Collected Stories

We lay down, both of us on Ringo's pallet. We heard the mule when Lucius left. Then we heard the mule and at first we didn't know we had been asleep, the mule coming back now and the moon had started down the west and Cousin Melisandre and Philadelphia were gone from the garden, to where Philadelphia at least could sleep better than sitting on a square sill with an apron over her head, or at least where it was quieter. And we heard Lucius fumbling up the stairs but we never heard Granny at all because she was already at the top of the stairs, talking down at the noise Lucius was trying not to make. "Speak up," she said. "I ain't asleep but I ain't a lip-reader either. Not in the dark."

"Genl Fawhrest say he respectful compliments," Lucius said, "and he can't come to breakfast this morning because he gonter to be whuppin Genl Smith at Tallahatchie Crossing about that time. But providin he ain't too fur away in the wrong direction when him and Genl Smith git done, he be proud to accept your invitation next time he in the neighborhood. And he say 'whut boy'."

While you could count about five, Granny didn't say anything. Then she said, "What?"

"He say 'whut boy'," Lucius said.

Then you could have counted ten. All we could hear was Lucius breathing. Then Granny said: "Did you wipe the mule down?"

"Yessum," Lucius said.

"Did you turn her back into the pasture?"

"Yessum," Lucius said.

"Then go to bed," Granny said. "And you too," she said.

General Forrest found out what boy. This time we didn't know we had been asleep either, and it was no one mule now.

The sun was just rising. When we heard Granny and scrambled to the window, yesterday wasn't a patch on it. There were at least fifty of them now, in gray; the whole outdoors was full of men on horses, with Cousin Philip out in front of them, sitting his horse in almost exactly the same spot where he had been yesterday, looking up at Granny's window and not seeing it or anything else this time either. He had a hat now. He was holding it clamped over his heart and he hadn't shaved and yesterday he had looked younger than Ringo because Ringo always had looked about ten years older than me. But now, with the first sun-ray making a little soft fuzz in the gold-colored stubble on his face, he looked even younger than I did, and gaunt and worn in the face like he hadn't slept any last night and something else in his face too: like he not only hadn't slept last night but by godfrey he wasn't going to sleep tonight either as long as he had anything to do with it. "Goodbye," he said. "Goodbye," and whirled his horse, spurring, and raised the new hat over his head like he had carried the sabre yesterday and the whole mass of them went piling back across flower beds and lawns and all and back down the drive toward the gate while Granny still stood at her window in her nightgown, her voice louder than any man's anywhere, I don't care who he is or what he would be doing: "Backhouse! Backhouse! You, Backhouse!"

So we ate breakfast early. Granny sent Ringo in his nightshirt to wake Louvinia and Lucius both. So Lucius had the mule saddled before Louvinia even got the fire lit. This time Granny didn't write a note. "Go to Tallahatchie Crossing," she told Lucius. "Sit there and wait for him if necessary."

"Suppose they done already started the battle?" Lucius said.

"Suppose they have?" Granny said. "What business is that of yours or mine either? You find Bedford Forrest. Tell him this is important; it won't take long. But don't you show your face here again without him."

Lucius rode away. He was gone four days. He didn't even get back in time for the wedding, coming back up the drive about sundown on the fourth day with two soldiers in one of General Forrest's forage wagons with the mule tied to the tailgate. He didn't know where he had been and he never did catch up with the battle. "I never even heard it," he told Joby and Lucius and Louvinia and Philadelphia and Ringo and me. "If wars always moves that far and that fast, I don't see how they ever have time to fight."

But it was all over then. It was the second day, the day after Lucius left. It was just after dinner this time and by now we were used to soldiers. But these were different, just five of them, and we never had seen just that few of them before and we had come to think of soldiers as either jumping on and off horses in the yard or going back and forth through Granny's flower beds at full gallop. These were all officers and I reckon maybe I hadn't seen so many soldiers after all because I never saw this much braid before. They came up the drive at a trot, like people just taking a ride, and stopped without trompling even one flower bed and General Forrest got down and came up the walk toward where Granny waited on the front gallery: a big, dusty man with a big beard so black it looked almost blue and eyes like a sleepy owl, already taking off his hat. "Well, Miss Rosie," he said.

"Don't call me Rosie," Granny said. "Come in. Ask your gentlemen to alight and come in."

"They'll wait there," General Forrest said. "We are a little rushed. My plans have..." Then we were in the library. He wouldn't sit down. He looked tired all right, but there was something else a good deal livelier than just tired. "Well, Miss Rosie," he said. "I..."

"Don't call me Rosie," Granny said. "Can't you even say Rosa?"

"Yessum," he said. But he couldn't. At least, he never did, "I reckon we both have had about enough of this. That boy..."

"Hah," Granny said. "Night before last you were saying what boy. Where is he? I sent you word to bring him with you."

"Under arrest," General Forrest said. It was a considerable more than just tired. "I spent four days getting Smith just where I wanted him. After that, this boy here could have fought the battle." He said 'fit' for fought just as he said 'druv' for drove and 'drug' for dragged. But maybe when you fought battles like he did, even Granny didn't mind how you talked. "I won't bother you with details. He didn't know them either. All he had to do was exactly what I told him. I did everything but draw a diagram on his coat-tail of exactly what he was to do, no more and no less, from the time he left me until he saw me again: which was to make contact and then fall back. I gave him just exactly the right number of men so that he couldn't do anything else but that. I told him exactly how fast to fall back and how much racket to make doing it and even how to make the racket. But what do you think he did?"

"I can tell you," Granny said. "He sat on his horse at five o'clock yesterday morning, with my whole yard full of men behind him, yelling goodbye at my window."

"He divided his men and sent half of them into the bushes to make a noise and took the other half who were the nearest to complete fools and led a sabre charge on that outpost. He didn't fire a shot. He drove it clean back with sabres onto Smith's main body and scared Smith so that he threw out all his cavalry and pulled out behind it and now I don't know whether I'm about to catch him or he's about to catch me. My provost finally caught the boy last night. He had come back and got the other thirty men of his company and was twenty miles ahead again, trying to find something to lead another charge against. 'Do you want to be killed?' I said. 'Not especially,' he said. 'That is, I don't especially care one way or the other.' 'Then neither do I,' I said. 'But you risked a whole company of my men.' 'Ain't that what they enlisted for?' he said. 'They enlisted into a military establishment the purpose of which is to expend each man only at a profit. Or maybe you don't consider me a shrewd enough trader in human meat?' 'I can't say,' he said. 'Since day before yesterday I ain't thought very much about how you or anybody else runs this war.' 'And just what were you doing day before yesterday that changed your ideas and habits?' I said. 'Fighting some of it,' he said. 'Dispersing the enemy.' 'Where?' I said. 'At a lady's house a few miles from Jefferson,' he said. 'One of the niggers called her Granny like the white boy did. The others called her Miss Rosie.'" This time Granny didn't say anything. She just waited.

"Go on," she said.

"I'm still trying to win battles, even if since day before yesterday you ain't,' I said. I'll send you down to Johnston at Jackson,' I said. 'He'll put you inside Vicksburg, where you can lead private charges day and night too if you want.' 'Like hell you will,' he said. And I said excuse me 'Like hell I won't.'" And Granny didn't say anything. It was like day before yesterday with Ab Snopes: not like she hadn't heard but as if right now it didn't matter, that this was no time either to bother with such.

"And did you?" she said.

"I can't. He knows it. You can't punish a man for routing an enemy four times his weight. What would I say back there in Tennessee, where we both live, let alone that uncle of his, the one they licked for Governor six years ago, on Bragg's personal staff now, with his face over Bragg's shoulder every time Bragg opens a dispatch or picks up a pen. And I'm still trying to win battles. But I can't. Because of a girl, one single lone young female girl that ain't got anything under the sun against him except that, since it was his misfortune to save her from a passel of raiding enemy in a situation that everybody but her is trying to forget, she can't seem to bear to hear his last name. Yet because of that, every battle I plan from now on will be at the mercy of a twenty-two-year-old shavetail excuse me again who might decide to lead a private charge any time he can holler at least two men in gray coats into moving in the same direction." He stopped.

He looked at Granny. "Well?" he said.

"So now you've got to it," Granny said. "Well what, Mr. Forrest?"

"Why, just have done with this foolishness. I told you I've got that boy, in close arrest, with a guard with a bayonet. But there won't be any trouble there. I figured even yesterday morning that he had already lost his mind. But I reckon he's recovered enough of it since the Provost took him last night to comprehend that I still consider myself his commander even if he don't. So all necessary now is for you to put your foot down. Put it down hard. Now. You're her grandma. She lives in your home. And it looks like she is going to live in it a good while yet before she gets back to Memphis to that uncle or whoever it is that calls himself her guardian. So just put your foot down. Make her. Mr. Millard would have already done that if he had been here. And I know when. It would have been two days ago by now."

Granny waited until he got done. She stood with her arms crossed, holding each elbow in the other. "Is that all I'm to do?" she said.

"Yes," General Forrest said. "If she don't want to listen to you right at first, maybe as his commander..."

Granny didn't even say "Hah." She didn't even send me.

She didn't even stop in the hall and call. She went upstairs herself and we stood there and I thought maybe she was going to bring the dulcimer too and I thought how if I was General Forrest I would go back and get Cousin Philip and make him sit in the library until about supper-time while Cousin Melisandre played the dulcimer and sang. Then he could take Cousin Philip on back and then he could finish the war without worrying.

She didn't have the dulcimer. She just had Cousin Melisandre. They came in and Granny stood to one side again with her arms crossed, holding her elbows. "Here she is," she said. "Say it. This is Mr. Bedford Forrest," she told Cousin Melisandre. "Say it," she told General Forrest.

He didn't have time. When Cousin Melisandre first came, she tried to read aloud to Ringo and me. It wasn't much. That is, what she insisted on reading to us wasn't so bad, even if it was mostly about ladies looking out windows and playing on something (maybe they were dulcimers too) while somebody else was off somewhere fighting. It was the way she read it. When Granny said this is Mister Forrest, Cousin Melisandre's face looked exactly like her voice would sound when she read to us. She took two steps into the library and curtsied, spreading her hoops back, and stood up. "General Forrest," she said. "I am acquainted with an associate of his. Will the General please give him the sincerest wishes for triumph in war and success in love, from one who will never see him again?" Then she curtsied again and spread her hoops backward and stood up and took two steps backward and turned and went out.

After a while Granny said, "Well, Mr. Forrest?"

General Forrest began to cough. He lifted his coat-tail with one hand and reached the other into his hip pocket like he was going to pull at least a musket out of it and got his handkerchief and coughed into it a while. It wasn't very clean. It looked about like the one Cousin Philip was trying to wipe his coat off with in the summer house day before yesterday.

Then he put the handkerchief back. He didn't say "Hah" either. "Can I reach the Holly Branch road without having to go through Jefferson?" he said.

Then Granny moved. "Open the desk," she said. "Lay out a sheet of note-paper." I did. And I remember how I stood at one side of the desk and General Forrest at the other, and watched Granny's hand move the pen steady and not very slow and not very long across the paper because it never did take her very long to say anything, no matter what it was, whether she was talking it or writing it. Though I didn't see it then, but only later, when it hung framed under glass above Cousin Melisandre's and Cousin Philip's mantel: the fine steady slant of Granny's hand and General Forrest's sprawling signatures below it that looked itself a good deal like a charge of massed cavalry: Lieutenant P. S. Backhouse, Company D, Tennessee Cavalry, was this day raised to the honorary rank of Brevet Major General & killed while engaging the enemy. Vice whom Philip St-Just Backus is hereby appointed Lieutenant, Company D, Tennessee Cavalry.

N. B. Forrest Genl

I didn't see it then. General Forrest picked it up. "Now I've got to have a battle," he said. "Another sheet, son." I laid that one out on the desk.

"A battle?" Granny said.

"To give Johnston," he said. "Confound it, Miss Rosie, can't you understand either that I'm just a fallible mortal man trying to run a military command according to certain fixed and inviolable rules, no matter how foolish the business looks to superior outside folks?"

"All right," Granny said. "You had one. I was looking at it."

"So I did," General Forrest said. "Hah," he said. "The battle of Sartoris."

"No," Granny said. "Not at my house."

"They did all the shooting down at the creek," I said.

"What creek?" he said.

So I told him. It ran through the pasture. Its name was Hurricane Creek but not even the white people called it hurricane except Granny. General Forrest didn't either when he sat down at the desk and wrote the report to General Johnston at Jackson: A unit of my command on detached duty engaged a body of the enemy & drove him from the field & dispersed him this day 28th ult. April 1862 at Harrykin Creek. With loss of one man.

N. B. Forrest Genl

I saw that. I watched him write it. Then he got up and folded the sheets into his pocket and was already going toward the table where his hat was.

"Wait," Granny said. "Lay out another sheet," she said. "Come back here."

General Forrest stopped and turned. "Another one?"

"Yes!" Granny said. "A furlough, pass, whatever you busy military establishments call them! So John Sartoris can come home long enough to..." and she said it herself, she looked straight at me and even backed up and said some of it over as though to make sure there wouldn't be any mistake: " can come back home and give away that damn bride!"

IV

AND THAT was all. The day came and Granny waked Ringo and me before sunup and we ate what breakfast we had from two plates on the back steps. And we dug up the trunk and brought it into the house and polished the silver and Ringo and I brought dogwood and redbud branches from the pasture and Granny cut the flowers, all of them, cutting them herself with Cousin Melisandre and Philadelphia just carrying the baskets; so many of them until the house was so full that Ringo and I would believe we smelled them even across the pasture each time we came up. Though of course we could, it was just the food: the last ham from the smokehouse and the chickens and the flour which Granny had been saving and the last of the sugar which she had been saving along with the bottle of champagne for the day when the North surrendered which Louvinia had been cooking for two days now, to remind us each time we approached the house of what was going on and that the flowers were there. As if we could have forgotten about the food. And they dressed Cousin Melisandre and Ringo in his new blue pants and I in my gray ones which were not so new, we stood in the late afternoon on the gallery. Granny and Cousin Melisandre and Louvinia and Philadelphia and Ringo and I and watched them enter the gate. General Forrest was not one. Ringo and I had thought maybe he might be, if only to bring Cousin Philip. Then we thought that maybe, since Father was coming anyway, General Forrest would let Father bring him, with Cousin Philip maybe handcuffed to Father and the soldier with the bayonet following, or maybe still just handcuffed to the soldier until he and Cousin Melisandre were married and Father unlocked him.

But General Forrest wasn't one, and Cousin Philip wasn't handcuffed to anybody and there was no bayonet and not even a soldier because these were all officers too. And we stood in the parlor while the home-made candles burnt in the last of sunset in the bright candlesticks which Philadelphia and Ringo and I had polished with the rest of the silver because Granny and Louvinia were both busy cooking and even Cousin Melisandre polished a little of it although Louvinia could pick out the ones she polished without hardly looking and hand them to Philadelphia to polish again: Cousin Melisandre in the dress which hadn't needed to be altered for her at all because Mother wasn't much older than Cousin Melisandre even when she died, and which would still button on Granny too just like it did the day she married in it, and the chaplain and Father and Cousin Philip and the four others in their gray and braid and sabres and Cousin Melisandre's face was all right now and Cousin Philip's was too because it just had the beautiful-girl look on it and none of us had ever seen him look any other way. Then we ate, and Ringo and I anyway had been waiting on that for three days and then we did it and then it was over too, fading just a little each day until the palate no longer remembered and only our mouths would run a little water as we would name the dishes aloud to one another, until even the water would run less and less and less and it would take something we just hoped to eat some day if they ever got done fighting, to make it run at all.

And that was all. The last sound of wheel and hoof died away, Philadelphia came in from the parlor carrying the candlesticks and blowing out the candles as she came, and Louvinia set the kitchen clock on the table and gathered the last of soiled silver from supper into the dishpan and it might never have even been. "Well," Granny said. She didn't move, leaning her forearms on the table a little and we had never seen that before. She spoke to Ringo without turning her head: "Go call Joby and Lucius." And even when we brought the trunk in and set it against the wall and opened back the lid, she didn't move. She didn't even look at Louvinia either. "Put the clock in too!" she said. "I don't think we'll bother to time ourselves tonight."

Golden Land

IF HE had been thirty, he would not have needed the two aspirin tablets and the half glass of raw gin before he could bear the shower's needling on his body and steady his hands to shave. But then when he had been thirty neither could he have afforded to drink as much each evening as he now drank; certainly he would not have done it in the company of the men and the women in which, at forty-eight, he did each evening, even though knowing during the very final hours filled with the breaking of glass and the shrill cries of drunken women above the drums and saxophones the hours during which he carried a little better than his weight both in the amount of liquor consumed and in the number and sum of checks paid that six or eight hours later he would rouse from what had not been sleep at all but instead that dreamless stupefaction of alcohol out of which last night's turgid and licensed uproar would die, as though without any interval for rest or recuperation, into the familiar shape of his bedroom, the bed's foot silhouetted by the morning light which entered the bougainvillaea-bound windows beyond which his painful and almost unbearable eyes could see the view which might be called the monument to almost twenty-five years of industry and desire, of shrewdness and luck and even fortitude: the opposite canyon-flank dotted with the white villas half hidden in imported olive groves or friezed by the sombre spaced columns of cypress like the facades of eastern temples, whose owners' names and faces and even voices were glib and familiar in back corners of the United States and of America and of the world where those of Einstein and Rousseau and Esculapius had never sounded.

He didn't waken sick. He never wakened ill nor became ill from drinking, not only because he had drunk too long and too steadily for that, but because he was too tough even after the thirty soft years; he came from too tough stock, on that day thirty-four years ago when at fourteen he had fled, on the brake-beam of a west-bound freight, the little lost Nebraska town named for, permeated with, his father's history and existence, a town to be sure, but only in the sense that any shadow is larger than the object which casts it. It was still frontier even as he remembered it at five and six: the projected and increased shadow of a small outpost of sod-roofed dugouts on the immense desolation of the plains where his father, Ira Ewing too, had been first to essay to wring wheat during the six days between those when, outdoors in spring and summer and in the fetid half dark of a snowbound dugout in the winter and fall, he preached. The second Ira Ewing had come a long way since then, from that barren and treeless village which he had fled by a night freight to where he now lay in a hundred-thousand-dollar house, waiting until he knew that he could rise and go to the bath and put the two aspirin tablets into his mouth.

