tingle. In the dark, when the picture began, it would be all right; she could hold back the laughing so it would not waste away so fast and so soon. So she hurried on before the turning faces, the undertones of low astonishment, and they took their accustomed places where she could see the aisle against the silver glare and the young men and girls coming in two and two against it.

The lights flicked away; the screen glowed silver, and soon life began to unfold, beautiful and passionate and sad, while still the young men and girls entered, scented and sibilant in the half dark, their paired backs in silhouette delicate and sleek, their slim, quick bodies awkward, divinely young, while beyond them the silver dream accumulated, inevitably on and on. She began to laugh. In trying to suppress it, it made more noise than ever; heads began to turn.

Still laughing, her friends raised her and led her out, and she stood at the curb, laughing on a high, sustained note, until the taxi came up and they helped her in.

They removed the pink voile and the sheer underthings and the stockings, and put her to bed, and cracked ice for her temples, and sent for the doctor. He was hard to locate, so they ministered to her with hushed ejaculations, renewing the ice and fanning her. While the ice was fresh and cold she stopped laughing and lay still for a time, moaning only a little. But soon the laughing welled again and her voice rose screaming.

"Shhhhhhhhhhh! Shhhhhhhhhhhhhh!" they said, freshening the icepack, smoothing her hair, examining it for gray; "poor girl!" Then to one another: "Do you suppose anything really happened?" their eyes darkly aglitter, secret and passionate. "Shhhhhhhhhh! Poor girl! Poor Minnie!"

V

IT WAS MIDNIGHT when McLendon drove up to his neat new house. It was trim and fresh as a birdcage and almost as small, with its clean, green-and-white paint. He locked the car and mounted the porch and entered. His wife rose from a chair beside the reading lamp. McLendon stopped in the floor and stared at her until she looked down.

"Look at that clock," he said, lifting his arm, pointing.

She stood before him, her face lowered, a magazine in her hands. Her face was pale, strained, and weary-looking.

"Haven't I told you about sitting up like this, waiting to see when I come in?"

"John," she said. She laid the magazine down. Poised on the balls of his feet, he glared at her with his hot eyes, his sweating face.

"Didn't I tell you?" He went toward her. She looked up then. He caught her shoulder. She stood passive, looking at him.

"Don't, John. I couldn't sleep... The heat; something. Please, John. You're hurting me."

"Didn't I tell you?" He released her and half struck, half flung her across the chair, and she lay there and watched him quietly as he left the room.

He went on through the house, ripping off his shirt, and on the dark, screened porch at the rear he stood and mopped his head and shoulders with the shirt and flung it away. He took the pistol from his hip and laid it on the table beside the bed, and sat on the bed and removed his shoes, and rose and slipped his trousers off. He was sweating again already, and he stooped and hunted furiously for the shirt. At last he found it and wiped his body again, and, with his body pressed against the dusty screen, he stood panting. There was no movement, no sound, not even an insect. The dark world seemed to lie stricken beneath the cold moon and the lidless stars.

Death Drag

THE AIRPLANE appeared over town with almost the abruptness of an apparition. It was travelling fast; almost before we knew it was there it was already at the top of a loop; still over the square, in violation of both city and government ordinance. It was not a good loop either, performed viciously and slovenly and at top speed, as though the pilot were either a very nervous man or in a hurry, or (and this queerly: there is in our town an ex-army aviator. He was coming out of the post office when the airplane appeared going south; he watched the hurried and ungraceful loop and he made the comment) as though the pilot were trying to make the minimum of some specified manoeuvre in order to save gasoline.

The airplane came over the loop with one wing down, as though about to make an Immelmann turn. Then it did a half roll, the loop three-quarters complete, and without any break in the whine of the full-throttled engine and still at top speed and with that apparition-like suddenness, it disappeared eastward toward our airport. When the first small boys reached the field, the airplane was on the ground, drawn up into a fence corner at the end of the field. It was motionless and empty. There was no one in sight at all. Resting there, empty and dead, patched and shabby and painted awkwardly with a single thin coat of dead black, it gave again that illusion of ghostliness, as though it might have flown there and made that loop and landed by itself.

Our field is still in an embryonic state. Our town is built upon hills, and the field, once a cotton field, is composed of forty acres of ridge and gully, upon which, by means of grading and filling, we managed to build an X-shaped runway into the prevailing winds. The runways are long enough in themselves, but the field, like our town, is controlled by men who were of middle age when younger men first began to fly, and so the clearance is not always good. On one side is a grove of trees which the owner will not permit to be felled; on another is the barnyard of a farm: sheds and houses, a long barn with a roof of rotting shingles, a big haycock. The airplane had come to rest in the fence corner near the barn. The small boys and a Negro or two and a white man, descended from a halted wagon in the road, were standing quietly about it when two men in helmets and lifted goggles emerged suddenly around the corner of the barn.

One was tall, in a dirty coverall. The other was quite short, in breeches and puttees and a soiled, brightly patterned overcoat which looked as if he had got wet in it and it had shrunk on him. He walked with a decided limp.

They had stopped at the corner of the barn. Without appearing to actually turn their heads, they seemed to take in at one glance the entire scene, quickly. The tall man spoke.

"What town is this?"

One of the small boys told him the name of the town.

"Who lives here?" the tall man said.

"Who lives here?" the boy repeated.

"Who runs this field? Is it a private field?"

"Oh. It belongs to the town. They run it."

"Do they all live here? The ones that run it?"

The white man, the Negroes, the small boys, all watched the tall man.

"What I mean, is there anybody in this town that flies, that owns a ship? Any strangers here that fly?"

"Yes," the boy said. "There's a man lives here that flew in the war, the English army."

"Captain Warren was in the Royal Flying Corps," a second boy said.

"That's what I said," the first boy said.

"You said the English army," the second boy said.

The second man, the short one with the limp, spoke. He spoke to the tall man, quietly, in a dead voice, in the diction of Weber and Fields in vaudeville, making his w's into v's and his t's into d's. "What does that mean?" he said.

"It's all right," the tall man said. He moved forward. "I think I know him." The short man followed, limping, terrific, crablike. The tall man had a gaunt face beneath a two-days' stubble. His eyeballs looked dirty, too, with a strained, glaring expression. He wore a dirty helmet of cheap, thin cloth, though it was January. His goggles were worn, but even we could tell that they were good ones. But then everybody quit looking at him to look at the short man; later, when we older people saw him, we said among ourselves that he had the most tragic face we had ever seen; an expression of outraged and convinced and indomitable despair, like that of a man carrying through choice a bomb which, at a certain hour each day, may or may not explode. He had a nose which would have been out of proportion to a man six feet tall. As shaped by his close helmet, the entire upper half of his head down to the end of his nose would have fitted a six-foot body. But below that, below a lateral line bisecting his head from the end of his nose to the back of his skull, his jaw, the rest of his face, was not two inches deep. His jaw was a long, flat line clapping-to beneath his nose like the jaw of a shark, so that the tip of his nose and the tip of his jaw almost touched.

His goggles were merely flat pieces of window-glass held in felt frames. His helmet was leather. Down the back of it, from the top to the hem, was a long savage tear, held together top and bottom by strips of adhesive tape almost black with dirt and grease.

From around the corner of the barn there now appeared a third man, again with that abrupt immobility, as though he had materialized there out of thin air; though when they saw him he was already moving toward the group. He wore an overcoat above a neat civilian suit; he wore a cap. He was a little taller than the limping man, and broad, heavily built.

He was handsome in a dull, quiet way; from his face, a man of infrequent speech. When he came up the spectators saw that he, like the limping man, was also a Jew. That is, they knew at once that two of the strangers were of a different race from themselves, without being able to say what the difference was. The boy who had first spoken probably revealed by his next speech what they thought the difference was. He, as well as the other boys, was watching the man who limped.

"Were you in the war?" the boy said. "In the air war?"

The limping man did not answer. Both he and the tall man were watching the gate. The spectators looked also and saw a car enter the gate and come down the edge of the field toward them. Three men got out of the car and approached.

Again the limping man spoke quietly to the tall man: "Is that one?"

"No," the tall man said, without looking at the other. He watched the newcomers, looking from face to face. He spoke to the oldest of the three. "Morning," he said. "You run this field?"

"No," the newcomer said. "You want the secretary of the Fair Association. He's in town."

"Any charge to use it?"

"I don't know. I reckon they'll be glad to have you use it."

"Go on and pay them," the limping man said.

