V. THE MIDDLE GROUND

Wash

SUTPEN STOOD ABOVE the pallet bed on which the mother and child lay. Between the shrunken planking of the wall the early sunlight fell in long pencil strokes, breaking upon his straddled legs and upon the riding whip in his hand, and lay across the still shape of the mother, who lay looking up at him from still, inscrutable, sullen eyes, the child at her side wrapped in a piece of dingy though clean cloth. Behind them an old Negro woman squatted beside the rough hearth where a meager fire smoldered.

“Well, Milly,” Sutpen said, “too bad you’re not a mare. Then I could give you a decent stall in the stable.”

Still the girl on the pallet did not move. She merely continued to look up at him without expression, with a young, sullen, inscrutable face still pale from recent travail. Sutpen moved, bringing into the splintered pencils of sunlight the face of a man of sixty. He said quietly to the squatting Negress, “Griselda foaled this morning.”

“Horse or mare?” the Negress said.

“A horse. A damned fine colt… What’s this?” He indicated the pallet with the hand which held the whip.

“That un’s a mare, I reckon.”

“Hah,” Sutpen said. “A damned fine colt. Going to be the spit and image of old Rob Roy when I rode him North in ’61. Do you remember?”

“Yes, Marster.”

“Hah.” He glanced back towards the pallet. None could have said if the girl still watched him or not. Again his whip hand indicated the pallet. “Do whatever they need with whatever we’ve got to do it with.” He went out, passing out the crazy doorway and stepping down into the rank weeds (there yet leaned rusting against the corner of the porch the scythe which Wash had borrowed from him three months ago to cut them with) where his horse waited, where Wash stood holding the reins.

When Colonel Sutpen rode away to fight the Yankees, Wash did not go. “I’m looking after the Kernel’s place and niggers,” he would tell all who asked him and some who had not asked; a gaunt, malaria-ridden man with pale, questioning eyes, who looked about thirty-five, though it was known that he had not only a daughter but an eight-year-old granddaughter as well. This was a lie, as most of them the few remaining men between eighteen and fifty to whom he told it, knew, though there were some who believed that he himself really believed it, though even these believed that he had better sense than to put it to the test with Mrs. Sutpen or the Sutpen slaves. Knew better or was just too lazy and shiftless to try it, they said, knowing that his sole connection with the Sutpen plantation lay in the fact that for years now Colonel Sutpen had allowed him to squat in a crazy shack on a slough in the river bottom on the Sutpen place, which Sutpen had built for a fishing lodge in his bachelor days and which had since fallen in dilapidation from disuse, so that now it looked like an aged or sick wild beast crawled terrifically there to drink in the act of dying.

The Sutpen slaves themselves heard of his statement. They laughed. It was not the first time they had laughed at him, calling him white trash behind his back. They began to ask him themselves, in groups, meeting him in the faint road which led up from the slough and the old fish camp, “Why ain’t you at de war, white man?”

Pausing, he would look about the ring of black faces and white eyes and teeth behind which derision lurked. “Because I got a daughter and family to keep,” he said. “Git out of my road, niggers.”

“Niggers?” they repeated; “niggers?” laughing now.

“Who him, calling us niggers?”

“Yes,” he said. “I ain’t got no niggers to look after my folks if I was gone.”

“Nor nothing else but dat shack down yon dat Gunnel wouldn’t let none of us live in.”

Now he cursed them; sometimes he rushed at them, snatching up a stick from the ground while they scattered before him, yet seeming to surround him still with that black laughing, derisive, evasive, inescapable, leaving him panting and impotent and raging. Once it happened in the very back yard of the big house itself. This was after bitter news had come down from the Tennessee mountains and from Vicksburg, and Sherman had passed through the plantation, and most of the Negroes had followed him. Almost everything else had gone with the Federal troops, and Mrs. Sutpen had sent word to Wash that he could have the scuppernongs ripening in the arbor in the back yard. This time it was a house servant, one of the few Negroes who remained; this time the Negress had to retreat up the kitchen steps, where she turned. “Stop right dar, white man. Stop right whar you is. You ain’t never crossed dese steps whilst Gunnel here, and you ain’t gwy’ do hit now.”

This was true. But there was this of a kind of pride: he had never tried to enter the big house, even though he believed that if he had, Sutpen would have received him, permitted him. “But I ain’t going to give no black nigger the chance to tell me I can’t go nowhere,” he said to himself.

“I ain’t even going to give Kernel the chance to have to cuss a nigger on my account.” This, though he and Sutpen had spent more than one afternoon together on those rare Sundays when there would be no company in the house.

Perhaps his mind knew that it was because Sutpen had nothing else to do, being a man who could not bear his own company. Yet the fact remained that the two of them would spend whole afternoons in the scuppernong arbor, Sutpen in the hammock and Wash squatting against a post, a pail of cistern water between them, taking drink for drink from the same demijohn. Meanwhile on weekdays he would see the fine figure of the man: they were the same age almost to a day, though neither of them (perhaps because Wash had a grandchild while Sutpen’s son was a youth in school) ever thought of himself as being so on the fine figure of the black stallion, galloping about the plantation. For that moment his heart would be quiet and proud. It would seem to him that that world in which Negroes, whom the Bible told him had been created and cursed by God to be brute and vassal to all men of white skin, were better found and housed and even clothed than he and his; that world in which he sensed always about him mocking echoes of black laughter was but a dream and an illusion, and that the actual world was this one across which his own lonely apotheosis seemed to gallop on the black thoroughbred, thinking how the Book said also that all men were created in the image of God and hence all men made the same image in God’s eyes at least; so that he could say, as though speaking of himself, “A fine proud man. If God Himself was to come down and ride the natural earth, that’s what He would aim to look like.”

Sutpen returned in 1865, on the black stallion. He seemed to have aged ten years. His son had been killed in action the same winter in which his wife had died. He returned with his citation for gallantry from the hand of General Lee to a ruined plantation, where for a year now his daughter had subsisted partially on the meager bounty of the man to whom fifteen years ago he had granted permission to live in that tumbledown fishing camp whose very existence he had at the time forgotten. Wash was there to meet him, unchanged: still gaunt, still ageless, with his pale, questioning gaze, his air diffident, a little servile, a little familiar.

“Well, Kernel,” Wash said, “they kilt us but they ain’t whupped us yit, air they?”

That was the tenor of their conversation for the next five years. It was inferior whisky which they drank now together from a stoneware jug, and it was not in the scuppernong arbor. It was in the rear of the little store which Sutpen managed to set up on the highroad: a frame shelved room where, with Wash for clerk and porter, he dispensed kerosene and staple foodstuffs and stale gaudy candy and cheap beads and ribbons to Negroes or poor whites of Wash’s own kind, who came afoot or on gaunt mules to haggle tediously for dimes and quarters with a man who at one time could gallop (the black stallion was still alive; the stable in which his jealous get lived was in better repair than the house where the master himself lived) for ten miles across his own fertile land and who had led troops gallantly in battle; until Sutpen in fury would empty the store, close and lock the doors from the inside. Then he and Wash would repair to the rear and the jug. But the talk would not be quiet now, as when Sutpen lay in the hammock, delivering an arrogant monologue while Wash squatted guffawing against his post. They both sat now, though Sutpen had the single chair while Wash used whatever box or keg was handy, and even this for just a little while, because soon Sutpen would reach that stage of impotent and furious undefeat in which he would rise, swaying and plunging, and declare again that he would take his pistol and the black stallion and ride single-handed into Washington and kill Lincoln, dead now, and Sherman, now a private citizen.

“Kill them!” he would shout. “Shoot them down like the dogs they are ”

“Sho, Kernel; sho, Kernel!” Wash would say, catching Sutpen as he fell. Then he would commandeer the first passing wagon or, lacking that, he would walk the mile to the nearest neighbor and borrow one and return and carry Sutpen home. He entered the house now. He had been doing so for a long time, taking Sutpen home in whatever borrowed wagon might be, talking him into locomotion with cajoling murmurs as though he were a horse, a stallion himself. The daughter would meet them and hold open the door without a word. He would carry his burden through the once white formal entrance, surmounted by a fanlight imported piece by piece from Europe and with a board now nailed over a missing pane, across a velvet carpet from which all nap was now gone, and up a formal stairs, now but a fading ghost of bare boards between two strips of fading paint, and into the bedroom. It would be dusk by now, and he would let his burden sprawl onto the bed and undress it and then he would sit quietly in a chair beside. After a time the daughter would come to the door. “We’re all right now,” he would tell her. “Don’t you worry none, Miss Judith.”

Then it would become dark, and after a while he would lie down on the floor beside the bed, though not to sleep, because after a time sometimes before midnight the man on the bed would stir and groan and then speak. “Wash?”

“Hyer I am, Kernel. You go back to sleep. We ain’t whupped yit, air we? Me and you kin do hit.”

Even then he had already seen the ribbon about his granddaughter’s waist. She was now fifteen, already mature, after the early way of her kind. He knew where the ribbon came from; he had been seeing it. and its kind daily for three years, even if she had lied about where she got it, which she did not, at once bold, sullen, and fearful. “Sho now,” he said.

“Ef Kernel wants to give hit to you, I hope you minded to thank him.”

His heart was quiet, even when he saw the dress, watching her secret, defiant, frightened face when she told him that Miss Judith, the daughter, had helped her to make it. But he was quite grave when he approached Sutpen after they closed the store that afternoon, following the other to the rear.

“Get the jug,” Sutpen directed.

“Wait,” Wash said. “Not yit for a minute.”

Neither did Sutpen deny the dress. “What about it?” he said.

But Wash met his arrogant stare; he spoke quietly. “I’ve knowed you for going on twenty years. I ain’t never yit denied to do what you told me to do. And I’m a man nigh sixty. And she ain’t nothing but a fifteen-year-old gal.”

“Meaning that I’d harm a girl? I, a man as old as you are?”

“If you was ara other man, I’d say you was as old as me. And old or no old, I wouldn’t let her keep that dress nor nothing else that come from your hand. But you are different.”

“How different?” But Wash merely looked at him with his pale, questioning, sober eyes. “So that’s why you are afraid of me?”

Now Wash’s gaze no longer questioned. It was tranquil, serene. “I ain’t afraid. Because you air brave. It ain’t that you were a brave man at one minute or day of your life and got a paper to show hit from General Lee. But you air brave, the same as you air alive and breathing. That’s where hit’s different. Hit don’t need no ticket from nobody to tell me that. And I know that whatever you handle or tech, whether hit’s a regiment of men or a ignorant gal or just a hound dog, that you will make hit right.”

Now it was Sutpen who looked away, turning suddenly, brusquely. “Get the jug,” he said sharply.

“Sho, Kernel,” Wash said.

So on that Sunday dawn two years later, having watched the Negro midwife, which he had walked three miles to fetch, enter the crazy door beyond which his granddaughter lay wailing, his heart was still quiet though concerned. He knew what they had been saying the Negroes in cabins about the land, the white men who loafed all day long about the store, watching quietly the three of them: Sutpen, himself, his granddaughter with her air of brazen and shrinking defiance as her condition became daily more and more obvious, like three actors that came and went upon a stage.

“I know what they say to one another,” he thought. “I can almost hyear them: Wash Jones has fixed old Sutpen at last. Hit taken him twenty years, but he has done hit at last”

It would be dawn after a while, though not yet. From the house, where the lamp shone dim beyond the warped doorframe, his granddaughter’s voice came steadily as though run by a clock, while thinking went slowly and terrifically, fumbling, involved somehow with a sound of galloping hooves, until there broke suddenly free in mid-gallop the fine proud figure of the man on the fine proud stallion, galloping; and then that at which thinking fumbled, broke free too and quite clear, not in justification nor even explanation, but as the apotheosis, lonely, explicable, beyond all fouling by human touch: “He is bigger than all them Yankees that kilt his son and his wife and taken his niggers and ruined his land, bigger than this hyer durn country that he fit for and that has denied him into keeping a little country store; bigger than the denial which hit helt to his lips like the bitter cup in the Book. And how could I have lived this nigh to him for twenty years without being teched and changed by him? Maybe I ain’t as big as him and maybe I ain’t done none of the galloping. But at least I done been drug along. Me and him kin do hit, if so be he will show me what he aims for me to do.”

Then it was dawn. Suddenly he could see the house, and the old Negress in the door looking at him. Then he realized that his granddaughter’s voice had ceased. “It’s a girl,” the Negress said. “You can go tell him if you want to.” She reentered the house.

“A girl,” he repeated; “a girl"; in astonishment, hearing the galloping hooves, seeing the proud galloping figure emerge again. He seemed to watch it pass, galloping through avatars which marked the accumulation of years, time, to the climax where it galloped beneath a brandished saber and a shot-torn flag rushing down a sky in color like thunderous sulphur, thinking for the first time in his life that perhaps Sutpen was an old man like himself. “Gittin a gal,” he thought in that astonishment; then he thought with the pleased surprise of a child: “Yes, sir. Be dawg if I ain’t lived to be a great-grandpaw after all.”

He entered the house. He moved clumsily, on tiptoe, as if he no longer lived there, as if the infant which had just drawn breath and cried in light had dispossessed him, be it of his own blood too though it might. But even above the pallet he could see little save the blur of his granddaughter’s exhausted face. Then the Negress squatting at the hearth spoke, “You better gawn tell him if you going to. Hit’s daylight now.”

But this was not necessary. He had no more than turned the corner of the porch where the scythe leaned which he had borrowed three months ago to clear away the weeds through which he walked, when Sutpen himself rode up on the old stallion. He did not wonder how Sutpen had got the word. He took it for granted that this was what had brought the other out at this hour on Sunday morning, and he stood while the other dismounted, and he took the reins from Sutpen’s hand, an expression on his gaunt face almost imbecile with a kind of weary triumph, saying, “Hit’s a gal, Kernel. I be dawg if you ain’t as old as I am…” until Sutpen passed him and entered the house. He stood there with the reins in his hand and heard Sutpen cross the floor to the pallet.

He heard what Sutpen said, and something seemed to stop dead in him before going on.

The sun was now up, the swift sun of Mississippi latitudes, and it seemed to him that he stood beneath a strange sky, in a strange scene, familiar only as things are familiar in dreams, like the dreams of falling to one who has never climbed. “I kain’t have heard what I thought I heard,” he thought quietly. “I know I kain’t.” Yet the voice, the familiar voice which had said the words was still speaking, talking now to the old Negress about a colt foaled that morning.

“That’s why he was up so early,” he thought. “That was hit. Hit ain’t me and mine. Hit ain’t even hisn that got him outen bed.”

Sutpen emerged. He descended into the weeds, moving with that heavy deliberation which would have been haste when he was younger. He had not yet looked full at Wash.

He said, “Dicey will stay and tend to her. You better…”

Then he seemed to see Wash facing him and paused.

“What?” he said.

“You said—” To his own ears Wash’s voice sounded flat and ducklike, like a deaf man’s. “You said if she was a mare, you could give her a good stall in the stable.”

“Well?” Sutpen said. His eyes widened and narrowed… almost like a man’s fists flexing and shutting, as Wash began to advance towards him, stooping a little. Very astonishment kept Sutpen still for the moment, watching that man whom in twenty years he had no more known to make any motion save at command than he had the horse which he rode. Again his eyes narrowed and widened; without moving he seemed to rear suddenly upright. “Stand back,” he said suddenly and sharply. “Don’t you touch me.”

“I’m going to tech you, Kernel,” Wash said in that flat, quiet, almost soft voice, advancing.

Sutpen raised the hand which held the riding whip; the old Negress peered around the crazy door with her black gargoyle face of a worn gnome. “Stand back, Wash,” Sutpen said. Then he struck. The old Negress leaped down into the weeds with the agility of a goat and fled. Sutpen slashed Wash again across the face with the whip, striking him to his knees. When Wash rose and advanced once more he held in his hands the scythe which he had borrowed from Sutpen three months ago and which Sutpen would never need again.

When he reentered the house his granddaughter stirred on the pallet bed and called his name fretfully. “What was that?” she said.

“What was what, honey?”

“That ere racket out there.”

“‘Twarn’t nothing,” he said gently. He knelt and touched her hot forehead clumsily. “Do you want ara thing?”

“I want a sup of water,” she said querulously. “I been laying here wanting a sup of water a long time, but don’t nobody care enough to pay me no mind.”

“Sho now,” he said soothingly. He rose stiffly and fetched the dipper of water and raised her head to drink and laid her back and watched her turn to the child with an absolutely stonelike face. But a moment later he saw that she was crying quietly. “Now, now,” he said, “I wouldn’t do that. Old Dicey says hit’s a right fine gal. Hit’s all right now. Hit’s all over now. Hit ain’t no need to cry now.”

But she continued to cry quietly, almost sullenly, and he rose again and stood uncomfortably above the pallet for a time, thinking as he had thought when his own wife lay so and then his daughter in turn: “Women. Hit’s a mystry to me. They seem to want em, and yit when they git em they cry about hit. Hit’s a mystry to me. To ara man.” Then he moved away and drew a chair up to the window and sat down.

Through all that long, bright, sunny forenoon he sat at the window, waiting. Now and then he rose and tiptoed to the pallet. But his granddaughter slept now, her face sullen and calm and weary, the child in the crook of her arm. Then he returned to the chair and sat again, waiting, wondering why it took them so long, until he remembered that it was Sunday. He was sitting there at mid-afternoon when a halfgrown white boy came around the corner of the house upon the body and gave a choked cry and looked up and glared for a mesmerized instant at Wash in the window before he turned and fled. Then Wash rose and tiptoed again to the pallet.

The granddaughter was awake now, wakened perhaps by the boy’s cry without hearing it. “Milly,” he said, “air you hungry?” She didn’t answer, turning her face away.

He built up the fire on the hearth and cooked the food which he had brought home the day before: fatback it was, and cold corn pone; he poured water into the stale coffee pot and heated it. But she would not eat when he carried the plate to her, so he ate himself, quietly, alone, and left the dishes as they were and returned to the window.

Now he seemed to sense, feel, the men who would be gathering with horses and guns and dogs, the curious, and the vengeful: men of Sutpen’s own kind, who had made the company about Sutpen’s table in the time when Wash himself had yet to approach nearer to the house than the scuppernong arbor: men who had also shown the lesser ones how to fight in battle, who maybe also had signed papers from the generals saying that they were among the first of the brave; who had also galloped in the old days arrogant and proud on the fine horses across the fine plantations, symbols also of admiration and hope; instruments too of despair and grief.

That was whom they would expect him to run from. It seemed to him that he had no more to run from than he had to run to. If he ran, he would merely be fleeing one set of bragging and evil shadows for another just like them, since they were all of a kind throughout all the earth which he knew, and he was old, too old to flee far even if he were to flee. He could never escape them, no matter how much or how far he ran: a man going on sixty could not run that far. Not far enough to escape beyond the boundaries of earth where such men lived, set the order and the rule of living. It seemed to him that he now saw for the first time, after five years, how it was that Yankees or any other living armies had managed to whip them: the gallant, the proud, the brave; the acknowledged and chosen best among them all to carry courage and honor and pride. Maybe if he had gone to the war with them he would have discovered them sooner. But if he had discovered them sooner, what would he have done with his life since? How could he have borne to remember for five years what his life had been before?

Now it was getting toward sunset. The child had been crying; when he went to the pallet he saw his granddaughter nursing it, her face still bemused, sullen, inscrutable. “Air you hungry yit?” he said.

“I don’t want nothing.”

“You ought to eat.”

This time she did not answer at all, looking down at the child. He returned to his chair and found that the sun had set. “Hit kain’t be much longer,” he thought. He could feel them quite near now, the curious and the vengeful. He could even seem to hear what they were saying about him, the undercurrent of believing beyond the immediate fury: Old Wash Jones he come a tumble at last. He thought he had Sutpen, but Sutpen fooled him. He thought he had Kernel where he would have to marry the gal or pay up. And Kernel refused. “But I never expected that, Kernel!” he cried aloud, catching himself at the sound of his own voice, glancing quickly back to find his granddaughter watching him.

“Who you talking to now?” she said.

“Hit ain’t nothing. I was just thinking and talked out before I knowed hit.”

Her face was becoming indistinct again, again a sullen blur in the twilight. “I reckon so. I reckon you’ll have to holler louder than that before he’ll hear you, up yonder at that house. And I reckon you’ll need to do more than holler before you get him down here too.”

“Sho now,” he said. “Don’t you worry none.” But already thinking was going smoothly on: “You know I never. You know how I ain’t never expected or asked nothing from ara living man but what I expected from you. And I never asked that. I didn’t think hit would need. I said, I don’t need to. What need has a fellow like Wash Jones to question or doubt the man that General Lee himsetf says in a handwrote ticket that he was brave? Brave,” he thought. “Better if nara one of them had never rid back home in ’65"; thinking Better if his kind and mine too had never drawn the breath of life on this earth. Better that all who remain of us be blasted from the face of earth than that another Wash Jones should see his whole life shredded from him and shrivel away like a dried shuck thrown onto the fire.

He ceased, became still. He heard the horses, suddenly and plainly; presently he saw the lantern and the movement of men, the glint of gun barrels, in its moving light. Yet he did not stir. It was quite dark now, and he listened to the voices and the sounds of underbrush as they surrounded the house. The lantern itself came on; its light fell upon the quiet body in the weeds and stopped, the horses tall and shadowy. A man descended and stooped in the lantern light, above the body. He held a pistol; he rose and faced the house. “Jones,” he said.

“I’m here,” Wash said quietly from the window. “That you, Major?”

“Come out.”

“Sho,” he said quietly. “I just want to see to my granddaughter.”

“We’ll see to her. Come on out.”

“Sho, Major. Just a minute.”

“Show a light. Light your lamp.”

“Sho. In just a minute.” They could hear his voice retreat into the house, though they could not see him as he went swiftly to the crack in the chimney where he kept the butcher knife: the one thing in his slovenly life and house in which he took pride, since it was razor sharp. He approached the pallet, his granddaughter’s voice: “Who is it? Light the lamp, grandpaw.”

“Hit won’t need no light, honey. Hit won’t take but a minute,” he said, kneeling, fumbling toward her voice, whispering now. “Where air you?”

“Right here,” she said fretfully. “Where would I be? What is…” His hand touched her face. “What is… Grandpaw! Grand…”

“Jones!” the sheriff said. “Come out of there!”

“In just a minute, Major,” he said. Now he rose and moved swiftly. He knew where in the dark the can of kerosene was, just as he knew that it was full, since it was not two days ago that he had filled it at the store and held it there until he got a ride home with it, since the five gallons were heavy. There were still coals on the hearth; besides, the crazy building itself was like tinder: the coals, the hearth, the walls exploding in a single blue glare. Against it the waiting men saw him in a wild instant springing toward them with the lifted scythe before the horses reared and whirled. They checked the horses and turned them back toward the glare, yet still in wild relief against it the gaunt figure ran toward them with the lifted scythe.

“Jones!” the sheriff shouted; “Stop! Stop, or I’ll shoot. Jones! Jones!” Yet still the gaunt, furious figure came on against the glare and roar of the flames. With the scythe lifted, it bore down upon them, upon the wild glaring eyes of the horses and the swinging glints of gun barrels, without any cry, any sound.

Honor

I

I WALKED right through the anteroom without stopping.

Miss West says, “He’s in conference now,” but I didn’t stop.

I didn’t knock, either. They were talking and he quit and looked up across the desk at me.

“How much notice do you want to write me off?” I said.

“Write you off?” he said.

“I’m quitting,” I said. “Will one day be notice enough?”

He looked at me, frog-eyed. “Isn’t our car good enough for you to demonstrate?” he said. His hand lay on the desk, holding the cigar. He’s got a ruby ring the size of a tail-light.

“You’ve been with us three weeks,” he says. “Not long enough to learn what that word on the door means.”

He don’t know it, but three weeks is pretty good; it’s within two days of the record. And if three weeks is a record with him, he could have shaken hands with the new champion without moving.

The trouble is, I had never learned to do anything. You know how it was in those days, with even the college campuses full of British and French uniforms, and us all scared to death it would be over before we could get in and swank a pair of pilot’s wings ourselves. And then to get in and find something that suited you right down to the ground, you see.

So after the Armistice I stayed in for a couple of years as a test pilot. That was when I took up wing-walking, to relieve the monotony. A fellow named Waldrip and I used to hide out at about three thousand on a Nine while I muscled around on top of it. Because Army life is pretty dull in peacetime: nothing to do but lay around and lie your head off all day and play poker all night. And isolation is bad for poker.

You lose on tick, and on tick you always plunge.

There was a fellow named White lost a thousand one night. He kept on losing and I wanted to quit but I was winner and he wanted to play on, plunging and losing every pot. He gave me a check and I told him it wasn’t any rush, to forget it, because he had a wife out in California. Then the next night he wanted to play again. I tried to talk him out of it, but he got mad. Called me yellow. So he lost fifteen hundred more that night.

Then I said I’d cut him, double or quit, one time. He cut a queen. So I said, “Well, that beats me. I won’t even cut.”

And I flipped his cut over and riffled them and we saw a gob of face cards and three of the aces. But he insisted, and I said, “What’s the use? The percentage would be against me, even with a full deck.” But he insisted. I cut the case ace. I would have paid to lose. I offered again to tear up the checks, but he sat there and cursed me. I left him sitting at the table, in his shirt sleeves and his collar open, looking at the ace.

The next day we had the job, the speed ship. I had done everything I could. I couldn’t offer him the checks again. I will let a man who is worked up curse me once. But I won’t let him twice. So we had the job, the speed ship. I wouldn’t touch it. He took it up five thousand feet and dived the wings off at two thousand with a full gun.

So I was out again after four years, a civ again. And while I was still drifting around, that was when I first tried selling automobiles. I met Jack, and he told me about a bird that wanted a wingwalker for his barn-storming circus. And that was how I met her.

II

JACK he gave me a note to Rogers told me about what a good pilot Rogers was, and about her, how they said she was unhappy with him.

“So is your old man,” I said.

“That’s what they say,” Jack said. So when I saw Rogers and handed him the note, he was one of these lean, quiet-looking birds. I said to myself he was just the kind that would marry one of these flighty, passionate, good-looking women they used to catch during the war with a set of wings, and have her run out on him the first chance. So I felt safe. I knew she’d not have had to wait any three years for one like me.

So I expected to find one of these long, dark, snake-like women surrounded by ostrich plumes and Woolworth incense, smoking cigarettes on the divan while Rogers ran out to the corner delicatessen for sliced ham and potato salad on paper plates. But I was wrong. She came in with an apron on over one of these little pale squashy dresses, with flour or something on her arms, without apologizing or flurrying around or anything. She said Howard, that was Rogers, had told her about me and I said, “What did he tell you?”

But she just said: “I expect you’ll find this pretty dull for spending the evening, having to help cook your own dinner. I imagine you’d rather go out to dance with a couple of bottles of gin.”

“Why do you think that?” I said. “Don’t I look like I could do anything else?”

“Oh, don’t you?” she said.

We had washed the dishes then and we were sitting in the firelight, with the lights off, with her on a cushion on the floor, her back against Rogers’ knees, smoking and talking, and she said, “I know you had a dull time. Howard suggested that we go out for dinner and to dance somewhere. But I told him you’d just have to take us as we are, first as well as later. Are you sorry?”

She could look about sixteen, especially in the apron. By that time she had bought one for me to wear, and the three of us would all go back to the kitchen and cook dinner. “We don’t expect you to enjoy doing this any more than we do,” she said. “It’s because we are so poor. We’re just an aviator.”

“Well, Howard can fly well enough for two people,” I said. “So that’s all right, too.”

“When he told me you were just a flyer too, I said, ‘My Lord, a wing-walker? When you were choosing a family friend,’ I said, ‘why didn’t you choose a man we could invite to dinner a week ahead and not only count on his being there, but on his taking us out and spending his money on us?’ But he had to choose one that is as poor as we are.” And once she said to Rogers: “We’ll have to find Buck a girl, too. He’s going to get tired of just us some day.” You know how they say things like that: things that sound like they meant something until you look at them and find their eyes perfectly blank, until you wonder if they were even thinking about you, let alone talking about you.

Or maybe I’d have them out to dinner and a show. “Only I didn’t mean that like it sounded,” she said. “That wasn’t a hint to take us out.”

“Did you mean that about getting me a girl too?” I said.

Then she looked at me with that wide, blank, innocent look. That was when I would take them by my place for a cocktail. Rogers didn’t drink, himself, and when I would come in that night I’d find traces of powder on my dresser or maybe her handkerchief or something, and I’d go to bed with the room smelling like she was still there. She said: “Do you want us to find you one?” But nothing more was ever said about it, and after a while, when there was a high step or any of those little things which men do for women that means touching them, she’d turn to me like it was me was her husband and not him; and one night a storm caught us downtown and we went to my place and she and Rogers slept in my bed and I slept in a chair in the sitting-room.

One evening I was dressing to go out there when the ’phone rang. It was Rogers. “I am…” he said, then something cut him off. It was like somebody had put a hand on his mouth, and I could hear them talking, murmuring: her, rather. “Well, what…” Rogers says. Then I could hear her breathing into the mouth-piece, and she said my name.

“Don’t forget you’re to come out to-night,” she said.

“I hadn’t,” I said. “Or did I get the date wrong? If this is not the night ”

“You come on out,” she said. “Goodbye.”

When I got there he met me. His face looked like it always did, but I didn’t go in. “Come on in,” he said.

“Maybe I got the date wrong,” I said. “So if you’ll just…”

He swung the door back. “Come on in,” he said.

She was lying on the divan, crying. I don’t know what; something about money. “I just can’t stick it,” she said. “I’ve tried and I’ve tried, but I just can’t stand it.”

“You know what my insurance rates are,” he said. “If something happened, where would you be?”

“Where am I, anyway? What tenement woman hasn’t got more than I have?” She hadn’t looked up, lying there on her face, with the apron twisted under her. “Why don’t you quit and do something that you can get a decent insurance rate, like other men?”

“I must be getting along,” I said. I didn’t belong there. I just got out. He came down to the door with me, and then we were both looking back up the stairs toward the door where she was lying on her face on the couch.

“I’ve got a little stake,” I said. “I guess because I’ve eaten so much of your grub I haven’t had time to spend it. So if it’s anything urgent…” We stood there, he holding the door open. “Of course, I wouldn’t try to muscle in where I don’t…”

“I wouldn’t, if I were you,” he said. He opened the door. “See you at the field tomorrow.”

“Sure,” I said. “See you at the field.”

I didn’t see her for almost a week, didn’t hear from her.

I saw him every day, and at last I said, “How’s Mildred these days?”

“She’s on a visit,” he said. “At her mother’s.”

For the next two weeks I was with him every day. When I was out on top I’d look back at his face behind the goggles.

But we never mentioned her name, until one day he told me she was home again and that I was invited out to dinner that night.

It was in the afternoon. He was busy all that day hopping passengers, so I was doing nothing, just killing time waiting for evening and thinking about her, wondering some, but mostly just thinking about her being home again, breathing the same smoke and soot I was breathing, when all of a sudden I decided to go out there. It was plain as a voice saying, “Go out there. Now, at once.” So I went. I didn’t even wait to change. She was alone, reading before the fire. It was like gasoline from a broken line blazing up around you.