They, his mother and father, had tried to explain it to him, something about fortitude, the will to endure. At fourteen he could neither answer them with logic and reason nor explain what he wanted: he could only flee. Nor was he fleeing his father's harshness and wrath. He was fleeing the scene itself, the treeless immensity in the lost center of which he seemed to see the sum of his father's and mother's dead youth and bartered lives as a tiny forlorn spot which nature permitted to green into brief and niggard wheat for a season's moment before blotting it all with the primal and invincible snow as though (not even promise, not even threat) in grim and almost playful augury of the final doom of all life. And it was not even this that he was fleeing because he was not fleeing: it was only that absence, removal, was the only argument which fourteen knew how to employ against adults with any hope of success. He spent the next ten years half tramp half casual laborer as he drifted down the Pacific Coast to Los Angeles; at thirty he was married, to a Los Angeles girl, daughter of a carpenter, and father of a son and a daughter and with a foothold in real estate; at forty-eight he spent fifty thousand dollars a year, owning a business which he had built up unaided and preserved intact through nineteen-twenty-nine; he had given to his children luxuries and advantages which his own father not only could not have conceived in fact, but would have condemned completely in theory as it proved, as the paper which the Filipino chauffeur, who each morning carried him into the house and undressed him and put him to bed, had removed from the pocket of his topcoat and laid on the reading table proved, with reason. On the death of his father twenty years ago he had returned to Nebraska, for the first time, and fetched his mother back with him, and she was now established in a home of her own only the less sumptuous because she refused (with a kind of abashed and thoughtful unshakability which he did not remark) anything finer or more elaborate. It was the house in which they had all lived at first, though he and his wife and children had moved within the year. Three years ago they had moved again, into the house where he now waked in a select residential section of Beverley Hills, but not once in the nineteen years had he failed to stop (not even during the last five, when to move at all in the mornings required a terrific drain on that character or strength which the elder Ira had bequeathed him, which had enabled the other Ira to pause on the Nebraska plain and dig a hole for his wife to bear children in while he planted wheat) on his way to the office (twenty miles out of his way to the office) and spend ten minutes with her. She lived in as complete physical ease and peace as he could devise. He had arranged her affairs so that she did not even need to bother with money, cash, in order to live; he had arranged credit for her with a neighboring market and butcher so that the Japanese gardener who came each day to water and tend the flowers could do her shopping for her; she never even saw the bills. And the only reason she had no servant was that even at seventy she apparently clung stubbornly to the old habit of doing her own cooking and housework. So it would seem that he had been right. Perhaps there were times when, lying in bed like this and waiting for the will to rise and take the aspirin and the gin (mornings perhaps following evenings when he had drunk more than ordinarily and when even the six or seven hours of oblivion had not been sufficient to enable him to distinguish between reality and illusion) something of the old strong harsh Campbellite blood which the elder Ira must have bequeathed him might have caused him to see or feel or imagine his father looking down from somewhere upon him, the prodigal, and what he had accomplished. If this were so, then surely the elder Ira, looking down for the last two mornings upon the two tabloid papers which the Filipino removed from his master's topcoat and laid on the reading table, might have taken advantage of that old blood and taken his revenge, not just for that afternoon thirty-four years ago but for the entire thirty-four years.

When he gathered himself, his will, his body, at last and rose from the bed he struck the paper so that it fell to the floor and lay open at his feet, but he did not look at it. He just stood so, tall, in silk pajamas, thin where his father had been gaunt with the years of hard work and unceasing struggle with the unpredictable and implacable earth (even now, despite the life which he had led, he had very little paunch) looking at nothing while at his feet the black headline flared above the row of five or six tabloid photographs from which his daughter alternately stared back or flaunted long pale shins: APRIL LALEAR BARES ORGY SECRETS. When he moved at last he stepped on the paper, walking on his bare feet into the bath; now it was his trembling and jerking hands that he watched as he shook the two tablets onto the glass shelf and set the tumbler into the rack and unstoppered the gin bottle and braced his knuckles against the wall in order to pour into the tumbler. But he did not look at the paper, not even when, shaved, he re-entered the bedroom and went to the bed beside which his slippers sat and shoved the paper aside with his foot in order to step into them. Perhaps, doubtless, he did not need to. The trial was but entering its third tabloidal day now, and so for two days his daughter's face had sprung out at him, hard, blonde and inscrutable, from every paper he opened; doubtless he had never forgot her while he slept even, that he had waked into thinking about remembering her as he had waked into the dying drunken uproar of the evening eight hours behind him without any interval between for rest or forgetting.

Nevertheless as, dressed in a burnt orange turtleneck sweater beneath his gray flannels, he descended the Spanish staircase, he was outwardly calm and possessed. The delicate iron balustrade and the marble steps coiled down to the tile-floored and barn-like living room beyond which he could hear his wife and son talking on the breakfast terrace. The son's name was Voyd. He and his wife had named the two children by what might have been called mutual contemptuous armistice: his wife called the boy Voyd, for what reason he never knew; he in his turn named the girl (the child whose woman's face had met him from every paper he touched for two days now beneath or above the name, April Lalear) Samantha, after his own mother. He could hear them talking: the wife between whom and himself there had been nothing save civility, and not always a great deal of that, for ten years now; and the son who one afternoon two years ago had been delivered at the door drunk and insensible by a car whose occupants he did not see and, it devolving upon him to undress the son and put him to bed, whom he discovered to be wearing, in place of underclothes, a woman's brassiere and step-ins. A few minutes later, hearing the blows perhaps, Voyd's mother ran in and found her husband beating the still unconscious son with a series of towels which a servant was steeping in rotation in a basin of ice-water. He was beating the son hard, with grim and deliberate fury. Whether he was trying to sober the son up or was merely beating him, possibly he himself did not know.

His wife though jumped to the latter conclusion. In his raging disillusionment he tried to tell her about the woman's garments but she refused to listen; she assailed him in turn with virago fury. Since that day the son had contrived to see his father only in his mother's presence (which neither the son nor the mother found very difficult, by the way) and at which times the son treated his father with a blend of cringing spite and vindictive insolence half a cat's and half a woman's.

He emerged onto the terrace; the voices ceased. The sun, strained by the vague high soft almost nebulous California haze, fell upon the terrace with a kind of treacherous unbrightness. The terrace, the sun-drenched terra cotta tiles, butted into a rough and savage shear of canyon-wall bare yet without dust, on or against which a solid mat of flowers bloomed in fierce lush myriad-colored paradox as though in place of being rooted into and drawing from the soil they lived upon air alone and had been merely leaned intact against the sustenanceless lava-wall by someone who would later return and take them away. The son, Voyd, apparently naked save for a pair of straw-colored shorts, his body brown with sun and scented faintly by the depilatory which he used on arms, chest and legs, lay in a wicker chair, his feet in straw beach shoes, an open newspaper across his brown legs. The paper was the highest class one of the city, yet there was a black headline across half of it too, and even without pausing, without even being aware that he had looked, Ira saw there too the name which he recognized.

He went on to his place; the Filipino who put him to bed each night, in a white service jacket now, drew his chair.

Beside the glass of orange juice and the waiting cup lay a neat pile of mail topped by a telegram. He sat down and took up the telegram; he had not glanced at his wife until she spoke: "Mrs. Ewing telephoned. She says for you to stop in there on your way to town."

He stopped; his hands opening the telegram stopped. Still blinking a little against the sun he looked at the face opposite him across the table the smooth dead makeup, the thin lips and the thin nostrils and the pale blue unforgiving eyes, the meticulous platinum hair which looked as though it had been transferred to her skull with a brush from a book of silver leaf such as window painters use. "What?" he said. "Telephoned? Here?"

"Why not? Have I ever objected to any of your women telephoning you here?"

The unopened telegram crumpled suddenly in his hand.

"You know what I mean," he said harshly. "She never telephoned me in her life. She don't have to. Not that message. When have I ever failed to go by there on my way to town?"

"How do I know?" she said. "Or are you the same model son you have been a husband and seem to be a father?" Her voice was not shrill yet, nor even very loud, and none could have told how fast her breathing was because she sat so still, rigid beneath the impeccable and unbelievable hair, looking at him with that pale and outraged unforgiveness. They both looked at each other across the luxurious table: the two people who at one time twenty years ago would have turned as immediately and naturally and unthinkingly to one another in trouble, who even ten years ago might have done so.

"You know what I mean," he said, harshly again, holding himself too against the trembling which he doubtless believed was from last night's drinking, from the spent alcohol. "She don't read papers. She never even sees one. Did you send it to her?"

"I?" she said. "Send what?"

"Damnation!" he cried. "A paper! Did you send it to her? Don't lie to me."

"What if I did?" she cried. "Who is she, that she must not know about it? Who is she, that you should shield her from knowing it? Did you make any effort to keep me from knowing it? Did you make any effort to keep it from happening? Why didn't you think about that all those years while you were too drunk, too besotted with drink, to know or notice or care what Samantha was?"

"Miss April Lalear of the cinema, if you please," Voyd said. They paid no attention to him; they glared at one another across the table.

"Ah," he said, quiet and rigid, his lips scarcely moving. "So I am to blame for this too, am I? I made my daughter a bitch, did I? Maybe you will tell me next that I made my son a f..."

"Stop!" she cried. She was panting now; they glared at one another across the suave table, across the five feet of irrevocable division.

"Now, now," Voyd said. "Don't interfere with the girl's career. After all these years, when at last she seems to have found a part that she can..." He ceased; his father had turned and was looking at him. Voyd lay in his chair, looking at his father with that veiled insolence that was almost feminine. Suddenly it became completely feminine; with a muffled half-scream he swung his legs out to spring up and flee but it was too late; Ira stood above him, gripping him not by the throat but by the face with one hand, so that Voyd's mouth puckered and slobbered in his father's hard, shaking hand. Then the mother sprang forward and tried to break Ira's grip but he flung her away and then caught and held her, struggling too, with the other hand when she sprang in again.

"Go on," he said. "Say it." But Voyd could say nothing because of his father's hand gripping his jaws open, or more than likely because of terror. His body was free of the chair now, writhing and thrashing while he made his slobbering, moaning sound of terror while his father held him with one hand and held his screaming mother with the other one.

Then Ira flung Voyd free, onto the terrace; Voyd rolled once and came onto his feet, crouching, retreating toward the French windows with one arm flung up before his face while he cursed his father. Then he was gone. Ira faced his wife, holding her quiet too at last, panting too, the skillful map of makeup standing into relief now like a paper mask trimmed smoothly and pasted onto her skull. He released her.

"You sot," she said. "You drunken sot. And yet you wonder why your children..."

"Yes," he said quietly. "All right. That's not the question. That's all done. The question is, what to do about it. My father would have known. He did it once." He spoke in a dry light pleasant voice: so much so that she stood, panting still but quiet, watching him. "I remember. I was about ten. We had rats in the barn. We tried everything. Terriers. Poison. Then one day father said, 'Come.' We went to the barn and stopped all the cracks, the holes. Then we set fire to it. What do you think of that?" Then she was gone too.

He stood for a moment, blinking a little, his eyeballs beating faintly and steadily in his skull with the impact of the soft unchanging sunlight, the fierce innocent mass of the flowers.

"Philip!" he called. The Filipino appeared, brownfaced, impassive, with a pot of hot coffee, and set it beside the empty cup and the ice-bedded glass of orange juice. "Get me a drink," Ira said. The Filipino glanced at him, then he became busy at the table, shifting the cup and setting the pot down and shifting the cup again while Ira watched him.

"Did you hear me?" Ira said. The Filipino stood erect and looked at him.

"You told me not to give it to you until you had your orange juice and coffee."

"Will you or won't you get me a drink?" Ira shouted.

"Very good, sir," the Filipino said. He went out. Ira looked after him; this had happened before: he knew well that the brandy would not appear until he had finished the orange juice and the coffee, though just where the Filipino lurked to watch him he never knew. He sat again and opened the crumpled telegram and read it, the glass of orange juice in the other hand. It was from his secretary: MADE SETUP BEFORE I BROKE STORY LAST NIGHT STOP THIRTY PERCENT FRONT PAGE STOP MADE APPOINTMENT FOR YOU COURTHOUSE THIS P. M. STOP WILL YOU COME TO OFFICE OR CALL ME. He read the telegram again, the glass of orange juice still poised. Then he put both down and rose and went and lifted the paper from the terrace where Voyd had flung it, and read the half headline: LALEAR WOMAN DAUGHTER OF PROMINENT LOCAL FAMILY. Admits Real Name Is Samantha Ewing, Daughter of Ira Ewing, Local Realtor. He read it quietly; he said quietly, aloud: "It was that Jap that showed her the paper. It was that damned gardener." He returned to the table. After a while the Filipino came, with the brandy-and-soda, and wearing now a jacket of bright imitation tweed, telling him that the car was ready.

II

HIS MOTHER lived in Glendale; it was the house which he had taken when he married and later bought, in which his son and daughter had been born a bungalow in a cul-desac of pepper trees and flowering shrubs and vines which the Japanese tended, backed into a barren foothill combed and curried into a cypress-and-marble cemetery dramatic as a stage set and topped by an electric sign in red bulbs which, in the San Fernando valley fog, glared in broad sourceless ruby as though just beyond the crest lay not heaven but hell. The length of his sports model car in which the Filipino sat reading a paper dwarfed it. But she would have no other, just as she would have neither servant, car, nor telephone: a gaunt spare slightly stooped woman upon whom even California and ease had put no flesh, sitting in one of the chairs which she had insisted on bringing all the way from Nebraska. At first she had been content to allow the Nebraska furniture to remain in storage, since it had not been needed (when Ira moved his wife and family out of the house and into the second one, the intermediate one, they had bought new furniture too, leaving the first house furnished complete for his mother) but one day, he could not recall just when, he discovered that she had taken the one chair out of storage and was using it in the house. Later, after he began to sense that quality of unrest in her, he had suggested that she let him clear the house of its present furniture and take all of hers out of storage but she declined, apparently preferring or desiring to leave the Nebraska furniture where it was. Sitting so, a knitted shawl about her shoulders, she looked less like she lived in or belonged to the house, the room, than the son with his beach burn and his faintly theatrical gray temples and his bright expensive suavely antiphonal garments did. She had changed hardly at all in the thirty-four years; she and the older Ira Ewing too, as the son remembered him, who, dead, had suffered as little of alteration as while he had been alive. As the sod Nebraska outpost had grown into a village and then into a town, his father's aura alone had increased, growing into the proportions of a giant who at some irrevocable yet recent time had engaged barehanded in some titanic struggle with the pitiless earth and endured and in a sense conquered it too, like the town, a shadow out of all proportion to the gaunt gnarled figure of the actual man. And the actual woman too as the son remembered them back in that time.

Two people who drank air and who required to eat and sleep as he did and who had brought him into the world, yet were strangers as though of another race, who stood side by side in an irrevocable loneliness as though strayed from another planet, not as husband and wife but as blood brother and sister, even twins, of the same travail because they had gained a strange peace through fortitude and the will and strength to endure.

"Tell me again what it is," she said. "I'll try to understand."

"So it was Kazimura that showed you the damned paper," he said. She didn't answer this; she was not looking at him.

"You tell me she has been in the pictures before, for two years. That that was why she had to change her name, that they all have to change their names."

"Yes. They call them extra parts. For about two years, God knows why."

"And then you tell me that this that all this was so she could get into the pictures "

He started to speak, then he caught himself back out of some quick impatience, some impatience perhaps of grief or despair or at least rage, holding his voice, his tone, quiet: "I said that that was one possible reason. All I know is that the, man has something to do with pictures, giving out the parts. And that the police caught him and Samantha and the other girl in an apartment with the doors all locked and that Samantha and the other woman were naked. They say that he was naked too and he says he was not. He says in the trial that he was framed, tricked; that they were trying to blackmail him into giving them parts in a picture; that they fooled him into coming there and arranged for the police to break in just after they had taken off their clothes; that one of them made a signal from the window. Maybe so. Or maybe they were all just having a good time and were innocently caught." Unmoving, rigid, his face broke, wrung with faint bitter smiling as though with indomitable and impassive suffering, or maybe just smiling, just rage. Still his mother did not look at him.

"But you told me she was already in the pictures. That that was why she had to change her..."

"I said, extra parts," he said. He had to catch himself again, out of his jangled and outraged nerves, back from the fierce fury of the impatience. "Can't you understand that you don't get into the pictures just by changing your name? and that you don't even stay there when you get in? that you can't even stay there by being female? that they come here in droves on every train, girls younger and prettier than Samantha and who will do anything to get into the pictures? So will she, apparently; but who know or are willing to learn to do more things than even she seems to have thought of? But let's don't talk about it. She has made her bed; all I can do is to help her up: I can't wash the sheets. Nobody can. I must go, anyway; I'm late." He rose, looking down at her. "They said you telephoned me this morning. Is this what it was?"

"No," she said. Now she looked up at him; now her gnarled hands began to pick faintly at one another. "You offered me a servant once."

"Yes. I thought fifteen years ago that you ought to have one. Have you changed your mind? Do you want me to..."

Now she stopped looking at him again, though her hands did not cease. "That was fifteen years ago. It would have cost at least five hundred dollars a year. That would be..."

He laughed, short and harsh. "I'd like to see the Los Angeles servant you could get for five hundred dollars a year. But what..." He stopped laughing, looking down at her.

"That would be at least five thousand dollars," she said.

He looked down at her. After a while he said, "Are you asking me again for money?" She didn't answer nor move, her hands picking slowly and quietly at one another. "Ah," he said. "You want to go away. You want to run from it. So do I!" he cried, before he could catch himself this time; "so do I! But you did not choose me when you elected a child; neither did I choose my two. But I shall have to bear them and you will have to bear all of us. There is no help for it." He caught himself now, panting, quieting himself by will as when he would rise from bed, though his voice was still harsh: "Where would you go? Where would you hide from it?"

"Home," she said.

"Home?" he repeated; he repeated in a kind of amazement: "home?" before he understood. "You would go back there? with those winters, that snow and all? Why, you wouldn't live to see the first Christmas: don't you know that?" She didn't move nor look up at him. "Nonsense," he said. "This will blow over. In a month there will be two others and nobody except us will even remember it. And you don't need money. You have been asking me for money for years, but you don't need it. I had to worry about money so much at one time myself that I swore that the least I could do was to arrange your affairs so you would never even have to look at the stuff. I must go; there is something at the office today. I'll see you tomorrow."

It was already one o'clock. "Courthouse," he told the Filipino, settling back into the car. "My God, I want a drink." He rode with his eyes closed against the sun; the secretary had already sprung onto the runningboard before he realized that they had reached the courthouse. The secretary, bareheaded too, wore a jacket of authentic tweed; his turtleneck sweater was dead black, his hair was black too, varnished smooth to his skull; he spread before Ira a dummy newspaper page laid out to embrace the blank space for the photograph beneath the caption: APRIL LALEAR'S FATHER. Beneath the space was the legend: IRA EWING, PRESIDENT OF THE EWING REALTY CO., WILSHIRE BOULEVARD, BEVERLY HILLS.

"Is thirty percent all you could get?" Ira said. The secretary was young; he glared at Ira for an instant in vague impatient fury.

"Jesus, thirty percent is thirty percent. They are going to print a thousand extra copies and use our mailing list. It will be spread all up and down the Coast and as far East as Reno. What do you want? We can't expect them to put under your picture, 'Turn to page fourteen for halfpage ad,' can we?" Ira sat again with his eyes closed, waiting for his head to stop.

"All right," he said. "Are they ready now?"

"All set. You will have to go inside. They insisted it be inside, so everybody that sees it will know it is the courthouse."

"All right," Ira said. He got out; with his eyes half closed and the secretary at his elbow he mounted the steps and entered the courthouse. The reporter and the photographer were waiting but he did not see them yet; he was aware only of being enclosed in a gaping crowd which he knew would be mostly women, hearing the secretary and a policeman clearing the way in the corridor outside the courtroom door.