The three newcomers looked at the airplane with that blank, knowing, respectful air of groundlings. It reared on its muddy wheels, the propeller motionless, rigid, with a quality immobile and poised and dynamic. The nose was big with engine, the wings taut, the fuselage streaked with oil behind the rusting exhaust pipes. "Going to do some business here?" the oldest one said.

"Put you on a show," the tall man said.

"What kind of show?"

"Anything you want. Wing-walking; death-drag."

"What's that? Death-drag?"

"Drop a man onto the top of a car and drag him off again. Bigger the crowd, the more you'll get."

"You will get your money's worth," the limping man said.

The boys still watched him. "Were you in the war?" the first boy said.

The third stranger had not spoken up to this time. He now said: "Let's get on to town."

"Right," the tall man said. He said generally, in his flat, dead voice, the same voice which the three strangers all seemed to use, as though it were their common language: "Where can we get a taxi? Got one in town?"

"We'll take you to town," the men who had come up in the car said.

"We'll pay," the limping man said.

"Glad to do it," the driver of the car said. "I won't charge you anything. You want to go now?"

"Sure," the tall man said. The three strangers got into the back seat, the other three in front. Three of the boys followed them to the car.

"Lemme hang on to town, Mr. Black?" one of the boys said.

"Hang on," the driver said. The boys got onto the running boards. The car returned to town. The three in front could hear the three strangers talking in the back. They talked quietly, in low, dead voices, somehow quiet and urgent, discussing something among themselves, the tall man and the handsome one doing most of the talking. The three in front heard only one speech from the limping man: "I won't take less..."

"Sure," the tall man said. He leaned forward and raised his voice a little: "Where I'll find this Jones, this secretary?"

The driver told him.

"Is the newspaper or the printing shop near there? I want some handbills."

"I'll show you," the driver said. "I'll help you get fixed up."

"Fine," the tall man said. "Come out this afternoon and I'll give you a ride, if I have time."

The car stopped at the newspaper office. "You can get your handbills here," the driver said.

"Good," the tall man said. "Is Jones's office on this street?"

"I'll take you there, too," the driver said.

"You see about the editor," the tall man said. "I can find Jones, I guess." They got out of the car. "I'll come back here," the tall man said. He went on down the street, swiftly, in his dirty coverall and helmet. Two other men had joined the group before the newspaper office. They all entered, the limping man leading, followed by the three boys.

"I want some handbills," the limping man said. "Like this one." He took from his pocket a folded sheet of pink paper.

He opened it; the editor, the boys, the five men, leaned to see it. The lettering was black and bold: DEMON DUNCAN DAREDEVIL OF THE AIR DEATH DEFYING SHOW WILL BE GIVEN UNDER THE AUSPICES OF THIS P. M. AT TWO P. M.

COME ONE COME ALL AND SEE DEMON DUNCAN

DEFY DEATH IN DEATH DROP & DRAG OF DEATH

"I want them in one hour," the limping man said.

"What you want in this blank space?" the editor said.

"What you got in this town?"

"What we got?"

"What auspices? American Legion? Rotary Club? Chamber of Commerce?"

"We got all of them."

"I'll tell you which one in a minute, then," the limping man said. "When my partner gets back."

"You have to have a guarantee before you put on the show, do you?" the editor said.

"Why, sure. Do you think I should put on a daredevil without auspices? Do you think I should for a nickel maybe jump off the airplane?"

"Who's going to jump?" one of the later comers said; he was a taxi-driver.

The limping man looked at him. "Don't you worry about that," he said. "Your business is just to pay the money. We will do all the jumping you want, if you pay enough."

"I just asked which one of you all was the jumper."

"Do I ask you whether you pay me in silver or in greenbacks?" the limping man said. "Do I ask you?"

"No," the taxi-driver said.

"About these bills," the editor said. "You said you wanted them in an hour."

"Can't you begin on them, and leave that part out until my partner comes back?"

"Suppose he don't come before they are finished?"

"Well, that won't be my fault, will it?"

"All right," the editor said. "Just so you pay for them."

"You mean, I should pay without a auspices on the handbill?"

"I ain't in this business for fun," the editor said.

"We'll wait," the limping man said

They waited.

"Were you a flyer in the war, Mister?" the boy said.

The limping man turned upon the boy his long, misshapen, tragic face. "The war? Why should I fly in a war?"

"I thought maybe because of your leg. Captain Warren limps, and he flew in the war. I reckon you just do it for fun?"

"For fun? What for fun? Fly? Gruss Gott. I hate it, I wish the man what invented them was here; I would put him into that machine yonder and I would print on his back, Do not do it, one thousand times."

"Why do you do it, then?" the man who had entered with the taxi-driver said.

"Because of that Republican Coolidge. I was in business, and that Coolidge ruined business; ruined it. That's why. For fun? Gruss Gott."

They looked at the limping man. "I suppose you have a license?" the second late-comer said.

The limping man looked at him. "A license?"

"Don't you have to have a license to fly?"

"Oh; a license. For the airplane to fly; sure, I understand. Sure. We got one. You want to see it?"

"You're supposed to show it to anybody that wants to see it, aren't you?"

"Why, sure. You want to see it?"

"Where is it?"

"Where should it be? It's nailed to the airplane, where the government put it. Did you thought maybe it was nailed to me? Did you thought maybe I had a engine on me and maybe wings? It's on the airplane. Call a taxi and go to the airplane and look at it."

"I run a taxi," the driver said.

"Well, run it. Take this gentleman out to the field where he can look at the license on the airplane."

"It'll be a quarter," the driver said. But the limping man was not looking at the driver. He was leaning against the counter. They watched him take a stick of gum from his pocket and peel it. They watched him put the gum into his mouth. "I said it'll be a quarter, Mister," the driver said.

"Was you talking to me?" the limping man said.

"I thought you wanted a taxi out to the airport."

"Me? What for? What do I want to go out to the airport for? I just come from there. I ain't the one that wants to see that license. I have already seen it. I was there when the government nailed it onto the airplane."

II

CAPTAIN WARREN, the ex-army flyer, was coming out of the store, where he met the tall man in the dirty coverall. Captain Warren told about it in the barber shop that night, when the airplane was gone.

"I hadn't seen him in fourteen years, not since I left England for the front in '17. 'So it was you that rolled out of that loop with two passengers and a twenty model Hisso smokepot?' I said.

"'Who else saw me?' he said. So he told me about it, standing there, looking over his shoulder every now and then. He was sick; a man stopped behind him to let a couple of ladies pass, and Jock whirled like he might have shot the man if he'd had a gun, and while we were in the cafe some one slammed a door at the back and I thought he would come out of his monkey suit. It's a little nervous trouble I've got,' he told me. I'm all right.' I had tried to get him to come out home with me for dinner, but he wouldn't. He said that he had to kind of jump himself and eat before he knew it, sort of. We had started down the street and we were passing the restaurant when he said: 'I'm going to eat,' and he turned and ducked in like a rabbit and sat down with his back to the wall and told Vernon to bring him the quickest thing he had. He drank three glasses of water and then Vernon brought him a milk bottle full and he drank most of that before the dinner came up from the kitchen. When he took off his helmet, I saw that his hair was pretty near white, and he is younger than I am. Or he was, up there when we were in Canada training. Then he told me what the name of his nervous trouble was. It was named Ginsfarb. The little one; the one that jumped off the ladder."

"What was the trouble?" we asked. "What were they afraid of?"

"They were afraid of inspectors," Warren said. "They had no licenses at all."

"There was one on the airplane."

"Yes. But it did not belong to that airplane. That one had been grounded by an inspector when Ginsfarb bought it. The license was for another airplane that had been wrecked, and some one had helped Ginsfarb compound another felony by selling the license to him. Jock had lost his license about two years ago when he crashed a big plane full of Fourth-of-July holidayers. Two of the engines quit, and he had to land. The airplane smashed up some and broke a gas line, but even then they would have been all right if a passenger hadn't got scared (it was about dusk) and struck a match.

Jock was not so much to blame, but the passengers all burned to death, and the government is strict. So he couldn't get a license, and he couldn't make Ginsfarb even pay to take out a parachute rigger's license. So they had no license at all; if they were ever caught, they'd all go to the penitentiary."

"No wonder his hair was white," some one said.

"That wasn't what turned it white," Warren said. "I'll tell you about that. So they'd go to little towns like this one, fast, find out if there was anybody that might catch them, and if there wasn't, they'd put on the show and then clear out and go to another town, staying away from the cities.