III

IT WAS FUNNY. When I’d be out on top I’d look back at his face behind the windscreen, wondering what he knew. He must have known almost at once. Why, say, she didn’t have any discretion at all. She’d say and do things, you know: insist on sitting close to me; touching me in that different way from when you hold an umbrella or a raincoat over them, and such that any man can tell at one look, when she thought he might not see: not when she knew he couldn’t, but when she thought maybe he wouldn’t. And when I’d unfasten my belt and crawl out I’d look back at his face and wonder what he was thinking, how much he knew or suspected.

I’d go out there in the afternoon when he was busy. I’d stall around until I saw that he would be lined up for the rest of the day, then I’d give some excuse and beat it. One afternoon I was all ready to go, waiting for him to take off, when he cut the gun and leaned out and beckoned me. “Don’t go off,” he said. “I want to see you.”

So I knew he knew then, and I waited until he made the last hop and was taking off his monkey suit in the office. He looked at me and I looked at him. “Come out to dinner,” he said.

When I came in they were waiting. She had on one of those little squashy dresses and she came and put her arms around me and kissed me with him watching.

“I’m going with you,” she said. “We’ve talked it over and have both agreed that we couldn’t love one another any more after this and that this is the only sensible thing to do. Then he can find a woman he can love, a woman that’s not bad like I am.”

He was looking at me, and she running her hands over my face and making a little moaning sound against my neck, and me like a stone or something. Do you know what I was thinking? I wasn’t thinking about her at all. I was thinking that he and I were upstairs and me out on top and I had just found that he had thrown the stick away and was flying her on the rudder alone and that he knew that I knew the stick was gone and so it was all right now, whatever happened.

So it was like a piece of wood with another piece of wood leaning against it, and she held back and looked at my face.

“Don’t you love me any more?” she said, watching my face. “If you love me, say so. I have told him everything.”

I wanted to be out of there. I wanted to run. I wasn’t scared. It was because it was all kind of hot and dirty. I wanted to be away from her a little while, for Rogers and me to be out where it was cold and hard and quiet, to settle things.

“What do you want to do?” I said. “Will you give her a divorce?”

She was watching my face very closely. Then she let me go and she ran to the mantel and put her face into the bend of her arm, crying.

“You were lying to me,” she said. “You didn’t mean what you said. Oh God, what have I done?”

You know how it is. Like there is a right time for everything. Like nobody is anything in himself: like a woman, even when you love her, is a woman to you just a part of the time and the rest of the time she is just a person that don’t look at things the same way a man has learned to. Don’t have the same ideas about what is decent and what is not.

So I went over and stood with my arms about her, thinking, “God damn it, if you’ll just keep out of this for a little while! We’re both trying our best to take care of you, so it won’t hurt you.”

Because I loved her, you see. Nothing can marry two people closer than a mutual sin in the world’s eyes. And he had had his chance. If it had been me that knew her first and married her and he had been me, I would have had my chance. But it was him that had had it, so when she said, “Then say what you tell me when we are alone. I tell you I have told him everything,” I said, “Everything? Have you told him everything?” He was watching us. “Has she told you everything?” I said.

“It doesn’t matter,” he said. “Do you want her?” Then before I could speak, he said: “Do you love her? Will you be good to her?”

His face was gray-looking, like when you see a man again after a long time and you say, “Good God, is that Rogers?”

When I finally got away the divorce was all settled.

IV

SO THE NEXT MORNING when I reached the field, Harris, the man who owned the flying circus, told me about the special job; I had forgotten it, I suppose. Anyway, he said he had told me about it. Finally I said I wouldn’t fly with Rogers.

“Why not?” Harris said.

“Ask him,” I said.

“If he agrees to fly you, will you go up?”

So I said yes. And then Rogers came out; he said that he would fly me. And so I believed that he had known about the job all the time and had laid for me, sucked me in. We waited until Harris went out. “So this is why you were so mealy-mouthed last night,” I said. I cursed him. “You’ve got me now, haven’t you?”

“Take the stick yourself,” he said. “I’ll do your trick.”

“Have you ever done any work like this before?”

“No. But I can, as long as you fly her properly.”

I cursed him. “You feel good,” I said. “You’ve got me. Come on; grin on the outside of your face. Come on!”

He turned and went to the crate and began to get into the front seat. I went and caught his shoulder and jerked him back. We looked at one another.

“I won’t hit you now,” he said, “if that’s what you want. Wait till we get down again.”

“No,” I said. “Because I want to hit back once!”

We looked at one another; Harris was watching us from the office.

“All right,” Rogers said. “Let me have your shoes, will you? I haven’t got any rubber soles out here.”

“Take your seat,” I said. “What the hell does it matter? I guess I’d do the same thing in your place.”

The job was over an amusement park, a carnival. There must have been twenty-five thousand of them down there, like colored ants. I took chances that day that I had never taken, chances you can’t see from the ground. But every time the ship was right under me, balancing me against side pressure and all, like he and I were using the same mind. I thought he was playing with me, you see. I’d look back at his face, yelling at him: “Come on; now you’ve got me. Where are your guts?”

I was a little crazy, I guess. Anyway, when I think of the two of us up there, yelling back and forth at one another, and all the little bugs watching and waiting for the big show, the loop. He could hear me, but I couldn’t hear him; I could just see his lips moving. “Come on,” I’d yell; “shake the wing a little; I’ll go off easy, see?”

I was a little crazy. You know how it is, how you want to rush into something you know is going to happen, no matter what it is. I guess lovers and suicides both know that feeling.

I’d yell back at him: “You want it to look all right, eh? And to lose me off the level ship wouldn’t look so good, would it? All right,” I yelled, “let’s go.” I went back to the center section and cast the rope loose where it loops around the forward jury struts and I got set against it and looked back at him and gave him the signal. I was a little crazy. I was still yelling at him; I don’t know what I was yelling. I thought maybe I had already fallen off and was dead and didn’t know it. The wires began to whine and I was looking straight down at the ground and the little colored dots. Then the wires were whistling proper and he gunned her and the ground began to slide back under the nose. I waited until it was gone and the horizon had slid back under too and I couldn’t see anything but sky. Then I let go one end of the rope and jerked it out and threw it back at his head and held my arms out as she zoomed into the loop.

I wasn’t trying to kill myself. I wasn’t thinking about myself. I was thinking about him. Trying to show him up like he had shown me up. Give him something he must fail at like he had given me something I failed at. I was trying to break him.

We were over the loop before he lost me. The ground had come back, with the little colored dots, and then the pressure went off my soles and I was falling. I made a half somersault and was just going into the first turn of a flat spin, with my face to the sky, when something banged me in the back. It knocked the wind out of me, and for a second I must have been completely out. Then I opened my eyes and I was lying on my back on the top wing, with my head hanging over the back edge.

I was too far down the slope of the camber to bend my knees over the leading edge, and I could feel the wing creeping under me. I didn’t dare move. I knew that if I tried to sit up against the slip stream, I would go off backward. I could see by the tail and the horizon that we were upside now, in a shallow dive, and I could see Rogers standing up in his cockpit, unfastening his belt, and I could turn my head a little more and see that when I went off I would miss the fuselage altogether, or maybe hit it with my shoulder.

So I lay there with the wing creeping under me, feeling my shoulders beginning to hang over space, counting my backbones as they crept over the edge, watching Rogers crawl forward along the fuselage toward the front seat. I watched him for a long time, inching himself along against the pressure, his trouser-legs whipping. After a while I saw his legs slide into the front cockpit and then I felt his hands on me.

There was a fellow in my squadron. I didn’t like him and he hated my guts. All right. One day he got me out of a tight jam when I was caught ten miles over the lines with a blowing valve. When we were down he said, “Don’t think I was just digging you out. I was getting a Hun, and I got him.” He cursed me, with his goggles cocked up and his hands on his hips, cursing me like he was smiling. But that’s all right. You’re each on a Camel; if you go out, that’s too bad; if he goes out, it’s just too bad. Not like when you’re on the center section and he’s at the stick, and just by stalling her for a second or ruddering her a little at the top of the loop.

But I was young, then. Good Lord, I used to be young!

I remember Armistice night in ’18, and me chasing all over Amiens with a lousy prisoner we had brought down that morning on an Albatross, trying to keep the frog M. P.’s from getting him. He was a good guy, and those damned infantrymen wanting to stick him in a pen full of S. O. S. and ginned-up cooks and such. I felt sorry for the bastard, being so far from home and licked and all. I was sure young.

We were all young. I remember an Indian, a prince, an Oxford man, with his turban and his trick major’s pips, that said we were all dead that fought in the war. “You will not know it,” he said, “but you are all dead. With this difference: those out there,” jerking his arm toward where the front was, “do not care, and you do not know it.” And something else he said, about breathing for a long time yet, some kind of walking funerals; catafalques and tombs and epitaphs of men that died on the fourth of August, 1914, without knowing that they had died, he said. He was a card, queer. A good little guy, too.

But I wasn’t quite dead while I was lying on the top wing of that Standard and counting my backbones as they crawled over the edge like a string of ants, until Rogers grabbed me.

And when he came to the station that night to say goodbye, he brought me a letter from her, the first I ever had. The handwriting looked exactly like her; I could almost smell the scent she used and feel her hands touching me. I tore it in two without opening it and threw the pieces down. But he picked them up and gave them back to me. “Don’t be a fool,” he said.

And that’s all. They’ve got a kid now, a boy of six. Rogers wrote me; about six months afterward the letter caught up with me. I’m his godfather. Funny to have a godfather that’s never seen you and that you’ll never see, isn’t it?

So I said to Reinhardt: “Will one day be enough notice?”

“One minute will be enough,” he said. He pressed the buzzer. Miss West came in. She is a good kid. Now and then, when I’d just have to blow off some steam, she and I would have lunch at the dairy place across the street, and I could tell her about them, about the women. They are the worst.

You know; you get a call for a demonstration, and there’ll be a whole car full of them waiting on the porch and we’d pile in and all go shopping. Me dodging around in the traffic, hunting a place to park, and her saying, “Jim insisted that I try this car. But what I tell him, it’s foolish to buy a car that is as difficult to find parking space for as this one appears to be.”

And them watching the back of my head with that bright, hard, suspicious way. God knows what they thought we had; maybe one that would fold up like a deck chair and lean against a fire plug. But hell, I couldn’t sell hair straightener to the widow of a nigger railroad accident.

So Miss West comes in; she is a good kid, only somebody told her I had had three or four other jobs in a year without sticking, and that I used to be a war pilot, and she’d keep on after me about why I quit flying and why I didn’t go back to it, now that crates were more general, since I wasn’t much good at selling automobiles or at anything else, like women will. You know: urgent and sympathetic, and you can’t shut them up like you could a man; she came in and Reinhardt says, “We are letting Mr. Monaghan go. Send him to the cashier.”

“Don’t bother,” I said. “Keep it to buy yourself a hoop with.”

Dr. Martino

HUBERT JARROD met Louise King at a Christmas house party in Saint Louis. He had stopped there on his way home to Oklahoma to oblige, with his aura of oil wells and Yale, the sister of a classmate. Or so he told himself, or so he perhaps believed. He had planned to stop off at Saint Louis two days and he stayed out the full week, going on to Tulsa overnight to spend Christmas Day with his mother and then returning, “to play around a little more with my swamp angel,” he told himself. He thought about her quite a lot on the return train: a thin, tense, dark girl. “That to come out of Mississippi,” he thought. “Because she’s got it: a kid born and bred in a Mississippi swamp.” He did not mean sex appeal. He could not have been fooled by that alone, who had been three years now at New Haven, belonging to the right clubs and all and with money to spend. And besides, Louise was a little on the epicene. What he meant was a quality of which he was not yet consciously aware: a beyond-looking, a passionate sense for and belief in immanent change to which the rhinoceros-like sufficiency of his Yale and oil-well veneer was a little impervious at first. All he remarked at first was the expectation, the seeking, which he immediately took to himself.

Apparently he was not wrong. He saw her first across the dinner-table. They had not yet been introduced, yet ten minutes after they left the table she had spoken to him, and ten minutes after that they had slipped out of the house and were in a taxi, and she had supplied the address.

He could not have told himself how it happened, for all his practice, his experience in surreptitiousness. Perhaps he was too busy looking at her; perhaps he was just beginning to be aware that the beyond-looking, the tense expectation, was also beyond him his youth, his looks, the oil wells and Yale. Because the address she had given was not toward any lights or music apparently, and she sitting beside him, furred and shapeless, her breath vaporizing faster than if she had been trying to bring to life a dead cigarette. He watched the dark houses, the dark, mean streets. “Where are we going?” he said.

She didn’t answer, didn’t look at him, sitting a little forward on the seat. “Mamma didn’t want to come,” she said.

“Your mother?”

“She’s with me. Back there at the party. You haven’t met her yet.”

“Oh. So that’s what you are slipping away from. I flattered myself. I thought I was the reason.” She was sitting forward, small, tense, watching the dark houses: a district half dwellings and half small shops. “Your mother won’t let him come to call on you?”

She didn’t answer, but leaned forward. Suddenly she tapped on the glass. “Here, driver!” she said. “Right here.”

The cab stopped. She turned to face Jarrod, who sat back in his corner, muffled, his face cold. “I’m sorry. I know it’s a rotten trick. But I had to.”

“Not at all,” Jarrod said. “Don’t mention it.”

“I know it’s rotten. But I just had to. If you just understood.”

“Sure,” Jarrod said. “Do you want me to come back and get you? I’d better not go back to the party alone.”

“You come in with me.”

“Come in?”

“Yes. It’ll be all right. I know you can’t understand. But it’ll be all right. You come in too.”

He looked at her face. “I believe you really mean it,” he said. “I guess not. But I won’t let you down. You set a time, and I’ll come back.”

“Don’t you trust me?”

“Why should I? It’s no business of mine. I never saw you before to-night. I’m glad to oblige you. Too bad I am leaving to-morrow. But I guess you can find somebody else to use. You go on in; I’ll come back for you.”

He left her there and returned in two hours. She must have been waiting just inside the door, because the cab had hardly stopped before the door opened and she ran down the steps and sprang into the cab before he could dismount.

“Thank you,” she said. “Thank you. You were kind. You were so kind.”

When the cab stopped beneath the porte-cochere of the house from which music now came, neither of them moved at once. Neither of them made the first move at all, yet a moment later they kissed. Her mouth was still, cold. “I like you,” she said. “I do like you.”

Before the week was out Jarrod offered to serve her again so, but she refused, quietly. “Why?” he said. “Don’t you want to see him again?” But she wouldn’t say, and he had met Mrs. King by that time and he said to himself, “The old girl is after me, anyway.” He saw that at once; he took that also as the meed due his oil wells and his Yale nimbus, since three years at New Haven, leading no classes and winning no football games, had done nothing to dispossess him of the belief that he was the natural prey of all mothers of daughters. But he didn’t flee, not even after he found, a few evenings later, Louise again unaccountably absent, and knew that she had gone, using someone else for the stalking horse, to that quiet house in the dingy street. “Well, I’m done,” he said to himself. “I’m through now.” But still he didn’t flee, perhaps because she had used someone else this time. “She cares that much, anyway,” he said to himself.

When he returned to New Haven he had Louise’s promise to come to the spring prom. He knew now that Mrs. King would come too. He didn’t mind that; one day he suddenly realized that he was glad. Then he knew that it was because he too knew, believed, that Louise needed looking after; that he had already surrendered unconditionally to one woman of them, he who had never once mentioned love to himself, to any woman. He remembered that quality of beyond-looking and that dark, dingy house in Saint Louis, and he thought, “Well, we have her. We have the old woman.” And one day he believed that he had found the reason if not the answer. It was in class, in psychology, and he found himself sitting bolt upright, looking at the instructor. The instructor was talking about women, about young girls in particular, about that strange, mysterious phase in which they live for a while. “A blind spot, like that which racing aviators enter when making a fast turn. When what they see is neither good nor evil, and so what they do is likely to be either one. Probably more likely to be evil, since the very evilness of evil stems from its own fact, while good is an absence of fact. A time, an hour, in which they themselves are victims of that by means of which they victimize.”

That night he sat before his fire for some time, not studying, not doing anything. “We’ve got to be married soon,” he said. “Soon.”

Mrs. King and Louise arrived for the prom. Mrs. King was a gray woman, with a cold, severe face, not harsh, but watchful, alert. It was as though Jarrod saw Louise, too, for the first time. Until then he had not been aware that he was conscious of the beyond-looking quality. It was only now that he saw it by realizing how it had become tenser, as though it were now both dread and desire; as though with the approach of summer she were approaching a climax, a crisis. So he thought that she was ill.

“Maybe we ought to be married right away,” he said to Mrs. King. “I don’t want a degree, anyway.” They were allies now, not yet antagonists, though he had not told her of the two Saint Louis expeditions, the one he knew of and the one he suspected. It was as though he did not need to tell her. It was as though he knew that she knew; that she knew he knew she knew.

“Yes,” she said. “At once.”

But that was as far as it got, though when Louise and Mrs. King left New Haven, Louise had his ring. But it was not on her hand, and on her face was that strained, secret, beyond-looking expression which he now knew was beyond him too, and the effigy and shape which the oil wells and Yale had made. “Till July, then,” he said.

“Yes,” she said. “I’ll write. I’ll write you when to come.”

And that was all. He went back to his clubs, his classes; in psychology especially he listened. “It seems I’m going to need psychology,” he thought, thinking of the dark, small house in Saint Louis, the blank, dark door through which, running, she had disappeared. That was it: a man he had never seen, never heard of, shut up in a little dingy house on a back street on Christmas eve. He thought, fretfully, “And me young, with money, a Yale man. And I don’t even know his name.”

Once a week he wrote to Louise; perhaps twice a month he received replies brief, cold notes mailed always at a different place resorts and hotels until mid-June, within a week of Commencement and his degree. Then he received a wire. It was from Mrs. King. It said Come at once and the location was Cranston’s Wells, Mississippi. It was a town he had never heard of.

That was Friday; thirty minutes later his roommate came in and found him packing. “Going to town?” the roommate said.

“Yes,” Jarrod said.

“I’ll go with you. I need a little relaxation myself, before facing the cheering throngs at the Dean’s altar.”

“No,” Jarrod said. “This is business.”

“Sure,” the roommate said. “I know a business woman in New York, myself. There’s more than one in that town.”

“No,” Jarrod said. “Not this time.”

“Beano,” the roommate said.

The place was a resort owned by a neat, small, gray spinster who had inherited it, and some of the guests as well, from her father thirty years ago a rambling frame hotel and a housed spring where old men with pouched eyes and parchment skin and old women dropsical with good living gathered from the neighboring Alabama and Mississippi towns to drink the iron-impregnated waters. This was the place where Louise had been spending her summers since she was born; and from the veranda of the hotel where the idle old women with their idle magazines and embroidery and their bright shawls had been watching each summer the comedy of which he was just learning, he could see the tips of the crepe myrtle copse hiding the bench on which the man whom he had come to fear, and whose face he had not even seen, had been sitting all day long for three months each summer for more than fifteen years.

So he stood beside the neat, gray proprietress on the top step in the early sunlight, while the old women went to and fro between house and spring, watching him with covert, secret, bright, curious looks. “Watching Louise’s young man compete with a dead man and a horse,” Jarrod thought.

But his face did not show this. It showed nothing at all, not even a great deal of intelligence as, tall, erect, in flannels and a tweed jacket in the Mississippi June, where the other men wore linen when they wore coats at all, he talked with the proprietress about the man whose face he had not seen and whose name he had just learned.

“It’s his heart,” the proprietress said to Jarrod. “He has to be careful. He had to give up his practice and everything. He hasn’t any people and he has just enough money to come down here every summer and spend the summer sitting on his bench; we call it Doctor Martino’s bench. Each summer I think it will be the last time; that we shan’t see him again. But each May I get the message from him, the reservation. And do you know what I think? I think that it is Louise King that keeps him alive. And that Alvina King is a fool.”

“How a fool?” Jarrod said.

The proprietress was watching him, this was the morning after his arrival; looking down at her he thought at first, “She is wondering how much I have heard, how much they have told me.” Then he thought, “No. It’s because she stays busy. Not like them, those others with their magazines. She has to stay too busy keeping them fed to have learned who I am, or to have been thinking all this time what the others have been thinking.”

She was watching him. “How long have you known Louise?”

“Not long. I met her at a dance at school.”

“Oh. Well, I think that the Lord has taken pity on Doctor Martino and He is letting him use Louise’s heart, somehow. That’s what I think. And you can laugh if you want to.”

“I’m not laughing,” Jarrod said. “Tell me about him.”

She told him, watching his face, her air bright, birdlike, telling him about how the man had appeared one June, in his crumpled linen and panama hat, and about his eyes.

("They looked like shoe-buttons. And when he moved it was as slow as if he had to keep on telling himself, even after he had started moving, ‘Go on, now; keep on moving, now.’") And about how he signed the book in script almost too small to read: Jules Martino, Saint Louis, Missouri. And how after that year he came back each June, to sit all day long on the bench in the crepe myrtle copse, where the old Negro porter would fetch him his mail: the two medical journals, the Saint Louis paper, and the two letters from Louise King: the one in June saying that she would arrive next week, and the one in late August saying that she had reached home. But the proprietress didn’t tell how she would walk a little way down the path three or four times a day to see if he were all right, and he not aware of it; and watching her while she talked, Jarrod thought, “What rivers has he made you swim, I wonder?”

“He had been coming here for three years,” the proprietress said, “without knowing anybody, without seeming to want to know anybody, before even I found out about his heart. But he kept on coming (I forgot to say that Alvina King was already spending the summer here, right after Louise was born) and then I noticed how he would always be sitting where he could watch Louise playing, and so I thought that maybe he had lost his child. That was before he told me that he had never married and he didn’t have any family at all. I thought that was what attracted him to Louise. And so I would watch him while he watched Louise growing up. I would see them talking, and him watching her year after year, and so after a while I said to myself.

’He wants to be married. He’s waiting for Louise to grow up.’ That’s what I thought then.” The proprietress was not looking at Jarrod now. She laughed a little. “My Lord, I’ve thought a lot of foolishness in my time.”

“I don’t know that that was so foolish,” Jarrod said.

“Maybe not. Louise would make anybody a wife to be proud of. And him being all alone, without anybody to look after him when he got old.” The proprietress was beyond fifty herself. “I reckon I’ve passed the time when I believe it’s important whether women get married or not. I reckon, running this place single-handed this way, I’ve come to believe it ain’t very important what anybody does, as long as they are fed good and have a comfortable bed.” She ceased. For a time she seemed to muse upon the shade-dappled park, the old women clotting within the marquee above the spring.

“Did he make her do things, then?” Jarrod said.

“You’ve been listening to Alvina King,” the proprietress said. “He never made her do anything. How could he? He never left that bench. He never leaves it. He would just sit there and watch her playing, until she began to get too old to play in the dirt. Then they would talk, sitting on the bench there. How could he make her do things, even if he had wanted to?’

“I think you are right,” Jarrod said. “Tell me about when she swam the river.”

“Oh, yes. She was always afraid of water. But one summer she learned to swim, learned by herself, in the pool. He wasn’t even there. Nor at the river either. He didn’t know about that until we knew it. He just told her not to be afraid, ever. And what’s the harm in that, will you tell me?”

“None,” Jarrod said.

“No,” the proprietress said, as though she were not listening, had not heard him. “So she came in and told me, and I said, ‘With the snakes and all, weren’t you afraid?’ And she said: ” Tes. I was afraid. That’s why I did it.’

“‘Why you did it?’ I said. And she said: “‘When you are afraid to do something you know that you are alive. But when you are afraid to do what you are afraid of you are dead.’

“‘I know where you got that,’ I said. I’ll be bound he didn’t swim the river too.’ And she said: “‘He didn’t have to. Every time he wakes up in the morning he does what I had to swim the river to do. This is what I got for doing it: see?’ And she took something on a string out of the front of her dress and showed it to me. It was a rabbit made out of metal or something, about an inch tall, like you buy in the ten-cent stores. He had given it to her.

“‘What does that mean?’ I said.

“‘That’s my being afraid,’ she said. ‘A rabbit: don’t you see? But it’s brass now; the shape of being afraid, in brass that nothing can hurt. As long as I keep it I am not even afraid of being afraid.’

“‘And if you are afraid,’ I said, ‘then what?’

“‘Then I’ll give it back to him,’ she said. And what’s the harm in that, pray tell me? even though Alvina King always has been a fool. Because Louise came back in about an hour. She had been crying. She had the rabbit in her hand. ‘Will you keep this for me?’ she said. ‘Don’t let anybody have it except me. Not anybody. Will you promise?’

“And I promised, and I put the rabbit away for her. She asked me for it just before they left. That was when Alvina said they were not coming back the next summer. ‘This foolishness is going to end,’ she said. ‘He will get her killed; he is a menace.’

“And, sure enough, next summer they didn’t come. I heard that Louise was sick, and I knew why. I knew that Alvina had driven her into sickness, into bed. But Doctor Jules came in June. ‘Louise has been right sick,’ I told him.

“‘Yes,’ he said; ‘I know.’ So I thought he had heard, that she had written to him. But then I thought how she must have been too sick to write, and that that fool mother of hers anyway…” The proprietress was watching Jarrod.

“Because she wouldn’t have to write him.”

“Wouldn’t have to?”

“He knew she was sick. He knew it. She didn’t have to write him. Now you’ll laugh.”

“I’m not laughing. How did he know?”

“He knew. Because I knew he knew; and so when he didn’t go on back to Saint Louis, I knew that she would come. And so in August they did come. Louise had grown a lot taller, thinner, and that afternoon I saw them standing together for the first time. She was almost as tall as he was. That was when I first saw that Louise was a woman. And now Alvina worrying about that horse that Louise says she’s going to ride.”

“It’s already killed one man,” Jarrod said.

“Automobiles have killed more than that. But you ride in an automobile, yourself. You came in one. It never hurt her when she swam that river, did it?”

“But this is different. How do you know it won’t hurt her?”

“I just know.”

“How know?”

“You go out there where you can see that bench. Don’t bother him; just go and look at him. Then you’ll know too.”

“Well, I’d want a little more assurance than that,” Jarrod said.

He had returned to Mrs. King. With Louise he had had one interview, brief, violent, bitter. That was the night before; to-day she had disappeared. “Yet he is still sitting there on that bench,” Jarrod thought. “She’s not even with him. They don’t even seem to have to be together: he can tell all the way from Mississippi to Saint Louis when she is sick. Well, I know who’s in the blind spot now!”

Mrs. King was in her room. “It seems that my worst competitor is that horse,” Jarrod said.

“Can’t you see he is making her ride it for the same reason he made her swim that snake-filled river? To show that he can, to humiliate me?”

“What can I do?” Jarrod said. “I tried to talk to her last night. But you saw where I got.”

“If I were a man, I shouldn’t have to ask what to do. If I saw the girl I was engaged to being ruined, ruined by a man, any man, and a man I never saw before and don’t even know who he is old or not old; heart or no heart…”

“I’ll talk to her again.”

“Talk?” Mrs. King said. “Talk? Do you think I sent you that message to hurry down here just to talk to her?”

“You wait, now,” Jarrod said. “It’ll be all right. I’ll attend to this.”

He had to do a good bit of waiting, himself. It was nearly noon when Louise entered the empty lobby where he sat.

He rose. “Well?”

They looked at each other. “Well?”

“Are you still going to ride that horse this afternoon?” Jarrod asked.

“I thought we settled this last night. But you’re still meddling. I didn’t send for you to come down here.”

“But I’m here. I never thought, though, that I was being sent for to compete with a horse.” She watched him, her eyes hard. “With worse than a horse. With a damned dead man. A man that’s been dead for twenty years; he says so himself, they tell me. And he ought to know, being a doctor, a heart specialist. I suppose you keep him alive by scaring him like strychnine, Florence Nightingale.” She watched him, her face quite still, quite cold. “I’m not jealous,” he went on. “Not of that bird. But when I see him making you ride that horse that has already killed…” He looked down at her cold face. “Don’t you want to marry me, Louise?”

She ceased to look at him. “It’s because we are young yet. We have so much time, all the rest of time. And maybe next year, even, this very day next year, with everything pretty and warm and green, and he will be… You don’t understand. I didn’t at first, when he first told me how it was to live day after day with a match box full of dynamite caps in your breast pocket. Then he told me one day, when I was big enough to understand, how there is nothing in the world but living, being alive, knowing you are alive. And to be afraid is to know you are alive, but to do what you are afraid of, then you live. He says it’s better even to be afraid than to be dead. He told me all that while he was still afraid, before he gave up the being afraid and he knew he was alive without living. And now he has even given that up, and now he is just afraid. So what can I do?”

“Yes. And I can wait, because I haven’t got a match box of dynamite caps in my shirt. Or a box of conjuring powder, either.”

“I don’t expect you to see. I didn’t send for you. I didn’t want to get you mixed up in it.”

“You never thought of that when you took my ring. Besides, you had already got me mixed up in it, the first night I ever saw you. You never minded then. So now I know a lot I didn’t know before. And what does he think about that ring, by the way?” She didn’t answer. She was not looking at him; neither was her face averted. After a time he said, “I see. He doesn’t know about the ring. You never showed it to him.” Still she didn’t answer, looking neither at him nor away. “All right,” he said “I’ll give you one more chance.”

She looked at him. “One more chance for what?” Then she said, “Oh. The ring. You want it back.” He watched her, erect, expressionless, while she drew from inside her dress a slender cord on which was suspended the ring and a second object which he recognized in the flicking movement which broke the cord, to be the tiny metal rabbit of which the proprietress had told him. Then it was gone, and her hand flicked again, and something struck him a hard, stinging blow on the cheek. She was already running toward the stairs. After a time he stooped and picked up the ring from the floor. He looked about the lobby. “They’re all down at the spring,” he thought, holding the ring on his palm. “That’s what people come here for: to drink water.”

They were there, clotting in the marquee above the well, with their bright shawls and magazines. As he approached, Mrs. King came quickly out of the group, carrying one of the stained tumblers in her hand. “Yes?” she said. “Yes?”

Jarrod extended his hand on which the ring lay. Mrs. King looked down at the ring, her face cold, quiet, outraged.

“Sometimes I wonder if she can be my daughter. What will you do now?”

Jarrod, too, looked down at the ring, his face also cold, still. “At first I thought I just had to compete with a horse,” he said. “But it seems there is more going on here than I knew of, than I was told of.”

“Fiddlesticks,” Mrs. King said. “Have you been listening to that fool Lily Cranston, to these other old fools here?”

“Not to learn any more than everybody else seems to have known all the time. But then, I’m only the man she was engaged to marry.” He looked down at the ring. “What do you think I had better do now?”

“If you’re a man that has to stop to ask advice from a woman in a case like this, then you’d better take the advice and take your ring and go on back to Nebraska or Kansas or wherever it is.”

“Oklahoma,” Jarrod said sullenly. He closed his hand on the ring. “He’ll be on that bench,” he said.

“Why shouldn’t he?” Mrs. King said. “He has no one to fear here.”

But Jarrod was already moving away. “You go on to Louise,” he said. “I’ll attend to this.”