"This is O. K.," the secretary said. Ira stopped; the darkness was easier on his eyes though he did not open them yet; he just stood, hearing the secretary and the policeman herding the women, the faces, back; someone took him by the arm and turned him; he stood obediently; the magnesium flashed and glared, striking against his painful eyeballs like blows; he had a vision of wan faces craned to look at him from either side of a narrow human lane; with his eyes shut tight now he turned, blundering until the reporter in charge spoke to him: "Just a minute, chief. We better get another one just in case." This time his eyes were tightly closed; the magnesium flashed, washed over them; in the thin acrid smell of it he turned and with the secretary again at his elbow he moved blindly back and into the sunlight and into his car. He gave no order this time, he just said, "Get me a drink." He rode with his eyes closed again while the car cleared the downtown traffic and then began to move quiet, powerful and fast under him; he rode so for a long while before he felt the car swing into the palm-bordered drive, slowing. It stopped; the doorman opened the door for him, speaking to him by name. The elevator boy called him by name too, stopping at the right floor without direction; he followed the corridor and knocked at a door and was fumbling for the key when the door opened upon a woman in a bathing suit beneath a loose beach cloak, a woman with treated hair also and brown eyes, who swung the door back for him to enter and then to behind him, looking at him with the quick bright faint serene smiling which only a woman nearing forty can give to a man to whom she is not married and from whom she has had no secrets physical and few mental over a long time of pleasant and absolute intimacy. She had been married though and divorced; she had a child, a daughter of fourteen, whom he was now keeping in boarding school. He looked at her, blinking, as she closed the door.

"You saw the papers," he said. She kissed him, not suddenly, without heat, in a continuation of the movement which closed the door, with a sort of warm envelopment; suddenly he cried, "I can't understand it! After all the advantages that... after all I tried to do for them "

"Hush," she said. "Hush, now. Get into your trunks; I'll have a drink ready for you when you have changed. Will you eat some lunch if I have it sent up?"

"No. I don't want any lunch. After all I have tried to give--"

"Hush, now. Get into your trunks while I fix you a drink. It's going to be swell at the beach." In the bedroom his bathing trunks and robe were laid out on the bed. He changed, hanging his suit in the closet where her clothes hung, where there hung already another suit of his and clothes for the evening. When he returned to the sitting room she had fixed the drink for him; she held the match to his cigarette and watched him sit down and take up the glass, watching him still with that serene impersonal smiling.

Now he watched her slip off the cape and kneel at the cellarette, filling a silver flask, in the bathing costume of the moment, such as ten thousand wax female dummies wore in ten thousand shop windows that summer, such as a hundred thousand young girls wore on California beaches; he looked at her, kneeling back, buttocks and flanks trim enough, even firm enough (so firm in fact as to be a little on the muscular side, what with unremitting and perhaps even rigorous care) but still those of forty. But I don't want a young girl, he thought. Would to God that all young girls, all young female flesh, were removed, blasted even, from the earth. He finished the drink before she had filled the flask.

"I want another one," he said.

"All right," she said. "As soon as we get to the beach."

"No. Now."

"Let's go on to the beach first. It's almost three o'clock. Won't that be better?"

"Just so you are not trying to tell me I can't have another drink now."

"Of course not," she said, slipping the flask into the cape's pocket and looking at him again with that warm, faint, inscrutable smiling. "I just want to have a dip before the water gets too cold." They went down to the car; the Filipino knew this too: he held the door for her to slip under the wheel, then he got himself into the back. The car moved on; she drove well. "Why not lean back and shut your eyes," she told Ira, "and rest until we get to the beach? Then we will have a dip and a drink."

"I don't want to rest," he said. "I'm all right." But he did close his eyes again and again the car ran powerful, smooth, and fast beneath him, performing its afternoon's jaunt over the incredible distances of which the city was composed; from time to time, had he looked, he could have seen the city in the bright soft vague hazy sunlight, random, scattered about the arid earth like so many gay scraps of paper blown without order, with its curious air of being rootless, of houses bright beautiful and gay, without basements or foundations, lightly attached to a few inches of light penetrable earth, lighter even than dust and laid lightly in turn upon the profound and primeval lava, which one good hard rain would wash forever from the sight and memory of man as a firehose flushes down a gutter that city of almost incalculable wealth whose queerly appropriate fate it is to be erected upon a few spools of a substance whose value is computed in billions and which may be completely destroyed in that second's instant of a careless match between the moment of striking and the moment when the striker might have sprung and stamped it out.

"You saw your mother today," she said. "Has she..."

"Yes." He didn't open his eyes. "That damned Jap gave it to her. She asked me for money again. I found out what she wants with it. She wants to run, to go back to Nebraska. I told her, so did I... If she went back there, she would not live until Christmas. The first month of winter would kill her. Maybe it wouldn't even take winter to do it."

She still drove, she still watched the road, yet somehow she had contrived to become completely immobile. "So that's what it is," she said.

He did not open his eyes. "What what is?"

"The reason she has been after you all this time to give her money, cash. Why, even when you won't do it, every now and then she asks you again."

"What what..." He opened his eyes, looking at her profile; he sat up suddenly. "You mean, she's been wanting to go back there all the time? That all these years she has been asking me for money, that that was what she wanted with it?"

She glanced at him swiftly, then back to the road. "What else can it be? What else could she use money for?"

"Back there?" he said. "To those winters, that town, that way of living, where she's bound to know that the first winter would... You'd almost think she wanted to die, wouldn't you?"

"Hush," she said quickly. "Shhhhh. Don't say that. Don't say that about anybody." Already they could smell the sea; now they swung down toward it; the bright salt wind blew upon them, with the long-spaced sound of the rollers; now they could see it: the dark blue of water creaming into the blanched curve of beach dotted with bathers. "We won't go through the club," she said. "I'll park in here and we can go straight to the water." They left the Filipino in the car and descended to the beach. It was already crowded, bright and gay with movement. She chose a vacant space and spread her cape.

"Now that drink," he said.

"Have your dip first," she said. He looked at her. Then he slipped his robe off slowly; she took it and spread it beside her own; he looked down at her.

"Which is it? Will you always be too clever for me, or is it that every time I will always believe you again?"

She looked at him, bright, warm, fond and inscrutable.

"Maybe both. Maybe neither. Have your dip; I will have the flask and a cigarette ready when you come out." When he came back from the water, wet, panting, his heart a little too hard and fast, she had the towel ready, and she lit the cigarette and uncapped the flask as he lay on the spread robes.

She lay too, lifted to one elbow, smiling down at him, smoothing the water from his hair with the towel while he panted, waiting for his heart to slow and quiet. Steadily between them and the water, and as far up and down the beach as they could see, the bathers passed: young people, young men in trunks, and young girls in little more, with bronzed, unselfconscious bodies. Lying so, they seemed to him to walk along the rim of the world as though they and their kind alone inhabited it, and he with his forty-eight years were the forgotten last survivor of another race and kind, and they in turn precursors of a new race not yet seen on the earth: of men and women without age, beautiful as gods and goddesses, and with the minds of infants. He turned quickly and looked at the woman beside him, at the quiet face, the wise, smiling eyes, the grained skin and temples, the hair-roots showing where the dye had grown out, the legs veined faint and blue and myriad beneath the skin. "You look better than any of them!" he cried. "You look better to me than any of them!"

Ill

THE JAPANESE GARDENER, with his hat on, stood tapping on the glass and beckoning and grimacing until old Mrs. Ewing went out to him. He had the afternoon's paper with its black headline: LALEAR WOMAN CREATES SCENE IN COURTROOM. "You take," the Japanese said. "Read while I catch water." But she declined; she just stood in the soft halcyon sunlight, surrounded by the myriad and almost fierce blooming of flowers, and looked quietly at the headline without even taking the paper, and that was all.

"I guess I won't look at the paper today," she said. "Thank you just the same." She returned to the living room. Save for the chair, it was exactly as it had been when she first saw it that day when her son brought her into it and told her that it was now her home and that her daughter-in-law and her grandchildren were now her family. It had changed very little, and that which had altered was the part which her son knew nothing about, and that too had changed not at all in so long that she could not even remember now when she had added the last coin to the hoard. This was in a china vase on the mantel. She knew what was in it to the penny; nevertheless, she took it down and sat in the chair which she had brought all the way from Nebraska and emptied the coins and the worn timetable into her lap. The timetable was folded back at the page on which she had folded it the day she walked downtown to the ticket office and got it fifteen years ago, though that was so long ago now that the pencil circle about the name of the nearest junction point to Ewing, Nebraska, had faded away. But she did not need that either; she knew the distance to the exact half mile, just as she knew the fare to the penny, and back in the early twenties when the railroads began to become worried and passenger fares began to drop, no broker ever watched the grain and utilities market any closer than she watched the railroad advertisements and quotations.

Then at last the fares became stabilized with the fare back to Ewing thirteen dollars more than she had been able to save, and at a time when her source of income had ceased.

This was the two grandchildren. When she entered the house that day twenty years ago and looked at the two babies for the first time, it was with diffidence and eagerness both. She would be dependent for the rest of her life, but she would give something in return for it. It was not that she would attempt to make another Ira and Samantha Ewing of them; she had made that mistake with her own son and had driven him from home. She was wiser now; she saw now that it was not the repetition of hardship: she would merely take what had been of value in hers and her husband's hard lives that which they had learned through hardship and endurance of honor and courage and pride and transmit it to the children without their having to suffer the hardship at all, the travail and the despairs. She had expected that there would be some friction between her and the young daughter-in-law, but she had believed that her son, the actual Ewing, would be her ally; she had even reconciled herself after a year to waiting, since the children were still but babies; she was not alarmed, since they were Ewings too: after she had looked that first searching time at the two puttysoft little faces feature by feature, she had said it was because they were babies yet and so looked like no one. So she was content to bide and wait; she did not even know that her son was planning to move until he told her that the other house was bought and that the present one was to be hers until she died. She watched them go; she said nothing; it was not to begin then. It did not begin for five years, during which she watched her son making money faster and faster and easier and easier, gaining with apparent contemptible and contemptuous ease that substance for which in niggard amounts her husband had striven while still clinging with undeviating incorruptibility to honor and dignity and pride, and spending it, squandering it, in the same way. By that time she had given up the son and she had long since learned that she and her daughter-in-law were irrevocable and implacable moral enemies. It was in the fifth year. One day in her son's home she saw the two children take money from their mother's purse lying on a table. The mother did not even know how much she had in the purse; when the grandmother told her about it she became angry and dared the older woman to put it to the test.

The grandmother accused the children, who denied the whole affair with perfectly straight faces. That was the actual break between herself and her son's family; after that she saw the two children only when the son would bring them with him occasionally on his unfailing daily visits. She had a few broken dollars which she had brought from Nebraska and had kept intact for five years, since she had no need for money here; one day she planted one of the coins while the children were there, and when she went back to look, it was gone too. The next morning she tried to talk to her son about the children, remembering her experience with the daughter-in-law and approaching the matter indirectly, speaking generally of money. "Yes," the son said. "I'm making money. I'm making it fast while I can. I'm going to make a lot of it. I'm going to give my children luxuries and advantages that my father never dreamed a child might have."

"That's it," she said. "You make money too easy. This whole country is too easy for us Ewings. It may be all right for them that have been born here for generations; I don't know about that. But not for us."

"But these children were born here."

"Just one generation. The generation before that they were born in a sodroofed dugout on the Nebraska wheat frontier. And the one before that in a log house in Missouri. And the one before that in a Kentucky blockhouse with Indians around it. This world has never been easy for Ewings. Maybe the Lord never intended it to be."

"But it is from now on," he said; he spoke with a kind of triumph. "For you and me too. But mostly for them."

And that was all. When he was gone she sat quietly in the single Nebraska chair which she had taken out of storage, the first chair which the older Ira Ewing had bought for her after he built a house and in which she had rocked the younger Ira to sleep before he could walk, while the older Ira himself sat in the chair which he had made out of a flour barrel, grim, quiet and incorruptible, taking his earned twilight ease between a day and a day telling herself quietly that that was all. Her next move was curiously direct; there was something in it of the actual pioneer's opportunism, of taking immediate and cold advantage of Spartan circumstance; it was as though for the first time in her life she was able to use something, anything, which she had gained by bartering her youth and strong maturity against the Nebraska immensity, and this not in order to live further but in order to die; apparently she saw neither paradox in it nor dishonesty. She began to make candy and cake of the materials which her son bought for her on credit, and to sell them to the two grandchildren for the coins which their father gave them or which they perhaps purloined also from their mother's purse, hiding the coins in the vase with the timetable, watching the niggard hoard grow. But after a few years the children outgrew candy and cake, and then she had watched railroad fares go down and down and then stop thirteen dollars away. But she did not give up, even then. Her son had tried to give her a servant years ago and she had refused; she believed that when the time came, the right moment, he would not refuse to give her at least thirteen dollars of the money which she had saved him.

Then this had failed. "Maybe it wasn't the right time," she thought. "Maybe I tried it too quick. I was surprised into it," she told herself, looking down at the heap of small coins in her lap. "Or maybe he was surprised into saying No. Maybe when he has had time..." She roused; she put the coins back into the vase and set it on the mantel again, looking at the clock as she did so. It was just four, two hours yet until time to start supper. The sun was high; she could see the water from the sprinkler flashing and glinting in it as she went to the window. It was still high, still afternoon; the mountains stood serene and drab against it; the city, the land, lay sprawled and myriad beneath it the land, the earth which spawned a thousand new faiths, nostrums and cures each year but no disease to even disprove them on beneath the golden days unmarred by rain or weather, the changeless monotonous beautiful days without end, countless out of the halcyon past and endless into the halcyon future.

"I will stay here and live forever," she said to herself.

There Was a Queen

ELNORA entered the back yard, coming up from her cabin.

In the long afternoon the huge, square house, the premises, lay somnolent, peaceful, as they had lain for almost a hundred years, since John Sartoris had come from Carolina and built it. And he had died in it and his son Bayard had died in it, and Bayard's son John and John's son Bayard in turn had been buried from it even though the last Bayard didn't die there.

So the quiet was now the quiet of women-folks. As Elnora crossed the back yard toward the kitchen door she remembered how ten years ago at this hour old Bayard, who was her half-brother (though possibly but not probably neither of them knew it, including Bayard's father), would be tramping up and down the back porch, shouting stableward for the Negro men and for his saddle mare. But he was dead now, and his grandson Bayard was also dead at twenty-six years old, and the Negro men were gone: Simon, Elnora's mother's husband, in the graveyard too, and Caspey, Elnora's husband, in the penitentiary for stealing, and Joby, her son, gone to Memphis to wear fine clothes on Beale Street. So there were left in the house only the first John Sartoris' sister, Virginia, who was ninety years old and who lived in a wheel chair beside a window above the flower garden, and Narcissa, young Bayard's widow, and her son. Virginia Du Pre had come out to Mississippi in '69, the last of the Carolina family, bringing with her the clothes in which she stood and a basket containing a few panes of colored glass from a Carolina window and a few flower cuttings and two bottles of port. She had seen her brother die and then her nephew and then her great-nephew and then her two great-great-nephews, and now she lived in the unmanned house with her great-greatnephew's wife and his son, Benbow, whom she persisted in calling Johnny after his uncle, who was killed in France. And for Negroes there were Elnora who cooked, and her son Isom who tended the grounds, and her daughter Saddie who slept on a cot beside Virginia Du Pre's bed and tended her as though she were a baby.

But that was all right. "I can take care of her," Elnora thought, crossing the back yard. "I don't need no help," she said aloud, to no one, a tall, coffee-colored woman with a small, high, fine head. "Because it's a Sartoris job. Gunnel knowed that when he died and tole me to take care of her. Tole me. Not no outsiders from town." She was thinking of what had caused her to come up to the house an hour before it was necessary. This was that, while busy in her cabin, she had seen Narcissa, young Bayard's wife, and the ten-year-old boy going down across the pasture in the middle of the afternoon. She had come to her door and watched them the boy and the big young woman in white going through the hot afternoon, down across the pasture toward the creek. She had not wondered where they were going, nor why, as a white woman would have wondered. But she was half black, and she just watched the white woman with that expression of quiet and grave contempt with which she contemplated or listened to the orders of the wife of the house's heir even while he was alive. Just as she had listened two days ago when Narcissa had informed her that she was going to Memphis for a day or so and that Elnora would have to take care of the old aunt alone. "Like I ain't always done it," Elnora thought. "It's little you done for anybody since you come out here. We never needed you. Don't you never think it."

But she didn't say this. She just thought it, and she helped Narcissa prepare for the trip and watched the carriage roll away toward town and the station without comment. "And you needn't to come back," she thought, watching the carriage disappear. But this morning Narcissa had returned, without offering to explain the sudden journey or the sudden return, and in the early afternoon Elnora from her cabin door had watched the woman and the boy go down across the pasture in the hot June sunlight.

"Well, it's her business where she going," Elnora said aloud, mounting the kitchen steps. "Same as it her business how come she went off to Memphis, leaving Miss Jenny setting yonder in her chair without nobody but niggers to look after her," she added, aloud still, with brooding inconsistency. "I ain't surprised she went. I just surprised she come back. No. I ain't even that. She ain't going to leave this place, now she done got in here." Then she said quietly, aloud, without rancor, without heat: "Trash. Town trash."

She entered the kitchen. Her daughter Saddie sat at the table, eating from a dish of cold turnip greens and looking at a thumbed and soiled fashion magazine. "What you doing back here?" she said. "Why ain't you up yonder where you can hear Miss Jenny if she call you?"

"Miss Jenny ain't need nothing," Saddie said. "She setting there by the window."

"Where did Miss Narcissa go?"

"I don't know'm," Saddie said. "Her and Bory went off somewhere. Ain't come back yet."

Elnora grunted. Her shoes were not laced, and she stepped out of them in two motions and left the kitchen and went up the quiet, high-ceiled hall filled with scent from the garden and with the drowsing and myriad sounds of the June afternoon, to the open library door. Beside the window (the sash was raised now, with its narrow border of colored Carolina glass which in the winter framed her head and bust like a hung portrait) an old woman sat in a wheel chair. She sat erect; a thin, upright woman with a delicate nose and hair the color of a whitewashed wall. About her shoulders lay a shawl of white wool, no whiter than her hair against her black dress. She was looking out the window; in profile her face was high-arched, motionless. When Elnora entered she turned her head and looked at the Negress with an expression immediate and interrogative.

"They ain't come in the back way, have they?" she said.

"Nome," Elnora said. She approached the chair.

The old woman looked out the window again. "I must say I don't understand this at all. Miss Narcissa's doing a mighty lot of traipsing around all of a sudden. Picking up and..."

Elnora came to the chair. "A right smart," she said in her cold, quiet voice, "for a woman lazy as her."

"Picking up..." the old woman said. She ceased. "You stop talking that way about her."

"I ain't said nothing but the truth," Elnora said.

"Then you keep it to yourself. She's Bayard's wife. A Sartoris woman, now."

"She won't never be a Sartoris woman," Elnora said.

The other was looking out the window. "Picking up all of a sudden two days ago and going to Memphis to spend two nights, that hadn't spent a night away from that boy since he was born. Leaving him for two whole nights, mind you, without giving any reason, and then coming home and taking him off to walk in the woods in the middle of the day. Not that he missed her. Do you think he missed her at all while she was gone?"

"Nome," Elnora said. "Ain't no Sartoris man never missed nobody."

"Of course he didn't." The old woman looked out the window. Elnora stood a little behind the chair. "Did they go on across the pasture?"

"I don't know. They went out of sight, still going. Toward the creek."

"Toward the creek? What in the world for?"

Elnora didn't answer. She stood a little behind the chair, erect, still as an Indian. The afternoon was drawing on. The sun was now falling level across the garden below the window, and soon the jasmine in the garden began to smell with evening, coming into the room in slow waves almost palpable; thick, sweet, oversweet. The two women were motionless in the window: the one leaning a little forward in the wheel chair, the Negress a little behind the chair, motionless too and erect as a caryatid.