They'd come in and get handbills printed while Jock and the other one would try to get underwritten by some local organization. They wouldn't let Ginsfarb do this part, because he'd stick out for his price too long and they'd be afraid to risk it. So the other two would do this, get what they could, and if they could not get what Ginsfarb told them to, they'd take what they could and then try to keep Ginsfarb fooled until it was too late. Well, this time Ginsfarb kicked up. I guess they had done it too much on him.

"So I met Jock on the street. He looked bad; I offered him a drink, but he said he couldn't even smoke any more. All he could do was drink water; he said he usually drank about a gallon during the night, getting up for it.

"'You look like you might have to jump yourself to sleep, too,' I said.

"'No, I sleep fine. The trouble is, the nights aren't long enough. I'd like to live at the North Pole from September to April, and at the South Pole from April to September. That would just suit me.'

"'You aren't going to last long enough to get there,' I said.

"'I guess so. It's a good engine. I see to that.'

"'I mean, you'll be in jail.'

"Then he said: 'Do you think so? Do you guess I could?'

"We went on to the cafe. He told me about the racket, and showed me one of those Demon Duncan handbills.

'Demon Duncan?' I said.

"'Why not? Who would pay to see a man named Ginsfarb jump from a ship?'

"'I'd pay to see that before I'd pay to see a man named Duncan do it,' I said.

"He hadn't thought of that. Then he began to drink water, and he told me that Ginsfarb had wanted a hundred dollars for the stunt, but that he and the other fellow only got sixty.

"'What are you going to do about it? ' I said.

"'Try to keep him fooled and get this thing over and get to hell away from here,' he said.

"'Which one is Ginsfarb?' I said. 'The little one that looks like a shark?'

"Then he began to drink water. He emptied my glass too at one shot and tapped it on the table. Vernon brought him another glass. 'You must be thirsty,' Vernon said.

"'Have you got a pitcher of it?' Jock said.

"'I could fill you a milk bottle.'

"'Let's have it,' Jock said. 'And give me another glass while I'm waiting.' Then he told me about Ginsfarb, why his hair had turned gray.

"'How long have you been doing this?' I said.

"'Ever since the 26th of August.'

"'This is just January,' I said.

"'What about it?'

"'The 26th of August is not six months past.'"

He looked at me. Vernon brought the bottle of water.

Jock poured a glass and drank it. He began to shake, sitting there, shaking and sweating, trying to fill the glass again.

Then he told me about it, talking fast, filling the glass and drinking.

"Jake (the other one's name is Jake something; the goodlooking one) drives the car, the rented car. Ginsfarb swaps onto the car from the ladder. Jock said he would have to fly the ship into position over a Ford or a Chevrolet running on three cylinders, trying to keep Ginsfarb from jumping from twenty or thirty feet away in order to save gasoline in the ship and in the rented car. Ginsfarb goes out on the bottom wing with his ladder, fastens the ladder onto a strut, hooks himself into the other end of the ladder, and drops off; everybody on the ground thinks that he has done what they all came to see: fallen off and killed himself. That's what he calls his death-drop. Then he swaps from the ladder onto the top of the car, and the ship comes back and he catches the ladder and is dragged off again. That's his death-drag.

"Well, up till the day when Jock's hair began to turn white, Ginsfarb, as a matter of economy, would do it all at once; he would get into position above the car and drop off on his ladder and then make contact with the car, and sometimes Jock said the ship would not be in the air three minutes. Well, on this day the rented car was a bum or something; anyway, Jock had to circle the field four or five times while the car was getting into position, and Ginsfarb, seeing his money being blown out the exhaust pipes, finally refused to wait for Jock's signal and dropped off anyway. It was all right, only the distance between the ship and the car was not as long as the rope ladder. So Ginsfarb hit on the car, and Jock had just enough soup to zoom and drag Ginsfarb, still on the ladder, over a high-power electric line, and he held the ship in that climb for twenty minutes while Ginsfarb climbed back up the ladder with his leg broken. He held the ship in a climb with his knees, with the throttle wide open and the engine revving about eleven hundred, while he reached back and opened that cupboard behind the cockpit and dragged out a suitcase and propped the stick so he could get out on the wing and drag Ginsfarb back into the ship.

He got Ginsfarb in the ship and on the ground again and Ginsfarb says: 'How far did we go?' and Jock told him they had flown with full throttle for thirty minutes and Ginsfarb says: 'Will you ruin me yet?'"

III

THE REST of this is composite. It is what we (groundlings, dwellers in and backbone of a small town interchangeable with and duplicate of ten thousand little dead clottings of human life about the land) saw, refined and clarified by the expert, the man who had himself seen his own lonely and scudding shadow upon the face of the puny and remote earth.

The three strangers arrived at the field, in the rented car.

When they got out of the car, they were arguing in tense, dead voices, the pilot and the handsome man against the man who limped. Captain Warren said they were arguing about the money.

"I want to see it," Ginsfarb said. They stood close; the handsome man took something from his pocket.

"There. There it is. See?" he said.

"Let me count it myself," Ginsfarb said.

"Come on, come on," the pilot hissed, in his dead, tense voice. "We tell you we got the money! Do you want an inspector to walk in and take the money and the ship too and put us in jail? Look at all these people waiting."

"You fooled me before," Ginsfarb said.

"All right," the pilot said. "Give it to him. Give him his ship too. And he can pay for the car when he gets back to town. We can get a ride in; there's a train out of here in fifteen minutes."

"You fooled me once before," Ginsfarb said.

"But we're not fooling you now. Come on. Look at all these people."

They moved toward the airplane, Ginsfarb limping terrifically, his back stubborn, his face tragic, outraged, cold.

There was a good crowd: country people in overalls; the men a general dark clump against which the bright dresses of the women, the young girls, showed. The small boys and several men were already surrounding the airplane. We watched the limping man begin to take objects from the body of it: a parachute, a rope ladder. The handsome man went to the propeller. The pilot got into the back seat.

"Off!" he said, sudden and sharp. "Stand back, folks. We're going to wring the old bird's neck."

They tried three times to crank the engine.

"I got a mule, Mister," a countryman said. "How much'll you pay for a tow?"

The three strangers did not laugh. The limping man was busy attaching the rope ladder to one wing.

"You can't tell me," a countrywoman said. "Even he ain't that big a fool."

The engine started then. It seemed to lift bodily from the ground a small boy who stood behind it and blow him aside like a leaf. We watched it turn and trundle down the field.

"You can't tell me that thing's flying," the countrywoman said. "I reckon the Lord give me eyes. I can see it ain't flying. You folks have been fooled."

"Wait," another voice said. "He's got to turn into the wind."

"Ain't there as much wind right there or right here as there is down yonder?" the woman said. But it did fly. It turned back toward us; the noise became deafening. When it came broadside on to us, it did not seem to be going, yet we could see daylight beneath the wheels and the earth.

But it was not going fast; it appeared rather to hang gently just above the earth until we saw that, beyond and beneath it, trees and earth in panorama were fleeing backward at dizzy speed, and then it tilted and shot skyward with a noise like a circular saw going into a white oak log. "There ain't nobody in it!" the countrywoman said. "You can't tell me!"

The third man, the handsome one in the cap, had got into the rented car. We all knew it: a battered thing which the owner would rent to any one who would make a deposit of ten dollars. He drove to the end of the field, faced down the runway, and stopped. We looked back at the airplane. It was high, coming back toward us; some one cried suddenly, his voice puny and thin: "There! Out on the wing! See?'

"It ain't!" the countrywoman said. "I don't believe it!"

"You saw them get in it," some one said.

"I don't believe it!" the woman said.

Then we sighed; we said, "Aaahhhhhhh"; beneath the wing of the airplane there was a falling dot. We knew it was a man. Some way we knew that that lonely, puny, falling shape was that of a living man like ourselves. It fell. It seemed to fall for years, yet when it checked suddenly up without visible rope or cord, it was less far from the airplane than was the end of the delicate pen-slash of the profiled wing.

"It ain't a man!" the woman shrieked.

"You know better," the man said. "You saw him get in it."

"I don't care!" the woman cried. "It ain't a man! You take me right home this minute!"

The rest is hard to tell. Not because we saw so little; we saw everything that happened, but because we had so little in experience to postulate it with. We saw that battered rented car moving down the field, going faster, jouncing in the broken January mud, then the sound of the airplane blotted it, reduced it to immobility; we saw the dangling ladder and the shark-faced man swinging on it beneath the death-colored airplane. The end of the ladder raked right across the top of the car, from end to end, with the limping man on the ladder and the capped head of the handsome man leaning out of the car. And the end of the field was coming nearer, and the airplane was travelling faster than the car, passing it. And nothing happened. "Listen!" some one cried. "They are talking to one another!"