Mrs. King watched him go on down the path. Then she turned herself and flung the stained tumbler into an oleander bush and went to the hotel, walking fast, and mounted the stairs. Louise was in her room, dressing. “So you gave Hubert back his ring,” Mrs. King said. “That man will be pleased now. You will have no secret from him now, if the ring ever was a secret. Since you don’t seem to have any private affairs where he is concerned; don’t appear to desire any ”

“Stop,” Louise said. “You can’t talk to me like that.”

“Ah. He would be proud of that, too, to have hard that from his pupil.”

“He wouldn’t let me down. But you let me down. He wouldn’t let me down.” She stood thin and taut, her hands clenched at her sides. Suddenly she began to cry, her face lifted, the tears rolling down her cheeks. “I worry and I worry and I don’t know what to do. And now you let me down, my own mother.”

Mrs. King sat on the bed. Louise stood in her underthings, the garments she had removed scattered here and there, on the bed and on the chairs. On the table beside the bed lay the little metal rabbit; Mrs. King looked at it for a moment.

“Don’t you want to marry Hubert?” she said.

“Didn’t I promise him, you and him both? Didn’t I take his ring? But you won’t let me alone. He won’t give me time, a chance. And now you let me down, too. Everybody lets me down except Doctor Jules.”

Mrs. King watched her, cold, immobile. “I believe that fool Lily Cranston is right. I believe that man has some criminal power over you. I just thank God he has not it for anything except to try to make you kill yourself, make a fool of yourself. Not yet, that is ”

“Stop,” Louise said; “stop!” She continued to say “Stop. Stop!” even when Mrs. King walked up and touched her.

“But you let me down! And now Hubert has let me down. He told you about that horse after he had promised me he wouldn’t.”

“I knew that already. That’s why I sent for him. I could do nothing with you. Besides, it’s anybody’s business to keep you from riding it.”

“You can’t keep me. You may keep me locked up in this room to-day, but you can’t always. Because you are older than I am. You’ll have to die first, even if it takes a hundred years. And I’ll come back and ride that horse if it takes a thousand years.”

“Maybe I won’t be here then,” Mrs. King said. “But neither will he. I can outlive him. And I can keep you locked up in this room for one day, anyway.”

Fifteen minutes later the ancient porter knocked at the locked door. Mrs. King went and opened it. “Mr. Jarrod wants to see you downstairs,” the porter said.

She locked the door behind her. Jarrod was in the lobby.

It was empty. “Yes?” Mrs. King said. “Yes?”

“He said that if Louise would tell him herself she wants to marry me. Send him a sign.”

“A sign?” They both spoke quietly, a little tensely, though quite calm, quite grave.

“Yes. I showed him the ring, and him sitting there on that bench, in that suit looking like he had been sleeping in it all summer, and his eyes watching me like he didn’t believe she had ever seen the ring. Then he said, ‘Ah. You have the ring. Your proof seems to be in the hands of the wrong party. If you and Louise are engaged, she should have the ring. Or am I just old fashioned?’ And me standing there like a fool and him looking at the ring like it might have come from Woolworth’s. He never even offered to touch it.”

“You showed him the ring? The ring? You fool. What…”

“Yes. I don’t know. It was just the way he sat there, the way he makes her do things, I guess. It was like he was laughing at me, like he knew all the time there was nothing I could do, nothing I could think of doing about it he had not already thought about; that he knew he could always get between us before in time…”

“Then what? What kind of a sign did he say?”

“He didn’t say. He just said a sign, from her hand to his. That he could believe, since my having the ring had exploded my proof. And then I caught my hand just before it hit him and him sitting there. He didn’t move; he just sat there with his eyes closed and the sweat popping out on his face. And then he opened his eyes and said, ‘Now, strike me.’”

“Wait,” Mrs. King said. Jarrod had not moved. Mrs. King gazed across the empty lobby, tapping her teeth with her fingernail. “Proof,” she said. “A sign.” She moved. “You wait here.” She went back up the stairs; a heavy woman, moving with that indomitable, locomotivelike celerity. She was not gone long. “Louise is asleep,” she said, for no reason that Jarrod could have discerned, even if he had been listening. She held her closed hand out. “Can you have your car ready in twenty minutes?”

“Yes. But what?”

“And your bags packed. I’ll see to everything else.”

“And Louise You mean ”

“You can be married in Meridian; you will be there in an hour.”

“Married? Has Louise?”

“I have a sign from her that he will believe. You get your things all ready and don’t you tell anyone where you are going, do you hear?”

“Yes. Yes. And Louise has?”

“Not a soul. Here” she put something into his hand.

“Get your things ready, then take this and give it to him. He may insist on seeing her. But I’ll attend to that. You just be ready. Maybe he’ll just write a note, anyway. You do what I told you.” She turned back toward the stairs, fast, with that controlled swiftness, and disappeared. Then Jarrod opened his hand and looked at the object which she had given him. It was the metal rabbit. It had been gilded once, but that was years ago, and it now lay on his palm in mute and tarnished oxidation. When he left the room he was not exactly running either. But he was going fast.

But when he re-entered the lobby fifteen minutes later, he was running. Mrs. King was waiting for him.

“He wrote the note,” Jarrod said. “One to Louise, and one to leave here for Miss Cranston. He told me I could read the one to Louise.” But Mrs. King had already taken it from his hand and opened it. “He said I could read it,” Jarrod said. He was breathing hard, fast. “He watched me do it, sitting there on that bench; he hadn’t moved even his hands since I was there before, and then he said, ‘Young Mr. Jarrod, you have been conquered by a woman, as I have been. But with this difference: it will be a long time yet before you will realize that you have been slain.’ And I said, ‘If Louise is to do the slaying, I intend to die every day for the rest of my life or hers.’ And he said, ‘Ah; Louise. Were you speaking of Louise?’ And I said, ‘Dead.’ I said, ‘Dead.’ I said, ‘Dead.’”

But Mrs. King was not there. She was already half way up the stairs. She entered the room. Louise turned on the bed, her face swollen, with tears or with sleep. Mrs. King handed her the note. “There, honey. What did I tell you? He was just making a fool of you. Just using you to pass the time with.”

The car was going fast when it turned into the highroad.

“Hurry,” Louise said. The car increased speed; she looked back once toward the hotel, the park massed with oleander and crepe myrtle, then she crouched still lower in the seat beside Jarrod. “Faster,” she said.

“I say faster, too,” Jarrod said. He glanced down at her; then he looked down at her again. She was crying. “Are you that glad?” he said.

“I’ve lost something,” she said, crying quietly. “Something I’ve had a long time, given to me when I was a child. And now I’ve lost it. I had it just this morning, and now I can’t find it.”

“Lost it?” he said. “Given to you…” His foot lifted; the car began to slow. “Why, you sent…”

“No, no!” Louise said. “Don’t stop! Don’t turn back! Go on!”

The car was coasting now, slowing, the brakes not yet on.

“Why, you… She said you were asleep.” He put his foot on the brakes.

“No, no!” Louise cried. She had been sitting forward; she did not seem to have heard him at all. “Don’t turn back! Go on! Go on!”

“And he knew,” Jarrod thought. “Sitting there on the bench, he knew. When he said what he said: that I would not know that I had been slain.”

The car was almost stopped. “Go on!” Louise cried. “Go on!” He was looking down at her. Her eyes looked as if they were blind; her face was pale, white, her mouth open, shaped to an agony of despair and a surrender in particular which, had he been older, he would have realized that he would never see again on any face. Then he watched his hand set the lever back into gear, and his foot come down again on the throttle. “He said it himself,” Jarrod thought: “to be afraid, and yet to do. He said it himself: there’s nothing in the world but being alive, knowing you are alive.”

“Faster!” Louise cried. “Faster!” The car rushed on; the house, the broad veranda where the bright shawls were now sibilant, fell behind.

In that gathering of wide summer dresses, of sucked old breaths and gabbling females staccato, the proprietress stood on the veranda with the second note in her hand. “Married?” she said. “Married?” As if she were someone else, she watched herself open the note and read it again. It did not take long: Lily: Don’t worry about me for a while longer. I’ll sit here until supper time. Don’t worry about me. J. M.

“Don’t worry about me,” she said. “About me.” She went into the lobby, where the old Negro was pottering with a broom. “And Mr. Jarrod gave you this?”

“Yessum. Give it to me runnin’ and tole me to git his bags into de cyar, and next I know, here Miss Louise and him whoosh! outen de drive and up de big road like a patter-roller.”

“And they went toward Meridian?”

“Yessum. Right past de bench whar Doctor Jules settin’.”

“Married,” the proprietress said. “Married.” Still carrying the note, she left the house and followed the path until she came in sight of the bench on which sat a motionless figure in white. She stopped again and re-read the note; again she looked up the path toward the bench which faced the road.

Then she returned to the house. The women had now dispersed into chairs, though their voices still filled the veranda, sibilant, inextricable one from another; they ceased suddenly as the proprietress approached and entered the house again.

She entered the house, walking fast. That was about an hour to sundown.

Dusk was beginning to fall when she entered the kitchen.

The porter was now sitting on a chair beside the stove, talking to the cook. The proprietress stopped in the door.

“Uncle Charley,” she said, “Go and tell Doctor Jules supper will be ready soon.”

The porter rose and left the kitchen by the side door.

When he passed the veranda, the proprietress stood on the top step. She watched him go on and disappear up the path toward the bench. A woman passed and spoke to her, but she made no reply; it was as though she had not heard, watching the shubbery beyond which the Negro had disappeared. And when he reappeared, the guests on the veranda saw her already in motion, descending the steps before they were even aware that the Negro was running, and they sat suddenly hushed and forward and watched her pass the Negro without stopping, her skirts lifted from her trim, school-mistress ankles and feet, and disappear up the path herself, running too. They were still sitting forward, hushed, when she too reappeared; they watched her come through the dusk and mount the porch, with on her face also a look of having seen something which she knew to be true but which she was not quite yet ready to believe. Perhaps that was why her voice was quite quiet when she addressed one of the guests by name, calling her “honey": “Doctor Martino has just died. Will you telephone to town for me?”

Fox Hunt

AN HOUR before daylight three Negro stable-boys approached the stable, carrying a lantern. While one of them unlocked and slid back the door, the bearer of the lantern lifted it and turned the beam into the darkness where a clump of pines shouldered into the paddock fence. Out of this darkness three sets of big, spaced eyes glared mildly for a moment, then vanished. “Heyo,” the Negro called. “Yawl cole?” No reply, no sound came from the darkness; the mule-eyes did not show again. The Negroes entered the barn, murmuring among themselves; a burst of laughter floated back out of the stable, mellow and meaningless and idiotic.

“How many of um you see?” the second Negro said.

“Just three mules,” the lantern-bearer said. “It’s more than that, though. Unc Mose he come in about two o’clock, where he been up with that Jup’ter horse; he say it was already two of um waiting there then. Clay-eaters. Hoo.”

Inside the stalls horses began to whinny and stamp; over the white-washed doors the high, long muzzles moved with tossing, eager shadows; the atmosphere was rich, warm, ammoniac, and clean. The Negroes began to put feed into the patent troughs, moving from stall to stall with the clever agility of monkeys, with short, mellow, meaningless cries, “Hoo. Stand over dar. Ghy ketch dat fox to-day!”

In the darkness where the clump of pines shouldered the paddock fence, eleven men squatted, surrounded by eleven tethered mules. It was November, and the morning was chill, and the men squatted shapeless and motionless, not talking.

From the stable came the sound of the eating horses; just before day broke a twelfth man came up on a mule and dismounted and squatted among the others without a word.

When day came and the first saddled horse was led out of the stable, the grass was rimed with frost, and the roof of the stable looked like silver in the silver light.

It could be seen then that the squatting men were all white men and all in overalls, and that all of the mules save two were saddleless. They had gathered from one-room, clay-floored cabins about the pine land, and they squatted, decorous, grave, and patient among their gaunt and mudcaked and burr-starred mules, watching the saddled horses, the fine horses with pedigrees longer than Harrison Blair’s, who owned them, being led one by one from a steam-heated stable and up the gravel path to the house, before which a pack of hounds already moiled and yapped, and on the veranda of which men and women in boots and red coats were beginning to gather.

Sloven, unhurried, outwardly scarcely attentive, the men in overalls watched Harrison Blair, who owned the house and the dogs and some of the guests too, perhaps, mount a big, vicious-looking black horse, and they watched another man lift Harrison Blair’s wife onto a chestnut mare and then mount a bay horse in his turn.

One of the men in overalls was chewing tobacco slowly.

Beside him stood a youth, in overalls too, gangling, with a soft stubble of beard. They spoke without moving their heads, hardly moving their lips.

“That the one?” the youth said.

The older man spat deliberately, without moving. “The one what?”

“His wife’s one.”

“Whose wife’s one?”

“Blair’s wife’s one.”

The other contemplated the group before the house. He appeared to, that is. His gaze was inscrutable, blank, without haste; none could have said if he were watching the man and woman or not. “Don’t believe anything you hear, and not more than half you see,” he said.

“What do you think about it?” the youth said.

The other spat deliberately and carefully. “Nothing,” he said. “It ain’t none of my wife.” Then he said, without raising his voice and without any change in inflection, though he was now speaking to the head groom who had come up beside him. “That fellow don’t own no horse.”

“Which fellow don’t?” the groom said. The white man indicated the man who was holding the bay horse against the chestnut mare’s flank. “Oh,” the groom said. “Mr. Gawtrey. Pity the horse, if he did.”

“Pity the horse that he owns, too,” the white man said.

“Pity anything he owns.”

“You mean Mr. Harrison?” the groom said. “Does these here horses look like they needs your pity?”

“Sho,” the white man said. “That’s right. I reckon that black horse does like to be rode like he rides it.”

“Don’t you be pitying no Blair horses,” the groom said.

“Sho,” the white man said. He appeared to contemplate the blooded horses that lived in a steam-heated house, the people in boots and pink coats, and Blair himself sitting the plunging black. “He’s been trying to catch that vixen for three years now,” he said. “Whyn’t he let one of you boys shoot it or pizenit?”

“Shoot it or pizen it?” the groom said. “Don’t you know that ain’t no way to catch a fox?”

“Why ain’t it?”

“It ain’t spo’tin,” the groom said. “You ought to been hanging around um long enough by now to know how gempmuns hunts.”

“Sho,” the white man said. He was not looking at the groom. “Wonder how a man rich as folks says he is,” again he spat, in the action something meager but without intended insult, as if he might have been indicating Blair with a jerked finger “is got time to hate one little old fox bitch like that. Don’t even want the dogs to catch it. Trying to outride the dogs so he can kill it with a stick like it was a snake. Coming all the way down here every year, bringing all them folks and boarding and sleeping them, to run one little old mangy fox that I could catch in one night with a axe and a possum dog.”

“That’s something else about gempmuns you won’t never know,” the groom said.

“Sho,” the white man said.

The ridge was a long shoal of pine and sand, broken along one flank into gaps through which could be seen a fallow rice field almost a mile wide which ended against a brier-choked dyke. The two men in overalls, the older man and the youth, sat their mules in one of these gaps, looking down into the field. Farther on down the ridge, about a half mile away, the dogs were at fault; the yapping cries came back up the ridge, baffled, ringing, profoundly urgent.

“You’d think he would learn in three years that he ain’t going to catch ere Cal-lina fox with them Yankee city dogs,” the youth said.

“He knows it,” the other said. “He don’t want them dogs to catch it. He can’t even bear for a blooded dog to go in front of him.”

“They’re in front of him now though.”

“You think so?”

“Where is he, then?”

“I don’t know. But I know that he ain’t no closer to them fool dogs right now than that fox is. Wherever that fox is squatting right now, laughing at them dogs, that’s where he is heading for.”

“You mean to tell me that ere a man in the world can smell out a fox where even a city dog can’t untangle it?”

“Them dogs yonder can’t smell out a straight track because they don’t hate that fox. A good fox or coon or possum-dog is a good dog because he hates a fox or a coon or a possum, not because he’s got a extra good nose. It ain’t his nose that leads him; it’s his hating. And that’s why when I see which-a-way that fellow’s riding, I’ll tell you which-a-way that fox has run.”

The youth made a sound in his throat and nostrils. “A growed-up man. Hating a durn little old mangy fox. I be durn if it don’t take a lot of trouble to be rich. I be durn if it don’t.”

They looked down into the field. From farther on down the ridge the eager, baffled yapping of the dogs came. The last rider in boots and pink had ridden up and passed them and gone on, and the two men sat their mules in the profound and winy and sunny silence, listening, with expressions identical and bleak and sardonic on their gaunt, yellow faces.

Then the youth turned on his mule and looked back up the ridge in the direction from which the race had come. At that moment the older man turned also and, motionless, making no sound, they watched two more riders come up and pass.

They were the woman on the chestnut mare and the man on the bay horse. They passed like one beast, like a double or hermaphroditic centaur with two heads and eight legs. The woman carried her hat in her hand; in the slanting sun the fine, soft cloud of her unbobbed hair gleamed like the chestnut’s flank, like soft fire, the mass of it appearing to be too heavy for her slender neck. She was sitting the mare with a kind of delicate awkwardness, leaning forward as though she were trying to outpace it, with a quality about her of flight within flight, separate and distinct from the speed of the mare.

The man was holding the bay horse against the mare’s flank at full gallop. His hand lay on the woman’s hand which held the reins, and he was slowly but steadily drawing both horses back, slowing them. He was leaning toward the woman; the two men on the mules could see his profile stoop past with a cold and ruthless quality like that of a stooping hawk; they could see that he was talking to the woman. They passed so, with that semblance of a thrush and a hawk in terrific immobility in mid-air, with an apparitionlike suddenness: a soft rush of hooves in the sere needles, and were gone, the man stooping, the woman leaning forward like a tableau of flight and pursuit on a lightning bolt.

Then they were gone. After a while the youth said, “That one don’t seem to need no dogs neither.” His head was still turned after the vanished riders. The other man said nothing.

“Yes, sir,” the youth said. “Just like a fox. I be durn if I see how that skinny neck of hern… Like you look at a fox and you wonder how a durn little critter like it can tote all that brush. And once I heard him say,” he in turn indicated, with less means than even spitting, that it was the rider of the black horse and not the bay, of whom he spoke “something to her that a man don’t say to a woman in comp’ny, and her eyes turned red like a fox’s and then brown again like a fox.” The other did not answer. The youth looked at him.

The older man was leaning a little forward on his mule, looking down into the field. “What’s that down there?” he said. The youth looked also. From the edge of the woods beneath them came a mold-muffled rush of hooves and then a crash of undergrowth; then they saw, emerging from the woods at full gallop, Blair on the black horse. He entered the rice field at a dead run and began to cross it with the unfaltering and undeviating speed of a crow’s flight, following a course as straight as a surveyor’s line toward the dyke which bounded the field at its other side. “What did I tell you?” the older man said. “That fox is hid yonder on that ditchbank. Well, it ain’t the first time they ever seen one another eye to eye. He got close enough to it once two years ago to throw that ere leather riding-switch at it.”

“Sho,” the youth said. “These folks don’t need no dogs.”

In the faint, sandy road which followed the crest of the ridge, and opposite another gap in the trees through which could be seen a pie-shaped segment of the rice field, and some distance in the rear of the hunt, stood a Ford car with a light truck body. Beneath the wheel sat a uniformed chauffeur; beside him, hunched into a black overcoat, was a man in a derby hat. He had a smooth, flaccid, indoors face and he was smoking a cigarette: a face sardonic and composed, yet at the moment a little wearily savage, like that of an indoors-bred and -inclined man subject to and helpless before some natural inclemency like cold or wet. He was talking.

“Sure. This all belongs to her, house and all. His old man owned it before they moved to New York and got rich, and Blair was born here. He bought it back and gave it to her for a wedding present. All he kept was this what-ever-it-is he’s trying to catch.”

“And he can’t catch that,” the chauffeur said.

“Sure. Coming down here every year and staying two months, without nothing to see and nowheres to go except these clay-eaters and Nigras. If he wants to live in a herd of nigras for two months every year, why don’t he go and spend a while on Lenox Avenue? You don’t have to drink the gin. But he’s got to buy this place and give it to her for a present because she is one of these Southerns and she might get homesick or something. Well, that’s all right, I guess. But Fourteenth Street is far enough south for me. But still, if it ain’t this, it might be Europe or somewheres. I don’t know which is worse.”

“Why did he marry her, anyways?” the chauffeur said.

“You want to know why he married her? It wasn’t the jack, even if they did have a pot full of it, of this Oklahoma Indian oil…”

“Indian oil?”

“Sure. The government give this Oklahoma to the Indians because nobody else would have it, and when the first Indian got there and seen it and dropped dead and they tried to bury him, when they stuck the shovel into the ground the oil blowed the shovel out of the fellow’s hand, and so the white folks come. They would come up with a new Ford with a man from the garage driving it and they would go to an Indian and say, ‘Well, John, how much rotten-water you catchum your front yard?’ and the Indian would say three wells or thirteen wells or whatever it is and the white man would say, ‘That’s too bad. The way the White Father put the bee on you boys, it’s too bad. Well, never mind. You see this fine new car here? Well, I’m going to give it to you so you can load up your folks and go on to where the water don’t come out of the ground rotten and where the White Father can’t put the bee on you no more.’ So the Indian would load his family into the car, and the garage man would head the car west, I guess, and show the Indian where the gasoline lever was and hop off and snag the first car back to town. See?”

“Oh,” the chauffeur said.

“Sure. So here we was in England one time, minding our own business, when here this old dame and her red-headed gal come piling over from Europe or somewheres where the gal was going to the high school, and here it ain’t a week before Blair says, ‘Well, Ernie, we’re going to get married. What the hell do you think of that?’ And him a fellow that hadn’t done nothing all his life but dodge skirts so he could drink all night and try to ride a horse to death all day, getting married in less than a week. But soon as I see this old dame, I know which one of her and her husband it was that had took them oil wells off the Indians.”

“She must have been good, to put it on Blair at all, let alone that quick,” the chauffeur said. “Tough on her, though. I’d hate for my daughter to belong to him. Not saying nothing against him, of course.”

“I’d hate for my dog to belong to him. I see him kill a dog once because it wouldn’t mind him. Killed it with a walking stick, with one lick. He says, ‘Here. Send Andrews here to haul this away.’”

“I don’t see how you put up with him,” the chauffeur said.

“Driving his cars, that’s one thing. But you, in the house with him day and night…”

“We settled that. He used to ride me when he was drinking. One day he put his hand on me and I told him I would kill him. ‘When?’ he says. When you get back from the hospital?’ ‘Maybe before I go there,’ I says. I had my hand in my pocket. ‘I believe you would,’ he says. So we get along now. I put the rod away and he don’t ride me any more and we get along.”

“Why didn’t you quit?”

“I don’t know. It’s a good job, even if we do stay all over the place all the time. Jees! Half the time I don’t know if the next train goes to Ty Juana or Italy; I don’t know half the time where I’m at or if I can read the newspaper next morning even. And I like him and he likes me.”

“Maybe he quit riding you because he had something else to ride,” the chauffeur said.

“Maybe so. Anyways, when they married, she hadn’t never been on a horse before in all her life until he bought this chestnut horse for her to match her hair. We went all the way to Kentucky for it, and he come back in the same car with it. I wouldn’t do it; I says I would do anything in reason for him but I wasn’t going to ride in no horse Pullman with it empty, let alone with a horse already in it. So I come back in a lower.

“He didn’t tell her about the horse until it was in the stable. ‘But I don’t want to ride,’ she says.

“‘My wife will be expected to ride,’ he says. ‘You are not in Oklahoma now.’

“‘But I can’t ride,’ she says.

“‘You can at least sit on top of the horse so they will think you can ride on it,’ he says.

“So she goes to Callaghan, riding them practice plugs of his with the children and the chorines that have took up horse riding to get ready to get drafted from the bushes out in Brooklyn or New Jersey to the Drive or Central Park. And her hating a horse like it was a snake ever since one day when she was a kid and gets sick on a merry-go-round.”

“How did you know all this?” the chauffeur said.

“I was there. We used to stop there now and then in the afternoon to see how she was coming on the horse. Sometimes she wouldn’t even know we was there, or maybe she did. Anyways, here she would go, round and round among the children and one or two head of Zigfield’s prize stock, passing us and not looking at us, and Blair standing there with that black face of his like a subway tunnel, like he knew all the time she couldn’t ride no horse even on a merry-go-round and like he didn’t care if she learned or not, just so he could watch her trying and not doing it. So at last even Callaghan come to him and told him it wasn’t no use. ‘Very well,’ Blair says. ‘Callaghan says you may be able to sit on the top of a painted horse, so I will buy you a horse out of a dump cart and nail him to the front porch, and you can at least be sitting on top of it when we come up.’

“‘I’ll go back to momma’s,’ she says.

“‘I wish you would,’ Blair says. ‘My old man tried all his life to make a banker out of me, but your old woman done it in two months.’”

“I thought you said they had jack of their own,” the chauffeur said. “Why didn’t she spend some of that?”

“I don’t know. Maybe there wasn’t no exchange for Indian money in New York. Anyways, you would have thought she was a conductor on a Broadway surface car. Sometimes she wouldn’t even wait until I could get Blair under a shower and a jolt into him before breakfast, to make the touch. So the gal goes to the old dame (she lives on Park Avenue) and the gal…”

“Was you there too?” the chauffeur said.

“Cried… What? Oh. This was a maid, a little Irish kid named Burke; me and her used to go out now and then. She was the one told me about this fellow, this Yale college boy, this Indian sweetheart.”

“Indian sweetheart?”

“They went to the same ward school out at Oklahoma or something. Swapped Masonic rings or something before the gal’s old man found three oil wells in the henhouse and dropped dead and the old dame took the gal off to Europe to go to the school there. So this boy goes to Yale College and last year what does he do but marry a gal out of a tank show that happened to be in town. Well, when she finds that Callaghan has give her up, she goes to her old woman in Park Avenue. She cries. ‘I begin to think that maybe I won’t look funny to his friends, and then he comes there and watches me. He don’t say nothing,’ she says, ‘he just stands there and watches me.’

“‘After all I’ve done for you,’ the old dame says. ‘Got you a husband that any gal in New York would have snapped up. When all he asks is that you learn to sit on top of a horse and not shame him before his swell friends. After all I done for you,’ the old dame says.

“‘I didn’t,’ she says. ‘I didn’t want to marry him.’

“‘Who did you want to marry?’ the old dame says.

“ I didn’t want to marry nobody,’ the gal says.

“So now the old dame digs up about this boy, this Allen boy that the gal…”

“I thought you said his name was Yale,” the chauffeur said.

“No. Allen. Yale is where he went to this college.”

“You mean Columbia.”

“No. Yale. It’s another college.”

“I thought the other one was named Cornell or something,” the chauffeur said.

“No. It’s another one. Where these college boys all come from when these hotchachacha deadfalls get raided and they give them all a ride downtown in the wagon. Don’t you read no papers?”

“Not often,” the chauffeur said. “I don’t care nothing about politics.”

“All right. So this Yale boy’s poppa had found a oil well too and he was lousy with it too, and besides the old dame was mad because Blair wouldn’t leave her live in the house with them and wouldn’t take her nowheres when we went. So the old dame give them all three her and Blair and this college boy the devil until the gal jumps up and says she will ride on a horse or bust, and Blair told her to go on and bust if she aimed to ride on this chestnut horse we brought all the way back from Kentucky. ‘I don’t aim for you to ruin this good horse,’ Blair says. ‘You’ll ride on the horse I tell you to ride on.’

“So then she would slip out the back way and go off and try to ride this horse, this good one, this Kentucky plug, to learn how first and then surprise him. The first time didn’t hurt her, but the second time it broke her collar bone, and she was scared how Blair would find it out until she found out how he had knew it all the time that she was riding on it. So when we come down here for the first time that year and Blair started chasing this lyron or whatever it ”

“Fox,” the chauffeur said.

“All right. That’s what I said. So when…”

“You said lyron,” the chauffeur said.

“All right. Leave it be a lyron. Anyways, she would ride on this chestnut horse, trying to keep up, and Blair already outrun the dogs and all, like this time two years ago when he run off from the dogs and got close enough to this lyron to hit it with his riding whip…”

“You mean fox,” the chauffeur said. “A fox, not a lyron. Say…” The other man, the valet, secretary, whatever he might have been, was lighting another cigarette, crouched into his upturned collar, the derby slanted down upon his face.

“Say what?” he said.

“I was wondering,” the chauffeur said.

“Wondering what?”

“If it’s as hard for him to ride off and leave her as he thinks it is. To not see her ruining this good Kentucky horse. If he has to ride as fast to do it as he thinks he does.”

“What about that?”

“Maybe he don’t have to ride as fast this year as he did last year, to run off from her. What do you think about it?”

“Think about what?”

“I was wondering.”

“What wondering?”

“If he knowed he don’t have to ride as fast this year or not.”

“Oh. You mean Gawtrey.”

“That his name? Gawtrey?”

“That’s it. Steve Gawtrey.”

“What about him?”

“He’s all right. He’ll eat your grub and drink your liquor and fool your women and let you say when.”

“Well, what about that?”

“Nothing. I said he was all right. He’s fine by me.”

“How by you?”

“Just fine, see? I done him a little favor once, and he done me a little favor, see?”

“Oh,” the chauffeur said. He did not look at the other.

“How long has she known him?”

“Six months and maybe a week. We was up in Connecticut and he was there. He hates a horse about as much as she does, but me and Callaghan are all right too; I done Callaghan a little favor once too, so about a week after we come back from Connecticut, I have Callaghan come in and tell Blair about this other swell dog, without telling Blair who owned it. So that night I says to Blair, ‘I hear Mr. Van Dyming wants to buy this horse from Mr. Gawtrey too.’

’Buy what horse?’ Blair says. ‘I don’t know,’ I says. ‘One horse looks just like another to me as long as it stays out doors where it belongs,’ I says. ‘So do they to Gawtrey,’ Blair says. ‘What horse are you talking about?’

’This horse Callaghan was telling you about,’ I says. Then he begun to curse Callaghan.

’He told me he would get that horse for me,’ he says. ‘It don’t belong to Callaghan,’ I says, ‘it’s Mr. Gawtrey’s horse.’ So here it’s two nights later when he brings Gawtrey home to dinner with him. That night I says, ‘I guess you bought that horse.’ He had been drinking and he cursed Gawtrey and Callaghan too. ‘He won’t sell it,’ he says. ‘You want to keep after him,’ I says. ‘A man will sell anything.’

’How keep after him, when he won’t listen to a price?’ he says. ‘Leave your wife do the talking,’ I says. ‘He’ll listen to her.’ That was when he hit me…”

“I thought you said he just put his hand on you,” the chauffeur said.

“I mean he just kind of flung out his hand when he was talking, and I happened to kind of turn my face toward him at the same time. He never aimed to hit me because he knowed I would have took him. I told him so. I had the rod in my hand, inside my coat, all the while.