The light in the garden was beginning to turn copper-colored when the woman and the boy entered the garden and approached the house. The old woman in the chair leaned suddenly forward. To Elnora it seemed as if the old woman in the wheel chair had in that motion escaped her helpless body like a bird and crossed the garden to meet the child; moving forward a little herself Elnora could see on the other's face an expression fond, immediate, and oblivious. So the two people had crossed the garden and were almost to the house when the old woman sat suddenly and sharply back. "Why, they're wet!" she said. "Look at their clothes.

They have been in the creek with their clothes on!"

"I reckon I better go and get supper started," Elnora said.

II

IN THE kitchen Elnora prepared the lettuce and the tomatoes, and sliced the bread (not honest cornbread, not even biscuit) which the woman whose very name she did not speak unless it was absolutely necessary, had taught her to bake. Isom and Saddie sat in two chairs against the wall. "I got nothing against her," Elnora said. "I nigger and she white. But my black children got more blood than she got. More behavior."

"You and Miss Jenny both think ain't nobody been born since Miss Jenny," Isom said.

"Who is been?" Elnora said.

"Miss Jenny get along all right with Miss Narcissa," Isom said. "Seem to me like she the one to say. I ain't heard her say nothing about it."

"Because Miss Jenny quality," Elnora said. "That's why. And that's something you don't know nothing about, because you born too late to see any of it except her."

"Look to me like Miss Narcissa good quality as anybody else," Isom said. "I don't see no difference."

Elnora moved suddenly from the table. Isom as suddenly sprang up and moved his chair out of his mother's path. But she only went to the cupboard and took a platter from it and returned to the table, to the tomatoes. "Born Sartoris or born quality of any kind ain't is, it's does." She talked in a level, inflectionless voice above her limber, brown, deft hands. When she spoke of the two women she used "she" indiscriminately, putting the least inflection on the one which referred to Miss Jenny. "Come all the way here by Herself, and the country still full of Yankees. All the way from Cal-lina, with Her folks all killed and dead except old Marse John, and him two hundred miles away in Missippi "

"It's moren two hundred miles from here to Cal-lina," Isom said. "Learnt that in school. It's nigher two thousand."

Elnora's hands did not cease. She did not seem to have heard him. "With the Yankees done killed Her paw and Her husband and burned the Cal-lina house over Her and Her mammy's head, and She come all the way to Missippi by Herself, to the only kin She had left. Getting here in the dead of winter without nothing in this world of God's but a basket with some flower seeds and two bottles of wine and them colored window panes old Marse John put in the library window so She could look through it like it was Callina. She got here at dusk-dark on Christmas Day and old Marse John and the chillen and my mammy waiting on the porch, and Her setting high-headed in the wagon for old Marse John to lift Her down. They never even kissed then, out where folks could see them. Old Marse John just said, 'Well, Jenny,' and she just said, 'Well, Johnny,' and they walked into the house, him leading Her by the hand, until they was inside the house where the commonalty couldn't spy on them. Then She begun to cry, and old Marse John holding Her, after all them four thousand miles "

"It ain't four thousand miles from here to Cal-lina," Isom said. "Ain't but two thousand. What the book say in school."

Elnora paid no attention to him at all; her hands did not cease. "It took Her hard, the crying did. 'It's because I ain't used to crying,' she said. 'I got out of the habit of it. I never had the time. Them goddamn Yankees,' she said. 'Them goddamn Yankees.'" Elnora moved again, to the cupboard. It was as though she walked out of the sound of her voice on her silent, naked feet, leaving it to fill the quiet kitchen though the voice itself had ceased. She took another platter down and returned to the table, her hands busy again among the tomatoes and lettuce, the food which she herself could not eat. "And that's how it is that she" (she was now speaking of Narcissa; the two Negroes knew it) "thinks she can pick up and go to Memphis and frolic, and leave Her alone in this house for two nights without nobody but niggers to look after Her. Move out here under a Sartoris roof and eat Sartoris food for ten years, and then pick up and go to Memphis same as a nigger on a excursion, without even telling why she was going."

"I thought you said Miss Jenny never needed nobody but you to take care of her," Isom said. "I thought you said yesterday you never cared if she come back or not."

Elnora made a sound, harsh, disparaging, not loud. "Her not come back? When she worked for five years to get herself married to Bayard? Working on Miss Jenny all the time Bayard was off to that war? I watched her. Coming out here two or three times a week, with Miss Jenny thinking she was just coming out to visit like quality. But I knowed. I knowed what she was up to all the time. Because I knows trash. I knows the way trash goes about working in with quality. Quality can't see that, because it quality. But I can."

"Then Bory must be trash, too," Isom said.

Elnora turned now. But Isom was already out of his chair before she spoke. "You shut your mouth and get yourself ready to serve supper." She watched him go to the sink and prepare to wash his hands. Then she turned back to the table, her long hands brown and deft among the red tomatoes and the pale absinth-green of the lettuce. "Needings," she said.

"It ain't Bory's needings and it ain't Her needings. It's dead folks' needings. Old Marse John's and Gunnel's and Mister John's and Bayard's that's dead and can't do nothing about it. That's where the needings is. That's what I'm talking about. And not nobody to see to it except Her yonder in that chair, and me, a nigger, back here in this kitchen. I ain't got nothing against her. I just say to let quality consort with quality, and unquality do the same thing. You get that coat on, now. This here is all ready."

Ill

IT WAS the boy who told her. She leaned forward in the wheel chair and watched through the window as the woman and the child crossed the garden and passed out of sight beyond the angle of the house. Still leaning forward and looking down into the garden, she heard them enter the house and pass the library door and mount the stairs. She did not move, nor look toward the door. She continued to look down into the garden, at the now stout shrubs which she had fetched from Carolina as shoots not much bigger than matches. It was in the garden that she and the younger woman who was to marry her nephew and bear a son, had become acquainted. That was back in 1918, and young Bayard and his brother John were still in France. It was before John was killed, and two or three times a week Narcissa would come out from town to visit her while she worked among the flowers. "And she engaged to Bayard all the time and not telling me," the old woman thought. "But it was little she ever told me about anything," she thought, looking down into the garden which was beginning to fill with twilight and which she had not entered in five years. "Little enough about anything. Sometimes I wonder how she ever got herself engaged to Bayard, talking so little. Maybe she did it by just being, filling some space, like she got that letter." That was one day shortly before Bayard returned home. Narcissa came out and stayed for two hours, then just before she left she showed the letter. It was anonymous and obscene; it sounded mad, and at the time she had tried to get Narcissa to let her show the letter to Bayard's grandfather and have him make some effort to find the man and punish him, but Narcissa refused. "I'll just burn it and forget about it," Narcissa said. "Well, that's your business," the older woman said.

"But that should not be permitted. A lady should not be at the mercy of a man like that, even by mail. Any gentleman will believe that, act upon it. Besides, if you don't do something about it, he'll write you again."

"Then I'll show it to Colonel Sartoris," Narcissa said. She was an orphan, her brother also in France. "But can't you see I just can't have any man know that anybody thought such things about me."

"Well, I'd rather have the whole world know that somebody thought that way about me once and got horsewhipped for it, than to have him keep on thinking that way about me, unpunished. But it's your affair."

"I'll just burn it and forget about it," Narcissa said. Then Bayard returned, and shortly afterward he and Narcissa were married and Narcissa came out to the house to live. Then she was pregnant, and before the child was born Bayard was killed in an airplane, and his grandfather, old Bayard, was dead and the child came, and it was two years before she thought to ask her niece if any more letters had come; and Narcissa told her no.

So they had lived quietly then, their women's life in the big house without men. Now and then she had urged Narcissa to marry again. But the other had refused, quietly, and they had gone on so for years, the two of them and the child whom she persisted in calling after his dead uncle. Then one evening a week ago, Narcissa had a guest for supper; when she learned that the guest was to be a man, she sat quite still in her chair for a time. "Ah," she thought, quietly. "It's come. Well. But it had to; she is young. And to live out here alone with a bedridden old woman. Well. But I wouldn't have her do as I did. Would not expect it of her. After all, she is not a Sartoris. She is no kin to them, to a lot of fool proud ghosts."

The guest came. She did not see him until she was wheeled in to the supper table. Then she saw a bald, youngish man with a clever face and a Phi Beta Kappa key on his watch chain. The key she did not recognize, but she knew at once that he was a Jew, and when he spoke to her her outrage became fury and she jerked back in the chair like a striking snake, the motion strong enough to thrust the chair back from the table. "Narcissa," she said, "what is this Yankee doing here?"

There they were, about the candle-lit table, the three rigid people. Then the man spoke: "Madam," he said, "there'd be no Yankees left if your sex had ever taken the field against us."

"You don't have to tell me that, young man," she said.

"You can thank your stars it was just men your grandfather fought." Then she had called Isom and had herself wheeled from the table, taking no supper. And even in her bedroom she would not let them turn on the light, and she refused the tray which Narcissa sent up. She sat beside her dark window until the stranger was gone.

Then three days later Narcissa made her sudden and mysterious trip to Memphis and stayed two nights, who had never before been separated overnight from her son since he was born. She had gone without explanation and returned without explanation, and now the old woman had just watched her and the boy cross the garden, their garments still damp upon them, as though they had been in the creek.

It was the boy who told her. He came into the room in fresh clothes, his hair still damp, though neatly combed now.

She said no word as he entered and came to her chair. "We been in the creek," he said. "Not swimming, though. Just sitting in the water. She wanted me to show her the swimming hole. But we didn't swim. I don't reckon she can. We just sat in the water with our clothes on. All evening. She wanted to do it."

"Ah," the old woman said. "Oh. Well. That must have been fun. Is she coming down soon?"

"Yessum. When she gets dressed."

"Well... You'll have time to go outdoors a while before supper, if you want to."

"I just as soon stay in here with you, if you want me to."

"No. You go outdoors. I'll be all right until Saddie comes."

"All right." He left the room.

The window faded slowly as the sunset died. The old woman's silver head faded too, like something motionless on a sideboard. The sparse colored panes which framed the window dreamed, rich and hushed. She sat there and presently she heard her nephew's wife descending the stairs. She sat quietly, watching the door, until the young woman entered.

She wore white: a large woman in her thirties, within the twilight something about her of that heroic quality of statuary. "Do you want the light?" she said.

"No," the old woman said. "No. Not yet." She sat erect in the wheel chair, motionless, watching the young woman cross the room, her white dress flowing slowly, heroic, like a caryatid from a temple facade come to life. She sat down, "It was those let..." she said.

'Wait," the old woman said. "Before you begin. The jasmine. Do you smell it?"

"Yes. It was those "

"Wait. Always about this time of day it begins. It has begun about this time of day in June for fifty-seven years this summer. I brought them from Carolina, in a basket. I remember how that first March I sat up all one night, burning newspapers about the roots. Do you smell it?"

"Yes."

"If it's marriage, I told you. I told you five years ago that I wouldn't blame you. A young woman, a widow. Even though you have a child, I told you that a child would not be enough. I told you I would not blame you for not doing as I had done. Didn't I?"

"Yes. But it's not that bad."

"Not? Not how bad?" The old woman sat erect, her head back a little, her thin face fading into the twilight with a profound quality. "I won't blame you. I told you that. You are not to consider me. My life is done; I need little; nothing the Negroes can't do. Don't you mind me, do you hear?"

The other said nothing, motionless too, serene; their voices seemed to materialize in the dusk between them, unsourced of either mouth, either still and fading face. "You'll have to tell me, then," the old woman said.

"It was those letters. Thirteen years ago: don't you remember? Before Bayard came back from France, before you even knew that we were engaged. I showed you one of them and you wanted to give it to Colonel Sartoris and let him find out who sent it and I wouldn't do it and you said that no lady would permit herself to receive anonymous love letters, no matter how badly she wanted to."

"Yes. I said it was better for the world to know that a lady had received a letter like that, than to have one man in secret thinking such things about her, unpunished. You told me you burned it."

"I lied. I kept it. And I got ten more of them. I didn't tell you because of what you said about a lady."

"Ah," the old woman said.

"Yes. I kept them all. I thought I had them hidden where nobody could ever find them."

"And you read them again. You would take them out now and then and read them again."

"I thought I had them hidden. Then you remember that night after Bayard and I were married when somebody broke into our house in town; the same night that book-keeper in Colonel Sartoris' bank stole that money and ran away? The next morning the letters were gone, and then I knew who had sent them."

"Yes," the old woman said. She had not moved, her fading head like something inanimate in silver.

"So they were out in the world. They were somewhere. I was crazy for a while. I thought of people, men, reading them, seeing not only my name on them, but the marks of my eyes where I had read them again and again. I was wild. When Bayard and I were on our honeymoon, I was wild. I couldn't even think about him alone. It was like I was having to sleep with all the men in the world at the same time.

"Then it was almost twelve years ago, and I had Bory, and I supposed I had got over it. Got used to having them out in the world. Maybe I had begun to think that they were gone, destroyed, and I was safe. Now and then I would remember them, but it was like somehow that Bory was protecting me, that they couldn't pass him to reach me. As though if I just stayed out here and was good to Bory and you And then, one afternoon, after twelve years, that man came out to see me, that Jew. The one who stayed to supper that night."

"Ah," the old woman said. "Yes."

"He was a Federal agent. They were still trying to catch the man who had robbed the bank, and the agent had got hold of my letters. Found them where the book-keeper had lost them or thrown them away that night while he was running away, and the agent had had them twelve years, working on the case. At last he came out to see me, trying to find out where the man had gone, thinking I must know, since the man had written me letters like that. You remember him: how you looked at him and you said, 'Narcissa, who is this Yankee?'"

"Yes. I remember."

"That man had my letters. He had had them for twelve years. He..."

"Had had?" the old woman said. "Had had?"

"Yes. I have them now. He hadn't sent them to Washington yet, so nobody had read them except him. And now nobody will ever read them." She ceased; she breathed quietly, tranquil. "You don't understand yet, do you? He had all the information the letters could give him, but he would have to turn them in to the Department anyway and I asked him for them but he said he would have to turn them in and I asked him if he would make his final decision in Memphis and he said why Memphis and I told him why. I knew I couldn't buy them from him with money, you see. That's why I had to go to Memphis. I had that much regard for Bory and you, to go somewhere else. And that's all. Men are all about the same, with their ideas of good and bad. Fools." She breathed quietly. Then she yawned, deep, with utter relaxation. Then she stopped yawning. She looked again at the rigid, fading silver head opposite her. "Don't you understand yet?" she said. "I had to do it. They were mine; I had to get them back. That was the only way I could do it. But I would have done more than that. So I got them. And now they are burned up. Nobody will ever see them. Because he can't tell, you see. It would ruin him to ever tell that they even existed. They might even put him in the penitentiary. And now they are burned up."

"Yes," the old woman said. "And so you came back home and you took Johnny so you and he could sit together in the creek, the running water. In Jordan. Yes, Jordan at the back of a country pasture in Missippi."

"I had to get them back. Don't you see that?"

"Yes," the old woman said. "Yes." She sat bolt upright in the wheel chair. "Well, my Lord. Us poor, fool women Johnny!" Her voice was sharp, peremptory.

"What?" the young woman said. "Do you want something?"

"No," the other said. "Call Johnny. I want my hat." The young woman rose. "I'll get it."

"No. I want Johnny to do it."

The young woman stood looking down at the other, the old woman erect in the wheel chair beneath the fading silver crown of her hair. Then she left the room. The old woman did not move. She sat there in the dusk until the boy entered, carrying a small black bonnet of an ancient shape.

Now and then, when the old woman became upset, they would fetch her the hat and she would place it on the exact top of her head and sit there by the window. He brought the bonnet to her. His mother was with him. It was full dusk now; the old woman was invisible save for her hair.

"Do you want the light now?" the young woman said.

"No," the old woman said. She set the bonnet on the top of her head. "You all go on to supper and let me rest awhile. Go on, all of you." They obeyed, leaving her sitting there: a slender, erect figure indicated only by the single gleam of her hair, in the wheel chair beside the window framed by the sparse and defunctive Carolina glass.

IV

SINCE THE BOY'S eighth birthday, he had had his dead grandfather's place at the end of the table. Tonight however his mother rearranged things. "With just the two of us," she said. "You come and sit by me." The boy hesitated. "Please. Won't you? I got so lonesome for you last night in Memphis. Weren't you lonesome for me?"

"I slept with Aunt Jenny," the boy said. "We had a good time."

"Please."

"All right," he said. He took the chair beside hers.

"Closer," she said. She drew the chair closer. "But we won't ever again, ever. Will we?" She leaned toward him, taking his hand.

"What? Sit in the creek?"

"Not ever leave one another again."

"I didn't get lonesome. We had a good time."

"Promise. Promise, Bory." His name was Benhow, her family name.

"All right."

Isom, in a duck jacket, served them and returned to the kitchen.

"She ain't coming to supper?" Elnora said.

"Nome," Isom said. "Setting yonder by the window, in the dark. She say she don't want no supper."

Elnora looked at Saddie. "What was they doing last time you went to the library?"

"Her and Miss Narcissa talking."

"They was still talking when I went to 'nounce supper,"

Isom said. "I tole you that."

"I know," Elnora said. Her voice was not sharp. Neither was it gentle. It was just peremptory, soft, cold. "What were they talking about?"

"I don't know'm," Isom said. "You the one taught me not to listen to white folks."

"What were they talking about, Isom?" Elnora said. She was looking at him, grave, intent, commanding.

"'Bout somebody getting married. Miss Jenny say 'I tole you long time ago I ain't blame you. A young woman like you. I want you to marry. Not do like I done,' what she say."

"I bet she fixing to marry, too," Saddie said.

"Who marry?" Elnora said. "Her marry? What for? Give up what she got here? That ain't what it is. I wished I knowed what been going on here this last week..." Her voice ceased; she turned her head toward the door as though she were listening for something. From the dining-room came the sound of the young woman's voice. But Elnora appeared to listen to something beyond this. Then she left the room. She did not go hurriedly, yet her long silent stride carried her from sight with an abruptness like that of an inanimate figure drawn on wheels, off a stage.

She went quietly up the dark hall, passing the dining-room door unremarked by the two people at the table. They sat close. The woman was talking, leaning toward the boy.

Elnora went on without a sound: a converging of shadows upon which her lighter face seemed to float without body, her eyeballs faintly white. Then she stopped suddenly. She had not reached the library door, yet she stopped, invisible, soundless, her eyes suddenly quite luminous in her almost-vanished face, and she began to chant in faint sing-song: "Oh, Lawd; oh, Lawd," not loud. Then she moved, went swiftly on to the library door and looked into the room where beside the dead window the old woman sat motionless, indicated only by that faint single gleam of white hair, as though for ninety years life had died slowly up her spare, erect frame, to linger for a twilit instant about her head before going out, though life itself had ceased. Elnora looked for only an instant into the room. Then she turned and retraced her swift and silent steps to the dining-room door.

The woman still leaned toward the boy, talking. They did not remark Elnora at once. She stood in the doorway, tall, not touching the jamb on either side. Her face was blank; she did not appear to be looking at, speaking to, any one.

"You better come quick, I reckon!" she said in that soft, cold, peremptory voice.

Mountain Victory

THROUGH THE CABIN WINDOW the five people watched the cavalcade toil up the muddy trail and halt at the gate. First came a man on foot, leading a horse. He wore a broad hat low on his face, his body shapeless in a weathered gray cloak from which his left hand emerged, holding the reins.

The bridle was silver-mounted, the horse a gaunt, mud-splashed, thoroughbred bay, wearing in place of saddle a navy blue army blanket bound on it by a piece of rope. The second horse was a short-bodied, big-headed, scrub sorrel, also mud-splashed. It wore a bridle contrived of rope and wire, and an army saddle in which, perched high above the dangling stirrups, crouched a shapeless something larger than a child, which at that distance appeared to wear no garment or garments known to man.