Captain Warren told us what they were talking about, the two Jews yelling back and forth at one another: the shark-faced man on the dangling ladder that looked like a cobweb, the other one in the car; the fence, the end of the field, coming closer.

"Come on!" the man in the car shouted.

"What did they pay?"

"Jump!"

"If they didn't pay that hundred, I won't do it."

Then the airplane zoomed, roaring, the dangling figure on the gossamer ladder swinging beneath it. It circled the field twice while the man got the car into position again. Again the car started down the field; again the airplane came down with its wild; circular-saw drone which died into a splutter as the ladder and the clinging man swung up to the car from behind; again we heard the two puny voices shrieking at one another with a quality at once ludicrous and horrible: the one coming out of the very air itself, shrieking about something sweated out of the earth and without value anywhere else: "How much did you say?"

"Jump!"

"What? How much did they pay?"

"Nothing! Jump!"

"Nothing?" the man on the ladder wailed in a fading, outraged shriek. "Nothing?" Again the airplane was dragging the ladder irrevocably past the car, approaching the end of the field, the fences, the long barn with its rotting roof. Suddenly we saw Captain Warren beside us; he was using words we had never heard him use.

"He's got the stick between his knees," Captain Warren said. "Exalted suzerain of mankind; saccharine and sacred symbol of eternal rest." We had forgot about the pilot, the man still in the airplane. We saw the airplane, tilted upward, the pilot standing upright in the back seat, leaning over the side and shaking both hands at the man on the ladder. We could hear him yelling now as again the man on the ladder was dragged over the car and past it, shrieking: "I won't do it! I won't do it!" He was still shrieking when the airplane zoomed; we saw him, a diminishing and shrieking spot against the sky above the long roof of the barn: "I won't do it! I won't do it!" Before, when the speck left the airplane, falling, to be snubbed up by the ladder, we knew that it was a living man; again, when the speck left the ladder, falling, we knew that it was a living man, and we knew that there was no ladder to snub him up now. We saw him falling against the cold, empty January sky until the silhouette of the barn absorbed him; even from here, his attitude froglike, outraged, implacable. From somewhere in the crowd a woman screamed, though the sound was blotted out by the sound of the airplane. It reared skyward with its wild, tearing noise, the empty ladder swept backward beneath it.

The sound of the engine was like a groan, a groan of relief and despair.

IV

CAPTAIN WARREN told us in the barber shop on that Saturday night.

"Did he really jump off, onto that barn?" we asked him.

"Yes. He jumped. He wasn't thinking about being killed, or even hurt. That's why he wasn't hurt. He was too mad, too in a hurry to receive justice. He couldn't wait to fly back down. Providence knew that he was too busy and that he deserved justice, so Providence put that barn there with the rotting roof. He wasn't even thinking about hitting the barn; if he'd tried to, let go of his belief in a cosmic balance to bother about landing, he would have missed the barn and killed himself."

It didn't hurt him at all, save for a long scratch on his face that bled a lot, and his overcoat was torn completely down the back, as though the tear down the back of the helmet had run on down the overcoat. He came out of the barn running before we got to it. He hobbled right among us, with his bloody face, his arms waving, his coat dangling from either shoulder.

"Where is that secretary?" he said.

"What secretary?"

"That American Legion secretary." He went on, limping fast, toward where a crowd stood about three women who had fainted. "You said you would pay a hundred dollars to see me swap to that car. We pay rent on the car and all, and now you would..."

"You got sixty dollars," some one said.

The man looked at him. "Sixty? I said one hundred. Then you would let me believe it was one hundred and it was just sixty; you would see me risk my life for sixty dollars..." The airplane was down; none of us were aware of it until the pilot sprang suddenly upon the man who limped.

He jerked the man around and knocked him down before we could grasp the pilot. We held the pilot, struggling, crying, the tears streaking his dirty, unshaven face. Captain Warren was suddenly there, holding the pilot.

"Stop it!" he said. "Stop it!"

The pilot ceased. He stared at Captain Warren, then he slumped and sat on the ground in his thin, dirty garment, with his unshaven face, dirty, gaunt, with his sick eyes, crying. "Go away," Captain Warren said. "Let him alone for a minute."

We went away, back to the other man, the one who limped. They had lifted him and he drew the two halves of his overcoat forward and looked at them. Then he said: "I want some chewing gum."

Some one gave him a stick. Another offered him a cigarette. "Thanks," he said. "I don't burn up no money. I ain't got enough of it yet." He put the gum into his mouth. "You would take advantage of me. If you thought I would risk my life for sixty dollars, you fool yourself."

"Give him the rest of it," some one said. "Here's my share."

The limping man did not look around. "Make it up to a hundred, and I will swap to the car like on the handbill," he said.

Somewhere a woman screamed behind him. She began to laugh and to cry at the same time. "Don't..." she said, laughing and crying at the same time. "Don't let..." until they led her away. Still the limping man had not moved.

He wiped his face on his cuff and he was looking at his bloody sleeve when Captain Warren came up.

"How much is he short?" Warren said. They told Warren.

He took out some money and gave it to the limping man.

"You want I should swap to the car?" he said.

"No," Warren said. "You get that crate out of here quick as you can."

"Well, that's your business," the limping man said. "I got witnesses I offered to swap." He moved; we made way and watched him, in his severed and dangling overcoat, approach the airplane. It was on the runway, the engine running. The third man was already in the front seat. We watched the limping man crawl terrifically in beside him. They sat there, looking forward.

The pilot began to get up. Warren was standing beside him. "Ground it," Warren said. "You are coming home with me."

"I guess we'd better get on," the pilot said. He did not look at Warren. Then he put out his hand. "Well..." he said.

Warren did not take his hand. "You come on home with me," he said.

"Who'd take care of that bastard?"

"Who wants to?"

"I'll get him right, some day. Where I can beat hell out of him."

"Jock," Warren said.

"No," the other said.

"Have you got an overcoat?"

"Sure I have."

"You're a liar." Warren began to pull off his overcoat.

"No," the other said; "I don't need it." He went on toward the machine. "See you some time," he said over his shoulder.

We watched him get in, heard an airplane come to life, come alive. It passed us, already off the ground. The pilot jerked his hand once, stiffly; the two heads in the front seat did not turn nor move. Then it was gone, the sound was gone.

Warren turned. "What about that car they rented?" he said.

"He give me a quarter to take it back to town," a boy said.

"Can you drive it?"

"Yes, sir. I drove it out here. I showed him where to rent it."

"The one that jumped?"

"Yes, sir." The boy looked a little aside. "Only I'm a little scared to take it back. I don't reckon you could come with me."

"Why, scared?" Warren said.

"That fellow never paid nothing down on it, like Mr. Harris wanted. He told Mr. Harris he might not use it, but if he did use it in his show, he would pay Mr. Harris twenty dollars for it instead of ten like Mr. Harris wanted. He told me to take it back and tell Mr. Harris he never used the car, And I don't know if Mr. Harris will like it. He might get mad."

Elly

BORDERING THE SHEER DROP of the precipice, the wooden railing looked like a child's toy. It followed the curving road in thread-like embrace, passing the car in a flimsy blur.

Then it flicked behind and away like a taut ribbon cut with scissors.

Then they passed the sign, the first sign, Mills City 6 mi and Elly thought, with musing and irrevocable astonishment, 'Now we are almost there. It is too late now'; looking at Paul beside her, his hands on the wheel, his face in profile as he watched the fleeing road. She said, "Well. What can I do to make you marry me, Paul?" thinking 'There was a man plowing in that field, watching us when we came out of those woods with Paul carrying the motor-robe, and got back into the car,' thinking this quietly, with a certain detachment and inattention, because there was something else about to obliterate it. 'Something dreadful that I have forgotten about,' she thought, watching the swift and increasing signs which brought Mills City nearer and nearer. 'Something terrible that I shall remember in a minute,' saying aloud, quietly: "There's nothing else I can do now, is there?"

Still Paul did not look at her. "No," he said. "There's nothing else you can do."

Then she remembered what it was she had forgotten. She remembered her grandmother, thinking of the old woman with her dead hearing and her inescapable cold eyes waiting at Mills City, with amazed and quiet despair: 'How could I have ever forgot about her? How could I have? How could I?'

She was eighteen. She lived in Jefferson, two hundred miles away, with her father and mother and grandmother, in a biggish house. It had a deep veranda with screening vines and no lights. In this shadow she half lay almost nightly with a different man; youths and young men of the town at first, but later with almost anyone, any transient in the small town whom she met by either convention or by chance, provided his appearance was decent. She would never ride in their cars with them at night, and presently they all believed that they knew why, though they did not always give up hope at once until the courthouse clock struck eleven. Then for perhaps five minutes longer they (who had been practically speechless for an hour or more) would talk in urgent whispers: "You must go now."