“So after that Gawtrey would come back maybe once a week because I told him I had a good job and I didn’t aim to have to shoot myself out of it for no man except myself maybe. He come once a week. The first time she wouldn’t leave him in. Then one day I am reading the paper (you ought to read a paper now and then. You ought to keep up with the day of the week, at least) and I read where this Yale Allen boy has run off with a show gal and they had fired him off the college for losing his amateur’s standing, I guess. I guess that made him mad, after he had done jumped the college anyways. So I cut it out, and this Burke kid (me and her was all right, too) she puts it on the breakfast tray that A. M. And that afternoon, when Gawtrey happens to come back, she leaves him in, and this Burke kid happens to walk into the room sudden with something I don’t know what it was and here is Gawtrey and her like a fade-out in the pitchers.”

“So Blair got his horse,” the chauffeur said.

“What horse?”

“The horse Gawtrey wouldn’t sell him.”

“How could he, when Gawtrey never owned no horse no more than I do, unless it’s maybe some dog still finishing last year’s Selling Plate at Pimlico? Besides, Gawtrey don’t owe Blair no horse yet.”

“Not yet?”

“She don’t like him, see. The first time he come to the house alone she wouldn’t leave him into the front door. And the next time, too, if this Burke kid hadn’t happened to left that piece out of the papers about this college boy on the breakfast tray. And the time after that when he come, she wouldn’t leave him in again; it was like he might have been a horse maybe, or even a dog, because she hated a dog worse than she did a horse even, even if she didn’t have to try to ride on no dog. If it had have been a dog, Blair wouldn’t have never got her to even try to ride on it. So I’d have to go out and steam Callaghan up again until it got to where I wasn’t no more than one of these Russian droshkies or something.”

“ A Russian what?”

“One of these fellows that can’t call their own soul. Every time I would leave the house I would have to meet Gawtrey in a dump somewheres and then go to see Callaghan and soap him down, because he is one of these boys with ideas, see?”

“What kind of ideas?”

“Just ideas. Out of the Sunday school paper. About how this wasn’t right because he liked her and felt sorry for her and so he wanted to tell Blair he had been lying and that Gawtrey hadn’t never owned no horse. Because a fellow that won’t take a nickel when it’s throwed right in his face, he ain’t never as big a fool to nobody as he is to the man that can have some sense about religion and keep all these golden rules in the Sunday school paper where they come from. If the Lord didn’t want a man to cut his own grass, why did He put Sunday on Sunday like he did? Tell me that.”

“I guess you’re right,” the chauffeur said.

“Sure I’m right. Jees! I told Callaghan Blair would cut his throat and mine both for a Rockefeller quarter, same as any sensible man, and I ast him if he thought gals had done all give out with Blair’s wife; if she was going to be the last one they made.”

“So he don’t…” the chauffeur said. He ceased; then he said, “Look there.”

The other man looked. Through the gap in the trees, in the center of the segment of visible rice field, they could see a tiny pink-and-black dot. It was almost a mile away; it did not appear to be moving fast.

“What’s that?” the other said. “The fox?”

“It’s Blair,” the chauffeur said. “He’s going fast. I wonder where the others are.” They watched the pink-and-black dot go on and disappear.

“They’ve went back home if they had any sense,” the other said. “So we might as well go back too.”

“I guess so,” the chauffeur said. “So Gawtrey don’t owe Blair no horse yet.”

“Not yet. She don’t like him. She wouldn’t leave him in the house again after that day, and this Burke kid says she come back from a party one night because Gawtrey was there. And if it hadn’t been for me, Gawtrey wouldn’t a got invited down here, because she told Blair that if he come, she wouldn’t come. So I’d have to work on Callaghan again so he would come in once a day and steam Blair up again about the horse to get Gawtrey invited, because Blair was going to make her come.” The chauffeur got out of the car and went around to the crank. The other man lighted a cigarette. “But Blair ain’t got his horse yet. You take a woman with long hair like she’s got, long as she keeps her hair up, it’s all right. But once you catch her with her hair down, it’s just been too bad.”

The chauffeur engaged the crank. Then he paused, stooped, his head turned. “Listen,” he said.

“What?”

“That horn.” The silver sound came again, faint, distant, prolonged.

“What’s that?” the other said. “Do they have to keep soldiers here?”

“It’s the horn they blow,” the chauffeur said. “It means they have caught that fox.”

“Jees!” the other said. “Maybe we will go back to town to-morrow.”

The two men on the mules recrossed the rice field and mounted the ridge into the pines.

“Well,” the youth said, “I reckon he’s satisfied now.”

“You reckon he is?” the other said. He rode a little in front of the youth. He did not turn his head when he spoke.

“He’s run that fox three years,” the youth said. “And now he’s killed it. How come he ain’t satisfied?”

The older man did not look back. He slouched on his gaunt, shabby mule, his overalled legs dangling. He spoke in a tone of lazy and ironical contempt. “I reckon that’s something about gentlemen you won’t never know.”

“Fox is fox, to me,” the youth said. “Can’t eat it. Might as well pizen it and save them horses.”

“Sho,” the other said. “That’s something else about them you won’t never know.”

“About who?”

“Gentlemen.” They mounted the ridge and turned into the faint, sandy road. “Well,” the older man said, “gentleman or not, I reckon that’s the only fox in Cal-lina that ever got itself killed that-a-way. Maybe that’s the way they kills a fox up north.”

“Then I be durn if I ain’t glad I don’t live up there,” the youth said.

“I reckon so,” the other said. “I done got along pretty well here for some time, myself.”

“I’d like to see it once though,” the youth said.

“I don’t reckon I would,” the other said, “if living there makes a man go to all this trouble to kill a fox.”

They were riding up the ridge, among the pines, the holly bushes, the huckleberries and briers. Suddenly the older man checked his mule, extending his hand backward.

“What?” the youth said. “What is it?”

The pause was hardly a pause; again the older man rode on, though he began to whistle, the tone carrying and clear though not loud, the tune lugubrious and hymnlike; from beyond the bushes which bordered the path just ahead of them there came the snort of a horse. “Who is it?” the youth said. The other said nothing. The two mules went on in single file. Then the youth said quietly, “She’s got her hair down. It looks like the sun on a spring branch.” The mules paced on in the light, whispering soil, their ears bobbing, the two men sitting loose, with dangling, stirrupless feet.

The woman sat the mare, her hair a bright cloud, a copper cascade in the sun, about her shoulders, her arms lifted and her hands busy in it. The man sat the bay horse a short distance away. He was lighting a cigarette. The two mules came up, tireless, shambling, with drooping heads and nodding ears. The youth looked at the woman with a stare at once bold and covert; the older man did not cease his mellow, slow, tuneless whistling; he did not appear to look at them at all. He appeared to be about to ride past without a sign when the man on the bay spoke to him.

“They caught it, did they?” he said. “We heard the horn.”

“Yaas,” the man in overalls said, in a dry, drawling tone.

“Yaas. It got caught. ’Twarn’t nothing else it could do but get caught.”

The youth watched the woman looking at the older man, her hands arrested for an instant in her hair.

“What do you mean?” the man on the bay said.

“He rode it down on that black horse,” the man in overalls said.

“You mean, there were no dogs there?”

“I reckon not,” the other said. “Them dogs never had no black horses to ride.” The two mules had halted; the older man faced the man on the bay a little, his face hidden beneath his shapeless hat. “It crossed the old field and dropped over that ditch-bank and hid, allowing for him to jump the ditch, and then it aimed to double back, I reckon. I reckon it wasn’t scared of the dogs. I reckon it had fooled them so much it wasn’t worried about them. I reckon he was what worried it. I reckon him and it knowed one another after these three years same as you maybe knowed your maw or your wife maybe, only you ain’t never been married none to speak of. Anyway it was on the ditch-bank, and he knowed it was there and he cut straight across the field without giving it no spell to breathe in. I reckon maybe yawl seen him, riding straight across that field like he could see like a hawk and smell like a dog. And the fox was there, where it had done fooled the dogs. But it never had no spell to breathe in, and when it had to run again and dropped over the ditch-bank, it dropped into the briers, I reckon, and it was too tired to get out and run. And he come up and jumped that ditch, just like that fox aimed for him to. Only the fox was still in the briers, and while he was going through the air he looked down and seen the fox and he dumb off the horse while it was jumping and dropped feet first into the briers like the fox done. Maybe it dodged some then; I don’t know. He says it just swirled and jumped at his face and he knocked it down with his fist and trompled it dead with his boot-heels. The dogs hadn’t got there then. But it so happened he never needed them.” He ceased talking and sat for a moment longer, sloven and inert upon the shabby, patient mule, his face shadowed beneath his hat. “Well,” he said, “I reckon I’ll get on. I ain’t had ne’er a bite of breakfast yet. I’ll bid yawl good morning.” He put his mule into motion, the second mule following. He did not look back.

But the youth did. He looked back at the man on the bay horse, the cigarette burning in his hand, the plume of smoke faint and windless in the sunny silence, and at the woman on the chestnut, her arms lifted and her hands busy in her bright, cloudy hair; projecting, trying to project, himself, after the way of the young, toward that remote and inaccessible she, trying to encompass the vain and inarticulate instant of division and despair which, being young, was very like rage: rage at the lost woman, despair of the man in whose shape there walked the tragic and inescapable earth her ruin. “She was crying,” he said, then he began to curse, savagely, without point or subject.

“Come on,” the older man said. He did not look back. “I reckon them hunt breakfast hoe-cakes will be about ready time we get home.”

Pennsylvania Station

I

THEY SEEMED to bring with them the smell of the snow falling in Seventh Avenue. Or perhaps the other people who had entered before them had done it, bringing it with them in their lungs and exhaling it, filling the arcade with a stale chill like that which might lie unwinded and spent upon the cold plains of infinity itself. In it the bright and serried shopwindows had a fixed and insomniac glare like the eyes of people drugged with coffee, sitting up with a strange corpse.

In the rotunda, where the people appeared as small and intent as ants, the smell and sense of snow still lingered, though high now among the steel girders, spent and vitiated too and filled here with a weary and ceaseless murmuring, like the voices of pilgrims upon the infinite plain, like the voices of all the travelers who had ever passed through it quiring and ceaseless as lost children.

They went on toward the smoking room. It was the old man who looked in the door. “All right,” he said. He looked sixty, though he was probably some age like forty-eight or fifty-two or fifty-eight. He wore a long overcoat with a collar which had once been fur, and a cap with earflaps like the caricature of an up-State farmer. His shoes were not mates.

“There ain’t many here yet. It will be some time now.”

While they stood there three other men came and looked into the smoking room with that same air not quite diffident and not quite furtive, with faces and garments that seemed to give off that same effluvium of soup kitchens and Salvation Army homes. They entered; the old man led the way toward the rear of the room, among the heavy, solid benches on which still more men of all ages sat in attitudes of thought or repose and looking as transient as scarecrows blown by a departed wind upon a series of rock ledges. The old man chose a bench and sat down, making room for the young man beside him. “I used to think that if you sat somewhere about the middle, he might skip you. But I found out that it don’t make much difference where you sit.”

“Nor where you lie, either,” the young man said. He wore an army overcoat, new, and a pair of yellow army brogans of the sort that can be bought from so-called army stores for a dollar or so. He had not shaved in some time. “And it don’t make a hell of a lot of difference whether you are breathing or not while you are lying there. I wish I had a cigarette. I have got used to not eating but be damned if I don’t hate to get used to not smoking.”

“Sure now,” the old man said. “I wish I had a cigarette to give you. I ain’t used tobacco myself since I went to Florida. That was funny: I hadn’t smoked in ten years, yet as soon as I got back to New York, that was the first thing I thought about. Isn’t that funny?”

“Yes,” the young man said. “Especially if you never had any tobacco when you thought about wanting it again.”

“Wanting it and not having it couldn’t have worried me then,” the old man said. “I was all right then. Until I…” He settled himself. Into his face came that rapt expression of the talkative old, without heat or bewilderment or rancor.

“What confused me was I thought all the time that the burying money was all right. As soon as I found out about Danny’s trouble I come right back to New York.”

“Who is this Danny, anyway?” the young man said.

“Didn’t I tell you? He’s Sister’s boy. There wasn’t any of us left but Sister and Danny and me. Yet I was the weakly one. The one they all thought wouldn’t live. I was give up to die twice before I was fifteen, yet I outlived them all. Outlived all eight of them when Sister died three years ago. That was why I went to Florida to live. Because I thought I couldn’t stand the winters here. Yet I have stood three of them now since Sister died. But sometimes it looks like a man can stand just about anything if he don’t believe he can stand it. Don’t you think so?”

“I don’t know,” the young man said. “Which trouble was this?”

“Which?”

“Which trouble was Danny in now?”

“Don’t get me wrong about Danny. He wasn’t bad; just wild, like any young fellow. But not bad.”

“All right,” the young man said. “It wasn’t any trouble then.”

“No. He’s a good boy. He’s in Chicago now. Got a good job now. The lawyer in Jacksonville got it for him right after I come back to New York. I didn’t know he had it until I tried to wire him that Sister was dead. Then I found that he was in Chicago, with a good job. He sent Sister a wreath of flowers that must have cost two hundred dollars.

Sent it by air; that cost something, too. He couldn’t come himself because he had just got the job and his boss was out of town and he couldn’t get away. He was a good boy. That was why when that trouble come up about that woman on the floor below that accused him of stealing the clothes off her clothes-line, that I told Sister I would send him the railroad fare to Jacksonville, where I could look after him. Get him clean away from them low-life boys around the saloons and such. I come all the way from Florida to see about him.

That was how I happened to go with Sister to see Mr. Pinckski, before she ever begun to pay on the coffin. She wanted me to go with her. Because you know how an old woman is. Only she wasn’t old, even if her and me had outlived all the other seven. But you know how an old woman seems to get comfort out of knowing she will be buried right in case there isn’t any of her kin there to ’tend to it. I guess maybe that keeps a lot of them going.”

“And especially with Danny already too busy to see if she was buried at all, himself.”

The old man, his mouth already shaped for further speech, paused and looked at the young man. “What?”

“I say, if getting into the ground at last don’t keep some of them going, I don’t know what it is that does.”

“Oh. Maybe so. That ain’t never worried me. I guess because I was already give up to die twice before I was fifteen. Like now every time a winter gets through, I just say to myself, ‘Well, I’ll declare. Here I am again.’ That was why I went to Florida: because of the winters here. I hadn’t been back until I got Sister’s letter about Danny, and I didn’t stay long then. And if I hadn’t got the letter about Danny, maybe I wouldn’t ever have come back. But I come back, and that was when she took me with her to see Mr. Pinckski before she begun to pay on the coffin, for me to see if it was all right like Mr. Pinckski said. He told her how the insurance companies would charge her interest all the time. He showed us with the pencil and paper how if she paid her money to the insurance companies it would be the same as if she worked six minutes longer every night and give the money for the extra six minutes to the insurance company.

But Sister said she wouldn’t mind that, just six minutes, because at three or four o’clock in the morning six minutes wouldn’t…”

“Three or four o’clock in the morning?”

“She scrubbed in them tall buildings down about Wall Street somewhere. Her and some other ladies. They would help one another night about, so they could get done at the same time and come home on the subway together. So Mr. Pinckski showed us with the pencil and paper how if she lived fifteen years longer say for instance Mr. Pinckski said, it would be the same as if she worked three years and eighty-five days without getting any pay for it. Like for three years and eighty-five days she would be working for the insurance companies for nothing. Like instead of living fifteen years, she would actually live only eleven years and two hundred and eight days. Sister stood there for a while, holding her purse under her shawl. Then she said, ‘If I was paying the insurance companies to bury me instead of you, I would have to live three years and eighty-five days more before I could afford to die?’

“‘Well,’ Mr. Pinckski said, like he didn’t know what to say. ‘Why, yes. Put it that way, then. You would work for the insurance companies three years and eighty-five days and not get any pay for it.’

“‘It ain’t the work I mind,’ Sister said. ‘It ain’t the working.’ Then she took the first half a dollar out of her purse and put it down on Mr. Pinckski’s desk.”

II

NOW AND THEN, with a long and fading reverberation, a subway train passed under their feet. Perhaps they thought momentarily of two green eyes tunneling violently through the earth without apparent propulsion or guidance, as though of their own unparalleled violence creating, like spaced beads on a string, lighted niches in whose wan and fleeting glare human figures like corpses set momentarily on end in a violated grave yard leaned in one streaming and rigid direction and flicked away.

“Because I was a weak child. They give me up to die twice before I was fifteen. There was an insurance agent sold me a policy once, worried at me until I said all right, I would take it. Then they examined me and the only policy they would give me was a thousand dollars at the rate of fifty years old. And me just twenty-seven then. I was the third one of eight, yet when Sister died three years ago I had outlived them all. So when we got that trouble of Danny’s about the woman that said he stole the clothes fixed up, Sister could… ”

“How did you get it fixed up?”

“We paid the money to the man that his job was to look after the boys that Danny run with. The alderman knew Danny and the other boys. It was all right then. So Sister could go on paying the fifty cents to Mr. Pinckski every week. Because we fixed it up for me to send the railroad fare for Danny as soon as I could, so he could be in Florida where I could look out for him. And I went back to Jacksonville and Sister could pay Mr. Pinckski the fifty cents without worrying. Each Sunday morning when her and the other ladies got through, they would go home by Mr, Pinckski’s and wake him up and Sister would give him the fifty cents.

“He never minded what time it was because Sister was a good customer. He told her it would be all right, whatever time she got there, to wake him up and pay him. So sometimes it would be as late as four o’clock, especially if they had had a parade or something and the buildings messed up with confetti and maybe flags. Maybe four times a year the lady that lived next door to Sister would write me a letter telling me how much Sister had paid to Mr. Pinckski and that Danny was getting along fine, behaving and not running around with them tough boys any more. So when I could I sent Danny the railroad fare to Florida. I never expected to hear about the money.

“That was what confused me. Sister could read some. She could read the church weekly fine that the priest gave her, but she never was much for writing. She said if she could just happen to find a pencil the size of a broom handle that she could use both hands on, that she could write fine. But regular pencils were too small for her. She said she couldn’t feel like she had anything in her hand. So I never expected to hear about the money. I just sent it and then I fixed up with the landlady where I was living for a place for Danny, just thinking that some day soon Danny would just come walking in with his suit-case. The landlady kept the room a week for me, and then a man come in to rent it, so there wasn’t anything she could do but give me the refusal of it.

“That wasn’t no more than fair, after she had already kept it open a week for me. So I begun to pay for the room and when Danny didn’t come I thought maybe something had come up, with the hard winter and all, and Sister needed the money worse than to send Danny to Florida on it, or maybe she thought he was too young yet. So after three months I let the room go. Every three or four months I would get the letter from the lady next door to Sister, about how every Sunday morning Sister and the other ladies would go to Mr. Pinckski and pay him the fifty cents. After fifty-two weeks, Mr. Pinckski set the coffin aside, with her name cut on a steel plate and nailed onto the coffin, her full name: Mrs. Margaret Noonan Gihon.

“It was a cheap coffin at first, just a wooden box, but after she had paid the second fifty-two half a dollars he took the name plate off of it and nailed it onto a better coffin, letting her pick it out herself in case she died that year. And after the third fifty-two half a dollars he let her pick out a still finer one, and the next year one with gold handles on it. He would let her come in and look at it whenever she wanted and bring whoever she wanted with her, to see the coffin and her name cut in the steel plate and nailed onto it. Even at four o’clock in the morning he would come down in his night-shirt and unlock the door and turn the light on for Sister and the other ladies to go back and look at the coffin.

“Each year it got to be a better coffin, with Mr. Pinckski showing the other ladies with the pencil and paper how Sister would have the coffin paid out soon and then she would just be paying on the gold handles and the lining. He let her pick out the lining too that she wanted and when the lady next door wrote me the next letter, Sister sent me a sample of the lining and a picture of the handles. Sister drew the picture, but she never could use a pencil because she always said the handle was too small for her to hold, though she could read the church weekly the priest gave her, because she said the Lord illuminated it for her.”

“Is that so?” the young man said. “Jesus, I wish I either had a smoke or I would quit thinking about it.”

“Yes. And a sample of the lining. But I couldn’t tell much about it except that it suited Sister and that she liked it how Mr. Pinckski would let her bring in the other ladies to look at the trimmings and help her make up her mind. Because Mr. Pinckski said he would trust her because he didn’t believe she would go and die on him to hurt his business like some did, and him not charging her a cent of interest like the insurance companies would charge. All she had to do was just to stop there every Sunday morning and pay him the half a dollar.”

“Is that so?” the young man said, “He must be in the poor-house now.”

“What?” The old man looked at the young man, his expression fixed. “Who in the poor-house now?”

III

“WHERE WAS Danny all this time? Still doing his settlement work?”

“Yes. He worked whenever he could get a job. But a high-spirited young fellow, without nobody but a widow woman mother, without no father to learn him how you have to give and take in this world. That was why I wanted him down in Florida with me.”

Now his arrested expression faded; he went easily into narration again with a kind of physical and unlistening joy, like a checked and long-broken horse slacked off again.

“That was what got me confused. I had already sent the money for him to come to Jacksonville on and when I never heard about it I just thought maybe Sister needed it with the hard winter and all or maybe she thought Danny was too young, like women will. And then about eight months after I let the room go I had a funny letter from the lady that lived next door to Sister. It said how Mr. Pinckski had moved the plate onto the next coffin and it said how glad Sister was that Danny was doing so well and she knew I would take good care of him because he was a good boy, besides being all Sister had. Like Danny was already in Florida, all the time.

“But I never knew he was there until I got the wire from him. It come from Augustine, not any piece away; I never found out until Sister died how Mrs. Zilich, that’s the lady next door to her, that wrote the letters for Sister, had written me that Danny was coming to Florida the day he left, the day after the money come. Mrs. Zilich told how she had written the letter for Sister and give it to Danny himself to mail the night before he left. I never got it. I reckon Danny never mailed it. I reckon, being a young, high-spirited boy, he decided he wanted to strike out himself and show us what he could do without any help from us, like I did when I come to Florida.

“Mrs. Zilich said she thought of course Danny was with me and that she thought at the time it was funny that when I would write to Sister I never mentioned Danny. So when she would read the letters to Sister she would put in something about Danny was all right and doing fine. So when I got the wire from Danny in Augustine I telephoned Mrs. Zilich in New York. It cost eleven dollars. I told her that Danny was in a little trouble, not serious, and for her to not tell Sister it was serious trouble, to just tell her that we would need some money. Because I had sent money for Danny to come to Florida on and I had paid the three months for the room and I had just paid the premium on my insurance, and so the lawyer looked at Danny and Danny sitting there on the cot in the cell without no collar on and Danny said, ‘Where would I get any money,’ only it was jack he called it.

“And the lawyer said, ‘Where would you get it?’ and Danny said, ‘Just set me down back home for ten minutes. I’ll show you.’

’Seventy-five bucks,’ he says, telling me that was all of it. Then the lawyer says that was neither here nor there and so I telephoned to Mrs. Zilich and told her to tell Sister to go to Mr. Pinckski and ask him to let her take back some of the coffin money; he could put the name plate back on the coffin she had last year or maybe the year before, and as soon as I could get some money on my insurance policy I would pay Mr. Pinckski back and some interest too. I telephoned from the jail, but I didn’t say where I was telephoning from; I just said we would need some money quick.”

“What was he in for this time?” the young man said.

“He wasn’t in jail the other time, about them clothes off that line. That woman was lying about him. After we paid the money, she admitted she was probably mistaken.”

“All right,” the young man said. “What was he in for?”

“They called it grand larceny and killing a policeman. They framed him, them others did that didn’t like him. He was just wild. That was all. He was a good boy. When Sister died he couldn’t come to the funeral. But he sent a wreath that must have cost $200 if it cost a cent. By air mail, with the high postage in the…”

His voice died away; he looked at the young man with a kind of pleased astonishment. “I’ll declare I made a joke. But I didn’t mean ”

“Sure. I know you didn’t mean to make a joke. What about the jail?”

“The lawyer was already there when I got there. Some friends had sent the lawyer to help him. And he swore to me on his mother’s name that he wasn’t even there when the cop got shot. He was in Orlando at the time. He showed me a ticket from Orlando to Waycross that he had bought and missed the train; that was how he happened to have it with him. It had the date punched in it, the same night the policeman got killed, showing that Danny wasn’t even there and that them other boys had framed him. He was mad. The lawyer said how he would see the friends that had sent him to help Danny and get them to help. ‘By God, they better,’ Danny said. ‘If they think I’m going to take this laying down they better.’

“Then the lawyer got him quiet again, like he did when Danny was talking about that money the man he worked for or something had held out on him back in New York. And so I telephoned Mrs. Zilich, so as not to worry Sister, and told her to go to Mr. Pinckski. Two days later I got the telegram from Mrs. Zilich. I guess Mrs. Zilich hadn’t never sent a telegram before and so she didn’t know she had ten words without counting the address because it just said You and Danny come home quick Mrs. Sophie Zilich New York.

“I couldn’t make nothing out of it and we talked it over and the lawyer said I better go and see, that he would take care of Danny till I got back. So we fixed up a letter from Danny to Sister, for Mrs. Zilich to read to her, about how Danny was all right and getting along fine.”

IV

AT THAT moment there entered the room a man in the uniform of the railway company. As he entered, from about him somewhere behind, above a voice came. Though it spoke human speech it did not sound like a human voice, since it was too big to have emerged from known man and it had a quality at once booming, cold, and forlorn, as though it were not interested in nor listening to what it said.

“There,” the old man said.

He and the young man turned and looked back across the benches, as most of the other heads had done, as though they were all dummies moved by a single wire. The man in uniform advanced slowly into the room, moving along the first bench. As he did so the men on that bench and on the others began to rise and depart, passing the man in uniform as though he were not there; he too moving on into the room as if it were empty. “I guess we’ll have to move.”

“Hell,” the young man said. “Let him come in and ask for them. They pay him to do it.”

“He caught me the other night. The second time, too.”

“What about that? This time won’t make but three. What did you do then?”

“Oh, yes,” the old man said. “I knew that was the only thing to do, after that telegram. Mrs. Zilich wouldn’t have spent the money to telegraph without good reason. I didn’t know what she had told Sister. I just knew that Mrs. Zilich thought there wasn’t time to write a letter and that she was trying to save money on the telegram, not knowing she had ten words and the man at the telegraph office not telling her better. So I didn’t know what was wrong. I never suspicioned it at all. That was what confused me, you see.”

He turned and looked back again toward the man in uniform moving from bench to bench while just before him the men in mismated garments, with that identical neatness of indigence, with that identical air of patient and indomitable forlornness, rose and moved toward the exit in a monstrous and outrageous analogy to flying fish before the advancing prow of a ship.

“What confused you?” the young man said.

“Mrs. Zilich told me. I left Danny in the jail. (Them friends that sent him the lawyer got him out the next day. When I heard from him again, he was already in Chicago, with a good job; he sent that wreath. I didn’t know he was even gone from the jail until I tried to get word to him about Sister), and I come on to New York. I had just enough money for that, and Mrs. Zilich met me at the station and told me. At this station right here. It was snowing that night, too. She was waiting at the top of the steps.

“‘Where’s Sister?’ I said. ‘She didn’t come with you?’

“‘What is it now?’ Mrs. Zilich said. ‘You don’t need to tell me he is just sick.’

“‘Did you tell Sister he ain’t just sick?’ I said. ‘I didn’t have to,’ Mrs. Zilich said. ‘I didn’t have time to, even if I would have.’ She told about how it was cold that night and so she waited up for Sister, keeping the fire going and a pot of coffee ready, and how she waited till Sister had took off her coat and shawl and was beginning to get warm, setting there with a cup of coffee; then Mrs. Zilich said, ‘Your brother telephoned from Florida.’ That’s all she had time to say. She never even had to tell Sister how I said for her to go to Mr. Pinckski, because Sister said right off, ‘He will want that money.’ Just what I had said, you see.

“Mrs. Zilich noticed it too. ‘Maybe it’s because you are kin, both kin to that…’ Then she stopped and said, ‘Oh, I ain’t going to say anything about him. Don’t worry. The time to do that is past now.’ Then she told me how she said to Sister, ‘You can stop there on the way down this afternoon and see Mr. Pinckski.’ But Sister was already putting on her coat and shawl again and her not an hour home from work and it snowing. She wouldn’t wait.”

“She had to take back the coffin money, did she?” the young man said.

“Yes. Mrs. Zilich said that her and Sister went to Mr. Pinckski and woke him up. And he told them that Sister had already taken the money back.”

“What?” the young man said. “Already?”

“Yes. He said how Danny had come to him about a year back, with a note from Sister saying to give Danny the money that she had paid in to Mr. Pinckski and that Mr. Pinckski did it. And Sister standing there with her hands inside her shawl, not looking at anything until Mrs. Zilich said, ‘A note? Mrs. Gihon never sent you a note because she can’t write,’ and Mr. Pinckski said, ‘Should I know if she can’t write or not when her own son brings me a note signed with her name?’ and Mrs. Zilich says, ‘Let’s see it.’

“Sister hadn’t said anything at all, like she wasn’t even there, and Mr. Pinckski showed them the note. I saw it too. It said, ‘Received of Mr. Pinckski a hundred and thirty dollars being the full amount deposited with him less interest. Mrs. Margaret N. Gihon.’ And Mrs. Zilich said how she thought about that hundred and thirty dollars and she thought how Sister had paid twenty-six dollars a year for five years and seven months, and she said, ‘Interest? What interest?’ and Mr. Pinckski said, ‘For taking the name off the coffin,’ because that made the coffin second-handed. And Mrs. Zilich said that Sister turned and went toward the door. ‘Wait,’ Mrs. Zilich said. ‘We’re going to stay right here until you get that money. There’s something funny about this because you can’t write to sign a note.’ But Sister just went on toward the door until Mrs. Zilich said, ‘Wait, Margaret.’ And then Sister said, ‘I signed it.’”

V

THE VOICE of the man in uniform could be heard now as he worked slowly toward them: “Tickets. Tickets. Show your tickets.”

“I guess it’s hard enough to know what a single woman will do,” the old man said. “But a widow woman with just one child. I didn’t know she could write, either. I guess she picked it up cleaning up them offices every night. Anyway, Mr. Pinckski showed me the note, how she admitted she signed it, and he explained to me how the difference was; that he had to charge to protect himself in case the coffins ever were refused and become second-hand; that some folks was mighty particular about having a brand new coffin.

“He had put the plate with Sister’s name on it back onto the cheap coffin that she started off with, so she was still all right for a coffin, even if it never had any handles and lining.

I never said anything about that; that twenty-six dollars she had paid in since she give the money to Danny wouldn’t have helped any; I had already spent that much getting back to see about the money, and anyway, Sister still had a coffin ”

The voice of the man in uniform was quite near now, with a quality methodical, monotonous, and implacable: “Tickets. Tickets. Show your tickets. All without railroad tickets.”

The young man rose. “I’ll be seeing you,” he said. The old man rose too. Beyond the man in uniform the room was almost empty.

“I guess it’s about time,” the old man said. He followed the young man into the rotunda. There was an airplane in it, motionless, squatting, with a still, beetling look like a huge bug preserved in alcohol. There was a placard beside it, about how it had flown over mountains and vast wastes of snow.

“They might have tried it over New York,” the young man said. “It would have been closer.”