One of the three men at the cabin window left it quickly.

The others, without turning, heard him cross the room swiftly and then return, carrying a long rifle.

"No, you don't," the older man said.

"Don't you see that cloak?" the younger said. "That rebel cloak?"

"I won't have it," the other said. "They have surrendered. They have said they are whipped."

Through the window they watched the horses stop at the gate. The gate was of sagging hickory, in a rock fence which straggled down a gaunt slope sharp in relief against the valley and a still further range of mountains dissolving into the low, dissolving sky.

They watched the creature on the second horse descend and hand his reins also into the same left hand of the man in gray that held the reins of the thoroughbred. They watched the creature enter the gate and mount the path and disappear beyond the angle of the window. Then they heard it cross the porch and knock at the door. They stood there and heard it knock again.

After a while the older man said, without turning his head, "Go and see."

One of the women, the older one, turned from the window, her feet making no sound on the floor, since they were bare. She went to the front door and opened it. The chill, wet light of the dying April afternoon fell in upon her upon a small woman with a gnarled expressionless face, in a gray shapeless garment. Facing her across the sill was a creature a little larger than a large monkey, dressed in a voluminous blue overcoat of a private in the Federal army, with, tied tentlike over his head and falling about his shoulders, a piece of oilcloth which might have been cut square from the hood of a sutler's wagon; within the orifice the woman could see nothing whatever save the whites of two eyes, momentary and phantomlike, as with a single glance the Negro examined the woman standing barefoot in her faded calico garment, and took in the bleak and barren interior of the cabin hall.

"Marster Major Soshay Weddel send he compliments en say he wishful fo sleeping room fo heself en boy en two hawses," he said in a pompous, parrot-like voice. The woman looked at him. Her face was like a spent mask. "We been up yonder a ways, fighting dem Yankees," the Negro said. "Done quit now. Gwine back home."

The woman seemed to speak from somewhere behind her face, as though behind an effigy or a painted screen: "I'll ask him."

"We gwy pay you," the Negro said.

"Pay?" Pausing, she seemed to muse upon him. "Hit ain't near a ho-tel on the mou-tin."

The Negro made a large gesture. "Don't make no diff unce. We done stayed de night in worse places den whut dis is. You just tell um it Marse Soshay Weddel." Then he saw that the woman was looking past him. He turned and saw the man in the worn gray cloak already halfway up the path from the gate. He came on and mounted the porch, removing with his left hand the broad slouched hat bearing the tarnished wreath of a Confederate field officer. He had a dark face, with dark eyes and black hair, his face at once thick yet gaunt, and arrogant. He was not tall, yet he topped the Negro by five or six inches. The cloak was weathered, faded about the shoulders where the light fell strongest. The skirts were bedraggled, frayed, mudsplashed: the garment had been patched again and again, and brushed again and again; the nap was completely gone.

"Goodday, madam," he said. "Have you stableroom for my horses and shelter for myself and my boy for the night?"

The woman looked at him with a static, musing quality, as though she had seen without alarm an apparition.

"I'll have to see," she said.

"I shall pay," the man said. "I know the times."

"I'll have to ask him," the woman said. She turned, then stopped. The older man entered the hall behind her. He was big, in jean clothes, with a shock of iron-gray hair and pale eyes.

"I am Saucier Weddel," the man in gray said. "I am on my way home to Mississippi from Virginia. I am in Tennessee now?"

"You are in Tennessee," the other said. "Come in."

Weddel turned to the Negro. "Take the horses on to the stable," he said.

The Negro returned to the gate, shapeless in the oilcloth cape and the big overcoat, with that swaggering arrogance which he had assumed as soon as he saw the woman's bare feet and the meagre, barren interior of the cabin. He took up the two bridle reins and began to shout at the horses with needless and officious vociferation, to which the two horses paid no heed, as though they were long accustomed to him.

It was as if the Negro himself paid no attention to his cries, as though the shouting were merely concomitant to the action of leading the horses out of sight of the door, like an effluvium by both horses and Negro accepted and relegated in the same instant.

II

THROUGH THE KITCHEN WALL the girl could hear the voices of the men in the room from which her father had driven her when the stranger approached the house. She was about twenty: a big girl with smooth, simple hair and big, smooth hands, standing barefoot in a single garment made out of flour sacks. She stood close to the wall, motionless, her head bent a little, her eyes wide and still and empty like a sleepwalker's, listening to her father and the guest enter the room beyond it.

The kitchen was a plank lean-to built against the log wall of the cabin proper. From between the logs beside her the clay chinking, dried to chalk by the heat of the stove, had fallen away in places. Stooping, the movement slow and lush and soundless as the whispering of her bare feet on the floor, she leaned her eye to one of these cracks. She could see a bare table on which sat an earthenware jug and a box of musket cartridges stenciled U. S. Army. At the table her two brothers sat in splint chairs, though it was only the younger one, the boy, who looked toward the door, though she knew, could hear now, that the stranger was in the room. The older brother was taking the cartridges one by one from the box and crimping them and setting them upright at his hand like a mimic parade of troops, his back to the door where she knew the stranger was now standing. She breathed quietly.

"Vatch would have shot him," she said, breathed, to herself, stooping. "I reckon he will yet."

Then she heard feet again and her mother came toward the door to the kitchen, crossing and for a moment blotting the orifice. Yet she did not move, not even when her mother entered the kitchen. She stooped to the crack, her breathing regular and placid, hearing her mother clattering the stovelids behind her. Then she saw the stranger for the first time and then she was holding her breath quietly, not even aware that she had ceased to breathe. She saw him standing beside the table in his shabby cloak, with his hat in his left hand.

Vatch did not look up.

"My name is Saucier Weddel," the stranger said.

"Soshay Weddel," the girl breathed into the dry chinking, the crumbled and powdery wall. She could see him at full length, in his stained and patched and brushed cloak, with his head lifted a little and his face worn, almost gaunt, stamped with a kind of indomitable weariness and yet arrogant too, like a creature from another world with other air to breathe and another kind of blood to warm the veins.

"Soshay Weddel," she breathed.

"Take some whiskey," Vatch said without moving.

Then suddenly, as it had been with the suspended breathing, she was not listening to the words at all, as though it were no longer necessary for her to hear, as though curiosity too had no place in the atmosphere in which the stranger dwelled and in which she too dwelled for the moment as she watched the stranger standing beside the table, looking at Vatch, and Vatch now turned in his chair, a cartridge in his hand, looking up at the stranger. She breathed quietly into the crack through which the voices came now without heat or significance out of that dark and smoldering and violent and childlike vanity of men: "I reckon you know these when you see them, then?"

"Why not? We used them too. We never always had the time nor the powder to stop and make our own. So we had to use yours now and then. Especially during the last."

"Maybe you would know them better if one exploded in your face."

"Vatch." She now looked at her father, because he had spoken. Her younger brother was raised a little in his chair, leaning a little forward, his mouth open a little. He was seventeen. Yet still the stranger stood looking quietly down at Vatch, his hat clutched against his worn cloak, with on his face that expression arrogant and weary and a little quizzical.

"You can show your other hand too," Vatch said. "Don't be afraid to leave your pistol go."

"No," the stranger said. "I am not afraid to show it."

"Take some whiskey, then," Vatch said, pushing the jug forward with a motion slighting and contemptuous.

"I am obliged infinitely," the stranger said. "It's my stomach. For three years of war I have had to apologize to my stomach; now, with peace, I must apologize for it. But if I might have a glass for my boy? Even after four years, he cannot stand cold."

"Soshay Weddel," the girl breathed into the crumbled dust beyond which the voices came, not yet raised yet forever irreconcilable and already doomed, the one blind victim, the other blind executioner: "Or maybe behind your back you would know it better."

"You, Vatch"

"Stop, sir. If he was in the army for as long as one year, he has run too, once. Perhaps oftener, if he faced the Army of Northern Virginia."

"Soshay Weddel," the girl breathed, stooping. Now she saw Weddel, walking apparently straight toward her, a thick tumbler in his left hand and his hat crumpled beneath the same arm.

"Not that way," Vatch said. The stranger paused and looked back at Vatch. "Where are you aiming to go?"

"To take this out to my boy," the stranger said. "Out to the stable. I thought perhaps this door..." His face was in profile now, worn, haughty, wasted, the eyebrows lifted with quizzical and arrogant interrogation. Without rising Vatch jerked his head back and aside. "Come away from that door." But the stranger did not stir. Only his head moved a little, as though he had merely changed the direction of his eyes.

"He's looking at paw," the girl breathed. "He's waiting for paw to tell him. He ain't skeered of Vatch. I knowed it."

"Come away from that door," Vatch said. "You damn nigra."

"So it's my face and not my uniform," the stranger said.

"And you fought four years to free us, I understand."

Then she heard her father speak again. "Go out the front way and around the house, stranger," he said.

"Soshay Weddel," the girl said. Behind her her mother clattered at the stove. "Soshay Weddel," she said. She did not say it aloud. She breathed again, deep and quiet and without haste. "It's like a music. It's like a singing."

Ill

THE NEGRO was squatting in the hallway of the barn, the sagging and broken stalls of which were empty save for the two horses. Beside him was a worn rucksack, open. He was engaged in polishing a pair of thin dancing slippers with a cloth and a tin of paste, empty save for a thin rim of polish about the circumference of the tin. Beside him on a piece of plank sat one finished shoe. The upper was cracked; it had a crude sole nailed recently and crudely on by a clumsy hand.

"Thank de Lawd folks can't see de bottoms of yo feets," the Negro said. "Thank de Lawd it's just dese hyer mountain trash. I'd even hate fo Yankees to see yo feets in dese things." He rubbed the shoe, squinted at it, breathed upon it, rubbed it again upon his squatting flank.

"Here," Weddel said, extending the tumbler. It contained a liquid as colorless as water.

The Negro stopped, the shoe and the cloth suspended.

"Which?" he said. He looked at the glass. "Whut's dat?"

"Drink it," Weddei said.

"Dat's water. Whut you bringing me water fer?"

"Take it," Weddel said. "It's not water."

The Negro took the glass gingerly. He held it as if it contained nitroglycerin. He looked at it, blinking, bringing the glass slowly under his nose. He blinked. "Where'd you git dis hyer?" Weddel didn't answer. He had taken up the finished slipper, looking at it. The Negro held the glass under his nose. "It smell kind of like it ought to," he said. "But I be dawg ef it look like anything. Dese folks fixing to pizen you."

He tipped the glass and sipped gingerly, and lowered the glass, blinking.

"I didn't drink any of it," Weddel said. He set the slipper down.

"You better hadn't," the Negro said. "When here I done been fo years trying to take care of you en git you back home like whut Mistis tole me to do, and here you sleeping in folks' barns at night like a tramp, like a pater-roller nigger."

He put the glass to his lips, tilting it and his head in a single jerk. He lowered the glass, empty; his eyes were closed; he said, "Whuf!" shaking his head with a violent, shuddering motion. "It smells right, and it act right. But I be dawg ef it look right. I reckon you better let it alone, like you started out. When dey try to make you drink it you send um to me. I done already stood so much I reckon I can stand a little mo fer Mistis' sake."

He took up the shoe and the cloth again. Weddel stooped above the rucksack. "I want my pistol," he said.

Again the Negro ceased, the shoe and the cloth poised.

"Whut fer?" He leaned and looked up the muddy slope toward the cabin. "Is dese folks Yankees?" he said in a whisper.

"No," Weddel said, digging in the rucksack with his left hand. The Negro did not seem to hear him.

"In Tennessee? You tole me we was in Tennessee, where Memphis is, even if you never tole me it was all disyer up-and-down land in de Memphis country. I know I never seed none of um when I went to Memphis wid yo paw dat time. But you says so. And now you telling me dem Memphis folks is Yankees?"

"Where is the pistol?" Weddel said.

"I done tole you," the Negro said. "Acting like you does. Letting dese folks see you come walking up de road, leading Caesar caze you think he tired; making me ride whilst you walks when I can outwalk you any day you ever lived and you knows it, even if I is fawty en you twenty-eight. I gwy tell yo maw. I gwy tell um."

Weddel rose, in his hand a heavy cap-and-ball revolver.

He chuckled it in his single hand, drawing the hammer back, letting it down again. The Negro watched him, crouched like an ape in the blue Union army overcoat. "You put dat thing back," he said. "De war done wid now. Dey tole us back dar at Ferginny it was done wid. You don't need no pistol now. You put it back, you hear me?"

"I'm going to bathe," Weddel said. "Is my shirt..."

"Bathe where? In whut? Dese folks ain't never seed a bathtub."

"Bathe at the well. Is my shirt ready?"

"Whut dey is of it... You put dat pistol back, Marse Soshay. I gwy tell yo maw on you. I gwy tell um. I just wish Marster was here."

"Go to the kitchen," Weddel said. "Tell them I wish to bathe in the well house. Ask them to draw the curtain on that window there." The pistol had vanished beneath the grey cloak. He went to the stall where the thoroughbred was.

The horse nuzzled at him, its eyes rolling soft and wild. He patted its nose with his left hand. It whickered, not loud, its breath sweet and warm.

IV

THE NEGRO entered the kitchen from the rear. He had removed the oilcloth tent and he now wore a blue forage cap which, like the overcoat, was much too large for him, resting upon the top of his head in such a way that the unsupported brim oscillated faintly when he moved as though with a life of its own. He was completely invisible save for his face between cap and collar like a dried Dyak trophy and almost as small and dusted lightly over as with a thin pallor of wood ashes by the cold. The older woman was at the stove on which frying food now hissed and sputtered; she did not look up when the Negro entered. The girl was standing in the middle of the room, doing nothing at all. She looked at the Negro, watching him with a slow, grave, secret, unwinking gaze as he crossed the kitchen with that air of swaggering caricatured assurance, and up-ended a block of wood beside the stove and sat upon it.

"If disyer is de kind of weather yawl has up here all de time," he said, "I don't care ef de Yankees does has dis country." He opened the overcoat, revealing his legs and feet as being wrapped, shapeless and huge, in some muddy and anonymous substance resembling fur, giving them the appearance of two muddy beasts the size of halfgrown dogs lying on the floor; moving a little nearer the girl, the girl thought quietly His fur. He taken and cut up a fur coat to wrap his feet in "Yes, suh," the Negro said. "Just yawl let me git home again, en de Yankees kin have all de rest of it."

"Where do you-uns live?" the girl said.

The Negro looked at her. "In Miss'ippi. On de Domain. Ain't you never hyeard tell of Countymaison?"

"Countymaison?"

"Dat's it. His grandpappy named it Countymaison caze it's bigger den a county to ride over. You can't ride across it on a mule betwixt sunup and sundown. Dat's how come." He rubbed his hands slowly on his thighs. His face was now turned toward the stove; he snuffed loudly. Already the ashy overlay on his skin had disappeared, leaving his face dead black, wizened, his mouth a little loose, as though the muscles had become slack with usage, like rubber bands: not the eating muscles, the talking ones. "I reckon we is gittin nigh home, after all. Leastways dat hawg meat smell like it do down whar folks lives."

"Countymaison," the girl said in a rapt, bemused tone, looking at the Negro with her grave, unwinking regard.

Then she turned her head and looked at the wall, her face perfectly serene, perfectly inscrutable, without haste, with a profound and absorbed deliberation.

"Dat's it," the Negro said. "Even Yankees is heard tell of Weddel's Countymaison en erbout Marster Francis Weddel. Maybe yawl seed um pass in de carriage dat time he went to Washn'ton to tell yawl's president how he ain't like de way yawl's president wuz treating de people. He rid all de way to Washn'ton in de carriage, wid two niggers to drive en to heat de bricks to kept he foots warm, en de man done gone on ahead wid de wagon en de fresh hawses. He carried yawl's president two whole dressed bears en eight sides of smoked deer venison. He must a passed right out dar in front yawl's house. I reckon yo pappy or maybe his pappy seed um pass."

He talked on, voluble, in soporific singsong, his face beginning to glisten, to shine a little with the rich warmth, while the mother bent over the stove and the girl, motionless, static, her bare feet cupped smooth and close to the rough puncheons, her big, smooth, young body cupped soft and richly mammalian to the rough garment, watching the Negro with her ineffable and unwinking gaze, her mouth open a little.

The Negro talked on, his eyes closed, his voice interminable, boastful, his air lazily intolerant, as if he were still at home and there had been no war and no harsh rumors of freedom and of change, and he (a stableman, in the domestic hierarchy a man of horses) were spending the evening in the quarters among field hands, until the older woman dished the food and left the room, closing the door behind her. He opened his eyes at the sound and looked toward the door and then back to the girl. She was looking at the wall, at the closed door through which her mother had vanished. "Don't dey lets you eat at de table wid um?" he said.

The girl looked at the Negro, unwinking. "Countymaison," she said. "Vatch says he is a nigra too."

"Who? Him? A nigger? Marse Soshay Weddel? Which un is Vatch?" The girl looked at him. "It's caze yawl ain't never been nowhere. Ain't never seed nothing. Living up here on a nekkid hill whar you can't even see smoke. Him a nigger? I wish his maw could hear you say dat." He looked about the kitchen, wizened, his eyeballs rolling white, ceaseless, this way and that. The girl watched him.

"Do the girls there wear shoes all the time?" she said.

The Negro looked about the kitchen, "Where does yawl keep dat ere Tennessee spring water? Back here somewhere?"

"Spring water?"

The Negro blinked slowly. "Dat ere light-drinking kahysene."

"Kahysene?"

"Dat ere light colored lamp oil whut yawl drinks. Ain't you got a little of it hid back here somewhere?"

"Oh," the girl said. "You mean corn." She went to a corner and lifted a loose plank in the floor, the Negro watching her, and drew forth another earthen jug. She filled another thick tumbler and gave it to the Negro and watched him jerk it down his throat, his eyes closed. Again he said, "Whuf!" and drew his back hand across his mouth.

"Whut wuz dat you axed me?" he said.

"Do the girls down there at Countymaison wear shoes?"

"De ladies does. If dey didn't have none, Marse Soshay could sell a hun'ed niggers en buy um some... Which un is it say Marse Soshay a nigger?"

The girl watched him. "Is he married?"

"Who married? Marse Soshay?" The girl watched him.

"How he have time to git married, wid us fighting de Yankees for fo years? Ain't been home in fo years now where no ladies to marry is." He looked at the girl, his eye-whites a little bloodshot, his skin shining in faint and steady highlights. Thawing, he seemed to have increased in size a little too. "Whut's it ter you, if he married or no?"

They looked at each other. The Negro could hear her breathing. Then she was not looking at him at all, though she had not yet even blinked nor turned her head. "I don't reckon he'd have any time for a girl that didn't have any shoes." she said. She went to the wall and stooped again to the crack. The Negro watched her. The older woman entered and took another dish from the stove and departed without having looked at either of them.

V

THE FOUR MEN, the three men and the boy, sat about the supper table. The broken meal lay on thick plates. The knives and forks were iron. On the table the jug still sat. Weddel was now cloakless. He was shaven, his still damp hair combed back. Upon his bosom the ruffles of the shirt frothed in the lamplight, the right sleeve, empty, pinned across his breast with a thin gold pin. Under the table the frail and mended dancing slippers rested among the brogans of the two men and the bare splayed feet of the boy.

"Vatch says you are a nigra," the father said.

Weddel was leaning a little back in his chair. "So that explains it," he said. "I was thinking that he was just congenitally ill-tempered. And having to be a victor, too."