"No. Not now."

"Yes. Now."

"Why?"

"Because. I'm tired. I want to go to bed."

"I see. So far, and no mother. Is that it?"

"Maybe." In the shadow now she would be alert, cool, already fled, without moving, beyond some secret reserve of laughter. And he would leave, and she would enter the dark house and look up at the single square of light which fell upon the upper hallway, and change completely. Wearily now, with the tread almost of an old woman, she would mount the stairs and pass the open door of the lighted room where her grandmother sat, erect, an open book in her hands, facing the hall. Usually she did not look into the room when she passed. But now and then she did. Then for an instant they would look full at one another: the old woman cold, piercing; the girl weary, spent, her face, her dark dilated eyes, filled with impotent hatred. Then she would go on and enter her own room and lean for a time against the door, hearing the grandmother's light click off presently, sometimes crying silently and hopelessly, whispering, "The old bitch. The old bitch." Then this would pass. She would undress and look at her face in the mirror, examining her mouth now pale of paint and heavy, flattened (so she would believe) and weary and dulled with kissing, thinking 'My God. Why do I do it? What is the matter with me?' thinking of how tomorrow she must face the old woman again with the mark of last night upon her mouth like bruises, with a feeling of the pointlessness and emptiness of life more profound than the rage or the sense of persecution.

Then one afternoon at the home of a girl friend she met Paul de Montigny. After he departed the two girls were alone. Now they looked at one another quietly, like two swordsmen, with veiled eyes.

"So you like him, do you?" the friend said. "You've got queer taste, haven't you?"

"Like who?" Elly said. "I don't know who you are talking about."

"Oh yeah?" the friend said. "You didn't notice his hair then. Like a knitted cap. And his lips. Blubber, almost." Elly looked at her.

"What are you talking about?" Elly said.

"Nothing," the other said. She glanced toward the hall, then she took a cigarette from the front of her dress and lit it. "I don't know anything about it. I just heard it, too. How his uncle killed a man once that accused him of having nigger blood."

"You're lying," Elly said.

The other expelled smoke. "All right. Ask your grandmother about his family. Didn't she used to live in Louisiana too?"

"What about you?" Elly said. "You invited him into your house."

"I wasn't hid in the cloak closet, kissing him, though."

"Oh, yeah?" Elly said. "Maybe you couldn't."

"Not till you got your face out of the way, anyhow," the other said.

That night she and Paul sat on the screened and shadowed veranda. But at eleven o'clock it was she who was urgent and tense: "No! No! Please. Please."

"Oh, come on. What are you afraid of?"

"Yes. I'm afraid. Go, please. Please."

"Tomorrow, then?"

"No. Not tomorrow or any time."

"Yes. Tomorrow."

This time she did not look in when she passed her grandmother's door. Neither did she lean against her own door to cry. But she was panting, saying aloud against the door in thin exultation: "A nigger. A nigger. I wonder what she would say if she knew about that."

The next afternoon Paul walked up onto the veranda.

Elly was sitting in the swing, her grandmother in a chair nearby. She rose and met Paul at the steps. "Why did you come here?" she said. "Why did you?" Then she turned and seemed to watch herself walking before him toward the thin old woman sitting bolt upright, sitting bolt and implacably chaste in that secret place, peopled with ghosts, very likely to Elly at any given moment uncountable and unnamable, who might well have owned one single mouth.

She leaned down, screaming: "This is Mr. de Montigny, Grandmother! "

"What?"

"Mr. de Montigny! From Louisiana!" she screamed, and saw the grandmother, without moving below the hips, start violently backward as a snake does to strike. That was in the afternoon. That night Elly quitted the veranda for the first time. She and Paul were in a close clump of shrubbery on the lawn; in the wild close dark, for that instant Elly was lost, her blood aloud with desperation and exultation and vindication too, talking inside her at the very brink of surrender loud as a voice: "I wish she were here to see! I wish she were here to see!" when something, there had been no sound, shouted at her and she made a mad awkward movement of recovery. The grandmother stood just behind and above them. When she had arrived, how long she had been there, they did not know. But there she stood, saying nothing, in the long anti-climax while Paul departed without haste and Elly stood, thinking stupidly, 'I am caught in sin without even having time to sin.' Then she was in her room, leaning against the door, trying to still her breathing, listening for the grandmother to mount the stairs and go to her father's room. But the old woman's footsteps ceased at her own door. Elly went to her bed and lay upon it without undressing, still panting, the blood still aloud. 'So, she thought, 'it will be tomorrow. She will tell him in the morning.' Then she began to writhe, to toss lightly from side to side. 'I didn't even have a chance to sin,' she thought, with panting and amazed regret. 'She thinks I did and she will tell that I did, yet I am still virgin. She drove me to it, then prevented me at the last moment.' Then she was lying with the sun in her eyes still fully dressed. 'So it will be this morning, today, she thought dully. 'My God. How could I. How could I. I don't want any man, anything.'

She was waiting in the dining-room when her father came down to breakfast. He said nothing, apparently knew nothing. 'Maybe it's mother she told, Elly thought. But after a while her mother, too, appeared and departed for town also, saying nothing. 'So it has not been yet,' she thought, mounting the stairs. Her grandmother's door was closed. "When she opened it, the old woman was sitting up in bed, reading a newspaper; she looked up, cold, still, implacable, while Elly screamed at her in the empty house: "What else can I do, in this little dead, hopeless town? I'll work. I don't want to be idle. Just find me a job anything, anywhere, so that it's so far away that I'll never have to hear the word Jefferson again." She was named for the grandmother Ailanthia, though the old woman had not heard her own name or her granddaughter's or anyone else's in almost fifteen years save when it was screamed at her as Elly now screamed: "It hadn't even happened last night! Won't you believe me? That's it. It hadn't even happened! At least, I would have had something, something..." with the other watching her with that cold, fixed, immobile, inescapable gaze of the very deaf. "All right!" Elly cried. "I'll get married then! Will you be satisfied then?"

That afternoon she met Paul downtown. "Was everything all right last night?" he said. "Why, what is it? Did they "

"No. Paul, marry me." They were in the rear of the drugstore, partially concealed by the prescription counter, though anyone might appear behind it at any moment. She leaned against him, her face wan, tense, her painted mouth like a savage scar upon it. "Marry me. Or it will be too late, Paul."

"I don't marry them," Paul said. "Here. Pull yourself together."

She leaned against him, rife with promise. Her voice was wan and urgent. "We almost did last night. If you'll marry me, I will"

"You will, eh? Before or after?"

"Yes. Now. Any time."

"I'm sorry," he said.

"Not even if I will now?"

"Come on, now. Pull yourself together."

"Oh, I can hear you. But I don't believe you. And I am afraid to try and find out." She began to cry. He spoke in thin and mounting annoyance: "Stop it, I tell you!"

"Yes. All right. I've stopped. You won't, then? I tell you, it will be too late."

"Hell, no. I don't marry them, I tell you."

"All right. Then it's good-bye. Forever."

"That's O. K. by me, too. If that's how you feel. If I ever see you again, you know what it will mean. But no marrying. And I'll see next time that we don't have any audience,"

"There won't be any next time," Elly said.

The next day he was gone. A week later, her engagement was in the Memphis papers. It was to a young man whom she had known from childhood. He was assistant cashier in the bank, who they said would be president of it some day.

He was a grave, sober young man of impeccable character and habits, who had been calling on her for about a year with a kind of placid formality. He took supper with the family each Sunday night, and when infrequent road shows came to town he always bought tickets for himself and Elly and her mother. When he called on her, even after the engagement was announced, they did not sit in the dark swing. Perhaps he did not know that anyone had ever sat in it in the darkness. No one sat in it at all now, and Elly passed the monotonous round of her days in a kind of dull peace. Sometimes at night she cried a little, though not often; now and then she examined her mouth in the glass and cried quietly, with quiet despair and resignation. 'Anyway I can live quietly now,' she thought. 'At least I can live out the rest of my dead life as quietly as if I were already dead.'