“Yes,” the old man said. “It costs more, though. But I guess that’s fair, since it is faster. When Sister died, Danny sent a wreath of flowers by air. It must have cost two hundred dollars. The wreath did, I mean. I don’t know what it cost to send it by air.”

Then they both looked up the ramp and through the arcade, toward the doors on Seventh Avenue. Beyond the doors lay a thick, moribund light that seemed to fill the arcade with the smell of snow and of cold, so that for a while longer they seemed to stand in the grip of a dreadful reluctance and inertia.

“So they went on back home,” the old man said. “Mrs. Zilich said how Sister was already shaking and she got Sister to bed. And that night Sister had a fever and Mrs. Zilich sent for the doctor and the doctor looked at Sister and told Mrs. Zilich she had better telegraph if there was anybody to telegraph to. When I got home Sister didn’t know me. The priest was already there, and we never could tell if she knew anything or not, not even when we read the letter from Danny that we had fixed up in the jail, about how he was all right. The priest read it to her, but we couldn’t tell if she heard him or not. That night she died.”

“Is that so?” The young man said, looking up the ramp.

He moved. “I’m going to the Grand Central.”

Again the old man moved, with that same unwearying alacrity. “I guess that’s the best thing to do. We might have a good while there.” He looked up at the clock; he said with pleased surprise: “Half past one already. And a half an hour to get there. And if we’re lucky, we’ll have two hours before he comes along. Maybe three. That’ll be five o’clock. Then it will be only two hours more till daylight.”

Artist at Home

ROGER HOWES WAS a fattish, mild, nondescript man of forty, who came to New York from the Mississippi Valley somewhere as an advertisement writer and married and turned novelist and sold a book and bought a house in the Valley of Virginia and never went back to New York again, even on a visit. For five years he had lived in the old brick house with his wife Anne and their two children, where old ladies came to tea in horse-drawn carriages or sent the empty carriages for him or sent by Negro servants in the otherwise empty carriages shoots and cuttings of flowering shrubs and jars of pickle or preserves and copies of his books for autographs.

He didn’t go back to New York any more, but now and then New York came to visit him: the ones he used to know, the artists and poets and such he knew before he began to earn enough food to need a cupboard to put it in. The painters, the writers, that hadn’t sold a book or a picture men with beards sometimes in place of collars, who came and wore his shirts and socks and left them under the bureau when they departed, and women in smocks but sometimes not: those gaunt and eager and carnivorous tymbesteres of Art.

At first it had been just hard to refuse them, but now it was harder to tell his wife that they were coming. Sometimes he did not know himself they were coming. They usually wired him, on the day on which they would arrive, usually collect. He lived four miles from the village and the book hadn’t sold quite enough to own a car too, and he was a little fat, a little overweight, so sometimes it would be two or three days before he would get his mail. Maybe he would just wait for the next batch of company to bring the mail up with them. After the first year the man at the station (he was the telegraph agent and the station agent and Roger’s kind of town agent all in one) got to where he could recognize them on sight. They would be standing on the little platform, with that blank air, with nothing to look at except a little yellow station and the back end of a moving train and some mountains already beginning to get dark, and the agent would come out of his little den with a handful of mail and a package or so, and the telegram. “He lives about four miles up the Valley. You can’t miss it.”

“Who lives about four miles up the valley?”

“Howes does. If you all are going up there, I thought maybe you wouldn’t mind taking these letters to him. One of them is a telegram.”

“A telegram?”

“It come this a. m. But he ain’t been to town in two-three days. I thought maybe you’d take it to him.”

“Telegram? Hell. Give it here.”

“It’s forty-eight cents to pay on it.”

“Keep it, then. Hell.”

So they would take everything except the telegram and they would walk the four miles to Howes’, getting there after supper. Which would be all right, because the women would all be too mad to eat anyway, including Mrs. Howes, Anne.

So a couple of days later, someone would send a carriage for Roger and he would stop at the village and pay out the wire telling him how his guests would arrive two days ago.

So when this poet in the sky-blue coat gets off the train, the agent comes right out of his little den, with the telegram.

“It’s about four miles up the Valley!” he says. “You can’t miss it. I thought maybe you’d take this telegram up to him. It come this a. m., but he ain’t been to town for two-three days. You can take it. It’s paid.”

“I know it is,” the poet says. “Hell. You say it is four miles up there?”

“Right straight up the road. You can’t miss it.”

So the poet took the telegram and the agent watched him go on out of sight up the Valley Road, with a couple or three other folks coming to the doors to look at the blue coat maybe. The agent grunted. “Four miles,” he said. “That don’t mean no more to that fellow than if I had said four switch frogs. But maybe with that dressing-sacque he can turn bird and fly it.”

Roger hadn’t told his wife, Anne, about this poet at all, maybe because he didn’t know himself. Anyway, she didn’t know anything about it until the poet came limping into the garden where she was cutting flowers for the supper table, and told her she owed him forty-eight cents.

“Forty-eight cents?” Anne said.

He gave her the telegram. “You don’t have to open it now, you see,” the poet said. “You can just pay me back the forty-eight cents and you won’t have to even open it.” She stared at him, with a handful of flowers and the scissors in the other hand, so finally maybe it occurred to him to tell her who he was. “I’m John Blair,” he said. “I sent this telegram this morning to tell you I was coming. It cost me forty-eight cents. But now I’m here, so you don’t need the telegram.”

So Anne stands there, holding the flowers and the scissors, saying “Damn, Damn, Damn,” while the poet tells her how she ought to get her mail oftener. “You want to keep up with what’s going on,” he tells her, and her saying “Damn, Damn, Damn,” until at last he says he’ll just stay to supper and then walk back to the village, if it’s going to put her out that much.

“Walk?” she said, looking him up and down. “You walk? Up here from the village? I don’t believe it. Where is your baggage?”

“I’ve got it on. Two shirts, and I have an extra pair of socks in my pocket. Your cook can wash, can’t she?”

She looks at him, holding the flowers and the scissors. Then she tells him to come on into the house and live there forever.

Except she didn’t say exactly that. She said: “You walk? Nonsense. I think you’re sick. You come in and sit down and rest.” Then she went to find Roger and tell him to bring down the pram from the attic. Of course she didn’t say exactly that, either.

Roger hadn’t told her about this poet; he hadn’t got the telegram himself yet. Maybe that was why she hauled him over the coals so that night: because he hadn’t got the telegram.

They were in their bedroom. Anne was combing out her hair. The children were spending the summer up in Connecticut, with Anne’s folks. He was a minister, her father was.

“You told me that the last time would be the last. Not a month ago. Less than that, because when that last batch left I had to paint the furniture in the guest room again to hide where they put their cigarettes on the dressing table and the window ledges. And I found in a drawer a broken comb I would not have asked Pinkie (Pinkie was the Negro cook) to pick up, and two socks that were not even mates that I bought for you myself last winter, and a single stocking that I couldn’t even recognize any more as mine. You tell me that Poverty looks after its own: well, let it. But why must we be instruments of Poverty?”

“This is a poet. That last batch were not poets. We haven’t had a poet in the house in some time. Place losing all its mellifluous overtones and subtleties.”

“How about that woman that wouldn’t bathe in the bathroom? who insisted on going down to the creek every morning without even a bathing suit, until Amos Grain’s (he was a farmer that lived across the creek from them) wife had to send me word that Amos was afraid to try to plow his lower field? What do people like that think that out-doors, the country, is? I cannot understand it, any more than I can understand why you feel that you should feed and lodge…”

“Ah, that was just a touch of panic fear that probably did Amos good. Jolted him out of himself, out of his rut.”

“The rut where he made his wife’s and children’s daily bread, for six days. And worse than that. Amos is young. He probably had illusions about women until he saw that creature down there without a stitch on.”

“Well, you are in the majority, you and Mrs. Grain.” He looked at the back of her head, her hands combing out her hair, and her probably watching him in the mirror and him not knowing it, what with being an artist and all. “This is a man poet.”

“Then I suppose he will refuse to leave the bathroom at all. I suppose you’ll have to carry a tray to him in the tub three times a day. Why do you feel compelled to lodge and feed these people? Can’t you see they consider you an easy mark? that they eat your food and wear your clothes and consider us hopelessly bourgeois for having enough food for other people to eat, and a little soft-brained for giving it away? And now this one, in a sky-blue dressing-sacque.”

“There’s a lot of wear and tear to just being a poet. I don’t think you realize that.”

“Oh, I don’t mind. Let him wear a lamp shade or a sauce pan too. What does he want of you? advice, or just food and lodging?”

“Not advice. You must have gathered at supper what his opinion of my mentality is.”

“He revealed pretty clearly what his own mentality is. The only thing in the house that really pleased him was Pinkie’s colored head-rag.”

“Not advice,” Roger said. “I don’t know why he shows me his stuff. He does it like you’d give caviar to an elephant.”

“And of course you accept his dictum about the elephant. And I suppose you are going to get them to publish his book, too.”

“Well, there’s some good stuff in it. And maybe if he sees it in print, he’ll really get busy. Work. Or maybe someone will make him mad enough to really write something. Something with an entrail in it. He’s got it in him. It may not be but one poem. But it’s there. Maybe if he can just stop talking long enough to get it out. And I thought if he came down here, where he will have to walk four miles to find somebody to talk to, once Amos comes to recognize that blue coat.”

“Ah,” Anne said. “So you wrote him to come. I knew you had, but I’m glad to hear you admit it of your own free will. Go on to bed,” she said. “You haven’t done a stroke of work today, and Lord only knows now when you will.”

Thus life went along in its old pleasant way. Because poets are all different from one another, it seemed; this one, anyway. Because it soon developed that Anne doesn’t see this poet at all, hardly. It seems that she can’t even know he is in the house unless she hears him snoring at night. So it took her two weeks to get steamed up again. And this time she is not even combing her hair. “Is it two weeks he’s been here, or just two years?” She is sitting at the dressing table, but she is not doing anything, which any husband, even an artist, should know is a bad sign. When you see a woman sitting half dressed before a dressing table with a mirror and not even watching herself talk in the mirror, it’s time to smell smoke in the wind.

“He has been here two weeks, but unless I happen to go to the kitchen, I never see him, since he prefers Pinkie’s company to ours. And when he was missing that first Wednesday night, on Pinkie’s evening off, I said at first, ‘What tact,’ That was before I learned that he had taken supper with Pinkie’s family at her house and had gone with them to prayer meeting. And he went again Sunday night and again last Wednesday night, and now tonight (and though he tells me I have neither intelligence nor imagination) he would be surprised to know that I am imagining right now that sky-blue dressing-sacque in a wooden church full of sweating niggers without any incongruity at all.”

“Yes. It’s quite a picture, isn’t it?”

“But apart from such minor embarrassments like not knowing where our guest is, and bearing upon our patient brows a certain amount of reflected ridiculousness, he is a very pleasant companion. Instructing, edifying, and self-effacing. I never know he is even in the house unless I hear your typewriter, because I know it is not you because you have not written a line in is it two weeks, or just two years? He enters the room which the children are absolutely forbidden and puts his one finger on that typewriter which Pinkie is not even permitted to touch with a dust-cloth, and writes a poem about freedom and flings it at you to commend and applaud. What is it he says?”

“You tell. This is fine.”

“He flings it at you like like… Wait; I’ve got it: like flinging caviar at an elephant, and he says, ‘Will this sell?’ Not, Is this good? or Do you like it? Will this sell? and you…”

“Go on. I couldn’t hope to even compete.”

“You read it, carefully. Maybe the same poem, I don’t know; I’ve learned recently on the best authority that I am not intelligent enough to get my poetry at first hand. You read it, carefully, and then you say, ‘It ought to. Stamps in the drawer there.’” She went to the window. “No, I haven’t evolved far enough yet to take my poetry straight; I won’t understand it. It has to be fed to me by hand, when he has time, on the terrace after supper on the nights when there is no prayer meeting at Pinkie’s church. Freedom. Equality. In words of one syllable, because it seems that, being a woman, I don’t want freedom and don’t know what equality means, until you take him up and show him in professional words how he is not so wise, except he is wise enough to shut up then and let you show both of us how you are not so wise either.” The window was above the garden. There were curtains in it. She stood between the curtains, looking out. “So Young Shelley has not crashed through yet.”

“Not yet. But it’s there. Give him time.”

“I’m glad to hear that. He’s been here two weeks now. I’m glad his racket is poetry, something you can perpetrate in two lines. Otherwise, at this rate…” She stood between the curtains. They were blowing, slow, in and out. “Damn. Damn. Damn. He doesn’t eat enough.”

So Roger went and put another cushion in the pram. Only she didn’t say exactly that and he didn’t do exactly that.

Now get this. This is where it starts. On the days when there wasn’t any prayer meeting at the nigger church, the poet has taken to doping along behind her in the garden while she cut the flowers for the supper table, talking to her about poetry or freedom or maybe about the flowers. Talking about something, anyway; maybe when he quit talking all of a sudden that night when he and she were walking in the garden after supper, it should have tipped her off. But it didn’t. Or at least, when they came to the end of the path and turned, the next thing she seemed to know was his mug all set for the haymaker. Anyway, she didn’t move until the clinch was over. Then she flung back, her hand lifted. “You damned idiot!” she says.

He doesn’t move either, like he is giving her a fair shot.

“What satisfaction will it be to slap this mug?” he says.

“I know that,” she says. She hits him on the chest with her fist, light, full, yet restrained all at the same time: mad and careful too. “Why did you do such a clumsy thing?”

But she doesn’t get anything out of him. He just stands there, offering her a clean shot; maybe he is not even looking at her, with his hair all over the place and this sky-blue coat that fits him like a short horse-blanket. You take a rooster, an old rooster. An old bull is different. See him where the herd has run him out, blind and spavined or whatever, yet he still looks married. Like he was saying, “Well, boys, you can look at me now. But I was a husband and father in my day.” But an old rooster. He just looks unmarried, a born bachelor.

Born a bachelor in a world without hens and he found it out o long ago he don’t even remember there are not any hens.

“Come along,” she says, turning fast, stiff-backed, and the poet doping along behind her. Maybe that’s what gave him away. Anyway, she looks back, slowing. She stops. “So you think you are the hot shot, do you?” she says. “You think I’m going to tell Roger, do you?”

“I don’t know,” he says. “I hadn’t thought about it.”

“You mean, you don’t care whether I tell him or not?”

“Yes,” he says.

“Yes what?”

It seems she can’t tell whether he’s looking at her or not, whether he ever looked at her. He just stands there, doping, about twice as tall as she is. “When I was a little boy, we would have sherbet on Sunday,” he says. “Just a breath of lemon in it. Like narcissus smells, I remember. I think I remember. I was… four… three. Mother died and we moved to a city. Boarding-house. A brick wall. There was one window, like a one-eyed man with sore eyes. And a dead cat. But before that we had lots of trees, like you have. I would sit on the kitchen steps in the late afternoon, watching the Sunday light in the trees, eating sherbet.”

She is watching him. Then she turns, walking fast. He follows, doping along a little behind her, so that when she stops in the shadow of a clump of bushes, with her face all fixed, he stands there like this dope until she touches him. And even then he doesn’t get it. She has to tell him to hurry. So he gets it, then. A poet is human, it seems, just like a man.

But that’s not it. That can be seen in any movie. This is what it is, what is good.

About this time, coincident with this second clinch, Roger happens to come out from behind this bush. He comes out kind of happen-so; pleasant and quiet from taking a little stroll in the moonlight to settle his supper. They all three stroll back to the house, Roger in the middle. They get there so quick that nobody thinks to say goodnight when Anne goes on in the house and up the stairs. Or maybe it is because Roger is doing all the talking himself at that moment, poetry having gone into a slump, you might say. “Moonlight,” Roger is saying, looking at the moon like he owned it too; “I can’t stand it any more. I run to walls, an electric light. That is, moonlight used to make me feel sad and old and I would do that. But now I’m afraid it don’t even make me feel lonely any more. So I guess I am old.”

“That’s a fact,” the poet says. “Where can we talk?”

“Talk?” Roger says. He looked like a headwaiter, anyway: a little bald, flourishing, that comes to the table and lifts off a cover and looks at it like he is saying, “Well, you can eat this muck, if you want to pay to do it.”

“Right this way,” he says. They go to the office, the room where he writes his books, where he doesn’t even let the children come at all. He sits behind the typewriter and fills his pipe. Then he sees that the poet hasn’t sat down. “Sit down,” he says.

“No,” the poet says. “Listen,” he says. “Tonight I kissed your wife. I’m going to again, if I can.”

“Ah,” Roger says. He is too busy filling the pipe right to look at the poet, it seems. “Sit down.”

“No,” the poet says.

Roger lights the pipe. “Well,” he says, “I’m afraid I can’t advise you about that. I have written a little poetry, but I never could seduce women.” He looks at the poet now.

“Look here,” he says, “you are not well. You go on to bed. We’ll talk about this tomorrow.”

“No,” the poet says, “I cannot sleep under your roof.”

“Anne keeps on saying you are not well,” Roger says. “Do you know of anything that’s wrong with you?”

“I don’t know,” the poet says.

Roger sucks at the pipe. He seems to be having a little trouble making it burn right. Maybe that is why he slams the pipe down on the desk, or maybe he is human too, like a poet. Anyway, he slams the pipe down on the desk so that the tobacco pops out burning among the papers. And there they are: the bald husband with next week’s flour and meat actually in sight, and the home-wrecker that needs a haircut, in one of these light blue jackets that ladies used to wear with lace boudoir caps when they would be sick and eat in bed.

“What in hell do you mean,” Roger says, “coming in my house and eating my food and bothering Anne with your damned…” But that was all. But even that was pretty good for a writer, an artist; maybe that’s all that should be expected from them. Or maybe it was because the poet wasn’t even listening to him. “He’s not even here,” Roger says to himself; like he had told the poet, he used to write poetry himself, and so he knew them. “He’s up there at Anne’s door now, kneeling outside her door.” And outside that door was as close to Anne as Roger got too, for some time. But that was later, and he and the poet are now in the office, with him trying to make the poet shut his yap and go up to bed, and the poet refusing.

“I cannot lie under your roof,” the poet says. “May I see Anne?”

“You can see her in the morning. Any time. All day, if you want to. Don’t talk drivel.”

“May I speak to Anne?” the poet says, like he might have been speaking to a one-syllable feeb.

So Roger goes up and tells Anne and comes back and sits behind the typewriter again and then Anne comes down and Roger hears her and the poet goes out the front door. After awhile Anne comes back alone. “He’s gone,” she says.

“Is he?” Roger says, like he is not listening. Then he jumps up. “Gone? He can’t this late. Call him back.”

“He won’t come back,” Anne says. “Let him alone.” She goes on upstairs. When Roger went up a little later, the door was locked.

Now get this. This is it. He came back down to the office and put some paper into the typewriter and began to write.

He didn’t go very fast at first, but by daylight he was sounding like forty hens in a sheet-iron corn-crib, and the written sheets on the desk were piling up…

He didn’t see or hear of the poet for two days. But the poet was still in town. Amos Grain saw him and came and told Roger. It seems that Amos happened to come to the house for something, because that was the only way anybody could have got to Roger to tell him anything for two days and nights. “I heard that typewriter before I crossed the creek,” Amos says. “I see that blue dressing-sacque at the hotel yesterday,” he says.

That night, while Roger was at work, Anne came down the stairs. She looked in the office door. “I’m going to meet him,” she said.

“Will you tell him to come back?” Roger said. “Will you tell him I sent the message?”

“No,” Anne said.

And the last thing she heard when she went out and when she came back an hour later and went upstairs and locked her door (Roger was sleeping on the sleeping-porch now, on an army cot) was the typewriter.

And so life went on in its old, pleasant, happy way. They saw one another often, sometimes twice a day after Anne quit coming down to breakfast. Only, a day or so after that, she missed the sound of the typewriter; maybe she missed being kept awake by it. “Have you finished it?” she said.

“The story?”

“Oh. No. No, it’s not finished yet. Just resting for a day or so.” Bull market in typewriting, you might say.

It stayed bullish for several days. He had got into the habit of going to bed early, of being in his cot on the sleeping-porch when Anne came back into the house. One night she came out onto the sleeping-porch, where he was reading in bed. “I’m not going back again,” she said. “I’m afraid to.”

“Afraid of what? Aren’t two children enough for you? Three, counting me.”

“I don’t know.” It was a reading lamp and her face was in the shadow. “I don’t know.” He turned the light, to shine it on her face, but before it got to her face she turned, running.

He got there just in time to have the door banged in his face.

“Blind! Blind!” she said beyond the door. “Go away! Go away!”

He went away, but he couldn’t get to sleep. So after a while he took the metal shade off the reading lamp and jimmied the window into the room where the children slept.

The door from here into Anne’s room wasn’t locked. Anne was asleep. The moon was getting down then, and he could see her face. He hadn’t made any noise, but she waked anyway, looking up at him, not moving. “He’s had nothing, nothing. The only thing he remembers of his mother is the taste of sherbet on Sunday afternoon. He says my mouth tastes like that. He says my mouth is his mother.” She began to cry. She didn’t move, face-up on the pillow, her arms under the sheet, crying. Roger sat on the edge of the bed and touched her and she flopped over then, with her face down against his knee, crying.

They talked until about daylight. “I don’t know what to do. Adultery wouldn’t get me anybody into that place where he lives. Lives? He’s never lived. He’s…” She was breathing quiet, her face turned down, but still against his knee him stroking her shoulder. “Would you take me back?”

“I don’t know.” He stroked her shoulder. “Yes. Yes. I’d take you back.”

And so the typewriting market picked up again. It took a spurt that night, as soon as Anne got herself cried off to sleep, and the market held steady for three or four days, without closing at night, even after Pinkie told him how the telephone was out of fix and he found where the wires were cut and knows where he can find the scissors that did it when he wants to. He doesn’t go to the village at all, even when he had a free ride. He would spend half a morning sitting by the road, waiting for somebody to pass that would bring him back a package of tobacco or sugar or something. “If I went to the village, he might have left town,” he said.

On the fifth day, Amos Grain brought him his mail. That was the day the rain came up. There was a letter for Anne.

“He evidently doesn’t want my advice on this,” he said to himself. “Maybe he has already sold it.” He gave the letter to Anne. She read it, once.

“Will you read it?” she said.

“I wouldn’t care to,” he said.

But the typing market is still steady, so that when the rain came up this afternoon, he had to turn on the light. The rain was so hard on the house that he could watch his fingers (he used two or three of them) hitting the keys without hearing a sound. Pinkie didn’t come, so after a while he quit and fixed a tray and took it up and left it on a chair outside Anne’s door. He didn’t stop to eat, himself.

It was after dark when she came down the first time. It was still raining. He saw her cross the door, going fast, in a raincoat and a rubber hat. He caught her as she opened the front door, with the rain blowing in. “Where are you going?” he said.

She tried to jerk her arm loose. “Let me alone.”

“You can’t go out in this. What is it?”

“Let me alone. Please.” She jerked her arm, pulling at the door which he was holding.

“You can’t. What is it? I’ll do it. What is it?”

But she just looked at him, jerking at her arm and at the door knob. “I must go to the village. Please, Roger.”

“You can’t do that. At night, and in all this rain.”

“Please. Please.” He held her. “Please. Please.” But he held her, and she let the door go and went back up stairs. And he went back to the typewriter, to this market still going great guns.

He is still at it at midnight. This time Anne has on a bathrobe. She stands in the door, holding to the door. Her hair is down. “Roger,” she says. “Roger.”

He goes to her, fast for a fat man; maybe he thinks she is sick. “What? What is it?”

She goes to the front door and opens it; the rain comes in again. “There,” she says. “Out there.”

“What?”

“He is. Blair.”

He draws her back. He makes her go to the office, then he puts on his raincoat and takes the umbrella and goes out.

“Blair!” he calls. “John!” Then the shade on the office window goes up, where Anne has raised it and carried the desk lamp to the window and turned the light out-doors, and then he sees Blair, standing in the rain, without any hat, with his blue coat like it was put on him by a paper-hanger, with his face lifted toward Anne’s window.

And here we are again: the bald husband, the rural plute, and this dashing blade, this home-wrecking poet. Both gentlemen, being artists: the one that doesn’t want the other to get wet; the other whose conscience won’t let him wreck the house from inside. Here we are, with Roger trying to hold one of these green silk, female umbrellas over himself and the poet too, jerking at the poet’s arm.

“You damned fool! Come in the house!”

“No.” His arm gives a little as Roger jerks at it, but the poet himself doesn’t move.

“Do you want to drown? Come on, man!”

“No.”

Roger jerks at the poet’s arm, like jerking at the arm of a wet saw-dust doll. Then he begins to yell at the house: “Anne! Anne!”

“Did she say for me to come in?” the poet says.

“Yes. Yes. Come in the house. Are you mad?”

“You’re lying,” the poet says. “Let me alone.”

“What are you trying to do?” Roger says. “You can’t stand here like this.”

“Yes, I can. You go on in. You’ll take cold.”

Roger runs back to the house; they have an argument first; because Roger wants the poet to keep the umbrella and the poet won’t do it. So Roger runs back to the house. Anne is at the door. “The fool,” Roger says. “I can’t…”

“Come in!” Anne calls. “John! Please!” But the poet has stepped out of the light and vanished. “John!” Anne calls.

Then she began to laugh, staring at Roger from between her hair brushing at her hair with her hands. “He he looked so funny. He looked so…” Then she was not laughing and Roger had to hold her up. He carried her upstairs and put her to bed and sat with her until she could stop crying. Then he went back to the office. The lamp was still at the window, and when he moved it the light went across the lawn and he saw Blair again. He was sitting on the ground, with his back against a tree, his face raised in the rain toward Anne’s window. Roger rushed out again, but when he got there, Blair was gone. Roger stood under the umbrella and called him for a while, but he never got any answer. Maybe he was going to try again to make the poet take the umbrella. So maybe he didn’t know as much about poets as he thought he did. Or maybe he was thinking about Pope. Pope might have had an umbrella.

They never saw the poet again. This one, that is. Because this happened almost six months ago, and they still live there.

But they never saw this one. Three days later, Anne gets the second letter, mailed from the village. It is a menu card from the Elite Cafe, or maybe they call it the Palace. It was already autographed by the flies that eat there, and the poet had written on the back of it. Anne left it on Roger’s desk and went out, and then Roger read it.

It seems that this was the shot. The one that Roger had always claimed to be waiting for. Anyway, the magazines that don’t have any pictures took the poem, stealing it from one another while the interest or whatever it was ate up the money that the poet never got for it. But that was all right, too, because by that time Blair was dead.

Amos Grain’s wife told them how the poet had left town.

And a week later Anne left too. She went up to Connecticut to spend the rest of the summer with her mother and father, where the children were. The last thing she heard when she left the house was the typewriter.

But it was two weeks after Anne left before Roger finished it, wrote the last word. At first he wanted to put the poem in too, this poem on the menu card that wasn’t about freedom, either, but he didn’t. Conscience, maybe he called it, put over the old haymaker, and Roger took it standing, like a little man, and sent off the poem for the magazines to jaw over, and tied up the papers he had written and sent them off too. And what was it he had been writing? Him, and Anne, and the poet. Word for word, between the waiting spells to find out what to write down next, with a few changes here and there, of course, because live people do not make good copy, the most interesting copy being gossip, since it mostly is not true.

So he bundled the pages up and sent them off and they sent him the money. It came just in time, because the winter was coming and he still owed a balance on Blair’s hospital and funeral. So he paid that, and with the rest of the money he bought Anne a fur coat and himself and the children some winter underwear.

Blair died in September. Anne and the children were still away when he got the wire, three or four days late, since the next batch of them had not arrived yet. So here he is, sitting at his desk, in the empty house, with the typewriting all finished, holding the wire in his hand. “Shelley,” he says. “His whole life was a not very successful imitation of itself. Even to the amount of water it took.”

He didn’t tell Anne about the poet until after the fur coat came. “Did you see that he…” Anne said.

“Yes. He had a nice room, in the sun. A good nurse. The doctor didn’t want him to have a special nurse at first. Damn butcher.”

Sometimes when a man thinks about them making poets and artists and such pay these taxes which they say indicates that a man is free, twenty-one, and capable of taking care of himself in this close competition, it seems like they are obtaining money under false pretenses. Anyway, here’s the rest of it, what they did next.

He reads the book, the story, to her, and her not saying anything until he had finished. “So that’s what you were doing,” she said.

He doesn’t look at her, either; he is busy evening the pages, getting them smooth again. “It’s your fur coat,” he said.

“Oh,” she says. “Yes. My fur coat.”

So the fur coat comes. And what does she do then? She gave it away. Yes. Gave it to Mrs. Grain. Gave it to her, and her in the kitchen, churning, with her hair in her face, brushing her hair back with a wrist that looked like a lean ham.

“Why, Miz Howes,” she says. “I caint. I reely caint.”

“You’ll have to take it,” Anne says. “We… I got it under false pretenses. I don’t deserve it. You put bread into the ground and reap it; I don’t. So I can’t wear a coat like this.”

And they leave it there with Mrs. Grain and they go back home, walking. Only they stop in broad daylight, with Mrs. Grain watching them from the window, and go into a clinch on their own account. “I feel better,” Anne says.

“So do I,” Roger says. “Because Blair wasn’t there to see Mrs. Grain’s face when you gave her that coat. No freedom there, or equality either.”

But Anne is not listening. “Not to think,” she says, “that he… to dress me in the skins of little slain beasts… You put him in a book, but you didn’t finish it. You didn’t know about that coat, did you? God beat you, that time, Roger.”

“Ay,” Roger says. “God beats me lots of times. But there’s one thing about it. Their children are bigger than ours, and even Mrs. Grain can’t wear my underclothes. So that’s all right.”

Sure. That was all right. Because it was Christmas soon, and then spring; and then summer, the long summer, the long days.

The Brooch

I

THE TELEPHONE waked him. He waked already hurrying, fumbling in the dark for robe and slippers, because he knew before waking that the bed beside his own was still empty, and the instrument was downstairs just opposite the door beyond which his mother had lain propped upright in bed for five years, and he knew on waking that he would be too late because she would already have heard it, just as she heard everything that happened at any hour in the house.

She was a widow, he the only child. When he went away to college she went with him; she kept a house in Charlottesville, Virginia, for four years while he graduated. She was the daughter of a well-to-do merchant. Her husband had been a travelling man who came one summer to the town with letters of introduction: one to a minister, the other to her father. Three months later the travelling man and the daughter were married. His name was Boyd. He resigned his position within the year and moved into his wife’s house and spent his days sitting in front of the hotel with the lawyers and the cotton-planters: a dark man with a gallant swaggering way of removing his hat to ladies. In the second year, the son was born. Six months later, Boyd departed.

He just went away, leaving a note to his wife in which he told her that he could no longer bear to lie in bed at night and watch her rolling onto empty spools the string saved from parcels from the stores. His wife never heard of him again, though she refused to let her father have the marriage annulled and change the son’s name.