"Are you a nigra?" the father said.

"No," Weddel said. He was looking at the boy, his weathered and wasted face a little quizzical. Across the back of his neck his hair, long, had been cut roughly as though with a knife or perhaps a bayonet. The boy watched him in complete and rapt immobility. As if I might be an apparition he thought. A hant. Maybe I am. "No," he said. "I am not a Negro."

"Who are you?" the father said.

Weddel sat a little sideways in his chair, his hand lying on the table. "Do you ask guests who they are in Tennessee?" he said. Vatch was filling a tumbler from the jug. His face was lowered, his hands big and hard. His face was hard.

Weddel looked at him. "I think I know how you feel," he said. "I expect I felt that way once. But it's hard to keep on feeling any way for four years. Even feeling at all."

Vatch said something, sudden and harsh. He clapped the tumbler on to the table, splashing some of the liquor out. It looked like water, with a violent, dynamic odor. It seemed to possess an inherent volatility which carried a splash of it across the table and on to the foam of frayed yet immaculate linen on Weddel's breast, striking sudden and chill through the cloth against his flesh.

"Vatch!" the father said.

Weddel did not move; his expression arrogant, quizzical, and weary, did not change. "He did not mean to do that," he said.

"When I do," Vatch said, "it will not look like an accident."

Weddel was looking at Vatch. "I think I told you once," he said. "My name is Saucier Weddel. I am a Mississippian. I live at a place named Countymaison. My father built it and named it. He was a Choctaw chief named Francis Weddel, of whom you have probably not heard. He was the son of a Choctaw woman and a French emigre of New Orleans, a general of Napoleon's and a knight of the Legion of Honor. His name was Francois Vidal. My father drove to Washington once in his carriage to remonstrate with President Jackson about the Government's treatment of his people, sending on ahead a wagon of provender and gifts and also fresh horses for the carriage, in charge of the man, the native overseer, who was a full blood Choctaw and my father's cousin. In the old days The Man was the hereditary title of the head of our clan; but after we became Europeanised like the white people, we lost the title to the branch which refused to become polluted, though we kept the slaves and the land. The Man now lives in a house a little larger than the cabins of the Negroes, an upper servant. It was in Washington that my father met and married my mother. He was killed in the Mexican War. My mother died two years ago, in '63, of a complication of pneumonia acquired while superintending the burying of some silver on a wet night when Federal troops entered the county, and of unsuitable food; though my boy refuses to believe that she is dead. He refuses to believe that the country would have permitted the North to deprive her of the imported Martinique coffee and the beaten biscuit which she had each Sunday noon and Wednesday night. He believes that the country would have risen in arms first. But then, he is only a Negro, member of an oppressed race burdened with freedom. He has a daily list of my misdoings which he is going to tell her on me when we reach home. I went to school in France, but not very hard. Until two weeks ago I was a major of Mississippi infantry in the corps of a man named Longstreet, of whom you may have heard."

"So you were a major," Vatch said.

"That appears to be my indictment; yes."

"I have seen a rebel major before," Vatch said. "Do you want me to tell you where I saw him?"

"Tell me," Weddel said.

"He was lying by a tree. We had to stop there and lie down, and he was lying by the tree, asking for water. 'Have you any water, friend?' he said. 'Yes. I have water,' I said. 'I have plenty of water.' I had to crawl; I couldn't stand up. I crawled over to him and I lifted him so that his head would be propped against the tree. I fixed his face to the front."

"Didn't you have a bayonet?" Weddel said. "But I forgot; you couldn't stand up."

"Then I crawled back. I had to crawl back a hundred yards, where..."

"Back?"

"It was too close. Who can do decent shooting that close? I had to crawl back, and then the damned musket..."

"Damn musket?" Weddel sat a little sideways in his chair, his hand on the table, his face quizzical and sardonic, contained.

"I missed, the first shot. I had his face propped up and turned, and his eyes open watching me, and then I missed. I hit him in the throat and I had to shoot again because of the damned musket."

"Vatch," the father said.

Vatch's hands were on the table. His head, his face, were like his father's, though without the father's deliberation. His face was furious, still, unpredictable. "It was that damn musket. I had to shoot three times. Then he had three eyes, in a row across his face propped against the tree, all three of them open, like he was watching me with three eyes. I gave him another eye, to see better with. But I had to shoot twice because of the damn musket."

"You, Vatch," the father said. He stood now, his hands on the table, propping his gaunt body. "Don't you mind Vatch, stranger. The War is over now."

"I don't mind him," Weddel said. His hands went to his bosom, disappearing into the foam of linen while he watched Vatch steadily with his alert, quizzical, sardonic gaze. "I have seen too many of him for too long a time to mind one of him any more."

"Take some whiskey," Vatch said.

"Are you just making a point?"

"Damn the pistol," Vatch said. "Take some whiskey."

Weddel laid his hand again on the table. But instead of pouring, Vatch held the jug poised over the tumbler. He was looking past Weddel's shoulder. Weddel turned. The girl was in the room, standing in the doorway with her mother just behind her. The mother said as if she were speaking to the floor under her feet: "I tried to keep her back, like you said. I tried to. But she is strong as a man; hard-headed like a man."

"You go back," the father said.

"Me to go back?" the mother said to the floor.

The father spoke a name; Weddel did not catch it; he did not even know that he had missed it. "You go back."

The girl moved. She was not looking at any of them. She came to the chair on which lay Weddel's worn and mended cloak and opened it, revealing the four ragged slashes where the sable lining had been cut out as though with a knife. She was looking at the cloak when Vatch grasped her by the shoulder, but it was at Weddel that she looked. "You cut hit out and gave hit to that nigra to wrap his feet in," she said.

Then the father grasped Vatch in turn. Weddel had not stirred, his face turned over his shoulder; beside him the boy was upraised out of his chair by his arms, his young, slacked face leaned forward into the lamp. But save for the breathing of Vatch and the father there was no sound in the room.

"I am stronger than you are, still," the father said. "I am a better man still, or as good."

"You won't be always," Vatch said.

The father looked back over his shoulder at the girl. "Go back," he said. She turned and went back toward the hall, her feet silent as rubber feet. Again the father called that name which Weddel had not caught; again he did not catch it and was not aware again that he had not. She went out the door. The father looked at Weddel. Weddel's attitude was unchanged, save that once more his hand was hidden inside his bosom. They looked at one another the cold, Nordic face and the half Gallic half Mongol face, thin and worn like a bronze casting, with eyes like those of the dead, in which only vision has ceased and not sight. "Take your horses, and go," the father said.

VI

IT WAS dark in the hall, and cold, with the black chill of the mountain April coming up through the floor about her bare legs and her body in the single coarse garment. "He cut the lining outen his cloak to wrap that nigra's feet in," she said.

"He done hit for a nigra." The door behind her opened.

Against the lamplight a man loomed, then the door shut behind him. "Is it Vatch or paw?" she said. Then something struck her across the back: a leather strap. "I was afeared it would be Vatch," she said. The blow fell again.

"Go to bed," the father said.

"You can whip me, but you can't whip him," she said.

The blow fell again: a thick, flat, soft sound upon her immediate flesh beneath the coarse sacking.

VII

IN THE deserted kitchen the Negro sat for a moment longer on the upturned block beside the stove, looking at the door.

Then he rose carefully, one hand on the wall.

"Whuf!" he said. "Wish us had a spring on de Domain whut run dat. Stock would git trompled to death, sho mon."

He blinked at the door, listening, then he moved, letting himself carefully along the wall, stopping now and then to look toward the door and listen, his air cunning, unsteady, and alert. He reached the corner and lifted the loose plank, stooping carefully, bracing himself against the wall. He lifted the jug out, whereupon he lost his balance and sprawled on his face, his face ludicrous and earnest with astonishment. He got up and sat flat on the floor, carefully, the jug between his knees, and lifted the jug and drank. He drank a long time.

"Whuf!" he said. "On de Domain we'd give disyer stuff to de hawgs. But deseyer ign'unt mountain trash..." He drank again; then with the jug poised there came into his face an expression of concern and then consternation. He set the jug down and tried to get up, sprawling above the jug, gaining his feet at last, stooped, swaying, drooling, with that expression of outraged consternation on his face. Then he fell headlong to the floor, overturning the jug.

VIII

THEY STOOPED above the Negro, talking quietly to one another Weddel in his frothed shirt, the father and the boy.

"We'll have to tote him," the father said.

They lifted the Negro. With his single hand Weddel jerked the Negro's head up, shaking him. "Jubal," he said.

The Negro struck out, clumsily, with one arm. "Le'm be," he muttered. "Le'm go."

"Jubal!" Weddel said.

The Negro thrashed, sudden and violent. "You le'm be," he said. "I gwy tell de Man. I gwy tell um." He ceased, muttering: "Field hands. Field niggers."

"We'll have to tote him," the father said.

"Yes," Weddel said. "I'm sorry for this. I should have warned you. But I didn't think there was another jug he could have gained access to." He stooped, getting his single hand under the Negro's shoulders.

"Get away," the father said. "Me and Hule can do it." He and the boy picked the Negro up. Weddel opened the door.

They emerged into the high black cold. Below them the barn loomed. They carried the Negro down the slope. "Get them horses out, Hule," the father said.

"Horses?" Weddel said. "He can't ride now. He can't stay on a horse."

They looked at one another, each toward the other voice, in the cold, the icy silence.

"You won't go now?" the father said.

"I am sorry. You see I cannot depart now. I will have to stay until daylight, until he is sober. We will go then."

"Leave him here. Leave him one horse, and you ride on. He is nothing but a nigra."

"I am sorry. Not after four years." His voice was quizzical, whimsical almost, yet with that quality of indomitable weariness. "I've worried with him this far; I reckon I will get him on home."

"I have warned you," the father said.

"I am obliged. We will move at daylight. If Hule will be kind enough to help me get him into the loft."

The father had stepped back. "Put that nigra down, Hule," he said.

"He will freeze here," Weddel said. "I must get him into the loft." He hauled the Negro up and propped him against the wall and stooped to hunch the Negro's lax body onto his shoulder. The weight rose easily, though he did not understand why until the father spoke again: "Hule. Come away from there."

"Yes; go," Weddel said quietly. "I can get him up the ladder." He could hear the boy's breathing, fast, young, swift with excitement perhaps. Weddel did not pause to speculate, nor at the faintly hysterical tone of the boy's voice: "I'll help you."

Weddel didn't object again. He slapped the Negro awake and they set his feet on the ladder rungs, pushing him upward. Halfway up he stopped; again he thrashed out at them.

"I gwy tell um. I gwy tell de Man. I gwy tell Mistis. Field hands. Field niggers."

IX

THEY LAY side by side in the loft, beneath the cloak and the two saddle blankets. There was no hay. The Negro snored, his breath reeking and harsh, thick. Below, in its stall, the Thoroughbred stamped now and then. Weddel lay on his back, his arm across his chest, the hand clutching the stub of the other arm. Overhead, through the cracks in the roof the sky showed the thick chill, black sky which would rain again tomorrow and on every tomorrow until they left the mountains. "If I leave the mountains," he said quietly, motionless on his back beside the snoring Negro, staring upward. "I was concerned. I had thought that it was exhausted; that I had lost the privilege of being afraid. But I have not. And so I am happy. Quite happy." He lay rigid on his back in the cold darkness, thinking of home. "Countymaison. Our lives are summed up in sounds and made significant. Victory. Defeat. Peace. Home. That's why we must do so much to invent meanings for the sounds, so damned much. Especially if you are unfortunate enough to be victorious: so damned much. It's nice to be whipped; quiet to be whipped. To be whipped and to lie under a broken roof, thinking of home."

The Negro snored. "So damned much"; seeming to watch the words shape quietly in the darkness above his mouth.

"What would happen, say, a man in the lobby of the Gayoso, in Memphis, laughing suddenly aloud. But I am quite happy..." Then he heard the sound. He lay utterly still then, his hand clutching the butt of the pistol warm beneath the stub of his right arm, hearing the quiet, almost infinitesimal sound as it mounted the ladder. But he made no move until he saw the dim orifice of the trap door blotted out. "Stop where you are," he said.

"It's me," the voice said; the voice of the boy, again with that swift, breathless quality which even now Weddel did not pause to designate as excitement or even to remark at all.

The boy came on his hands and knees across the dry, sibilant chaff which dusted the floor. "Go ahead and shoot," he said.

On his hands and knees he loomed above Weddel with his panting breath. "I wish I was dead. I so wish hit. I wish we was both dead. I could wish like Vatch wishes. Why did you uns have to stop here?"

Weddel had not moved. "Why does Vatch wish I was dead?"

"Because he can still hear you uns yelling. I used to sleep with him and he wakes up at night and once paw had to keep him from choking me to death before he waked up and him sweating, hearing you uns yelling still. Without nothing but unloaded guns, yelling, Vatch said, like scarecrows across a cornpatch, running." He was crying now, not aloud. "Damn you! Damn you to hell!"

"Yes," Weddel said. "I have heard them, myself. But why do you wish you were dead?"

"Because she was trying to come, herself. Only she had to"

"Who? She? Your sister?"

"...had to go through the room to get out. Paw was awake. He said, 'If you go out that door, don't you never come back.' And she said, 'I don't aim to,' And Vatch was awake too and he said, 'Make him marry you quick because you are going to be a widow at daylight.' And she come back and told me. But I was awake too. She told me to tell you."

"Tell me what?" Weddel said. The boy cried quietly, with a kind of patient and utter despair.

"I told her if you was a nigra, and if she done that I told her that I..."

"What? If she did what? What does she want you to tell me?"

"About the window into the attic where her and me sleep. There is a foot ladder I made to come back from hunting at night for you to get in. But I told her if you was a nigra and if she done that I would..."

"Now then," Weddel said sharply; "pull yourself together now. Don't you remember? I never even saw her but that one time when she came in the room and your father sent her out."

"But you saw her then. And she saw you."

"No," Weddel said.

The boy ceased to cry. He was quite still above Weddel.

"No what?"

"I won't do it. Climb up your ladder."

For a while the boy seemed to muse above him, motionless, breathing slow and quiet now; he spoke now in a musing, almost dreamy tone: "I could kill you easy. You ain't got but one arm, even if you are older..." Suddenly he moved, with almost unbelievable quickness; Weddel's first intimation was when the boy's hard, overlarge hands took him by the throat. Weddel did not move. "I could kill you easy. And wouldn't none mind."

"Shhhhhh," Weddel said. "Not so loud."

"Wouldn't none care." He held Weddel's throat with hard, awkward restraint. Weddel could feel the choking and the shaking expend itself somewhere about the boy's forearms before it reached his hands, as though the connection between brain and hands was incomplete. "Wouldn't none care. Except Vatch would be mad."

"I have a pistol," Weddel said.

"Then shoot me with it. Go on."

"No."

"No what?"

"I told you before."

"You swear you won't do it? Do you swear?"

"Listen a moment," Weddel said; he spoke now with a sort of soothing patience, as though he spoke one-syllable words to a child: "I just want to go home. That's all. I have been away from home for four years. All I want is to go home. don't you see? I want to see what I have left there, after four years."

"What do you do there?" The boy's hands were loose and hard about Weddel's throat, his arms still, rigid. "Do you hunt all day, and all night too if you want, with a horse to ride and nigras to wait on you, to shine your boots and saddle the horse, and you setting on the gallery, eating, until time to go hunting again?"

"I hope so. I haven't been home in four years, you see. So I don't know any more."

"Take me with you."

"I don't know what's there, you see. There may not be anything there: no horses to ride and nothing to hunt. The Yankees were there, and my mother died right afterward, and I don't know what we would find there, until I can go and see."

"I'll work. We'll both work. You can get married in Mayesfield. It's not far."

"Married? Oh. Your... I see. How do you know I am not already married?" Now the boy's hands shut on his throat, shaking him. "Stop it!" he said.

"If you say you have got a wife, I will kill you," the boy said.

"No," Weddel said. "I am not married."

"And you don't aim to climb up that foot ladder?"

"No. I never saw her but once. I might not even know her if I saw her again."

"She says different. I don't believe you. You are lying."

"No," Weddel said.

"Is it because you are afraid to?"

"Yes. That's it."

"Of Vatch?"

"Not Vatch. I'm just afraid. I think my luck has given out. I know that it has lasted too long; I am afraid that I shall find that I have forgot how to be afraid. So I can't risk it. I can't risk finding that I have lost touch with truth. Not like Jubal here. He believes that I still belong to him; he will not believe that I have been freed. He won't even let me tell him so. He does not need to bother about truth, you see."

"We would work. She might not look like the Miss'ippi women that wear shoes all the time. But we would learn. We would not shame you before them."

"No," Weddel said. "I cannot."

"Then you go away. Now."

"How can I? You see that he cannot ride, cannot stay on a horse." The boy did not answer at once; an instant later Weddel could almost feel the tenseness, the utter immobility though he himself had heard no sound; he knew that the boy, crouching, not breathing, was looking toward the ladder.

"Which one is it?" Weddel whispered.

"It's paw."

"I'll go down. You stay here. You keep my pistol for me."

X

THE DARK AIR was high, chill, cold. In the vast invisible darkness the valley lay, the opposite cold and invisible range black on the black sky. Clutching the stub of his missing arm across his chest, he shivered slowly and steadily.

"Go," the father said.

"The war is over," Weddel said. "Vatch's victory is not my trouble."

"Take your horses and nigra, and ride on."

"If you mean your daughter, I never saw her but once and I never expect to see her again."

"Ride on," the father said. "Take what is yours, and ride on."

"I cannot." They faced one another in the darkness. "After four years I have bought immunity from running."

"You have till daylight."

"I have had less than that in Virginia for four years. And this is just Tennessee." But the other had turned; he dissolved into the black slope. Weddel entered the stable and mounted the ladder. Motionless above the snoring Negro the boy squatted.

"Leave him here," the boy said. "He ain't nothing but a nigra. Leave him, and go."

"No," Weddel said.

The boy squatted above the snoring Negro. He was not looking at Weddel, yet there was between them, quiet and soundless, the copse, the sharp dry report, the abrupt wild thunder of upreared horse, the wisping smoke. "I can show you a short cut down to the valley. You will be out of the mountains in two hours. By daybreak you will be ten miles away."

"I can't. He wants to go home too. I must get him home too." He stooped; with his single hand he spread the cloak awkwardly, covering the Negro closer with it. He heard the boy creep away, but he did not look. After a while he shook the Negro. "Jubal," he said. The Negro groaned; he turned heavily, sleeping again. Weddel squatted above him as the boy had done. "I thought that I had lost it for good," he said.

" The peace and the quiet; the power to be afraid again."

XI

THE CABIN was gaunt and bleak in the thick cold dawn when the two horses passed out the sagging gate and into the churned road, the Negro on the Thoroughbred, Weddel on the sorrel. The Negro was shivering. He sat hunched and high, with updrawn knees, his face almost invisible in the oilcloth hood.

"I tole you dey wuz fixing to pizen us wid dat stuff," he said. "I tole you. Hillbilly rednecks. En you not only let um pizen me, you fotch me de pizen wid yo own hand. O Lawd, O Lawd! If we ever does git home."

Weddel looked back at the cabin, at the weathered, blank house where there was no sign of any life, not even smoke.

"She has a young man, I suppose a beau." He spoke aloud, musing, quizzical. "And that boy. Hule. He said to come within sight of a laurel copse where the road disappears, and take a path to the left. He said we must not pass that copse."

"Who says which?" the Negro said. "I ain't going nowhere. I going back to dat loft en lay down."