Then one day, without warning, as though she, too, had accepted the armistice and the capitulation, the grandmother departed to visit her son in Mills City. Her going seemed to leave the house bigger and emptier than it had ever been, as if the grandmother had been the only other actually living person in it. There were sewing women in the house daily now, making the trousseau, yet Elly seemed to herself to move quietly and aimlessly, in a hiatus without thought or sense, from empty room to empty room giving upon an identical prospect too familiar and too peaceful to be even saddening any longer. For long hours now she would stand at her mother's bedroom window, watching the slow and infinitesimal clematis tendrils as they crept and overflowed up the screen and onto the veranda roof with the augmenting summer. Two months passed so; she would be married in three weeks. Then one day her mother said, "Your grandmother wants to come home Sunday. Why don't you and Philip drive down to Mills City and spend Saturday night with your uncle, and bring her back Sunday?" Five minutes later, at the mirror, Elly looked at her reflection as you look at someone who has just escaped a fearful danger. 'God,' she thought, 'what was I about to do? What was I about to do?'

Within the hour she had got Paul on the telephone, leaving home to do it, taking what precautions for secrecy her haste would afford her.

"Saturday morning?" he said.

"Yes. I'll tell mother Phi... he wants to leave early, at daylight. They won't recognize you or the car. I'll be ready and we can get away quick."

"Yes." She could hear the wire, distance; she had a feeling of exultation, escape. "But you know what it means. If I come back. What I told you."

"I'm not afraid. I still don't believe you, but I am not afraid to try it now."

Again she could hear the wire. "I'm not going to marry you, Elly."

"All right, darling. I tell you I'm not afraid to try it any more. Exactly at daylight. I'll be waiting."

She went to the bank. After a time Philip was free and came to her where she waited, her face tense and wan beneath the paint, her eyes bright and hard. "There is something you must do for me. It's hard to ask, and I guess it will be hard to do."

"Of course I'll do it. What is it?"

"Grandmother is coming home Sunday. Mother wants you and me to drive down Saturday and bring her back."

"All right. I can get away Saturday."

"Yes. You see, I told you it would be hard. I don't want you to go."

"Don't want me to..." He looked at her bright, almost haggard face. "You want to go alone?" She didn't answer, watching him. Suddenly she came and leaned against him with a movement practiced, automatic. She took one of his arms and drew it around her. "Oh," he said. "I see. You want to go with someone else."

"Yes. I can't explain now. But I will later. But mother will never understand. She won't let me go unless she thinks it is you."

"I see." His arm was without life; she held it about her.

"It's another man you want to go with."

She laughed, not loud, not long. "Don't be foolish. Yes. There's another man in the party. People you don't know and that I don't expect to see again before I am married. But mother won't understand. That's why I must ask you. Will you do it?"

"Yes. It's all right. If we can't trust one another, we haven't got any business marrying."

"Yes. We must trust one another." She released his arm.

She looked at him intently, speculatively, with a cold and curious contempt. "And you'll let mother believe..."

"You can trust me. You know that."

"Yes. I'm sure I can." Suddenly she held out her hand.

"Good-bye."

"Good-bye?"

She leaned against him again. She kissed him. "Careful," he said. "Somebody might..."

"Yes. Until later, then. Until I explain." She moved back, looked at him absently, speculatively. "This is the last trouble I'll ever give you, I expect. Maybe this will be worth that to you. Good-bye."

That was Thursday afternoon. On Saturday morning, at dawn, when Paul stopped his car before the dark house, she seemed to materialize at once, already running across the lawn. She sprang into the car before he could descend and open the door, swirling down into the seat, leaning forward and taut with urgency and flight like an animal. "Hurry!" she said. "Hurry! Hurry! Hurry!"

But he held the car a moment longer. "Remember. I told you what it meant if I came back. O. K.?"

"I heard you. I tell you I'm not afraid to risk it now. Hurry! Hurry!"

And then, ten hours later, with the Mills City signs increasing with irrevocable diminishment, she said, "So you won't marry me? You won't?"

"I told you that all the time."

"Yes. But I didn't believe you. I didn't believe you. I thought that when I... after... And now there is nothing else I can do, is there?"

"No," he said.

"No," she repeated. Then she began to laugh, her voice beginning to rise.

"Elly!" he said. "Stop it, now!"

"All right," she said. "I just happened to think about my grandmother. I had forgotten her."

Pausing at the turn of the stair, Elly could hear Paul and her uncle and aunt talking in the living-room below. She stood quite still, in an attitude almost pensive, nun-like, virginal, as though posing, as though she had escaped for the moment into a place where she had forgotten where she came from and where she intended to go. Then a clock in the hall struck eleven, and she moved. She went on up the stairs quietly and went to the door of her cousin's room, which she was to occupy for the night, and entered. The grandmother sat in a low chair beside the dressing table littered with the frivolous impedimenta of a young girl... bottles, powder puffs, photographs, a row of dance programs stuck into the mirror frame. Elly paused. They looked at one another for a full moment before the old woman spoke: "Not contented with deceiving your parents and your friends, you must bring a Negro into my son's house as a guest."

"Grandmother!" Elly said.

"Having me sit down to table with a negro man."

"Grandmother!" Elly cried in that thin whisper, her face haggard and grimaced. She listened. Feet, voices were coming up the stairs, her aunt's voice and Paul's. "Hush!" Elly cried. "Hush!"

"What? What did you say?"

Elly ran to the chair and stooped and laid her fingers on the old woman's thin and bloodless lips and, one furiously importunate and the other furiously implacable, they glared eye to eye across the hand while the feet and the voices passed the door and ceased. Elly removed her hand. From the row of them in the mirror frame she jerked one of the cards with its silken cord and tiny futile pencil. She wrote on the back of the card. He is not a negro he went to Va. and Harvard and everywhere.

The grandmother read the card. She looked up. "I can understand Harvard, but not Virginia. Look at his hair, his fingernails, if you need proof. I don't. I know the name which his people have borne for four generations." She returned the card. "That man must not sleep under this roof."

Elly took another card and scrawled swiftly. He shall. He is my guest. I asked him here. You are my grandmother you would not have me treat any guest that way not even a dog.

The grandmother read it. She sat with the card in her hand. "He shall not drive me to Jefferson. I will not put a foot in that car, and you shall not. We will go home on the train. No blood of mine shall ride with him again."

Elly snatched another card, scrawled furiously. I will. You cannot stop me. Try and stop me.

The grandmother read it. She looked at Elly. They glared at one another. "Then I will have to tell your father."

Already Elly was writing again. She thrust the card at her grandmother almost before the pencil had ceased; then in the same motion she tried to snatch it back. But the grandmother had already grasped the corner of it and now they glared at one another, the card joining them like a queer umbilical cord. "Let go!" Elly cried. "Let it go!"

"Turn loose," the grandmother said.

"Wait," Elly cried thinly, whispering, tugging at the card, twisting it. "I made a mistake. I..." With an astonishing movement, the grandmother bent the card up as Elly tried to snatch it free.

"Ah," she said, then she read aloud: Tell him. What do you know. "So. You didn't finish it, I see. What do I know?"

"Yes," Elly said. Then she began to speak in a fierce whisper: "Tell him! Tell him we went into a clump of trees this morning and stayed there two hours. Tell him!" The grandmother folded the card carefully and quietly. She rose.

"Grandmother!" Elly cried.

"My stick," the grandmother said. "There; against the wall."

When she was gone Elly went to the door and turned the latch and recrossed the room. She moved quietly, getting a robe of her cousin's from the closet, and undressed, slowly, pausing to yawn terrifically. "God, I'm tired," she said aloud, yawning. She sat down at the dressing table and began to manicure her nails with the cousin's equipment. There was a small ivory clock on the dressing table. She glanced at it now and then.

Then the clock below stairs struck midnight. She sat for a moment longer with her head above her glittering nails, listening to the final stroke. Then she looked at the ivory one beside her. 'I'd hate to catch a train by you,' she thought.

As she looked at it her face began again to fill with the weary despair of the afternoon. She went to the door and passed into the dark hall. She stood in the darkness, on her naked feet, her head bent, whimpering quietly to herself with bemused and childish self-pity. 'Everything's against me,' she thought. 'Everything.' When she moved, her feet made no sound. She walked with her arms extended into the darkness. She seemed to feel her eyeballs turning completely and blankly back into her skull with the effort to see. She entered the bathroom and locked the door. Then haste and urgency took her again. She ran to the angle of the wall beyond which the guest room was and stooped, cupping her voice into the angle with her hands. "Paul!" she whispered, "Paul!" holding her breath while the dying and urgent whisper failed against the cold plaster. She stooped, awkward in the borrowed robe, her blind eyes unceasing in the darkness with darting despair. She ran to the lavatory, found the tap in the darkness and tempered the drip of water to a minor but penetrating monotony. Then she opened the door and stood just within it. She heard the clock below stairs strike the half hour. She had not stirred, shaking slowly as with cold, when it struck one.