Then the merchant died, leaving all his property to the daughter and the grandson who, though he, had been out of Fauntleroy suits since he was seven or eight, at twelve wore even on weekdays clothes which made him look not like a child but like a midget; he probably could not have long associated with other children even if his mother had let him. In due time the mother found a boys’ school where the boy could wear a round jacket and a man’s hard hat with impunity, though by the time the two of them removed to Charlottesville for these next four years, the son did not look like a midget. He looked now like a character out of Dante: a man a little slighter than his father but with something of his father’s dark handsomeness, who hurried with averted head, even when his mother was not with him, past the young girls on the streets not only of Charlottesville but of the little lost Mississippi hamlet to which they presently returned, with an expression of face like the young monks or angels in fifteenth-century allegories. Then his mother had her stroke, and presently the mother’s friends brought to her bed reports of almost exactly the sort of girl which perhaps even the mother might have expected the son to become not only involved with but to marry.

Her name was Amy, daughter of a railroad conductor who had been killed in a wreck. She lived now with an aunt who kept a boarding-house: a vivid, daring girl whose later reputation was due more to folly and the caste handicap of the little Southern town than to badness and which at the last was doubtless more smoke than fire; whose name, though she always had invitations to the more public dances, was a light word, especially among the older women, daughters of decaying old houses like this in which her future husband had been born.

So presently the son had acquired some skill in entering the house and passing the door beyond which his mother lay propped in bed, and mounting the stairs in the dark to his own room. But one night he failed to do so. When he entered the house the transom above his mother’s door was dark, as usual, and even if it had not been he could not have known that this was the afternoon on which the mother’s friends had called and told her about Amy, and that his mother had lain for five hours, propped bolt upright, in the darkness, watching the invisible door. He entered quietly as usual, his shoes in his hand, yet he had not even closed the front door when she called his name. Her voice was not raised. She called his name once: “Howard.”

He opened the door. As he did so the lamp beside her bed came on. It sat on a table beside the bed; beside it sat a clock with a dead face; to stop it had been the first act of his mother when she could move her hands two years ago. He approached the bed from which she watched him: a thick woman with a face the color of tallow and dark eyes apparently both pupil-less and iris-less beneath perfectly white hair. “What?” he said. “Are you sick?”

“Come closer,” she said. He came nearer. They looked at one another. Then he seemed to know; perhaps he had been expecting it.

“I know who’s been talking to you,” he said. “Those damned old buzzards.”

“I’m glad to hear it’s carrion,” she said. “Now I can rest easy that you won’t bring it into our house.”

“Go on. Say, your house.”

“Not necessary. Any house where a lady lives.” They looked at one another in the steady lamp which possessed that stale glow of sickroom lights. “You are a man. I don’t reproach you. I am not even surprised. I just want to warn you before you make yourself ridiculous. Don’t confuse the house with the stable.”

“With the Hah!” he said. He stepped back and jerked the door open with something of his father’s swaggering theatricalism. “With your permission,” he said. He did not close the door. She lay bolt upright on the pillows and looked into the dark hall and listened to him go to the telephone, call the girl, and ask her to marry him tomorrow.

Then he reappeared at the door. “With your permission,” he said again, with that swaggering reminiscence of his father, closing the door. After a while the mother turned the light off. It was daylight in the room then.

They were not married the next day, however. “I’m scared to,” Amy said. “I’m scared of your mother. What does she say about me?”

“I don’t know. I never talk to her about you.”

“You don’t even tell her you love me?”

“What does it matter? Let’s get married.”

“And live there with her?” They looked at one another.

“Will you go to work, get us a house of our own?”

“What for? I have enough money. And it’s a big house.”

“Her house. Her money.”

“It’ll be mine ours some day. Please.”

“Come on. Let’s try to dance again.” This was in the parlor of the boarding-house, where she was trying to teach him to dance, but without success. The music meant nothing to him; the noise of it or perhaps the touch of her body destroyed what little co-ordination he could have had. But he took her to the Country Club dances; they were known to be engaged. Yet she still staid out dances with other men, in the parked cars about the dark lawn. He tried to argue with her about it, and about drinking.

“Sit out and drink with me, then,” he said.

“We’re engaged. It’s no fun with you.”

“Yes,” he said, with the docility with which he accepted each refusal; then he stopped suddenly and faced her.

“What’s no fun with me?” She fell back a little as he gripped her shoulder. “What’s no fun with me?”

“Oh,” she said. “You’re hurting me!”

“I know it. What’s no fun with me?”

Then another couple came up and he let her go. Then an hour later, during an intermission, he dragged her, screaming and struggling, out of a dark car and across the dance floor, empty now and lined with chaperones like a theater audience, and drew out a chair and took her across his lap and spanked her. By daylight they had driven twenty miles to another town and were married.

That morning Amy called Mrs. Boyd “Mother” for the first and (except one, and that perhaps shocked out of her by surprise or perhaps by exultation) last time, though the same day Mrs. Boyd formally presented Amy with the brooch: an ancient, clumsy thing, yet valuable. Amy carried it back to their room, and he watched her stand looking at it, perfectly cold, perfectly inscrutable. Then she put it into a drawer. She held it over the open drawer with two fingers and released it and then drew the two fingers across her thigh.

“You will have to wear it sometimes,” Howard said.

“Oh, I will. I’ll show my gratitude. Don’t worry.” Presently it seemed to him that she took pleasure in wearing it.

That is, she began to wear it quite often. Then he realized that it was not pleasure but vindictive incongruity; she wore it for an entire week once on the bosom of a gingham house dress, an apron. But she always wore it where Mrs. Boyd would see it, always when she and Howard had dressed to go out and would stop in the mother’s room to say good night.

They lived upstairs, where, a year later, their child was born. They took the child down for Mrs. Boyd to see it.

She turned her head on the pillows and looked at the child once. “Ah,” she said. “I never saw Amy’s father, that I know of. But then, I never travelled on a train a great deal.”

“The old, the old…” Amy cried, shuddering and clinging to Howard. “Why does she hate me so? What have I ever done to her? Let’s move. You can work.”

“No. She won’t live always.”

“Yes, she will. She’ll live forever, just to hate me.”

“No,” Howard said. In the next year the child died. Again Amy tried to get him to move.

“Anywhere. I won’t care how we have to live.”

“No. I can’t leave her helpless on her back. You will have to start going out again. Dance. Then it won’t be so bad.”

“Yes,” she said, quieter. “I’ll have to. I can’t stand this.”

One said “you,” the other, “I.” Neither of them said “we.” So, on Saturday nights Amy would dress and Howard would put on scarf and overcoat, sometimes over his shirtsleeves, and they would descend the stairs and stop at Mrs. Boyd’s door and then Howard would put Amy into the car and watch her drive away. Then he would re-enter the house and with his shoes in his hand return up the stairs, as he had used to do before they married, slipping past the lighted transom. Just before midnight, in the overcoat and scarf again, he would slip back down the stairs and past the still lighted transom and be waiting on the porch when Amy drove up. Then they would enter the house and look into Mrs. Boyd’s room and say good night.

One night it was one o’clock before she returned. He had been waiting for an hour in slippers and pajamas on the porch; it was November. The transom above Mrs. Boyd’s door was dark and they did not stop.

“Some jelly beans set the clock back,” she said. She did not look at him, dragging her clothes off, flinging the brooch along with her other jewelry onto the dressing table. “I had hoped you wouldn’t be fool enough to stand out there and wait for me.”

“Maybe next time they set the clock back I won’t.”

She stopped, suddenly and perfectly still, looking at him over her shoulder. “Do you mean that?” she said. He was not looking at her; he heard, felt, her approach and stand beside him. Then she touched his shoulder. “Howard?” she said. He didn’t move. Then she was clinging to him, flung onto his lap, crying wildly: “What’s happening to us?” striking herself against him with a wild abandon: “What is it? What is it?” He held her quiet, though after they were each in their beds (they already had two of them) he heard and then felt her cross the intervening gap and fling herself against him again with that wild terrified abandon not of a woman but of a child in the dark, enveloping him, whispering: “You don’t have to trust me, Howard! You can! You can! You don’t have to!”

“Yes,” he said. “I know. It’s all right. It’s all right.” So after that, just before twelve, he would put on the overcoat and scarf, creep down the stairs and past the lighted transom, open and close the front door noisily, and then open his mother’s door where the mother would be propped high on the pillows, the book open and face down on her knees.

“Back already?” Mrs. Boyd would say.

“Yes. Amy’s gone on up. Do you want anything?”

“No. Good night.”

“Good night.”

Then he would go up and go to bed, and after a time (sometimes) to sleep. But before this sometimes, taking it sometimes into sleep with him, he would think, tell himself with that quiet and fatalistic pessimism of the impotent intelligent: But this cannot go on forever. Some night something is going to happen; she is going to catch Amy. And I know what she is going to do. But what am I going to do?

He believed that he did know. That is, the top of his mind assured him that it knew, but he discounted this; the intelligence again: not to bury it, flee from it: just discounting it, the intelligence speaking out of the impotence: Because no man ever knows what he will do in any given situation, set of circumstances: the wise, others perhaps, drawing conclusions, but never himsetf. The next morning Amy would be in the other bed, and then, in the light of day, it would be gone. But now and then, even by daylight, it returned and he from the detachment of his cerebration contemplating his life, that faulty whole whose third the two of them had produced yet whose lack the two of them could not fill, telling himself, Yes. I know what she will do and I know what Amy will ask me to do and I know that I will not do that.

But what will I do? but not for long, telling himself now that it had not happened so far, and that anyway it was six long days until Saturday: the impotence now, not even the intellect.

II

SO IT was that when he waked to the bell’s shrilling he already knew that the bed beside his own was still empty, just as he knew that, no matter how quickly he reached the telephone, it would already be too late. He did not even wait for his slippers; he ran down the now icy stairs, seeing the transom above his mother’s door come alight as he passed it and went to the phone and took the receiver down: “Oh, Howard, I’m so sorry this is Martha Ross so sorry to disturb you, but I knew that Amy would be anxious about it. I found it in the car, tell her, when we got back home.”

“Yes,” he said. “In the car.”

“In our car. After she lost her switch key and we brought her home, to the corner. We tried to get her to come on home with us and have some ham and eggs, but she…”

Then the voice died away. He held the cold receiver to his ear and heard the other end of the wire, the silence, fill with a sort of consternation like an in-drawn breath: something instinctive and feminine and self-protective. But the pause itself was hardly a pause; almost immediately the voice went on, though completely changed now, blank, smooth, reserved: “Amy’s in bed, I suppose!”

“Yes. She’s in bed.”

“Oh. So sorry I bothered you, got you up. But I knew she would be anxious about it, since it was your mother’s, the family piece. But of course, if she hasn’t missed it yet, you won’t need to bother her.” The wire hummed, tense, “That I called or anything.” The wire hummed. “Hello. Howard?”

“No,” he said. “I won’t bother her tonight. You can call her in the morning.”

“Yes, I will. So sorry I bothered you. I hope I didn’t wake your mother.”

He put the receiver back. He was cold. He could feel his bare toes curling back from the ice-like floor as he stood looking at the blank door beyond which his mother would be sitting, high-propped on the pillows, with her tallow face and dark inscrutable eyes and the hair which Amy said resembled weathered cotton, beside the clock whose hands she had stopped herself at ten minutes to four on the afternoon five years ago when she first moved again. When he opened the door his picture had been exact, almost to the position of the hands even.

“She is not in this house,” Mrs. Boyd said.

“Yes. She’s in bed. You know when we came in. She just left one of her rings with Martha Ross tonight and Martha telephoned.”

But apparently she had not even listened to him. “So you swear she is in this house this minute.”

“Yes. Of course she is. She’s asleep, I tell you.”

“Then send her down here to say good night to me.”

“Nonsense. Of course I won’t.”

They looked at one another across the bed’s footboard.

“You refuse?”

“Yes.”

They looked at one another a moment longer. Then he began to turn away; he could feel her watching him. “Then tell me something else. It was the brooch she lost.”

He did not answer this either. He just looked at her again as he closed the door: the two of them curiously similar, mortal and implacable foes in the fierce close antipathy of blood. He went out.

He returned to the bedroom and turned on the light and found his slippers and went to the fire and put some coal on the embers and punched and prodded it into flame. The clock on the mantel said twenty minutes to one. Presently he had a fair blaze; he had quit shivering. He went back to bed and turned off the light, leaving only the firelight pulsing and gleaming on the furniture and among the phials and mirrors of the dressing table, and in the smaller mirror above his own chest of drawers, upon which sat the three silver photograph frames, the two larger ones containing himself and Amy, the smaller one between them empty. He just lay. He was not thinking at all. He had just thought once, quietly, So that’s that. So now I suppose I will know, find out what I am going to do and then no more, not even thinking that again.

The house seemed still to be filled with the shrill sound of the telephone like a stubborn echo. Then he began to hear the clock on the mantel, reiterant, cold, not loud. He turned on the light and took up the book face down and open from the table beside his pillow, but he found that he could not keep his mind on the words for the sound which the clock made, so he rose and went to the mantel. The hands were now at half past two. He stopped the clock and turned its face to the wall and brought his book to the fire and found that he could now keep his mind on the words, the sense, reading on now untroubled by time. So he could not have said just when it was that he found he had ceased to read, had jerked his head up. He had heard no sound, yet he knew that Amy was in the house. He did not know how he knew: he just sat holding his breath, immobile, the peaceful book raised and motionless, waiting. Then he heard Amy say, “It’s me, Mother.”

She said “Mother” he thought, not moving yet. She called her “Mother” again. He moved now, putting the book carefully down, his place marked, but as he crossed the room he walked naturally, not trying to deaden his footsteps, to the door and opened it and saw Amy just emerging from Mrs. Boyd’s room. She began to mount the stairs, walking naturally too, her hard heels sharp and unnaturally loud in the nightbound house. She must have stooped when Mother called her and put her slippers on again, he thought. She had not seen him yet, mounting steadily, her face in the dim hall light vague and petal-like against the collar of her fur coat, projecting already ahead of her to where he waited a sort of rosy and crystal fragrance of the frozen night out of which she had just emerged. Then she saw him at the head of the stairs. For just a second, an instant, she stopped dead still, though she was moving again before it could have been called pause, already speaking as she passed him where he stood aside, and entered the bedroom: “Is it very late? I was with the Rosses. They just let me out at the corner; I lost my car key out at the club. Maybe it was the car that waked her.”

“No. She was already awake. It was the telephone.”

She went on to the fire and spread her hands to it, still in her coat; she did not seem to have heard him, her face rosy in the firelight, her presence emanating that smell of cold, that frosty fragrance which had preceded her up the stairs: “I suppose so. Her light was already on. I knew as soon as I opened the front door that we were sunk. I hadn’t even got in the house good when she said ‘Amy’ and I said ‘It’s me, Mother’ and she said, ‘Come in here, please,’ and there she was with those eyes that haven’t got any edges to them and that hair that looks like somebody pulled it out of the middle of a last year’s cotton bale, and she said, ‘Of course you understand that you will have to leave this house at once. Good night.’”

“Yes,” he said. “She has been awake since about half past twelve. But there wasn’t anything to do but insist that you were already in bed asleep and trust to luck.”

“You mean, she hasn’t been asleep at all?”

“No. It was the telephone, like I told you. About half past twelve.”

With her hands still spread to the fire she glanced at him over her furred shoulder, her face rosy, her eyes at once bright and heavy, like a woman’s eyes after pleasure, with a kind of inattentive conspiratorial commiseration. “Telephone? Here? At half past twelve? What absolutely putrid… But no matter.” She turned now, facing him, as if she had only been waiting until she became warm, the rich coat open upon the fragile glitter of her dress; there was a quality actually beautiful about her now not of the face whose impeccable replica looks out from the covers of a thousand magazines each month, nor of the figure, the shape of deliberately epicene provocation into which the miles of celluloid film have constricted the female body of an entire race; but a quality completely female in the old eternal fashion, primitive, assured and ruthless as she approached him, already raising her arms. “Yes! I say luck too!” she said, putting her arms around him, her upper body leaned back to look into his face, her own face triumphant, the smell now warm woman-odor where the frosty fragrance had thawed. “She said at once, now. So we can go. You see? Do you understand? We can leave now. Give her the money, let her have it all. We won’t care. You can find work; I won’t care how and where we will have to live. You don’t have to stay here now, with her now. She has what do you call it? absolved you herself. Only I have lost the car key. But no matter: we can walk. Yes, walk; with nothing, taking nothing of hers, like we came here.”

“Now?” he said. “Tonight?”

“Yes! She said at once. So it will have to be tonight.”

“No,” he said. That was all, no indication of which question he had answered, which denied. But then, he did not need to because she still held him; it was only the expression of her face that changed. It did not die yet nor even become terrified yet: it just became unbelieving, like a child’s incredulity. “You mean, you still won’t go? You still won’t leave her? That you would just take me to the hotel for tonight and that you will come back here tomorrow? Or do you mean you won’t even stay at the hotel with me tonight? That you will take me there and leave me and then you…” She held him, staring at him; she began to say, “Wait, wait. There must be some reason, something. Wait,” she cried; “wait! You said, telephone. At half past twelve.” She still stared at him, her hands hard, her pupils like pinpoints, her face ferocious. “That’s it. That’s the reason. Who was it that telephoned here about me? Tell me! I defy you to! I will explain it. Tell me!”

“It was Martha Ross. She said she had just let you out at the corner!”

“She lied!” she cried at once, immediately, scarce waiting to hear the name. “She lied! They did bring me home then but it was still early and so I decided to go on with them to their house and have some ham and eggs. So I called to Frank before he got turned around and I went with them. Frank will prove it! She lied! They just this minute put me out at the corner!”

She looked at him. They stared at one another for a full immobile moment. Then he said, “Then where is the brooch?”

“The brooch?” she said. “What brooch?” But already he had seen her hand move upward beneath the coat; besides, he could see her face and watch it gape like that of a child which has lost its breath before she began to cry with a wild yet immobile abandon, so that she spoke through the weeping in the choked gasping of a child, with complete and despairing surrender: “Oh, Howard! I wouldn’t have done that to you! I wouldn’t have! I wouldn’t have!”

“All right,” he said. “Hush, now. Hush, Amy. She will hear you.”

“All right. I’m trying to.” But she still faced him with that wrung and curiously rigid face beneath its incredible flow of moisture, as though not the eyes but all the pores had sprung at once; now she too spoke directly out of thinking, without mention of subject or circumstance, nothing more of defiance or denial: “Would you have gone with me if you hadn’t found out?”

“No. Not even then. I won’t leave her. I will not, until she is dead. Or this house. I won’t. I can’t. I…” They looked at one another, she staring at him as if she saw reflected in his pupils not herself but the parchment-colored face below stairs, the piled dirty white hair, the fierce implacable eyes, her own image blanked out by something beyond mere blindness: by a quality determined, invincible, and crucified.

“Yes,” she said. From somewhere she produced a scrap of chiffon and began to dab at her eyes, delicately, even now by instinct careful of the streaked mascara. “She beat us. She lay there in that bed and beat us.” She turned and went to the closet and drew out an overnight bag and put the crystal objects from the dressing-table into it and opened a drawer. “I can’t take everything tonight. I will have to…”

He moved also; from the chest of drawers where the small empty photograph frame sat he took his wallet and removed the bills from it and returned and put the money into her hand. “I don’t think there is very much here. But you won’t need money until tomorrow.”

“Yes,” she said. “You can send the rest of my things then, too.”

“Yes,” he said. She folded and smoothed the notes in her fingers; she was not looking at him. He did not know what she was looking at except it was not at the money. “Haven’t you got a purse or something to carry it in?”

“Yes,” she said. But she did not stop folding and smoothing the bills, still not looking at them, apparently not aware of them, as if they had no value and she had merely picked them idly up without being aware of it. “Yes,” she said.

“She beat us. She lay there in that bed she will never move from until they come in and carry her out some day, and took that brooch and beat us both.” Then she began to cry.

It was as quiet now as the way she had spoken. “My little baby,” she said. “My dear little baby.”

He didn’t even say Hush now. He just waited until she dried her eyes again, almost briskly, rousing, looking at him with an expression almost like smiling, her face, the make-up, the careful evening face haggard and streaked and filled with the weary and peaceful aftermath of tears. “Well,” she said. “It’s late.” She stooped, but he anticipated her and took the bag; they descended the stairs together; they could see the lighted transom above Mrs. Boyd’s door.

“It’s too bad you haven’t got the car,” he said.

“Yes. I lost the key at the club. But I telephoned the garage. They will bring it in in the morning.”

They stopped in the hall while he telephoned for a cab.

Then they waited, talking quietly now and then. “You had better go straight to bed.”

“Yes. I’m tired. I danced a good deal.”

“What was the music? Was it good?”

“Yes. I don’t know. I suppose so. When you are dancing yourself, you don’t usually notice whether the music is or isn’t.”

“Yes, I guess that’s so.” Then the car came. They went out to it, he in pajamas and robe; the earth was frozen and iron-hard, the sky bitter and brilliant. He helped her in.

“Now you run back into the house,” she said. “You didn’t even put on your overcoat.”

“Yes. I’ll get your things to the hotel early.”

“Not too early. Run, now.” She had already sat back, the coat close about her. He had already remarked how sometime, at some moment back in the bedroom, the warm woman-odor had congealed again and that she now emanated once more that faint frosty fragrance, fragile, impermanent and forlorn; the car moved away, he did not look back. As he was closing the front door his mother called his name. But he did not pause or even glance toward the door.

He just mounted the stairs, out of the dead, level, unsleeping, peremptory voice. The fire had burned down: a strong rosy glow, peaceful and quiet and warmly reflected from mirror and polished wood. The book still lay, face down and open, in the chair. He took it up and went to the table between the two beds and sought and found the cellophane envelope which had once contained pipe cleaners, which he used for a bookmark, and marked his place and put the book down.

It was the coat-pocket size, Modern Library Green Mansions. He had discovered the book during adolescence; he had read it ever since. During that period he read only the part about the journey of the three people in search of the Riolama which did not exist, seeking this part out and reading it in secret as the normal boy would have normal and conventional erotica or obscenity, mounting the barren mountain with Rima toward the cave, not knowing then that it was the cave-symbol which he sought, escaping it at last through the same desire and need to flee and escape which Rima had, following her on past the cave to where she poised, not even waiting for him, impermanent as a match flame and as weak, in the cold and ungrieving moon.

In his innocence then he believed, with a sort of urgent and despairing joy, that the mystery about her was not mystery since it was physical: that she was corporeally impenetrable, incomplete; with peaceful despair justifying, vindicating, what he was through (so he believed) no fault of his own, with what he read in books, as the young do. But after his marriage he did not read the book again until the child died and the Saturday nights began. And then he avoided the journey to Riolama as he had used to seek it out. Now he read only where Abel (the one man on earth who knew that he was alone) wandered in the impervious and interdict forest filled with the sound of birds. Then he went to the chest and opened again the drawer where he kept the wallet and stood for a moment, his hand still lying on the edge of the drawer. “Yes,” he said quietly, aloud: “it seems to have been right all the time about what I will do.”

The bathroom was at the end of the hall, built onto the house later, warm too where he had left the electric heater on for Amy and they had forgot it. It was here that he kept his whiskey also. He had begun to drink after his mother’s stroke, in the beginning of what he had believed to be his freedom, and since the death of the child he had begun to keep a two-gallon keg of corn whiskey in the bathroom.

Although it was detached from the house proper and the whole depth of it from his mother’s room, he nevertheless stuffed towels carefully about and beneath the door, and then removed them and returned to the bedroom and took the down coverlet from Amy’s bed and returned and stuffed the door again and then hung the coverlet before it. But even then he was not satisfied. He stood there, thoughtful, musing, a little pudgy (he had never taken any exercise since he gave up trying to learn to dance, and now what with the steady drinking, there was little of the young Italian novice about his figure any more), the pistol hanging from his hand. He began to look about. His glance fell upon the bath mat folded over the edge of the tub. He wrapped his hand, pistol and all, in the mat and pointed it toward the rear wall and fired it, the report muffled and jarring though not loud. Yet even now he stood and listened as if he expected to hear from this distance. But he heard nothing; even when, the door freed again, he moved quietly down the hall and then down the steps to where he could see clearly the dark transom above his mother’s door. But again he did not pause. He returned up the stairs, quietly, hearing the cold and impotent ratiocination without listening to it: Like your father, you cannot seem to live with either of them, but unlike your father you cannot seem to live without them; telling himself quietly, “Yes, it seems that it was right. It seems to have known us better than I did,” and he shut the bathroom door again and stuffed the towels carefully about and beneath it. But he did not hang the coverlet this time. He drew it over himself, squatting, huddling into it, the muzzle of the pistol between his teeth like a pipe, wadding the thick soft coverlet about his head, hurrying, moving swiftly now because he was already beginning to suffocate.

My Grandmother Millard and General Bedford Forrest and the Battle of Harrykin Creek

I

IT WOULD BE right after supper, before we had left the table.

At first, beginning with the day the news came that the Yankees had taken Memphis, we did it three nights in succession. But after that, as we got better and better and faster and faster, once a week suited Granny. Then after Cousin Melisandre finally got out of Memphis and came to live with us, it would be just once a month, and when the regiment in Virginia voted Father out of the colonelcy and he came home and stayed three months while he made a crop and got over his mad and organized his cavalry troop for General Forrest’s command, we quit doing it at all. That is, we did it one time with Father there too, watching, and that night Ringo and I heard him laughing in the library, the first time he had laughed since he came home, until in about a half a minute Granny came out already holding her skirts up and went sailing up the stairs. So we didn’t do it any more until Father had organized his troop and was gone again.

Granny would fold her napkin beside her plate. She would speak to Ringo standing behind her chair without even turning her head: “Go call Joby and Lucius.”

And Ringo would go back through the kitchen without stopping. He would just say, “All right. Look out,” at Louvinia’s back and go to the cabin and come back with not only Joby and Lucius and the lighted lantern but Philadelphia too, even though Philadelphia wasn’t going to do anything but stand and watch and then follow to the orchard and back to the house until Granny said we were done for that time and she and Lucius could go back home to bed. And we would bring down from the attic the big trunk (we had done it so many times by now that we didn’t even need the lantern any more to go to the attic and get the trunk) whose lock it was my job to oil every Monday morning with a feather dipped in chicken fat, and Louvinia would come in from the kitchen with the unwashed silver from supper in a dishpan under one arm and the kitchen clock under the other and set the clock and the dishpan on the table and take from her apron pocket a pair of Granny’s rolled-up stockings and hand them to Granny and Granny would unroll the stockings and take from the toe of one of them a wadded rag and open the rag and take out the key to the trunk and unpin her watch from her bosom and fold it into the rag and put the rag back into the stocking and roll the stockings back into a ball and put the ball into the trunk. Then with Cousin Melisandre and Philadelphia watching, and Father too on that one time when he was there, Granny would stand facing the clock, her hands raised and about eight inches apart and her neck bowed so she could watch the clock-face over her spectacles, until the big hand reached the nearest hour-mark.

The rest of us watched her hands. She wouldn’t speak again. She didn’t need to. There would be just the single light loud pop of her palms when the hand came to the nearest hour-mark; sometimes we would be already moving, even before her hands came together, all of us that is except Philadelphia. Granny wouldn’t let her help at all, because of Lucius, even though Lucius had done nearly all the digging of the pit and did most of the carrying of the trunk each time.

But Philadelphia had to be there. Granny didn’t have to tell her but once. “I want the wives of all the free men here too,” Granny said. “I want all of you free folks to watch what the rest of us that ain’t free have to do to keep that way.”

That began about eight months ago. One day even I realized that something had happened to Lucius. Then I knew that Ringo had already seen it and that he knew what it was, so that when at last Louvinia came and told Granny, it was not as if Lucius had dared his mother to tell her but as if he had actually forced somebody, he didn’t care who, to tell her. He had said it more than once, in the cabin one night probably for the first time, then after that in other places and to other people, to Negroes from other plantations even. Memphis was already gone then, and New Orleans, and all we had left of the River was Vicksburg and although we didn’t believe it then, we wouldn’t have that long. Then one morning Louvinia came in where Granny was cutting down the worn-out uniform pants Father had worn home from Virginia so they would fit me, and told Granny how Lucius was saying that soon the Yankees would have all of Mississippi and Yoknapatawpha County too and all the niggers would be free and that when that happened, he was going to be long gone. Lucius was working in the garden that morning. Granny went out to the back gallery, still carrying the pants and the needle. She didn’t even push her spectacles up. She said, “You, Lucius,” just once, and Lucius came out of the garden with the hoe and Granny stood looking down at him over the spectacles as she looked over them at everything she did, from reading or sewing to watching the clock-face until the instant came to start burying the silver.

“You can go now,” she said. “You needn’t wait on the Yankees.”

“Go?” Lucius said. “I ain’t free.”

“You’ve been free for almost three minutes,” Granny said. “Go on.”

Lucius blinked his eyes while you could have counted about ten. “Go where?” he said.

“I can’t tell you,” Granny said. “I ain’t free. I would imagine you will have all Yankeedom to move around in.”

Lucius blinked his eyes. He didn’t look at Granny now.

“Was that all you wanted?” he said.

“Yes,” Granny said. So he went back to the garden. And that was the last we heard about being free from him. That is, it quit showing in the way he acted, and if he talked any more of it, even Louvinia never thought it was worth bothering Granny with. It was Granny who would do the reminding of it, especially to Philadelphia, especially on the nights when we would stand like race-horses at the barrier, watching Granny’s hands until they clapped together.

Each one of us knew exactly what he was to do. I would go upstairs for Granny’s gold hatpin and her silver-headed umbrella and her plumed Sunday hat because she had already sent her ear-rings and brooch to Richmond a long time ago, and to Father’s room for his silver-backed brushes and to Cousin Melisandre’s room after she came to live with us for her things because the one time Granny let Cousin Melisandre try to help too, Cousin Melisandre brought all her dresses down. Ringo would go to the parlor for the candlesticks and Granny’s dulcimer and the medallion of Father’s mother back in Carolina. And we would run back to the dining-room where Louvinia and Lucius would have the sideboard almost cleared, and Granny still standing there and watching the clock-face and the trunk both now with her hands ready to pop again and they would pop and Ringo and I would stop at the cellar door just long enough to snatch up the shovels and run on to the orchard and snatch the brush and grass and the criss-crossed sticks away and have the pit open and ready by the time we saw them coming: first Louvinia with the lantern, then Joby and Lucius with the trunk and Granny walking beside it and Cousin Melisandre and Philadelphia (and on that one time Father, walking along and laughing) following behind. And on that first night, the kitchen clock wasn’t in the trunk. Granny was carrying it, while Louvinia held the lantern so that Granny could watch the hand, Granny made us put the trunk into the pit and shovel the dirt back and smooth it off and lay the brush and grass back over it again and then dig up the trunk and carry it back to the house. And one night, it seemed like we had been bringing the trunk down from the attic and putting the silver into it and carrying it out to the pit and uncovering the pit and then covering the pit again and turning around and carrying the trunk back to the house and taking the silver out and putting it back where we got it from all winter and all summer too; that night, and I don’t know who thought of it first, maybe it was all of us at once. But anyway the clock-hand had passed four hour-marks before Granny’s hands even popped for Ringo and me to run and open the pit. And they came with the trunk and Ringo and I hadn’t even put down the last armful of brush and sticks, to save having to stoop to pick it up again, and Lucius hadn’t even put down his end of the trunk for the same reason and I reckon Louvinia was the only one that knew what was coming next because Ringo and I didn’t know that the kitchen clock was still sitting on the dining-room table. Then Granny spoke. It was the first time we had ever heard her speak between when she would tell Ringo, “Go call Joby and Lucius,” and then tell us both about thirty minutes later: “Wash your feet and go to bed.” It was not loud and not long, just two words: “Bury it.” And we lowered the trunk into the pit and Joby and Lucius threw the dirt back in and even then Ringo and I didn’t move with the brush until Granny spoke again, not loud this time either: “Go on. Hide the pit.” And we put the brush back and Granny said, “Dig it up.” And we dug up the trunk and carried it back into the house and put the things back where we got them from and that was when I saw the kitchen clock still sitting on the dining-room table.