"All right," Weddel said. "Get down."

"Git down?"

"I'll need both horses. You can walk on when you are through sleeping."

"I gwy tell yo maw," the Negro said. "I gwy tell um. Gwy tell how after four years you ain't got no more sense than to not know a Yankee when you seed um. To stay de night wid Yankees en let um pizen one of Mistis' niggers. I gwy tell um."

"I thought you were going to stay here," Weddel said. He was shivering too. "Yet I am not cold," he said. "I am not cold."

"Stay here? Me? How in de world you ever git home widout me? Whut I tell Mistis when I come in widout you en she ax me whar you is?"

"Come," Weddel said. He lifted the sorrel into motion.

He looked quietly back at the house, then rode on. Behind him on the Thoroughbred the Negro muttered and mumbled to himself in woebegone singsong. The road, the long hill which yesterday they had toiled up, descended now. It was muddy, rock-churned, scarred across the barren and rocky land beneath the dissolving sky, jolting downward to where the pines and laurel began. After a while the cabin had disappeared.

"And so I am running away," Weddel said. "When I get home I shall not be very proud of this. Yes, I will. It means that I am still alive. Still alive, since I still know fear and desire. Since life is an affirmation of the past and a promise to the future. So I am still alive. Ah." It was the laurel copse.

About three hundred yards ahead it seemed to have sprung motionless and darkly secret in the air which of itself was mostly water. He drew rein sharply, the Negro, hunched, moaning, his face completely hidden, overriding him unawares until the Thoroughbred stopped of its own accord.

"But I don't see any path..." Weddel said; then a figure emerged from the copse, running toward them. Weddel thrust the reins beneath his groin and withdrew his hand inside his cloak. Then he saw that it was the boy. He came up trotting. His face was white, strained, his eyes quite grave.

"It's right yonder," he said.

"Thank you," Weddel said. "It was kind of you to come and show us, though we could have found it, I imagine."

"Yes," the boy said as though he had not heard. He had already taken the sorrel's bridle. "Right tother of the brush. You can't see hit until you are in hit."

"In whut?" the Negro said. "I gwy tell um. After four years you ain't got no more sense..."

"Hush," Weddel said. He said to the boy, "I am obliged to you. You'll have to take that in lieu of anything better. And now you get on back home. We can find the path. We will be all right now."

"They know the path too," the boy said. He drew the sorrel forward. "Come on."

"Wait," Weddel said, drawing the sorrel up. The boy still tugged at the bridle, looking on ahead toward the copse. "So we have one guess and they have one guess. Is that it?"

"Damn you to hell, come on!" the boy said, in a kind of thin frenzy. "I am sick of hit. Sick of hit."

"Well," Weddel said. He looked about, quizzical, sardonic, with his gaunt, weary, wasted face. "But I must move. I can't stay here, not even if I had a house, a roof to live under. So I have to choose between three things. That's what throws a man off that extra alternative. Just when he has come to realize that living consists in choosing wrongly between two alternatives, to have to choose among three. You go back home."

The boy turned and looked up at him. "We'd work. We could go back to the house now, since paw and Vatch are ... We could ride down the mou-tin, two on one horse and two on tother. We could go back to the valley and get married at Mayesfield. We would not shame you."

"But she has a young man, hasn't she? Somebody that waits for her at church on Sunday and walks home and takes Sunday dinner, and maybe fights the other young men because of her?"

"You won't take us, then?"

"No. You go back home."

For a while the boy stood, holding the bridle, his face lowered. Then he turned; he said quietly: "Come on, then. We got to hurry."

"Wait," Weddel said; "what are you going to do?"

"I'm going a piece with you. Come on." He dragged the sorrel forward, toward the roadside.

"Here," Weddel said, "you go on back home. The war is over now. Vatch knows that."

The boy did not answer. He led the sorrel into the underbrush. The Thoroughbred hung back. "Whoa, you Caesar!" the Negro said. "Wait, Marse Soshay. I ain't gwine ride down no..."

The boy looked over his shoulder without stopping. "You keep back there," he said. "You keep where you are."

The path was a faint scar, doubling and twisting among the brush. "I see it now," Weddel said. "You go back."

"I'll go a piece with you," the boy said; so quietly that Weddel discovered that he had been holding his breath, in a taut, strained alertness. He breathed again, while the sorrel jolted stiffly downward beneath him. "Nonsense," he thought. "He will have me playing Indian also in five minutes more. I had wanted to recover the power to be afraid, but I seem to have outdone myself." The path widened; the Thoroughbred came alongside, the boy walking between them; again he looked at the Negro.

"You keep back, I tell you," he said.

"Why back?" Weddel said. He looked at the boy's wan, strained face; he thought swiftly, "I don't know whether I am playing Indian or not." He said aloud: "Why must he keep back?"

The boy looked at Weddel; he stopped, pulling the sorrel up. "We'd work," he said. "We wouldn't shame you."

Weddel's face was now as sober as the boy's. They looked at one another. "Do you think we have guessed wrong? We had to guess. We had to guess one out of three."

Again it was as if the boy had not heard him. "You won't think hit is me? You swear hit?"

"Yes. I swear it." He spoke quietly, watching the boy; they spoke now as two men or two children. "What do you think we ought to do?"

"Turn back. They will be gone now. We could..." He drew back on the bridle; again the Thoroughbred came abreast and forged ahead.

"You mean, it could be along here?" Weddel said. Suddenly he spurred the sorrel, jerking the clinging boy forward. "Let go," he said. The boy held onto the bridle, swept forward until the two horses were again abreast. On the Thoroughbred the Negro perched, high-kneed, his mouth still talking, flobbed down with ready speech, easy and worn with talk like an old shoe with walking.

"I done tole him en tole him," the Negro said.

"Let go!" Weddel said, spurring the sorrel, forcing its shoulder into the boy. "Let go!"

"You won't turn back?" the boy said. "You won't?"

"Let go!" Weddel said. His teeth showed a little beneath his mustache; he lifted the sorrel bodily with the spurs. The boy let go of the bridle and ducked beneath the Thoroughbred's neck; Weddel, glancing back as the sorrel leaped, saw the boy surge upward and on to the Thoroughbred's back, shoving the Negro back along its spine until he vanished.

"They think you will be riding the good horse," the boy said in a thin, panting voice; "I told them you would be riding... Down the mou-tin!" he cried as the Thoroughbred swept past; "the horse can make hit! Git outen the path! Git outen the..." Weddel spurred the sorrel; almost abreast the two horses reached the bend where the path doubled back upon itself and into a matted shoulder of laurel and rhododendron. The boy looked back over his shoulder.

"Keep back!" he cried. "Git outen the path!" Weddel rowelled the sorrel. On his face was a thin grimace of exasperation and anger almost like smiling.

It was still on his dead face when he struck the earth, his foot still fast in the stirrup. The sorrel leaped at the sound and dragged Weddel to the path side and halted and whirled and snorted once, and began to graze. The Thoroughbred however rushed on past the curve and whirled and rushed back, the blanket twisted under its belly and its eyes rolling, springing over the boy's body where it lay in the path, the face wrenched sideways against a stone, the arms back-sprawled, open-palmed, like a woman with lifted skirts springing across a puddle. Then it whirled and stood above Weddel's body, whinnying, with tossing head, watching the laurel copse and the fading gout of black powder smoke as it faded away.

The Negro was on his hands and knees when the two men emerged from the copse. One of them was running. The Negro watched him run forward, crying monotonously, "The durned fool! The durned fool! The durned fool!" and then stop suddenly and drop the gun; squatting, the Negro saw him become stone still above the fallen gun, looking down at the boy's body with an expression of shock and amazement like he was waking from a dream. Then the Negro saw the other man. In the act of stopping, the second man swung the rifle up and began to reload it. The Negro did not move. On his hands and knees he watched the two white men, his irises rushing and wild in the bloodshot whites. Then he too moved and, still on hands and knees, he turned and scuttled to where Weddel lay beneath the sorrel and crouched over Weddel and looked again and watched the second man backing slowly away up the path, loading the rifle. He watched the man stop; he did not close his eyes nor look away. He watched the rifle elongate and then rise and diminish slowly and become a round spot against the white shape of Vatch's face like a period on a page. Crouching, the Negro's eyes rushed wild and steady and red, like those of a cornered animal.

VI BEYOND

Beyond

THE HARD ROUND ear of the stethoscope was cold and unpleasant upon his naked chest; the room, big and square, furnished with clumsy walnut, the bed where he had first slept alone, which had been his marriage bed, in which his son had been conceived and been born and lain dressed for the coffin, the room familiar for sixty-five years, by ordinary peaceful and lonely and so peculiarly his own as to have the same odor which he had, seemed to be cluttered with people, though there were but three of them and all of them he knew: Lucius Peabody who should have been down town attending to his medical practice, and the two Negroes, the one who should be in the kitchen and the other with the lawn mower on the lawn, making some pretence toward earning the money which on Saturday night they would expect.

But worst of all was the hard cold little ear of the stethoscope, worse even than the outrage of his bared chest with its fine delicate matting of gray hair. In fact, about the whole business there was just one alleviating circumstance.

"At least," he thought with fretted and sardonic humor, "I am spared that uproar of female connections which might have been my lot, which is the ordinary concomitant of occasions of marriage or divorcement. And if he will just move his damned little toy telephone and let my niggers go back to work "

And then, before he had finished the thought, Peabody did remove the stethoscope. And then, just as he was settling himself back into the pillow with a sigh of fretted relief, one of the Negroes, the woman, set up such a pandemonium ot wailing as to fetch him bolt upright in the bed, his hands to his ears. The Negress stood at the foot of the bed, her long limber black hands motionless on the footboard, her eyes whitely back-rolled into her skull and her mouth wide open, while from it rolled slow billows of soprano sound as mellow as high-register organ tones and wall-shattering as a steamer siren.

"Chlory!" he shouted. "Stop that!" She didn't stop. Apparently she could neither see nor hear. "You, Jake!" he shouted to the Negro man who stood beside her, his hands too on the footboard, his face brooding upon the bed with an expression darkly and profoundly enigmatic; "get her out of here! At once!" But Jake too did not move, and he then turned to Peabody in angry outrage. "Here! Loosh! Get these damn niggers out of here!" But Peabody also did not seem to hear him. The Judge watched him methodically folding the stethoscope into its case; glared at him for a moment longer while the woman's shattering noise billowed through the room. Then he flung the covers back and rose from the bed and hurried furiously from the room and from the house.

At once he realized that he was still in his pajamas, so he buttoned his overcoat. It was of broadcloth, black, brushed, of an outmoded elegance, with a sable collar. "At least they didn't have time to hide this from me," he thought in fretted rage. "Now, if I just had my..." He looked down at his feet. "Ah. I seem to have..." He looked at his shoes.

"That's fortunate, too." Then the momentary surprise faded too, now that outrage had space in which to disseminate itself. He touched his hat, then he put his hand to his lapel.

The jasmine was there. Say what he would, curse Jake as he often had to do, the Negro never forgot whatever flower in its season. Always it would be there, fresh and recent and unblemished, on the morning coffee tray. The flower and the... He clasped his ebony stick beneath his arm and opened the briefcase. The two fresh handkerchiefs were there, beside the book. He thrust one of them into his breast pocket and went on. After a while the noise of Chlory's wailing died away.

Then for a little while it was definitely unpleasant. He detested crowds: the milling and aimless and patient stupidity; the concussion of life-quick flesh with his own. But presently, if not soon, he was free, and standing so, still a little ruffled, a little annoyed, he looked back with fading outrage and distaste at the throng as it clotted quietly through the entrance. With fading distaste until the distaste was gone, leaving his face quiet and quite intelligent, with a faint and long constant overtone of quizzical bemusement not yet tinctured with surprised speculation, not yet puzzled, not yet wary. That was to come later. Hence it did not show in his voice, which was now merely light, quizzical, contained, "There seems to be quite a crowd of them."

"Yes," the other said. The Judge looked at him and saw a young man in conventional morning dress with some subtle effluvium of weddings, watching the entrance with a strained, patient air.

"You are expecting someone?" the Judge said.

Now the other looked at him. "Yes. You didn't see. But you don't know her."

"Know whom?"

"My wife. That is, she is not my wife yet. But the wedding was to be at noon."

"Something happened, did it?"

"I had to do it." The young man looked at him, strained, anxious. "I was late. That's why I was driving fast. A child ran into the road. I was going too fast to stop. So I had to turn."

"But you missed the child?"

"Yes." The other looked at him. "You don't know her?"

"And are you waiting here to..." The judge stared at the other. His eyes were narrowed, his gaze was piercing, hard. He said suddenly, sharply, "Nonsense."

"What? What did you say?" the other asked with his vague, strained, almost beseeching air. The Judge looked away. His frowning concentration, his reflex of angry astonishment, was gone. He seemed to have wiped it from his face by a sudden deliberate action. He was like a man who, not a swordsman, has practiced with a blade a little against a certain improbable crisis, and who suddenly finds himself, blade in hand, face to face with the event. He looked at the entrance, his face alert, musing swiftly: he seemed to muse upon the entering faces with a still and furious concentration, and quietly; quietly he looked about, then at the other again. The young man still watched him.

"You're looking for your wife too, I suppose," he said.

"I hope you find her. I hope you do." He spoke with a sort of quiet despair. "I suppose she is old, as you are. It must be hell on the one who has to watch and wait for the other one he or she has grown old in marriage with, because it is so terrible to wait and watch like me, for a girl who is a maiden to you. Of course I think mine is the most unbearable. You see if it had only been the next day, anything. But then if it had, I guess I could not have turned out for that kid. I guess I just think mine is so terrible. It can't be as bad as I think it is. It just can't be. I hope you find her."

The Judge's lip lifted. "I came here to escape someone; not to find anyone." He looked at the other. His face was still broken with that grimace which might have been smiling. But his eyes were not smiling. "If I were looking for anybody, it would probably be my son."

"Oh. A son. I see."

"Yes. He would be about your age. He was ten when he died."

"Look for him here."

Now the Judge laughed outright, save for his eyes. The other watched him with that grave anxiety leavened now with quiet interested curiosity. "You mean you don't believe?" The Judge laughed aloud. Still laughing, he produced a cloth sack of tobacco and rolled a slender cigarette. When he looked up, the other was watching the entrance again.

The Judge ceased to laugh.

"Have you a match?" he said. The other looked at him.

The Judge raised the cigarette. "A match."

The other sought in his pockets. "No." He looked at the Judge. "Look for him here," he said.

"Thank you," the Judge answered. "I may avail myself of your advice later." He turned away. Then he paused and looked back. The young man was watching the entrance.

The Judge watched him, bemused, his lip lifted. He turned on, then he stopped still. His face was now completely shocked, into complete immobility like a mask; the sensitive, worn mouth, the delicate nostrils, the eyes all pupil or pupilless. He could not seem to move at all. Then Mothershed turned and saw him. For an instant Mothershed's pale eyes flickered, his truncated jaw, collapsing steadily with a savage, toothless motion, ceased.

"Well?" Mothershed said.

"Yes," the Judge said; "it's me." Now it was that, as the mesmerism left him, the shadow bewildered and wary and complete, touched his face. Even to himself his words sounded idiotic. "I thought that you were dea..." Then he made a supreme and gallant effort, his voice light, quizzical, contained again, "Well?"

Mothershed looked at him: a squat man in a soiled and mismatched suit stained with grease and dirt, his soiled collar innocent of tie with a pale, lightly slumbering glare filled with savage outrage. "So they got you here, too, did they?"

"That depends on who you mean by 'they' and what you mean by 'here,'"

Mothershed made a savage, sweeping gesture with one arm. "Here, by God! The preachers. The Jesus shouters."

"Ah," the Judge said. "Well, if I am where I am beginning to think I am, I don't know whether I am here or not. But you are not here at all, are you?" Mothershed cursed violently. "Yes," the Judge said, "we never thought, sitting in my office on those afternoons, discussing Voltaire and Ingersoll, that we should ever be brought to this, did we? You, the atheist whom the mere sight of a church spire on the sky could enrage; and I who have never been able to divorce myself from reason enough to accept even your pleasant and labor-saving theory of nihilism."

"Labor-saving!" Mothershed cried. "By God, I..." He cursed with impotent fury. The Judge might have been smiling save for his eyes. He sealed the cigarette again.

"Have you a match?"

"What?" Mothershed said. He glared at the Judge, his mouth open. He sought through his clothes. From out the savage movement, strapped beneath his armpit, there peeped fleetly the butt of a heavy pistol. "No," he said. "I ain't."

"Yes," the Judge said. He twisted the cigarette, his gaze light, quizzical. "But you still haven't told me what you are doing here. I heard that you had..."

Again Mothershed cursed, prompt, outraged. "I ain't. I just committed suicide." He glared at the Judge. "God damn it, I remember raising the pistol; I remember the little cold ring it made against my ear; I remember when I told my finger on the trigger..." He glared at the Judge. "I thought that that would be one way I could escape the preachers, since by the church's own token..." He glared at the Judge, his pale gaze apoplectic and outraged. "Well, I know why you are here. You come here looking for that boy."

The Judge looked down, his lip lifted, the movement pouched upward about his eyes. He said quietly, "No."

Mothershed watched him, glared at him. "Looking for that boy. Agnosticism." He snarled it. "Won't say 'Yes' and won't say 'No' until you see which way the cat will jump. Ready to sell out to the highest bidder. By God, I'd rather have give up and died in sanctity, with every heaven-yelping fool in ten miles around..."

"No," the Judge said quietly behind the still, dead gleam of his teeth. Then his teeth vanished quietly, though he did not look up. He sealed the cigarette carefully again. "There seem to be a lot of people here." Mothershed now began to watch him with speculation, tasting his savage gums, his pale furious glare arrested. "You have seen other familiar faces besides my own here, I suppose. Even those of men whom you know only by name, perhaps?"

"Oh," Mothershed said. "I see. I get you now." The Judge seemed to be engrossed in the cigarette. "You want to take a whirl at them too, do you? Go ahead. I hope you will get a little more out of them that will stick to your guts than I did. Maybe you will, since you don't seem to want to know as much as you want something new to be uncertain about. Well, you can get plenty of that from any of them."

"You mean you have..."

Again Mothershed cursed, harsh, savage. "Sure. Ingersoll Paine. Every bastard one of them that I used to waste my time reading when I had better been sitting on the sunnyside of a log."

"Ah," the Judge said. "Ingersoll. Is he..."

"Sure. On a bench just inside the park yonder. And maybe on the same bench you'll find the one that wrote the little women books. If he ain't there, he ought to be."

So the Judge sat forward, elbows on knees, the unlighted cigarette in his fingers. "So you too are reconciled," he said. The man who Mothershed said was Ingersoll looked at his profile quietly. "To this place."

"Ah," the other said. He made a brief, short gesture.

"Reconciled."

The Judge did not look up. "You accept it? You acquiesce?" He seemed to be absorbed in the cigarette. "If I could just see Him, talk to Him." The cigarette turned slowly in his fingers. "Perhaps I was seeking Him. Perhaps I was seeking Him all the time I was reading your books, and Voltaire and Montesquieu. Perhaps I was." The cigarette turned slowly. "I have believed in you. In your sincerity. I said, if Truth is to be found by man, this man will be among those who find it. At one time I was in the throes of that suffering from a still green hurt which causes even an intelligent man to cast about for anything, any straw. I had a foolish conceit: you will be the first to laugh at it as I myself did later. I thought, perhaps there is a hereafter, a way station into nothingness perhaps, where for an instant lesser men might speak face to face with men like you whom they could believe; could hear from such a man's own lips the words: 'There is hope,' or: 'There is nothing.' I said to myself, in such case it will not be Him whom I shall seek; it will be Ingersoll or Paine or Voltaire." He watched the cigarette.