She heard Paul as soon as he left the guest room. She heard him come down the hall; she heard his hand seek the switch.

When it clicked on, she found that her eyes were closed.

"What's this?" Paul said. He wore a suit of her uncle's pajamas. "What the devil..."

"Lock the door," she whispered.

"Like hell. You fool. You damned fool."

"Paul!" She held him as though she expected him to flee.

She shut the door behind him and fumbled for the latch when he caught her wrist.

"Let me out of here!" he whispered.

She leaned against him, shaking slowly, holding him. Her eyes showed no iris at all. "She's going to tell daddy. She's going to tell daddy tomorrow, Paul!" Between the whispers the water dripped its unhurried minor note.

"Tell what? What does she know?"

"Put your arms around me, Paul."

"Hell, no. Let go. Let's get out of here."

"Yes. You can help it. You can keep her from telling daddy."

"How help it? Damn it, let me go!"

"She will tell, but it won't matter then. Promise. Paul. Say you will."

"Marry you? Is that what you are talking about? I told you yesterday I wouldn't. Let me go, I tell you."

"All right. All right." She spoke in an eager whisper. "I believe you now. I didn't at first, but I do now. You needn't marry me, then. You can help it without marrying me." She clung to him, her hair, her body, rich with voluptuous and fainting promise. "You won't have to marry me. Will you do it?"

"Do what?"

"Listen. You remember that curve with the little white fence, where it is so far down to the bottom? Where if a car went through that little fence..."

"Yes. What about it?"

"Listen. You and she will be in the car. She won't know, won't have time to suspect. And that little old fence wouldn't stop anything and they will all say it was an accident. She is old; it wouldn't take much; maybe even the shock and you are young and maybe it won't even... Paul! Paul!"

With each word her voice seemed to faint and die, speaking with a dying cadence out of urgency and despair while he looked down at her blanched face, at her eyes filled with desperate and voluptuous promise. "Paul!"

"And where will you be all this time?" She didn't stir, her face like a sleepwalker's. "Oh. I see. You'll go home on the train. Is that it?"

"Paul!" she said in that prolonged and dying whisper.

"Paul!"

In the instant of striking her his hand, as though refusing of its own volition the office, opened and touched her face in a long, shuddering motion almost a caress. Again, gripping her by the back of the neck, he assayed to strike her; again his hand, something, refused. When he flung her away she stumbled backward into the wall. Then his feet ceased and then the water began to fill the silence with its steady and unhurried sound. After a while the clock below struck two, and she moved wearily and heavily and closed the tap.

But that did not seem to stop the sound of the water. It seemed to drip on into the silence where she lay rigid on her back in bed, not sleeping, not even thinking. It dripped on while behind the frozen grimace of her aching face she got through the ritual of breakfast and of departure, the grandmother between Paul and herself in the single seat. Even the sound of the car could not drown it out, until suddenly she realized what it was. 'It's the signboards,' she thought, watching them as they diminished in retrograde. 'I even remember that one; now it's only about two miles. I'll wait until the next one; then I will... now. Now.'"Paul," she said. He didn't look at her. "Will you marry me?"

"No." Neither was she looking at his face. She was watching his hands as they jockeyed the wheel slightly and constantly. Between them the grandmother sat, erect, rigid beneath the archaic black bonnet, staring straight ahead like a profile cut from parchment.

"I'm going to ask you just once more. Then it will be too late. I tell you it will be too late then, Paul... Paul?"

"No, I tell you. You don't love me. I don't love you. We've never said we did."

"All right. Not love, then. Will you marry me without it? Remember, it will be too late."

"No. I will not."

"But why? Why, Paul?" He didn't answer. The car fled on. Now it was the first sign which she had noticed; she thought quietly, 'We must be almost there now. It is the next curve.' She said aloud, speaking across the deafness of the old woman between them: "Why not, Paul? If it's that story about nigger blood, I don't believe it. I don't care."

'Yes,' she thought, 'this is the curve.' The road entered the curve, descending. She sat back, and then she found her grandmother looking full at her. But she did not try now to veil her face, her eyes, any more than she would have tried to conceal her voice: "Suppose I have a child?"

"Suppose you do? I can't help it now. You should have thought of that. Remember, you sent for me; I didn't ask to come back."

"No. You didn't ask. I sent for you. I made you. And this is the last time. Will you? Quick!"

"No."

"All right," she said. She sat back; at that instant the road seemed to poise and pause before plunging steeply downward beside the precipice; the white fence began to flicker past. As Elly flung the robe aside she saw her grandmother still watching her; as she lunged forward across the old woman's knees they glared eye to eye the haggard and desperate girl and the old woman whose hearing had long since escaped everything and whose sight nothing escaped for a profound instant of despairing ultimatum and implacable refusal. "Then die!" she cried into the old woman's face; "die!" grasping at the wheel as Paul tried to fling her back. But she managed to get her elbow into the wheel spokes with all her weight on it, sprawling across her grandmother's body, holding the wheel hard over as Paul struck her on the mouth with his fist. "Oh," she screamed, "you hit me. You hit me!" When the car struck the railing it flung her free, so that for an instant she lay lightly as an alighting bird upon Paul's chest, her mouth open, her eyes round with shocked surprise. "You hit me!" she wailed. Then she was falling free, alone in a complete and peaceful silence like a vacuum. Paul's face, her grandmother, the car, had disappeared, vanished as though by magic; parallel with her eyes the shattered ends of white railing, the crumbling edge of the precipice where dust whispered and a faint gout of it hung like a toy balloon, rushed mutely skyward.

Overhead somewhere a sound passed, dying away the snore of an engine, the long hissing of tires in gravel, then the wind sighed in the trees again, shivering the crests against the sky. Against the bole of one of them the car lay in an inextricable and indistinguishable mass, and Elly sat in a litter of broken glass, staring dully at it. "Something happened," she whimpered. "He hit me. And now they are dead; it's me that's hurt, and nobody will come." She moaned a little, whimpering. Then with an air of dazed astonishment she raised her hand. The palm was red and wet. She sat whimpering quietly, digging stupidly at her palm.

"There's glass all in it and I can't even see it," she said, whimpered, gazing at her palm while the warm blood stained slowly down upon her skirt. Again the sound rushed steadily past high overhead, and died away. She looked up, following it. "There goes another one," she whimpered. "They won't even stop to see if I am hurt."

Uncle Willy

I KNOW what they said. They said I didn't run away from home but that I was tolled away by a crazy man who, if I hadn't killed him first, would have killed me inside another week. But if they had said that the women, the good women in Jefferson had driven Uncle Willy out of town and I followed him and did what I did because I knew that Uncle Willy was on his last go-round and this time when they got him again it would be for good and forever, they would have been right. Because I wasn't tolled away and Uncle Willy wasn't crazy, not even after all they had done to him. I didn't have to go; I didn't have to go any more than Uncle Willy had to invite me instead of just taking it for granted that I wanted to come. I went because Uncle Willy was the finest man I ever knew, because even women couldn't beat him, because in spite of them he wound up his life getting fun out of being alive and he died doing the thing that was the most fun of all because I was there to help him. And that's something that most men and even most women too don't get to do, not even the women that call meddling with other folks' lives fun.

He wasn't anybody's uncle, but all of us, and grown people too, called him (or thought of him) as Uncle Willy. He didn't have any kin at all except a sister in Texas married to an oil millionaire. He lived by himself in a little old neat white house where he had been born on the edge of town, he and an old nigger named Job Wylie that was older than he was even, that cooked and kept the house and was the porter at the drugstore which Uncle Willy's father had established and which Uncle Willy ran without any other help than old Job; and during the twelve or fourteen years (the life of us as children and then boys), while he just used dope, we saw a lot of him. We liked to go to his store because it was always cool and dim and quiet inside because he never washed the windows; he said the reason was that he never had to bother to dress them because nobody could see in anyway, and so the heat couldn't get in either. And he never had any customers except country people buying patent medicines that were already in bottles, and niggers buying cards and dice, because nobody had let him fill a prescription in forty years I reckon, and he never had any soda fountain trade because it was old Job who washed the glasses and mixed the syrups and made the ice cream ever since Uncle Willy's father started the business in eighteen-fifty-something and so old Job couldn't see very well now, though papa said he didn't think that old Job took dope too, it was from breathing day and night the air which Uncle Willy had just exhaled.