And we all stood there watching Granny’s hands until they popped together and that time we filled the trunk and carried it out to the orchard and lowered it into the pit quicker than we had ever done before.

II

AND THEN when the time came to really bury the silver, it was too late. After it was all over and Cousin Melisandre and Cousin Philip were finally married and Father had got done laughing, Father said that always happened when a heterogeneous collection of people who were cohered simply by an uncomplex will for freedom engaged with a tyrannous machine. He said they would always lose the first battles, and if they were outnumbered and outweighed enough, it would seem to an outsider that they were going to lose them all. But they would not. They could not be defeated; if they just willed that freedom strongly and completely enough to sacrifice all else for it: ease and comfort and fatness of spirit and all, until whatever it was they had left would be enough, no matter how little it was that very freedom itself would finally conquer the machine as a negative force like drouth or flood could strangle it. And later still, after two more years and we knew we were going to lose the war, he was still saying that. He said, “I won’t see it, but you will. You will see it in the next war, and in all the wars Americans will have to fight from then on. There will be men from the South in the forefront of all the battles, even leading some of them, helping those who conquered us defend that same freedom which they believed they had taken from us.” And that happened: thirty years later, and General Wheeler, whom Father would have called apostate, commanding in Cuba, and whom old General Early did call apostate and matricide too in the office of the Richmond editor when he said: “I would like to have lived so that when my time comes, I will see Robert Lee again. But since I haven’t, I’m certainly going to enjoy watching the devil burn that blue coat off Joe Wheeler.”

We didn’t have time. We didn’t even know there were any Yankees in Jefferson, let alone within a mile of Sartoris.

There never had been many. There was no railroad then and no river big enough for big boats and nothing in Jefferson they would have wanted even if they had come, since this was before Father had had time to worry them enough for General Grant to issue a general order with a reward for his capture. So we had got used to the war. We thought of it as being definitely fixed and established as a railroad or a river is, moving east along the railroad from Memphis and south along the River toward Vicksburg. We had heard tales of Yankee pillage and most of the people around Jefferson stayed ready to bury their silver fast too, though I don’t reckon any of them practiced doing it like we did. But nobody we knew was even kin to anyone who had been pillaged, and so I don’t think that even Lucius really expected any Yankees until that morning.

It was about eleven o’clock. The table was already set for dinner and everybody was beginning to kind of ease up so we would be sure to hear when Louvinia went out to the back gallery and rang the bell, when Ab Snopes came in at a dead run, on a strange horse as usual. He was a member of Father’s troop. Not a fighting member; he called himself father’s horse-captain, whatever he meant by it, though we had a pretty good idea, and none of us at least knew what he was doing in Jefferson when the troop was supposed to be up in Tennessee with General Bragg, and probably nobody anywhere knew the actual truth about how he got the horse, galloping across the yard and right through one of Granny’s flower beds because I reckon he figured that carrying a message he could risk it, and on around to the back because he knew that, message or no message, he better not come to Granny’s front door hollering that way, sitting that strange blown horse with a U. S. army brand on it you could read three hundred yards and yelling up at Granny that General Forrest was in Jefferson but there was a whole regiment of Yankee cavalry not a half a mile down the road.

So we never had time. Afterward Father admitted that Granny’s error was not in strategy nor tactics either, even though she had copied from someone else. Because he said it had been a long time now since originality had been a component of military success. It just happened too fast. I went for Joby and Lucius and Philadelphia because Granny had already sent Ringo down to the road with a cup towel to wave when they came in sight. Then she sent me to the front window where I could watch Ringo. When Ab Snopes came back from hiding his new Yankee horse, he offered to go upstairs to get the things there. Granny had told us a long time ago never to let Ab Snopes go anywhere about the house unless somebody was with him. She said she would rather have Yankees in the house any day because at least Yankees would have more delicacy, even if it wasn’t anything but good sense, than to steal a spoon or candlestick and then try to sell it to one of her own neighbors, as Ab Snopes would probably do. She didn’t even answer him. She just said, “Stand over there by that door and be quiet.” So Cousin Melisandre went upstairs after all and Granny and Philadelphia went to the parlor for the candlesticks and the medallion and the dulcimer, Philadelphia not only helping this time, free or not, but Granny wasn’t even using the clock.

It just all happened at once. One second Ringo was sitting on the gate-post, looking up the road. The next second he was standing on it and waving the cup towel and then I was running and hollering, back to the dining-room, and I remember the whites of Joby’s and Lucius’s and Philadelphia’s eyes and I remembered Cousin Melisandre’s eyes where she leaned against the sideboard with the back of her hand against her mouth, and Granny and Louvinia and Ab Snopes glaring at one another across the trunk and I could hear Louvinia’s voice even louder than mine: “Miz Cawmpson! Miz Cawmpson!”

“What?” Granny cried. “What? Mrs. Compson?” Then we all remembered. It was when the first Yankee scouting patrol entered Jefferson over a year ago. The war was new then and I suppose General Compson was the only Jefferson soldier they had heard of yet. Anyway, the officer asked someone in the Square where General Compson lived and old Doctor Holston sent his Negro boy by back alleys and across lots to warn Mrs. Compson in time, and the story was how the Yankee officer sent some of his men through the empty house and himself rode around to the back where old Aunt Roxanne was standing in front of the outhouse behind the closed door of which Mrs. Compson was sitting, fully dressed even to her hat and parasol, on the wicker hamper containing her plate and silver. “Miss in dar,” Roxanne said. “Stop where you is.” And the story told how the Yankee officer said, “Excuse me,” and raised his hat and even backed the horse a few steps before he turned and called his men and rode away.

“The privy!” Granny cried.

“Hell fire, Miz Millard!” Ab Snopes said. And Granny never said anything. It wasn’t like she didn’t hear, because she was looking right at him. It was like she didn’t care; that she might have even said it herself. And that shows how things were then: we just never had time for anything. “Hell fire,” Ab Snopes said, “all north Missippi has done heard about that! There ain’t a white lady between here and Memphis that ain’t setting in the back house on a grip full of silver right this minute.”

“Then we’re already late,” Granny said. “Hurry.”

“Wait!” Ab Snopes said. “Wait! Even them Yankees have done caught onto that by now!”

“Then let’s hope these are different Yankees,” Granny said. “Hurry.”

“But Miz Millard!” Ab Snopes cried. “Wait! Wait!”

But then we could hear Ringo yelling down at the gate and I remember Joby and Lucius and Philadelphia and Louvinia and the balloon-like swaying of Cousin Melisandre’s skirts as they ran across the back yard, the trunk somewhere among them; I remember how Joby and Lucius tumbled the trunk into the little tall narrow flimsy sentry-box and Louvinia thrust Cousin Melisandre in and slammed the door and we could hear Ringo yelling good now, almost to the house, and then I was back at the front window and I saw them just as they swept around the house in a kind of straggling-clump six men in blue, riding fast yet with something curious in the action of the horses, as if they were not only yoked together in spans but were hitched to a single wagon-tongue, then Ringo on foot running and not yelling now, and last of all the seventh rider, bareheaded and standing in his stirrups and with a sabre over his head. Then I was on the back gallery again, standing beside Granny above that moil of horses and men in the yard, and she was wrong. It was as if these were not only the same ones who had been at Mrs. Compson’s last year, but somebody had even told them exactly where our outhouse was. The horses were yoked in pairs, but it was not a wagon-tongue, it was a pole, almost a log, twenty feet long, slung from saddle to saddle between the three span; and I remember the faces, unshaven and wan and not so much peering as frantically gleeful, glaring up at us for an instant before the men leaped down and unslung the pole and jerked the horses aside and picked up the pole, three to a side, and began to run across the yard with it as the last rider came around the house, in gray (an officer: it was Cousin Philip, though of course we didn’t know that then, and there was going to be a considerable more uproar and confusion before he finally became Cousin Philip and of course we didn’t know that either), the sabre still lifted and not only standing in the stirrups but almost lying down along the horse’s neck. The six Yankees never saw him. And we used to watch Father drilling his troop in the pasture, changing them from column to troop front at full gallop, and you could hear his voice even above the sound of the galloping hooves but it wasn’t a bit louder than Granny’s. “There’s a lady in there!” she said. But the Yankees never heard her any more than they had seen Cousin Philip yet, the whole mass of them, the six men running with the pole and Cousin Philip on the horse, leaning out above them with a lifted sabre, rushing on across the yard until the end of the pole struck the outhouse door. It didn’t just overturn, it exploded. One second it stood there, tall and narrow and flimsy; the next second it was gone and there was a boil of yelling men in blue coats darting and dodging around under Cousin Philip’s horse and the flashing sabre until they could find a chance to turn and run. Then there was a scatter of planks and shingles and Cousin Melisandre sitting beside the trunk in the middle of it, in the spread of her hoops, her eyes shut and her mouth open, still screaming, and after a while a feeble popping of pistol-shots from down along the creek that didn’t sound any more like war than a boy with firecrackers.

“I tried to tell you to wait!” Ab Snopes said behind us, “I tried to tell you them Yankees had done caught on!”

After Joby and Lucius and Ringo and I finished burying the trunk in the pit and hiding the shovel-marks, I found Cousin Philip in the summer house. His sabre and belt were propped against the wall but I don’t reckon even he knew what had become of his hat. He had his coat off too and was wiping it with his handkerchief and watching the house with one eye around the edge of the door. When I came in he straightened up and I thought at first he was looking at me.

Then I don’t know what he was looking at. “That beautiful girl,” he said. “Fetch me a comb.”

“They’re waiting for you in the house,” I said. “Granny wants to know what’s the matter.” Cousin Melisandre was all right now. It took Louvinia and Philadelphia both and finally Granny to get her into the house but Louvinia brought the elder-flower wine before Granny had time to send her after it and now Cousin Melisandre and Granny were waiting in the parlor.

“Your sister,” Cousin Philip said. “And a hand-mirror.”

“No, Sir,” I said. “She’s just our cousin. From Memphis.”

Granny says ” Because he didn’t know Granny. It was pretty good for her to wait any time for anybody. But he didn’t even let me finish.”

“That beautiful, tender girl,” he said. “And send a nigger with a basin of water and a towel.” I went back toward the house. This time when I looked back I couldn’t see his eye around the door-edge. “And a clothes brush,” he said.

Granny wasn’t waiting very much. She was at the front door. “Now what?” she said. I told her. “Does the man think we are giving a ball here in the middle of the day? Tell him I said to come on in and wash on the back gallery like we do. Louvinia’s putting dinner on, and we’re already late.” But Granny didn’t know Cousin Philip either. I told her again.

She looked at me. “What did he say?” she said.

“He didn’t say anything,” I said. “Just that beautiful girl.”

“That’s all he said to me too,” Ringo said. I hadn’t heard him come in. “‘Sides the soap and water. Just that beautiful girl.”

“Was he looking at you either when he said it?” I said.

“No,” Ringo said. “I just thought for a minute he was.”

Now Granny looked at Ringo and me both. “Hah,” she said, and afterward when I was older I found out that Granny already knew Cousin Philip too, that she could look at one of them and know all the other Cousin Melisandres and Cousin Philips both without having to see them. “I sometimes think that bullets are just about the least fatal things that fly, especially in war. All right,” she said. “Take him his soap and water. But hurry.”

We did. This time he didn’t say “that beautiful girl.” He said it twice. He took off his coat and handed it to Ringo.

“Brush it good,” he said. “Your sister, I heard you say.”

“No, you didn’t,” I said.

“No matter,” he said. “I want a nosegay. To carry in my hand.”

“Those flowers are Granny’s,” I said.

“No matter,” he said. He rolled up his sleeves and began to wash. “A small one. About a dozen blooms. Get something pink.”

I went and got the flowers. I don’t know whether Granny was still at the front door or not. Maybe she wasn’t. At least she never said anything. So I picked the ones Ab Snope’s new Yankee horse had already trampled down and wiped the dirt off of them and straightened them out and went back to the summer house where Ringo was holding the hand-glass while Cousin Philip combed his hair. Then he put on his coat and buckled on his sabre again and held his feet out one at a time for Ringo to wipe his boots off with the towel, and Ringo saw it. I wouldn’t have spoken at all because we were already later for dinner than ever now, even if there hadn’t never been a Yankee on the place. “You tore your britches on them Yankees,” Ringo said.

So I went back to the house. Granny was standing in the hall. This time she just said, “Yes?” It was almost quiet.

“He tore his britches,” I said. And she knew more about Cousin Philip than even Ringo could find out by looking at him. She had the needle already threaded in the bosom of her dress. And I went back to the summer house and then we came back to the house and up to the front door and I waited for him to go into the hall but he didn’t, he just stood there holding the nosegay in one hand and his hat in the other, not very old, looking at that moment anyway not very much older than Ringo and me for all his braid and sash and sabre and boots and spurs, and even after just two years looking like all our soldiers and most of the other people too did: as if it had been so long now since he had had all he wanted to eat at one time that even his memory and palate had forgotten it and only his body remembered, standing there with his nosegay and that beautiful-girl look in his face like he couldn’t have seen anything even if he had been looking at it.

“No,” he said. “Announce me. It should be your nigger. But no matter.” He said his full name, all three of them, twice, as if he thought I might forget them before I could reach the parlor.

“Go on in,” I said. “They’re waiting for you. They had already been waiting for you even before you found your pants were torn.”

“Announce me,” he said. He said his name again. “Of Tennessee. Lieutenant, Savage’s Battalion, Forrest’s Command, Provisional Army, Department of the West.”

So I did. We crossed the hall to the parlor, where Granny stood between Cousin Melisandre’s chair and the table where the decanter of elder-flower wine and three fresh glasses and even a plate of the tea cakes Louvinia had learned to make from cornmeal and molasses were sitting, and he stopped again at that door too and I know he couldn’t even see Cousin Melisandre for a minute, even though he never had looked at anything else but her. “Lieutenant Philip St-Just Backhouse,” I said. I said it loud, because he had repeated it to me three times so I would be sure to get it right and I wanted to say it to suit him too since even if he had made us a good hour late for dinner, at least he had saved the silver. “Of Tennessee,” I said. “Savage’s Battalion, Forrest’s Command, Provisional Army, Department of the West.”

While you could count maybe five, there wasn’t anything at all. Then Cousin Melisandre screamed. She sat bolt upright on the chair like she had sat beside the trunk in the litter of planks and shingles in the back yard this morning, with her eyes shut and her mouth open again, screaming.

III

SO WE were still another half an hour late for dinner. Though this time it never needed anybody but Cousin Philip to get Cousin Melisandre upstairs. All he needed to do was to try to speak to her again. Then Granny came back down and said, “Well, if we don’t want to just quit and start calling it supper, we’d better walk in and eat it within the next hour and a half at least.” So we walked in. Ab Snopes was already waiting in the dining-room. I reckon he had been waiting longer than anybody, because after all Cousin Melisandre wasn’t any kin to him. Ringo drew Granny’s chair and we sat down. Some of it was cold. The rest of it had been on the stove so long now that when you ate it it didn’t matter whether it was cold or not. But Cousin Philip didn’t seem to mind. And maybe it didn’t take his memory very long to remember again what it was like to have all he wanted to eat, but I don’t think his palate ever tasted any of it. He would sit there eating like he hadn’t seen any food of any kind in at least a week, and like he was expecting what was even already on his fork to vanish before he could get it into his mouth. Then he would stop with the fork halfway to his mouth and sit there looking at Cousin Melisandre’s empty place, laughing. That is, I don’t know what else to call it but laughing. Until at last I said, “Why don’t you change your name?”

Then Granny quit eating too. She looked at me over her spectacles. Then she took both hands and lifted the spectacles up her nose until she could look at me through them. Then she even pushed the spectacles up into her front hair and looked at me. “That’s the first sensible thing I’ve heard said on this place since eleven o’clock this morning,” she said.

“It’s so sensible and simple that I reckon only a child could have thought of it.” She looked at him. “Why don’t you?” He laughed some more. That is, his face did the same way and he made the same sound again. “My grandfather was at King’s Mountain, with Marion all through Carolina. My uncle was defeated for Governor of Tennessee by a corrupt and traitorous cabal of tavern-keepers and Republican Abolitionists, and my father died at Chapultepec. After that, the name they bore is not mine to change. Even my life is not mine so long as my country lies bleeding and ravished beneath an invader’s iron heel.” Then he stopped laughing, or whatever it was. Then his face looked surprised. Then it quit looking surprised, the surprise fading out of it steady at first and gradually faster but not very much faster like the heat fades out of a piece of iron on a blacksmith’s anvil until his face just looked amazed and quiet and almost peaceful. “Unless I lose it in battle,” he said.

“You can’t very well do that sitting here,” Granny said.

“No,” he said. But I don’t think he even heard her except with his ears. He stood up. Even Ab Snopes was watching him now, his knife stopped halfway to his mouth with a wad of greens on the end of the blade. “Yes,” Cousin Philip said.

His face even had the beautiful-girl look on it again. “Yes,” he said. He thanked Granny for his dinner. That is, I reckon that’s what he had told his mouth to say. It didn’t make much sense to us, but I don’t think he was paying any attention to it at all. He bowed. He wasn’t looking at Granny nor at anything else. He said “Yes,” again. Then he went out. Ringo and I followed to the front door and watched him mount his horse and sit there for a minute, bare-headed, looking up at the upstairs windows. It was Granny’s room he was looking at, with mine and Ringo’s room next to it. But Cousin Melisandre couldn’t have seen him even if she had been in either one of them, since she was in bed on the other side of the house with Philadelphia probably still wringing the cloths out in cold water to lay on her head. He sat the horse well. He rode it well too: light and easy and back in the saddle and toes in and perpendicular from ankle to knee as Father had taught me. It was a good horse too.

“It’s a damn good horse,” I said.

“Git the soap,” Ringo said.

But even then I looked quick back down the hall, even if I could hear Granny talking to Ab Snopes in the diningroom. “She’s still in there,” I said.

“Hah,” Ringo said. “I done tasted soap in my mouth for a cuss I thought was a heap further off than that.”

Then Cousin Philip spurred the horse and was gone. Or so Ringo and I thouglit. Two hours ago none of us had ever even heard of him; Cousin Melisandre had seen him twice and sat with her eyes shut screaming both times. But after we were older, Ringo and I realized that Cousin Philip was probably the only one in the whole lot of us that really believed even for one moment that he had said goodbye forever, that not only Granny and Louvinia knew better but Cousin Melisandre did too, no matter what his last name had the bad luck to be.

We went back to the dining-room. Then I realized that Ab Snopes had been waiting for us to come back. Then we both knew he was going to ask Granny something because nobody wanted to be alone when they had to ask Granny something even when they didn’t know they were going to have trouble with it. We had known Ab for over a year now. I should have known what it was like. Granny already did. He stood up. “Well, Miz Millard,” he said. “I figger you’ll be safe all right from now on, with Bed Forrest and his boys right there in Jefferson. But until things quiet down a mite more, I’ll just leave the horses in your lot for a day or two.”

“What horses?” Granny said. She and Ab didn’t just look at one another. They watched one another.

“Them fresh-captured horses from this morning,” Ab said.

“What horses?” Granny said. Then Ab said it.

“My horses.” Ab watched her.

“Why?” Granny said. But Ab knew what she meant.

“I’m the only grown man here,” he said. Then he said, “I seen them first. They were chasing me before…” Then he said, talking fast now; his eyes had gone kind of glazed for a second but now they were bright again, looking in the stubbly dirt-colored fuzz on his face like two chips of broken plate in a worn-out door-mat: “Spoils of war! I brought them here! I tolled them in here: a military and-bush! And as the only and ranking Confedrit military soldier present…”

“You ain’t a soldier,” Granny said. “You stipulated that to Colonel Sartoris yourself while I was listening. You told him yourself you would be his independent horse-captain but nothing more.”

“Ain’t that just exactly what I am trying to be?” he said.

“Didn’t I bring all six of them horses in here in my own possession, the same as if I was leading them on a rope?”

“Hah,” Granny said. “A spoil of war or any other kind of spoil don’t belong to a man or a woman either until they can take it home and put it down and turn their back on it. You never had time to get home with even the one you were riding. You ran in the first open gate you came to, no matter whose gate it was.”

“Except it was the wrong one,” he said. His eyes quit looking like china. They didn’t look like anything. But I reckon his face would still look like an old door-mat even after he had turned all the way white. “So I reckon I got to even walk back to town,” he said. “The woman that would…” His voice stopped. He and Granny looked at one another.

“Don’t you say it,” Granny said.

“Nome,” he said. He didn’t say it. “… a man of seven horses ain’t likely to lend him a mule.”

“No,” Granny said. “But you won’t have to walk.”

We all went out to the lot. I don’t reckon that even Ab knew until then that Granny had already found where he thought he had hidden the first horse and had it brought up to the lot with the other six. But at least he already had his saddle and bridle with him. But it was too late. Six of the horses moved about loose in the lot. The seventh one was tied just inside the gate with a piece of plow-line. It wasn’t the horse Ab had come on because that horse had a blaze. Ab had known Granny long enough too. He should have known.

Maybe he did. But at least he tried. He opened the gate.

“Well,” he said, “it ain’t getting no earlier. I reckon I better…”

“Wait,” Granny said. Then we looked at the horse which was tied to the fence. At first glance it looked the best one of the seven. You had to see it just right to tell its near leg was sprung a little, maybe from being worked too hard too young under too much weight. “Take that one,” Granny said.

“That ain’t mine,” Ab said. “That’s one of yourn. I’ll just…”

“Take that one,” Granny said. Ab looked at her. You could have counted at least ten.

“Hell fire, Miz Millard,” he said.

“I’ve told you before about cursing on this place,” Granny said.

“Yessum,” Ab said. Then he said it again: “Hell fire.” He went into the lot and rammed the bit into the tied horse’s mouth and clapped the saddle on and snatched the piece of plow-line off and threw it over the fence and got up and Granny stood there until he had ridden out of the lot and Ringo closed the gate and that was the first time I noticed the chain and padlock from the smokehouse door and Ringo locked it and handed Granny the key and Ab sat for a minute, looking down at her. “Well, good-day,” he said. “I just hope for the sake of the Confedricy that Bed Forrest don’t never tangle with you with all the horses he’s got.” Then he said it again, maybe worse this time because now he was already on a horse pointed toward the gate: “Or you’ll damn shore leave him just one more passel of infantry before he can spit twice.”

Then he was gone too. Except for hearing Cousin Melisandre now and then, and those six horses with U. S. branded on their hips standing in the lot, it might never have happened. At least Ringo and I thought that was all of it. Every now and then Philadelphia would come downstairs with the pitcher and draw some more cold water for Cousin Melisandre’s cloths but we thought that after a while even that would just wear out and quit. Then Philadelphia came down again and came in to where Granny was cutting down a pair of Yankee pants that Father had worn home last time so they would fit Ringo. She didn’t say anything. She just stood in the door until Granny said. “All right. What now?”

“She want the banjo,” Philadelphia said.

“What?” Granny said. “My dulcimer? She can’t play it. Go back upstairs.”

But Philadelphia didn’t move. “Could I ax Mammy to come help me?”

“No,” Granny said. “Louvinia’s resting. She’s had about as much of this as I want her to stand. Go back upstairs. Give her some more wine if you can’t think of anything else.” And she told Ringo and me to go somewhere else, anywhere else, but even in the yard you could still hear Cousin Melisandre talking to Philadelphia. And once we even heard Granny though it was still mostly Cousin Melisandre telling Granny that she had already forgiven her, that nothing whatever had happened and that all she wanted now was peace. And after a while Louvinia came up from the cabin without even being sent for and went upstairs and then it began to look like we were going to be late for supper too. But Philadelphia finally came down and cooked it and carried Cousin Melisandre’s tray up and then we quit eating; we could hear Louvinia overhead, in Granny’s room now, and she came down and set the untasted tray on the table and stood beside Granny’s chair with the key to the trunk in her hand.

“All right,” Granny said. “Go call Joby and Lucius.” We got the lantern and the shovels. We went to the orchard and removed the brush and dug up the trunk and got the dulcimer and buried the trunk and put the brush back and brought the key in to Granny. And Ringo and I could hear her from our room and Granny was right. We heard her for a long time and Granny was surely right; she just never said but half of it. The moon came up after a while and we could look down from our window into the garden, at Cousin Melisandre sitting on the bench with the moonlight glinting on the pearl inlay of the dulcimer, and Philadelphia squatting on the sill of the gate with her apron over her head. Maybe she was asleep. It was already late. But I don’t see how.

So we didn’t hear Granny until she was already in the room, her shawl over her nightgown and carrying a candle.

“In a minute I’m going to have about all of this I aim to stand too,” she said. “Go wake Lucius and tell him to saddle the mule,” she told Ringo. “Bring me the pen and ink and a sheet of paper.” I fetched them. She didn’t sit down. She stood at the bureau while I held the candle, writing even and steady and not very much, and signed her name and let the paper lie open to dry until Lucius came in. “Ab Snopes said that Mr. Forrest is in Jefferson,” she told Lucius. “Find him. Tell him I will expect him here for breakfast in the morning and to bring that boy.” She used to know General Forrest in Memphis before he got to be a general. He used to trade with Grandfather Millard’s supply house and sometimes he would come out to sit with Grandfather on the front gallery and sometimes he would eat with them. “You can tell him I have six captured horses for him,” she said. “And never mind patter-rollers or soldiers either. Haven’t you got my signature on that paper?”

“I ain’t worrying about them,” Lucius said. “But suppose them Yankees…”

“I see,” Granny said. “Hah. I forgot. You’ve been waiting for Yankees, haven’t you? But those this morning seemed to be too busy trying to stay free to have much time to talk about it, didn’t they? Get along,” she said. “Do you think any Yankee is going to dare ignore what a Southern soldier or even a patter-roller wouldn’t? And you go to bed,” she said.

We lay down, both of us on Ringo’s pallet. We heard the mule when Lucius left. Then we heard the mule and at first we didn’t know we had been asleep, the mule coming back now and the moon had started down the west and Cousin Melisandre and Philadelphia were gone from the garden, to where Philadelphia at least could sleep better than sitting on a square sill with an apron over her head, or at least where it was quieter. And we heard Lucius fumbling up the stairs but we never heard Granny at all because she was already at the top of the stairs, talking down at the noise Lucius was trying not to make. “Speak up,” she said. “I ain’t asleep but I ain’t a lip-reader either. Not in the dark.”

“Genl Fawhrest say he respectful compliments,” Lucius said, “and he can’t come to breakfast this morning because he gonter to be whuppin Genl Smith at Tallahatchie Crossing about that time. But providin he ain’t too fur away in the wrong direction when him and Genl Smith git done, he be proud to accept your invitation next time he in the neighborhood. And he say ‘whut boy’.”

While you could count about five, Granny didn’t say anything. Then she said, “What?”

“He say ‘whut boy’,” Lucius said.

Then you could have counted ten. All we could hear was Lucius breathing. Then Granny said: “Did you wipe the mule down?”

“Yessum,” Lucius said.

“Did you turn her back into the pasture?”

“Yessum,” Lucius said.

“Then go to bed,” Granny said. “And you too,” she said.

General Forrest found out what boy. This time we didn’t know we had been asleep either, and it was no one mule now.

The sun was just rising. When we heard Granny and scrambled to the window, yesterday wasn’t a patch on it. There were at least fifty of them now, in gray; the whole outdoors was full of men on horses, with Cousin Philip out in front of them, sitting his horse in almost exactly the same spot where he had been yesterday, looking up at Granny’s window and not seeing it or anything else this time either. He had a hat now. He was holding it clamped over his heart and he hadn’t shaved and yesterday he had looked younger than Ringo because Ringo always had looked about ten years older than me. But now, with the first sun-ray making a little soft fuzz in the gold-colored stubble on his face, he looked even younger than I did, and gaunt and worn in the face like he hadn’t slept any last night and something else in his face too: like he not only hadn’t slept last night but by godfrey he wasn’t going to sleep tonight either as long as he had anything to do with it. “Goodbye,” he said. “Goodbye,” and whirled his horse, spurring, and raised the new hat over his head like he had carried the sabre yesterday and the whole mass of them went piling back across flower beds and lawns and all and back down the drive toward the gate while Granny still stood at her window in her nightgown, her voice louder than any man’s anywhere, I don’t care who he is or what he would be doing: “Backhouse! Backhouse! You, Backhouse!”

So we ate breakfast early. Granny sent Ringo in his nightshirt to wake Louvinia and Lucius both. So Lucius had the mule saddled before Louvinia even got the fire lit. This time Granny didn’t write a note. “Go to Tallahatchie Crossing,” she told Lucius. “Sit there and wait for him if necessary.”

“Suppose they done already started the battle?” Lucius said.

“Suppose they have?” Granny said. “What business is that of yours or mine either? You find Bedford Forrest. Tell him this is important; it won’t take long. But don’t you show your face here again without him.”

Lucius rode away. He was gone four days. He didn’t even get back in time for the wedding, coming back up the drive about sundown on the fourth day with two soldiers in one of General Forrest’s forage wagons with the mule tied to the tailgate. He didn’t know where he had been and he never did catch up with the battle. “I never even heard it,” he told Joby and Lucius and Louvinia and Philadelphia and Ringo and me. “If wars always moves that far and that fast, I don’t see how they ever have time to fight.”

But it was all over then. It was the second day, the day after Lucius left. It was just after dinner this time and by now we were used to soldiers. But these were different, just five of them, and we never had seen just that few of them before and we had come to think of soldiers as either jumping on and off horses in the yard or going back and forth through Granny’s flower beds at full gallop. These were all officers and I reckon maybe I hadn’t seen so many soldiers after all because I never saw this much braid before. They came up the drive at a trot, like people just taking a ride, and stopped without trompling even one flower bed and General Forrest got down and came up the walk toward where Granny waited on the front gallery: a big, dusty man with a big beard so black it looked almost blue and eyes like a sleepy owl, already taking off his hat. “Well, Miss Rosie,” he said.

“Don’t call me Rosie,” Granny said. “Come in. Ask your gentlemen to alight and come in.”

“They’ll wait there,” General Forrest said. “We are a little rushed. My plans have…” Then we were in the library. He wouldn’t sit down. He looked tired all right, but there was something else a good deal livelier than just tired. “Well, Miss Rosie,” he said. “I…”

“Don’t call me Rosie,” Granny said. “Can’t you even say Rosa?”