"Give me your word now. Say either of these to me. I will believe."

The other looked at the Judge for a time. Then he said, "Why? Believe why?"

The paper about the cigarette had come loose. The Judge twisted it carefully back, handling the cigarette carefully.

"You see, I had a son. He was the last of my name and race. After my wife died we lived alone, two men in the house. It had been a good name, you see. I wanted him to be manly, worthy of it. He had a pony which he rode all the time. I have a photograph of them which I use as a bookmark. Often, looking at the picture or watching them unbeknownst as they passed the library window, I would think What hopes ride yonder; of the pony I would think What burden do you blindly bear, dumb brute. One day they telephoned me at my office. He had been found dragging from the stirrup. Whether the pony had kicked him or he had struck his head in falling, I never knew."

He laid the cigarette carefully on the bench beside him and opened the briefcase. He took out a book. "Voltaire's Philosophical Dictionary" he said. "I always carry a book with me. I am a great reader. It happens that my life is a solitary one, owing to the fact that I am the last of my family, and perhaps to the fact that I am a Republican officeholder in a Democratic stronghold. I am a Federal judge, from a Mississippi district. My wife's father was a Republican." He added quickly, "I believe the tenets of the Republican Party to be best for the country. You will not believe it, but for the last fifteen years my one intellectual companion has been a rabid atheist, almost an illiterate, who not only scorns all logic and science, but who has a distinct body odor as well. Sometimes I have thought, sitting with him in my office on a summer afternoon, a damp one, that if a restoration of faith could remove his prejudice against bathing, I should be justified in going to that length myself even." He took a photograph from the book and extended it. "This was my son."

The other looked at the picture without moving, without offering to take it. From the brown and fading cardboard a boy of ten, erect upon the pony, looked back at them with a grave and tranquil hauteur. "He rode practically all the time. Even to church (I attended church regularly then. I still do, at times, even now). We had to take an extra groom along in the carriage to..." He looked at the picture, musing. "After his mother died I never married again. My own mother was sickly, an invalid. I could cajole her. In the absence of my aunts I could browbeat her into letting me go barefoot in the garden, with two house servants on watch to signal the approach of my aunts. I would return to the house, my manhood triumphant, vindicated, until I entered the room where she waited for me. Then I would know that for every grain of dust which pleasured my feet, she would pay with a second of her life. And we would sit in the dusk like two children, she holding my hand and crying quietly, until my aunts entered with the lamp. 'Now, Sophia. Crying again. What have you let him bulldoze you into doing this time?' She died when I was fourteen; I was twenty-eight before I asserted myself and took the wife of my choice; I was thirty-seven when my son was born." He looked at the photograph, his eyes pouched, netted by two delicate hammocks of myriad lines as fine as etching. "He rode all the time. Hence the picture of the two of them, since they were inseparable. I have used this picture as a bookmark in the printed volumes where his and my ancestry can be followed for ten generations in our American annals, so that as the pages progressed it would be as though with my own eyes I watched him ride in the flesh down the long road which his blood and bone had traveled before it became his." He held the picture. With his other hand he took up the rette. The paper had come loose: he held it raised a little and then arrested so, as if he did not dare raise it farther. "And you can give me your word. I will believe."

"Go seek your son," the other said. "Go seek him."

Now the Judge did not move at all. Holding the picture and the dissolving cigarette, he sat in a complete immobility.

He seemed to sit in a kind of terrible and unbreathing suspension. "And find him? And find him?" The other did not answer. Then the Judge turned and looked at him, and then the cigarette dropped quietly into dissolution as the tobacco rained down upon his neat, gleaming shoe. "Is that your word? I will believe, I tell you." The other sat, shapeless, gray, sedentary, almost nondescript, looking down. "Come. You cannot stop with that. You cannot."

Along the path before them people passed constantly. A woman passed, carrying a child and a basket, a young woman in a plain, worn, brushed cape. She turned upon the man who Mothershed had said was Ingersoll: a plain, bright, pleasant face and spoke to him in a pleasant, tranquil voice. Then she looked at the Judge, pleasantly, a full look without boldness or diffidence, and went on. "Come. You cannot. You cannot." Then his face went completely blank.

In the midst of speaking his face emptied; he repeated "cannot. Cannot" in a tone of musing consternation. "Cannot," he said. "You mean, you cannot give me any word? That you do not know? That you, yourself, do not know? You, Robert Ingersoll? Robert Ingersoll?" The other did not move. "Is Robert Ingersoll telling me that for twenty years I have leaned upon a reed no stronger than myself?"

Still the other did not look up. "You saw that young woman who just passed, carrying a child. Follow her. Look into her face."

"A young woman. With a..." The Judge looked at the other. "Ah. I see. Yes. I will look at the child and I shall see scars. Then I am to look into the woman's face. Is that it?" The other didn't answer. "That is your answer? Your final word?" The other did not move. The Judge's lip lifted.

The movement pouched upward about his eyes as though despair, grief, had flared up for a final instant like a dying flame, leaving upon his face its ultimate and fading gleam in a faint grimace of dead teeth. He rose and put the photograph back into the briefcase. "And this is the man who says that he was once Robert Ingersoll." Above his teeth his face mused in that expression which could have been smiling save for the eyes. "It is not proof that I sought. I, of all men, know that proof is but a fallacy invented by man to justify to himself and his fellows his own crass lust and folly. It was not proof that I sought." With the stick and the briefcase clasped beneath his arm he rolled another slender cigarette. "I don't know who you are, but I don't believe you are Robert Ingersoll. Perhaps I could not know it even if you were. Anyway, there is a certain integral consistency which, whether it be right or wrong, a man must cherish because it alone will ever permit him to die. So what I have been, I am; what I am, I shall be until that instant comes when I am not. And then I shall have never been. How does it go? Non fui. Sum. Fui. Non sum."

With the unlighted cigarette in his fingers he thought at first that he would pass on. But instead he paused and looked down at the child. It sat in the path at the woman's feet, surrounded by tiny leaden effigies of men, some erect and some prone. The overturned and now empty basket lay at one side. Then the Judge saw that the effigies were Roman soldiers in various stages of dismemberment some headless, some armless and legless scattered about, lying profoundly on their faces or staring up with martial and battered inscrutability from the mild and inscrutable dust. On the exact center of each of the child's insteps was a small scar. There was a third scar in the palm of its exposed hand, and as the Judge looked down with quiet and quizzical bemusement, the child swept flat the few remaining figures and he saw the fourth scar. The child began to cry.

"Shhhhhhhhh," the woman said. She glanced up at the Judge, then she knelt and set the soldiers up. The child cried steadily, with a streaked and dirty face, strong, unhurried, passionless, without tears. "Look!" the woman said, "See? Here! Here's Pilate too! Look!" The child ceased.

Tearless, it sat in the dust, looking at the soldiers with an expression as inscrutable as theirs, suspended, aldermanic, and reserved. She swept the soldiers flat. "There!" she cried in a fond, bright voice, "see?" For a moment longer the child sat. Then it began to cry. She took it up and sat on the bench, rocking it back and forth, glancing up at the Judge.

"Now, now," she said. "Now, now."

"Is he sick?" the Judge said.

"Oh, no. He's just tired of his toys, as children will get."

She rocked the child with an air fond and unconcerned.

"Now, now. The gentleman is watching you."

The child cried steadily. "Hasn't he other toys?" the Judge said.

"Oh, yes. So many that I don't dare walk about the house in the dark. But he likes his soldiers the best. An old gentleman who has lived here a long time, they say, and is quite wealthy, gave them to him. An old gentleman with a white mustache and that kind of popping eyes that old people have who eat too much; I tell him so. He has a footman to carry his umbrella and overcoat and steamer rug, and he sits here with us for more than an hour, sometimes, talking and breathing hard. He always has candy or something." She looked down at the child, her face brooding and serene. It cried steadily. Quizzical, bemused, the Judge stood, looking quietly down at the child's scarred, dirty feet. The woman glanced up and followed his look. "You are looking at his scars and wondering how he got them, aren't you? The other children did it one day when they were playing. Of course they didn't know they were going to hurt him. I imagine they were as surprised as he was. You know how children are when they get too quiet."

"Yes," the Judge said. "I had a son too."

"You have? Why don't you bring him here? I'm sure we would be glad to have him play with our soldiers too."

The Judge's teeth glinted quietly. "I'm afraid he's a little too big for toys." He took the photograph from the briefcase. "This was my son."

The woman took the picture. The child cried steady and strong. "Why, it's Howard. Why, we see him every day. He rides past here every day. Sometimes he stops and lets us ride too. I walk beside to hold him on," she added, glancing up. She showed the picture to the child. "Look! See Howard on his pony? See?" Without ceasing to cry, the child contemplated the picture, its face streaked with tears and dirt, its expression detached, suspended, as though it were living two distinct and separate lives at one time. She returned the picture. "I suppose you are looking for him."

"Ah," the Judge said behind his momentary teeth. He replaced the picture carefully in the briefcase, the unlighted cigarette in his fingers.

The woman moved on the bench, gathering her skirts in with invitation. "Won't you sit down? You will be sure to see him pass here."

"Ah," the Judge said again. He looked at her, quizzical, with the blurred eyes of the old. "It's like this, you see. He always rides the same pony, you say?"

"Why, yes." She looked at him with grave and tranquil surprise.

"And how old would you say the pony is?"

"Why, I... It looks just the right size for him."

"A young pony, you would say then?"

"Why... yes. Yes." She watched him, her eyes wide.

"Ah," the Judge said again behind his faint still teeth. He closed the briefcase carefully. From his pocket he took a half dollar. "Perhaps he is tired of the soldiers too. Perhaps with this..."

"Thank you," she said. She did not look again at the coin.

"Your face is so sad. There: when you think you are smiling it is sadder than ever. Aren't you well?" She glanced down at his extended hand. She did not offer to take the coin.

"He'd just lose it, you see. And it's so pretty and bright. When he is older, and can take care of small playthings... He's so little now, you see."

"I see," the Judge said. He put the coin back into his pocket. "Well, I think I shall..."

"You wait here with us. He always passes here. You'll find him quicker that way."

"Ah," the Judge said. "On the pony, the same pony. You see, by that token, the pony would have to be thirty years old. That pony died at eighteen, six years unridden, in my lot. That was twelve years ago. So I had better get on."

And again it was quite unpleasant. It should have been doubly so, what with the narrow entrance and the fact that, while the other time he was moving with the crowd, this time he must fight his way inch by inch against it. "But at least I know where I am going," he thought, beneath his crushed hat, his stick and briefcase dragging at his arms; "which I did not seem to know before." But he was free at last, and looking up at the clock on the courthouse, as he never failed to do on descending his office stairs, he saw that he had a full hour before supper would be ready, before the neighbors would be ready to mark his clock-like passing.

"I shall have time to go the cemetery," he thought, and looking down at the raw and recent excavation, he swore with fretful annoyance, for some of the savage clods had fallen or been thrown upon the marble slab beside it. "Damn that Pettigrew," he said. "He should have seen to this. I told him I wanted the two of them as close as possible, but at least I thought that he..." Kneeling, he tried to remove the earth which had fallen upon the slab. But it was beyond his strength to do more than clear away that which partially obscured the lettering: Howard Allison 1. April 17, 1905. August 22, 1913, and the quietly cryptic Gothic lettering at the foot: Auf Wiedersehen, Little Boy. He continued to smooth, to stroke the letters after the earth was gone, his face bemused, quiet, as he spoke to the man who Mothershed had said was Ingersoll, "You see, if I could believe that I shall see and touch him again, I shall not have lost him. And if I have not lost him, I shall never have had a son. Because I am I through bereavement and because of it. I do not know what I was nor what I shall be. But because of death, I know that I am. And that is all the immortality of which intellect is capable and flesh should desire. Anything else is for peasants, clods, who could never have loved a son well enough to have lost him." His face broke, myriad, quizzical, while his hand moved lightly upon the quiet lettering. "No. I do not require that. To lie beside him will be sufficient for me. There will be a wall of dust between us: that is true, and he is already dust these twenty years. But some day I shall be dust too. And..." he spoke now firmly, quietly, with a kind of triumph: "who is he who will affirm that there must be a web of flesh and bone to hold the shape of love?"

Now it was late. "Probably they are setting their clocks back at this very moment," he thought, pacing along the street toward his home. Already he should have been hearing the lawn mower, and then in the instant of exasperation at Jake, he remarked the line of motor cars before his gate and a sudden haste came upon him. But not so much but what, looking at the vehicle at the head of the line, he cursed again.

"Damn that Pettigrew! I told him, in the presence of witnesses when I signed my will, that I would not be hauled feet first through Jefferson at forty miles an hour. That if he couldn't find me a decent pair of horses... I am a good mind to come back and haunt him, as Jake would have me do."

But the haste, the urgency, was upon him. He hurried round to the back door (he remarked that the lawn was freshly and neatly trimmed, as though done that day) and entered. Then he could smell the flowers faintly and hear the voice; he had just time to slip out of his overcoat and pajamas and leave them hanging neatly in the closet, and cross the hall into the odor of cut flowers and the drone of the voice, and slip into his clothes. They had been recently pressed, and his face had been shaved too. Nevertheless they were his own, and he fitted himself to the olden and familiar embrace which no iron could change, with the same lascivious eagerness with which he shaped his limbs to the bedclothes on a winter night.

"Ah!" he said to the man who Mothershed had said was Ingersoll, "this is best, after all. An old man is never at home save in his own garments: his own old thinking and beliefs; old hands and feet, elbow, knee, shoulder which he knows will fit."

Now the light vanished with a mute, faint, decorous hollow sound which drove for a fading instant down upon him the dreadful, macabre smell of slain flowers; at the same time he became aware that the droning voice had ceased. "In my own house too," he thought, waiting for the smell of the flowers to fade; "yet I did not once think to notice who was speaking, nor when he ceased." Then he heard or felt the decorous scuffing of feet about him, and he lay in the close dark, his hands folded upon his breast as he slept, as the old sleep, waiting for the moment. It came. He said quietly aloud, quizzical, humorous, peaceful, as he did each night in his bed in his lonely and peaceful room when a last full exhalation had emptied his body of waking and he seemecj for less than an instant to look about him from the portal of sleep, "Gentlemen of the Jury, you may proceed."

Black Music

THIS is about Wilfred Midgleston, fortune's favorite, chosen of the gods. For fifty-six years, a clotting of the old gutful compulsions and circumscriptions of clocks and bells, he met walking the walking image of a small, snuffy, nondescript man whom neither man nor woman had ever turned to look at twice, in the monotonous shop windows of monotonous hard streets. Then his apotheosis soared glaring, and to him at least not brief, across the unfathomed sky above his lost earth like that of Elijah of old.

I found him in Rincon, which is not large; less large even than one sway-backed tanker looming above the steel docks of the Universal Oil Company and longer than the palm and abode-lined street paved with dust marked by splayed naked feet where the violent shade lies by day and the violent big stars by night.

"He came from the States," they told me. "Been here twenty-five years. He hasn't changed at all since the day he arrived, except that the clothes he came in have wore out and he hasn't learned more than ten words of Spanish." That was the only way you could tell that he was an old man, that he was getting along: he hadn't learned to speak hardly a word of the language of the people with whom he had lived twenty-five years and among whom it appeared that he intended to die and be buried. Appeared: he had no job: a mild, hopelessly mild man who looked like a book-keeper in a George Ade fable dressed as a tramp for a Presbyterian social charade in 1890, and quite happy.

Quite happy and quite poor. "He's either poor, or he's putting up an awful front. But they can't touch him now. We told him that a long time ago, when he first come here. We said, 'Why don't you go on and spend it, enjoy it? They've probably forgot all about it by now.' Because if I went to the trouble and risk of stealing and then the hardship of having to live the rest of my life in a hole like this, I'd sure enjoy what I went to the trouble to get."

"Enjoy what?" I said.

"The money. The money he stole and had to come down here. What else do you reckon he would come down here and stay twenty-five years for? just to look at the country?"

"He doesn't act and look very rich," I said.

"That's a fact. But a fellow like that. His face. I don't guess he'd have judgment enough to steal good. And not judgment enough to keep it, after he got it stole. I guess you are right. I guess all he got out of it was the running away and the blame. While somebody back there where he run from is spending the money and singing loud in the choir twice a week."

"Is that what happens?" I said.

"You're damned right it is. Some damn fellow that's too rich to afford to be caught stealing sets back and leaves a durn fool that never saw twenty-five hundred dollars before in his life at one time, pull his chestnuts for him. Twenty-five hundred seems a hell of a lot when somebody else owns it. But when you have got to pick up overnight and run a thousand miles, paying all your expenses, how long do you think twenty-five hundred will last?"

"How long did it last?" I said.

"Just about two years by God. And then there I..." He stopped. He glared at me, who had paid for the coffee and the bread which rested upon the table between us. He glared at me. "Who do you think you are, anyway? Wm. J. Burns?"

"I don't think so. I meant no offense. I just was curious to know how long his twenty-five hundred dollars lasted him."

"Who said he had twenty-five hundred dollars? I was just citing an example. He never had nothing, not even twenty-five hundred cents. Or if he did, he hid it and it's stayed hid ever since. He come here sponging on us white men, and when we got tired of it he took to sponging on these Spigs. And a white man has got pretty low when he's got so stingy with his stealings that he will live with Spiggotties before he'll dig up his own money and live like a white man."

"Maybe he never stole any money," I said.

"What's he doing down here, then?"

"I'm down here."

"I don't know you ain't run, either."

"That's so," I said. "You don't know."

"Sure I don't. Because that's your business. Every man has got his own private affairs, and no man respects them quicker than I do. But I know that a man, a white man, has got to have durn good reason... Maybe he ain't got it now. But you can't tell me a white man would come down here to live and die without no reason."

"And you consider that stealing money is the only reason?"

He looked at me, with disgust and a little contempt. "Did you bring a nurse with you? Because you ought to have, until you learn enough about human nature to travel alone. Because human nature, I don't care who he is nor how loud he sings in church, will steal whenever he thinks he can get away with it. If you ain't learned that yet, you better go back home and stay there where your folks can take care of you."

But I was watching Midgleston across the street. He was standing beside a clump of naked children playing in the shady dust: a small, snuffy man in a pair of dirty drill trousers which had not been made for him. "Whatever it is," I said, "it doesn't seem to worry him."

"Oh. Him. He ain't got sense enough to know he needs to worry about nothing."

Quite poor and quite happy. His turn to have coffee and bread with me came at last. No: that's wrong. I at last succeeded in evading his other down-at-heel compatriots like my first informant; men a little soiled and usually unshaven, who were unavoidable in the cantinas and coffee shops, loud, violent, maintaining the superiority of the white race and their own sense of injustice and of outrage among the grave white teeth, the dark, courteous, fatal, speculative alien faces, and had Midgleston to breakfast with me. I had to invite him and then insist. He was on hand at the appointed hour, in the same dirty trousers, but his shirt was now white and whole and ironed, and he had shaved. He accepted the meal without servility, without diffidence, without eagerness. Yet when he raised the handleless bowl I watched his hands tremble so that for a time he could not make junction with his lips. He saw me watching his hands and he looked at my face for the first time and I saw that his eyes were the eyes of an old man. He said, with just a trace of apology for his clumsiness: "I ain't et nothing to speak of in a day or so."