But the ice cream tasted all right to us, especially when we came in hot from the ball games. We had a league of three teams in town and Uncle Willy would give the prize, a ball or a bat or a mask, for each game though he would never come to see us play, so after the game both teams and maybe all three would go to the store to watch the winner get the prize. And we would eat the ice cream and then we would all go behind the prescription case and watch Uncle Willy light the little alcohol stove and fill the needle and roll his sleeve up over the little blue myriad punctures starting at his elbow and going right on up into his shirt. And the next day would be Sunday and we would wait in our yards and fall in with him as he passed from house to house and go on to Sunday school, Uncle Willy with us, in the same class with us, sitting there while we recited. Mr. Barbour from the Sunday school never called on him. Then we would finish the lesson and we would talk about baseball until the bell rang and Uncle Willy still not saying anything, just sitting there all neat and clean, with his clean collar and no tie and weighing about a hundred and ten pounds and his eyes behind his glasses kind of all run together like broken eggs.

Then we would all go to the store and eat the ice cream that was left over from Saturday and then go behind the prescription case and watch him again: the little stove and his Sunday shirt rolled up and the needle going slow into his blue arm and somebody would say, "Don't it hurt?" and he would say, "No. I like it."

II

THEN THEY made him quit dope. He had been using it for forty years, he told us once, and now he was sixty and he had about ten years more at the outside, only he didn't tell us that because he didn't need to tell even fourteen-year-old boys that. But they made him quit. It didn't take them long.

It began one Sunday morning and it was finished by the next Friday; we had just sat down in our class and Mr. Barbour had just begun, when all of a sudden Reverend Schultz, the minister, was there, leaning over Uncle Willy and already hauling him out of his seat when we looked around, hauling him up and saying in that tone in which preachers speak to fourteen-year-old boys that I don't believe even pansy boys like: "Now, Brother Christian, I know you will hate to leave Brother Barbour's class, but let's you and I go in and join Brother Miller and the men and hear what he can tell us on this beautiful and heartwarming text," and Uncle Willy still trying to hold back and looking around at us with his run-together eyes blinking and saying plainer than if he had spoke it: "What's this? What's this, fellows? What are they fixing to do to me?"

We didn't know any more than he did. We just finished the lesson; we didn't talk any baseball that day; and we passed the alcove where Mr. Miller's men's Bible class met, with Reverend Schultz sitting in the middle of them like he did every Sunday, like he was just a plain man like the rest of them yet kind of bulging out from among the others like he didn't have to move or speak to keep them reminded that he wasn't a plain man; and I would always think about April Fool's one year when Miss Callaghan called the roll and then stepped down from her desk and said, "Now I'm going to be a pupil today," and took a vacant seat and called out a name and made them go to her desk and hold the lesson and it would have been fun if you could have just quit remembering that tomorrow wouldn't be April Fool's and the day after that wouldn't be either. And Uncle Willy was sitting by Reverend Schultz looking littler than ever, and I thought about one day last summer when they took a country man named Bundren to the asylum at Jackson but he wasn't too crazy not to know where he was going, sitting there in the coach window handcuffed to a fat deputy sheriff that was smoking a cigar.

Then Sunday school was over and we went out to wait for him, to go to the store and eat the ice cream. And he didn't come out. He didn't come out until church was over too, the first time that he had ever stayed for church that any of us knew of, that anybody knew of, papa told me later, coming out with Mrs. Merridew on one side of him and Reverend Schultz on the other still holding him by the arm and he looking around at us again with his eyes saying again only desperate now: "Fellows, what's this? What's this, fellows?" and Reverend Schultz shoving him into Mrs. Merridew's car and Mrs. Merridew saying, loud, like she was in the pulpit: "Now, Mr. Christian, I'm going to take you right out to my house and I'm going to fix you a nice glass of cool lemonade and then we will have a nice chicken dinner and then you are going to take a nice nap in my hammock and then Brother and Sister Schultz are coming out and we will have some nice ice cream," and Uncle Willy saying, "No. Wait, ma'am, wait! Wait! I got to go to the store and fill a prescription I promised this morning "

So they shoved him into the car and him looking back at us where we stood there; he went out of sight like that, sitting beside Mrs. Merridew in the car like Darl Bundren and the deputy on the train, and I reckon she was holding his wrist and I reckon she never needed any handcuffs and Uncle Willy giving us that single look of amazed and desperate despair.

Because now he was already an hour past the time for his needle and that afternoon when he finally slipped away from Mrs. Merridew he was five hours past it and so he couldn't even get the key into the lock, and so Mrs. Merridew and Reverend Schultz caught him and this time he wasn't talking or looking either: he was trying to get away like a half-wild cat tries to get away. They took him to his home and Mrs. Merridew telegraphed his sister in Texas and Uncle Willy didn't come to town for three days because Mrs. Merridew and Mrs. Hovis took turn about staying in the house with him day and night until his sister could get there. That was vacation then and we played the game on Monday and that afternoon the store was still locked and Tuesday it was still locked, and so it was not until Wednesday afternoon and Uncle Willy was running fast.

He didn't have any shirt on and he hadn't shaved and he could not get the key into the lock at all, panting and whimpering and saying, "She went to sleep at last; she went to sleep at last," until one of us took the key and unlocked the door. We had to light the little stove too and fill the needle and this time it didn't go into his arm slow, it looked like he was trying to jab it clean through the bone. He didn't go back home. He said he wouldn't need anything to sleep on and he gave us the money and let us out the back door and we bought the sandwiches and the bottle of coffee from the cafe and we left him there.

Then the next day, it was Mrs. Merridew and Reverend Schultz and three more ladies; they had the marshal break in the door and Mrs. Merridew holding Uncle Willy by the back of the neck and shaking him and kind of whispering, "You little wretch! You little wretch! Slip off from me, will you?" and Reverend Schultz saying, "Now, Sister; now, Sister; control yourself," and the other ladies hollering Mr. Christian and Uncle Willy and Willy, according to how old they were or how long they had lived in Jefferson. It didn't take them long.

The sister got there from Texas that night and we would walk past the house and see the ladies on the front porch or going in and out, and now and then Reverend Schultz kind of bulging out from among them like he would out of Mr. Miller's Bible class, and we could crawl up behind the hedge and hear them through the window, hear Uncle Willy crying and cussing and fighting to get out of the bed and the ladies saying, "Now, Mr. Christian; now, Uncle Willy," and "Now, Bubber," too, since his sister was there; and Uncle Willy crying and praying and cussing. And then it was Friday, and he gave up. We could hear them holding him in the bed; I reckon this was his last go-round, because none of them had time to talk now; and then we heard him, his voice weak but clear and his breath going in and out.

"Wait," he said. "Wait! I will ask it one more time. Won't you please quit? Won't you please go away? Won't you please go to hell and just let me come on at my own gait?"

"No, Mr. Christian," Mrs. Merridew said. "We are doing this to save you."

For a minute we didn't hear anything. Then we heard Uncle Willy lay back in the bed, kind of flop back.

"All right," he said. "All right."

It was like one of those sheep they would sacrifice back in the Bible. It was like it had climbed up onto the altar itself and flopped onto its back with its throat held up and said: "All right. Come on and get it over with. Cut my damn throat and go away and let me lay quiet in the fire."

Ill

HE WAS SICK for a long time. They took him to Memphis and they said that he was going to die. The store stayed locked all the time now, and after a few weeks we didn't even keep up the league. It wasn't just the balls and the bats.

It wasn't that. We would pass the store and look at the big old lock on it and at the windows you couldn't even see through, couldn't even see inside where we used to eat the ice cream and tell him who beat and who made the good plays and him sitting there on his stool with the little stove burning and the dope boiling and bubbling and the needle waiting in his hand, looking at us with his eyes blinking and all run together behind his glasses so you couldn't even tell where the pupil was like you can in most eyes. And the niggers and the country folks that used to trade with him coming up and looking at the lock too, and asking us how he was and when he would come home and open up again.

Because even after the store opened again, they would not trade with the clerk that Mrs. Merridew and Reverend Schultz put in the store. Uncle Willy's sister said not to bother about the store, to let it stay shut because she would take care of Uncle Willy if he got well. But Mrs. Merridew said no, she not only aimed to cure Uncle Willy, she was going to give him a complete rebirth, not only into real Christianity but into the practical world too, with a place in it waiting for him so he could hold up his head not only with honor but pride too among his fellow men; she said that at first her only hope had been to fix it so he would not have to face his Maker slave body and soul to morphine, but now since his constitution was stronger than anybody could have believed, she was going to see that he assumed that position in the world which his family's name entitled him to before he degraded it.