“Yessum,” he said. But he couldn’t. At least, he never did, “I reckon we both have had about enough of this. That boy…”

“Hah,” Granny said. “Night before last you were saying what boy. Where is he? I sent you word to bring him with you.”

“Under arrest,” General Forrest said. It was a considerable more than just tired. “I spent four days getting Smith just where I wanted him. After that, this boy here could have fought the battle.” He said ‘fit’ for fought just as he said ‘druv’ for drove and ‘drug’ for dragged. But maybe when you fought battles like he did, even Granny didn’t mind how you talked. “I won’t bother you with details. He didn’t know them either. All he had to do was exactly what I told him. I did everything but draw a diagram on his coat-tail of exactly what he was to do, no more and no less, from the time he left me until he saw me again: which was to make contact and then fall back. I gave him just exactly the right number of men so that he couldn’t do anything else but that. I told him exactly how fast to fall back and how much racket to make doing it and even how to make the racket. But what do you think he did?”

“I can tell you,” Granny said. “He sat on his horse at five o’clock yesterday morning, with my whole yard full of men behind him, yelling goodbye at my window.”

“He divided his men and sent half of them into the bushes to make a noise and took the other half who were the nearest to complete fools and led a sabre charge on that outpost. He didn’t fire a shot. He drove it clean back with sabres onto Smith’s main body and scared Smith so that he threw out all his cavalry and pulled out behind it and now I don’t know whether I’m about to catch him or he’s about to catch me. My provost finally caught the boy last night. He had come back and got the other thirty men of his company and was twenty miles ahead again, trying to find something to lead another charge against. ‘Do you want to be killed?’ I said. ‘Not especially,’ he said. ‘That is, I don’t especially care one way or the other.’ ‘Then neither do I,’ I said. ‘But you risked a whole company of my men.’ ‘Ain’t that what they enlisted for?’ he said. ‘They enlisted into a military establishment the purpose of which is to expend each man only at a profit. Or maybe you don’t consider me a shrewd enough trader in human meat?’ ‘I can’t say,’ he said. ‘Since day before yesterday I ain’t thought very much about how you or anybody else runs this war.’ ‘And just what were you doing day before yesterday that changed your ideas and habits?’ I said. ‘Fighting some of it,’ he said. ‘Dispersing the enemy.’ ‘Where?’ I said. ‘At a lady’s house a few miles from Jefferson,’ he said. ‘One of the niggers called her Granny like the white boy did. The others called her Miss Rosie.’” This time Granny didn’t say anything. She just waited.

“Go on,” she said.

“I’m still trying to win battles, even if since day before yesterday you ain’t,’ I said. I’ll send you down to Johnston at Jackson,’ I said. ‘He’ll put you inside Vicksburg, where you can lead private charges day and night too if you want.’ ‘Like hell you will,’ he said. And I said excuse me ‘Like hell I won’t.’” And Granny didn’t say anything. It was like day before yesterday with Ab Snopes: not like she hadn’t heard but as if right now it didn’t matter, that this was no time either to bother with such.

“And did you?” she said.

“I can’t. He knows it. You can’t punish a man for routing an enemy four times his weight. What would I say back there in Tennessee, where we both live, let alone that uncle of his, the one they licked for Governor six years ago, on Bragg’s personal staff now, with his face over Bragg’s shoulder every time Bragg opens a dispatch or picks up a pen. And I’m still trying to win battles. But I can’t. Because of a girl, one single lone young female girl that ain’t got anything under the sun against him except that, since it was his misfortune to save her from a passel of raiding enemy in a situation that everybody but her is trying to forget, she can’t seem to bear to hear his last name. Yet because of that, every battle I plan from now on will be at the mercy of a twenty-two-year-old shavetail excuse me again who might decide to lead a private charge any time he can holler at least two men in gray coats into moving in the same direction.” He stopped.

He looked at Granny. “Well?” he said.

“So now you’ve got to it,” Granny said. “Well what, Mr. Forrest?”

“Why, just have done with this foolishness. I told you I’ve got that boy, in close arrest, with a guard with a bayonet. But there won’t be any trouble there. I figured even yesterday morning that he had already lost his mind. But I reckon he’s recovered enough of it since the Provost took him last night to comprehend that I still consider myself his commander even if he don’t. So all necessary now is for you to put your foot down. Put it down hard. Now. You’re her grandma. She lives in your home. And it looks like she is going to live in it a good while yet before she gets back to Memphis to that uncle or whoever it is that calls himself her guardian. So just put your foot down. Make her. Mr. Millard would have already done that if he had been here. And I know when. It would have been two days ago by now.”

Granny waited until he got done. She stood with her arms crossed, holding each elbow in the other. “Is that all I’m to do?” she said.

“Yes,” General Forrest said. “If she don’t want to listen to you right at first, maybe as his commander…”

Granny didn’t even say “Hah.” She didn’t even send me.

She didn’t even stop in the hall and call. She went upstairs herself and we stood there and I thought maybe she was going to bring the dulcimer too and I thought how if I was General Forrest I would go back and get Cousin Philip and make him sit in the library until about supper-time while Cousin Melisandre played the dulcimer and sang. Then he could take Cousin Philip on back and then he could finish the war without worrying.

She didn’t have the dulcimer. She just had Cousin Melisandre. They came in and Granny stood to one side again with her arms crossed, holding her elbows. “Here she is,” she said. “Say it. This is Mr. Bedford Forrest,” she told Cousin Melisandre. “Say it,” she told General Forrest.

He didn’t have time. When Cousin Melisandre first came, she tried to read aloud to Ringo and me. It wasn’t much. That is, what she insisted on reading to us wasn’t so bad, even if it was mostly about ladies looking out windows and playing on something (maybe they were dulcimers too) while somebody else was off somewhere fighting. It was the way she read it. When Granny said this is Mister Forrest, Cousin Melisandre’s face looked exactly like her voice would sound when she read to us. She took two steps into the library and curtsied, spreading her hoops back, and stood up. “General Forrest,” she said. “I am acquainted with an associate of his. Will the General please give him the sincerest wishes for triumph in war and success in love, from one who will never see him again?” Then she curtsied again and spread her hoops backward and stood up and took two steps backward and turned and went out.

After a while Granny said, “Well, Mr. Forrest?”

General Forrest began to cough. He lifted his coat-tail with one hand and reached the other into his hip pocket like he was going to pull at least a musket out of it and got his handkerchief and coughed into it a while. It wasn’t very clean. It looked about like the one Cousin Philip was trying to wipe his coat off with in the summer house day before yesterday.

Then he put the handkerchief back. He didn’t say “Hah” either. “Can I reach the Holly Branch road without having to go through Jefferson?” he said.

Then Granny moved. “Open the desk,” she said. “Lay out a sheet of note-paper.” I did. And I remember how I stood at one side of the desk and General Forrest at the other, and watched Granny’s hand move the pen steady and not very slow and not very long across the paper because it never did take her very long to say anything, no matter what it was, whether she was talking it or writing it. Though I didn’t see it then, but only later, when it hung framed under glass above Cousin Melisandre’s and Cousin Philip’s mantel: the fine steady slant of Granny’s hand and General Forrest’s sprawling signatures below it that looked itself a good deal like a charge of massed cavalry: Lieutenant P. S. Backhouse, Company D, Tennessee Cavalry, was this day raised to the honorary rank of Brevet Major General killed while engaging the enemy. Vice whom Philip St-Just Backus is hereby appointed Lieutenant, Company D, Tennessee Cavalry.

N. B. Forrest Genl

I didn’t see it then. General Forrest picked it up. “Now I’ve got to have a battle,” he said. “Another sheet, son.” I laid that one out on the desk.

“A battle?” Granny said.

“To give Johnston,” he said. “Confound it, Miss Rosie, can’t you understand either that I’m just a fallible mortal man trying to run a military command according to certain fixed and inviolable rules, no matter how foolish the business looks to superior outside folks?”

“All right,” Granny said. “You had one. I was looking at it.”

“So I did,” General Forrest said. “Hah,” he said. “The battle of Sartoris.”

“No,” Granny said. “Not at my house.”

“They did all the shooting down at the creek,” I said.

“What creek?” he said.

So I told him. It ran through the pasture. Its name was Hurricane Creek but not even the white people called it hurricane except Granny. General Forrest didn’t either when he sat down at the desk and wrote the report to General Johnston at Jackson: A unit of my command on detached duty engaged a body of the enemy drove him from the field dispersed him this day 28th ult. April 1862 at Harrykin Creek. With loss of one man.

N. B. Forrest Genl

I saw that. I watched him write it. Then he got up and folded the sheets into his pocket and was already going toward the table where his hat was.

“Wait,” Granny said. “Lay out another sheet,” she said. “Come back here.”

General Forrest stopped and turned. “Another one?”

“Yes!” Granny said. “A furlough, pass, whatever you busy military establishments call them! So John Sartoris can come home long enough to…” and she said it herself, she looked straight at me and even backed up and said some of it over as though to make sure there wouldn’t be any mistake: ” can come back home and give away that damn bride!”

IV

AND THAT was all. The day came and Granny waked Ringo and me before sunup and we ate what breakfast we had from two plates on the back steps. And we dug up the trunk and brought it into the house and polished the silver and Ringo and I brought dogwood and redbud branches from the pasture and Granny cut the flowers, all of them, cutting them herself with Cousin Melisandre and Philadelphia just carrying the baskets; so many of them until the house was so full that Ringo and I would believe we smelled them even across the pasture each time we came up. Though of course we could, it was just the food: the last ham from the smokehouse and the chickens and the flour which Granny had been saving and the last of the sugar which she had been saving along with the bottle of champagne for the day when the North surrendered which Louvinia had been cooking for two days now, to remind us each time we approached the house of what was going on and that the flowers were there. As if we could have forgotten about the food. And they dressed Cousin Melisandre and Ringo in his new blue pants and I in my gray ones which were not so new, we stood in the late afternoon on the gallery. Granny and Cousin Melisandre and Louvinia and Philadelphia and Ringo and I and watched them enter the gate. General Forrest was not one. Ringo and I had thought maybe he might be, if only to bring Cousin Philip. Then we thought that maybe, since Father was coming anyway, General Forrest would let Father bring him, with Cousin Philip maybe handcuffed to Father and the soldier with the bayonet following, or maybe still just handcuffed to the soldier until he and Cousin Melisandre were married and Father unlocked him.

But General Forrest wasn’t one, and Cousin Philip wasn’t handcuffed to anybody and there was no bayonet and not even a soldier because these were all officers too. And we stood in the parlor while the home-made candles burnt in the last of sunset in the bright candlesticks which Philadelphia and Ringo and I had polished with the rest of the silver because Granny and Louvinia were both busy cooking and even Cousin Melisandre polished a little of it although Louvinia could pick out the ones she polished without hardly looking and hand them to Philadelphia to polish again: Cousin Melisandre in the dress which hadn’t needed to be altered for her at all because Mother wasn’t much older than Cousin Melisandre even when she died, and which would still button on Granny too just like it did the day she married in it, and the chaplain and Father and Cousin Philip and the four others in their gray and braid and sabres and Cousin Melisandre’s face was all right now and Cousin Philip’s was too because it just had the beautiful-girl look on it and none of us had ever seen him look any other way. Then we ate, and Ringo and I anyway had been waiting on that for three days and then we did it and then it was over too, fading just a little each day until the palate no longer remembered and only our mouths would run a little water as we would name the dishes aloud to one another, until even the water would run less and less and less and it would take something we just hoped to eat some day if they ever got done fighting, to make it run at all.

And that was all. The last sound of wheel and hoof died away, Philadelphia came in from the parlor carrying the candlesticks and blowing out the candles as she came, and Louvinia set the kitchen clock on the table and gathered the last of soiled silver from supper into the dishpan and it might never have even been. “Well,” Granny said. She didn’t move, leaning her forearms on the table a little and we had never seen that before. She spoke to Ringo without turning her head: “Go call Joby and Lucius.” And even when we brought the trunk in and set it against the wall and opened back the lid, she didn’t move. She didn’t even look at Louvinia either. “Put the clock in too!” she said. “I don’t think we’ll bother to time ourselves tonight.”

Golden Land

I

IF HE had been thirty, he would not have needed the two aspirin tablets and the half glass of raw gin before he could bear the shower’s needling on his body and steady his hands to shave. But then when he had been thirty neither could he have afforded to drink as much each evening as he now drank; certainly he would not have done it in the company of the men and the women in which, at forty-eight, he did each evening, even though knowing during the very final hours filled with the breaking of glass and the shrill cries of drunken women above the drums and saxophones the hours during which he carried a little better than his weight both in the amount of liquor consumed and in the number and sum of checks paid that six or eight hours later he would rouse from what had not been sleep at all but instead that dreamless stupefaction of alcohol out of which last night’s turgid and licensed uproar would die, as though without any interval for rest or recuperation, into the familiar shape of his bedroom, the bed’s foot silhouetted by the morning light which entered the bougainvillaea-bound windows beyond which his painful and almost unbearable eyes could see the view which might be called the monument to almost twenty-five years of industry and desire, of shrewdness and luck and even fortitude: the opposite canyon-flank dotted with the white villas half hidden in imported olive groves or friezed by the sombre spaced columns of cypress like the facades of eastern temples, whose owners’ names and faces and even voices were glib and familiar in back corners of the United States and of America and of the world where those of Einstein and Rousseau and Esculapius had never sounded.

He didn’t waken sick. He never wakened ill nor became ill from drinking, not only because he had drunk too long and too steadily for that, but because he was too tough even after the thirty soft years; he came from too tough stock, on that day thirty-four years ago when at fourteen he had fled, on the brake-beam of a west-bound freight, the little lost Nebraska town named for, permeated with, his father’s history and existence, a town to be sure, but only in the sense that any shadow is larger than the object which casts it. It was still frontier even as he remembered it at five and six: the projected and increased shadow of a small outpost of sod-roofed dugouts on the immense desolation of the plains where his father, Ira Ewing too, had been first to essay to wring wheat during the six days between those when, outdoors in spring and summer and in the fetid half dark of a snowbound dugout in the winter and fall, he preached. The second Ira Ewing had come a long way since then, from that barren and treeless village which he had fled by a night freight to where he now lay in a hundred-thousand-dollar house, waiting until he knew that he could rise and go to the bath and put the two aspirin tablets into his mouth.

They, his mother and father, had tried to explain it to him, something about fortitude, the will to endure. At fourteen he could neither answer them with logic and reason nor explain what he wanted: he could only flee. Nor was he fleeing his father’s harshness and wrath. He was fleeing the scene itself, the treeless immensity in the lost center of which he seemed to see the sum of his father’s and mother’s dead youth and bartered lives as a tiny forlorn spot which nature permitted to green into brief and niggard wheat for a season’s moment before blotting it all with the primal and invincible snow as though (not even promise, not even threat) in grim and almost playful augury of the final doom of all life. And it was not even this that he was fleeing because he was not fleeing: it was only that absence, removal, was the only argument which fourteen knew how to employ against adults with any hope of success. He spent the next ten years half tramp half casual laborer as he drifted down the Pacific Coast to Los Angeles; at thirty he was married, to a Los Angeles girl, daughter of a carpenter, and father of a son and a daughter and with a foothold in real estate; at forty-eight he spent fifty thousand dollars a year, owning a business which he had built up unaided and preserved intact through nineteen-twenty-nine; he had given to his children luxuries and advantages which his own father not only could not have conceived in fact, but would have condemned completely in theory as it proved, as the paper which the Filipino chauffeur, who each morning carried him into the house and undressed him and put him to bed, had removed from the pocket of his topcoat and laid on the reading table proved, with reason. On the death of his father twenty years ago he had returned to Nebraska, for the first time, and fetched his mother back with him, and she was now established in a home of her own only the less sumptuous because she refused (with a kind of abashed and thoughtful unshakability which he did not remark) anything finer or more elaborate. It was the house in which they had all lived at first, though he and his wife and children had moved within the year. Three years ago they had moved again, into the house where he now waked in a select residential section of Beverley Hills, but not once in the nineteen years had he failed to stop (not even during the last five, when to move at all in the mornings required a terrific drain on that character or strength which the elder Ira had bequeathed him, which had enabled the other Ira to pause on the Nebraska plain and dig a hole for his wife to bear children in while he planted wheat) on his way to the office (twenty miles out of his way to the office) and spend ten minutes with her. She lived in as complete physical ease and peace as he could devise. He had arranged her affairs so that she did not even need to bother with money, cash, in order to live; he had arranged credit for her with a neighboring market and butcher so that the Japanese gardener who came each day to water and tend the flowers could do her shopping for her; she never even saw the bills. And the only reason she had no servant was that even at seventy she apparently clung stubbornly to the old habit of doing her own cooking and housework. So it would seem that he had been right. Perhaps there were times when, lying in bed like this and waiting for the will to rise and take the aspirin and the gin (mornings perhaps following evenings when he had drunk more than ordinarily and when even the six or seven hours of oblivion had not been sufficient to enable him to distinguish between reality and illusion) something of the old strong harsh Campbellite blood which the elder Ira must have bequeathed him might have caused him to see or feel or imagine his father looking down from somewhere upon him, the prodigal, and what he had accomplished. If this were so, then surely the elder Ira, looking down for the last two mornings upon the two tabloid papers which the Filipino removed from his master’s topcoat and laid on the reading table, might have taken advantage of that old blood and taken his revenge, not just for that afternoon thirty-four years ago but for the entire thirty-four years.

When he gathered himself, his will, his body, at last and rose from the bed he struck the paper so that it fell to the floor and lay open at his feet, but he did not look at it. He just stood so, tall, in silk pajamas, thin where his father had been gaunt with the years of hard work and unceasing struggle with the unpredictable and implacable earth (even now, despite the life which he had led, he had very little paunch) looking at nothing while at his feet the black headline flared above the row of five or six tabloid photographs from which his daughter alternately stared back or flaunted long pale shins: APRIL LALEAR BARES ORGY SECRETS. When he moved at last he stepped on the paper, walking on his bare feet into the bath; now it was his trembling and jerking hands that he watched as he shook the two tablets onto the glass shelf and set the tumbler into the rack and unstoppered the gin bottle and braced his knuckles against the wall in order to pour into the tumbler. But he did not look at the paper, not even when, shaved, he re-entered the bedroom and went to the bed beside which his slippers sat and shoved the paper aside with his foot in order to step into them. Perhaps, doubtless, he did not need to. The trial was but entering its third tabloidal day now, and so for two days his daughter’s face had sprung out at him, hard, blonde and inscrutable, from every paper he opened; doubtless he had never forgot her while he slept even, that he had waked into thinking about remembering her as he had waked into the dying drunken uproar of the evening eight hours behind him without any interval between for rest or forgetting.

Nevertheless as, dressed in a burnt orange turtleneck sweater beneath his gray flannels, he descended the Spanish staircase, he was outwardly calm and possessed. The delicate iron balustrade and the marble steps coiled down to the tile-floored and barn-like living room beyond which he could hear his wife and son talking on the breakfast terrace. The son’s name was Voyd. He and his wife had named the two children by what might have been called mutual contemptuous armistice: his wife called the boy Voyd, for what reason he never knew; he in his turn named the girl (the child whose woman’s face had met him from every paper he touched for two days now beneath or above the name, April Lalear) Samantha, after his own mother. He could hear them talking: the wife between whom and himself there had been nothing save civility, and not always a great deal of that, for ten years now; and the son who one afternoon two years ago had been delivered at the door drunk and insensible by a car whose occupants he did not see and, it devolving upon him to undress the son and put him to bed, whom he discovered to be wearing, in place of underclothes, a woman’s brassiere and step-ins. A few minutes later, hearing the blows perhaps, Voyd’s mother ran in and found her husband beating the still unconscious son with a series of towels which a servant was steeping in rotation in a basin of ice-water. He was beating the son hard, with grim and deliberate fury. Whether he was trying to sober the son up or was merely beating him, possibly he himself did not know.

His wife though jumped to the latter conclusion. In his raging disillusionment he tried to tell her about the woman’s garments but she refused to listen; she assailed him in turn with virago fury. Since that day the son had contrived to see his father only in his mother’s presence (which neither the son nor the mother found very difficult, by the way) and at which times the son treated his father with a blend of cringing spite and vindictive insolence half a cat’s and half a woman’s.

He emerged onto the terrace; the voices ceased. The sun, strained by the vague high soft almost nebulous California haze, fell upon the terrace with a kind of treacherous unbrightness. The terrace, the sun-drenched terra cotta tiles, butted into a rough and savage shear of canyon-wall bare yet without dust, on or against which a solid mat of flowers bloomed in fierce lush myriad-colored paradox as though in place of being rooted into and drawing from the soil they lived upon air alone and had been merely leaned intact against the sustenanceless lava-wall by someone who would later return and take them away. The son, Voyd, apparently naked save for a pair of straw-colored shorts, his body brown with sun and scented faintly by the depilatory which he used on arms, chest and legs, lay in a wicker chair, his feet in straw beach shoes, an open newspaper across his brown legs. The paper was the highest class one of the city, yet there was a black headline across half of it too, and even without pausing, without even being aware that he had looked, Ira saw there too the name which he recognized.

He went on to his place; the Filipino who put him to bed each night, in a white service jacket now, drew his chair.

Beside the glass of orange juice and the waiting cup lay a neat pile of mail topped by a telegram. He sat down and took up the telegram; he had not glanced at his wife until she spoke: “Mrs. Ewing telephoned. She says for you to stop in there on your way to town.”

He stopped; his hands opening the telegram stopped. Still blinking a little against the sun he looked at the face opposite him across the table the smooth dead makeup, the thin lips and the thin nostrils and the pale blue unforgiving eyes, the meticulous platinum hair which looked as though it had been transferred to her skull with a brush from a book of silver leaf such as window painters use. “What?” he said. “Telephoned? Here?”

“Why not? Have I ever objected to any of your women telephoning you here?”

The unopened telegram crumpled suddenly in his hand.

“You know what I mean,” he said harshly. “She never telephoned me in her life. She don’t have to. Not that message. When have I ever failed to go by there on my way to town?”

“How do I know?” she said. “Or are you the same model son you have been a husband and seem to be a father?” Her voice was not shrill yet, nor even very loud, and none could have told how fast her breathing was because she sat so still, rigid beneath the impeccable and unbelievable hair, looking at him with that pale and outraged unforgiveness. They both looked at each other across the luxurious table: the two people who at one time twenty years ago would have turned as immediately and naturally and unthinkingly to one another in trouble, who even ten years ago might have done so.

“You know what I mean,” he said, harshly again, holding himself too against the trembling which he doubtless believed was from last night’s drinking, from the spent alcohol. “She don’t read papers. She never even sees one. Did you send it to her?”

“I?” she said. “Send what?”

“Damnation!” he cried. “A paper! Did you send it to her? Don’t lie to me.”

“What if I did?” she cried. “Who is she, that she must not know about it? Who is she, that you should shield her from knowing it? Did you make any effort to keep me from knowing it? Did you make any effort to keep it from happening? Why didn’t you think about that all those years while you were too drunk, too besotted with drink, to know or notice or care what Samantha was?”

“Miss April Lalear of the cinema, if you please,” Voyd said. They paid no attention to him; they glared at one another across the table.

“Ah,” he said, quiet and rigid, his lips scarcely moving. “So I am to blame for this too, am I? I made my daughter a bitch, did I? Maybe you will tell me next that I made my son a f…”

“Stop!” she cried. She was panting now; they glared at one another across the suave table, across the five feet of irrevocable division.

“Now, now,” Voyd said. “Don’t interfere with the girl’s career. After all these years, when at last she seems to have found a part that she can…” He ceased; his father had turned and was looking at him. Voyd lay in his chair, looking at his father with that veiled insolence that was almost feminine. Suddenly it became completely feminine; with a muffled half-scream he swung his legs out to spring up and flee but it was too late; Ira stood above him, gripping him not by the throat but by the face with one hand, so that Voyd’s mouth puckered and slobbered in his father’s hard, shaking hand. Then the mother sprang forward and tried to break Ira’s grip but he flung her away and then caught and held her, struggling too, with the other hand when she sprang in again.

“Go on,” he said. “Say it.” But Voyd could say nothing because of his father’s hand gripping his jaws open, or more than likely because of terror. His body was free of the chair now, writhing and thrashing while he made his slobbering, moaning sound of terror while his father held him with one hand and held his screaming mother with the other one.

Then Ira flung Voyd free, onto the terrace; Voyd rolled once and came onto his feet, crouching, retreating toward the French windows with one arm flung up before his face while he cursed his father. Then he was gone. Ira faced his wife, holding her quiet too at last, panting too, the skillful map of makeup standing into relief now like a paper mask trimmed smoothly and pasted onto her skull. He released her.

“You sot,” she said. “You drunken sot. And yet you wonder why your children…”

“Yes,” he said quietly. “All right. That’s not the question. That’s all done. The question is, what to do about it. My father would have known. He did it once.” He spoke in a dry light pleasant voice: so much so that she stood, panting still but quiet, watching him. “I remember. I was about ten. We had rats in the barn. We tried everything. Terriers. Poison. Then one day father said, ‘Come.’ We went to the barn and stopped all the cracks, the holes. Then we set fire to it. What do you think of that?” Then she was gone too.

He stood for a moment, blinking a little, his eyeballs beating faintly and steadily in his skull with the impact of the soft unchanging sunlight, the fierce innocent mass of the flowers.

“Philip!” he called. The Filipino appeared, brownfaced, impassive, with a pot of hot coffee, and set it beside the empty cup and the ice-bedded glass of orange juice. “Get me a drink,” Ira said. The Filipino glanced at him, then he became busy at the table, shifting the cup and setting the pot down and shifting the cup again while Ira watched him.

“Did you hear me?” Ira said. The Filipino stood erect and looked at him.

“You told me not to give it to you until you had your orange juice and coffee.”

“Will you or won’t you get me a drink?” Ira shouted.

“Very good, sir,” the Filipino said. He went out. Ira looked after him; this had happened before: he knew well that the brandy would not appear until he had finished the orange juice and the coffee, though just where the Filipino lurked to watch him he never knew. He sat again and opened the crumpled telegram and read it, the glass of orange juice in the other hand. It was from his secretary: MADE SETUP BEFORE I BROKE STORY LAST NIGHT STOP THIRTY PERCENT FRONT PAGE STOP MADE APPOINTMENT FOR YOU COURTHOUSE THIS P. M. STOP WILL YOU COME TO OFFICE OR CALL ME. He read the telegram again, the glass of orange juice still poised. Then he put both down and rose and went and lifted the paper from the terrace where Voyd had flung it, and read the half headline: LALEAR WOMAN DAUGHTER OF PROMINENT LOCAL FAMILY. Admits Real Name Is Samantha Ewing, Daughter of Ira Ewing, Local Realtor. He read it quietly; he said quietly, aloud: “It was that Jap that showed her the paper. It was that damned gardener.” He returned to the table. After a while the Filipino came, with the brandy-and-soda, and wearing now a jacket of bright imitation tweed, telling him that the car was ready.

II

HIS MOTHER lived in Glendale; it was the house which he had taken when he married and later bought, in which his son and daughter had been born a bungalow in a cul-desac of pepper trees and flowering shrubs and vines which the Japanese tended, backed into a barren foothill combed and curried into a cypress-and-marble cemetery dramatic as a stage set and topped by an electric sign in red bulbs which, in the San Fernando valley fog, glared in broad sourceless ruby as though just beyond the crest lay not heaven but hell. The length of his sports model car in which the Filipino sat reading a paper dwarfed it. But she would have no other, just as she would have neither servant, car, nor telephone: a gaunt spare slightly stooped woman upon whom even California and ease had put no flesh, sitting in one of the chairs which she had insisted on bringing all the way from Nebraska. At first she had been content to allow the Nebraska furniture to remain in storage, since it had not been needed (when Ira moved his wife and family out of the house and into the second one, the intermediate one, they had bought new furniture too, leaving the first house furnished complete for his mother) but one day, he could not recall just when, he discovered that she had taken the one chair out of storage and was using it in the house. Later, after he began to sense that quality of unrest in her, he had suggested that she let him clear the house of its present furniture and take all of hers out of storage but she declined, apparently preferring or desiring to leave the Nebraska furniture where it was. Sitting so, a knitted shawl about her shoulders, she looked less like she lived in or belonged to the house, the room, than the son with his beach burn and his faintly theatrical gray temples and his bright expensive suavely antiphonal garments did. She had changed hardly at all in the thirty-four years; she and the older Ira Ewing too, as the son remembered him, who, dead, had suffered as little of alteration as while he had been alive. As the sod Nebraska outpost had grown into a village and then into a town, his father’s aura alone had increased, growing into the proportions of a giant who at some irrevocable yet recent time had engaged barehanded in some titanic struggle with the pitiless earth and endured and in a sense conquered it too, like the town, a shadow out of all proportion to the gaunt gnarled figure of the actual man. And the actual woman too as the son remembered them back in that time.

Two people who drank air and who required to eat and sleep as he did and who had brought him into the world, yet were strangers as though of another race, who stood side by side in an irrevocable loneliness as though strayed from another planet, not as husband and wife but as blood brother and sister, even twins, of the same travail because they had gained a strange peace through fortitude and the will and strength to endure.

“Tell me again what it is,” she said. “I’ll try to understand.”

“So it was Kazimura that showed you the damned paper,” he said. She didn’t answer this; she was not looking at him.

“You tell me she has been in the pictures before, for two years. That that was why she had to change her name, that they all have to change their names.”

“Yes. They call them extra parts. For about two years, God knows why.”

“And then you tell me that this that all this was so she could get into the pictures ”

He started to speak, then he caught himself back out of some quick impatience, some impatience perhaps of grief or despair or at least rage, holding his voice, his tone, quiet: “I said that that was one possible reason. All I know is that the, man has something to do with pictures, giving out the parts. And that the police caught him and Samantha and the other girl in an apartment with the doors all locked and that Samantha and the other woman were naked. They say that he was naked too and he says he was not. He says in the trial that he was framed, tricked; that they were trying to blackmail him into giving them parts in a picture; that they fooled him into coming there and arranged for the police to break in just after they had taken off their clothes; that one of them made a signal from the window. Maybe so. Or maybe they were all just having a good time and were innocently caught.” Unmoving, rigid, his face broke, wrung with faint bitter smiling as though with indomitable and impassive suffering, or maybe just smiling, just rage. Still his mother did not look at him.

“But you told me she was already in the pictures. That that was why she had to change her…”

“I said, extra parts,” he said. He had to catch himself again, out of his jangled and outraged nerves, back from the fierce fury of the impatience. “Can’t you understand that you don’t get into the pictures just by changing your name? and that you don’t even stay there when you get in? that you can’t even stay there by being female? that they come here in droves on every train, girls younger and prettier than Samantha and who will do anything to get into the pictures? So will she, apparently; but who know or are willing to learn to do more things than even she seems to have thought of? But let’s don’t talk about it. She has made her bed; all I can do is to help her up: I can’t wash the sheets. Nobody can. I must go, anyway; I’m late.” He rose, looking down at her. “They said you telephoned me this morning. Is this what it was?”

“No,” she said. Now she looked up at him; now her gnarled hands began to pick faintly at one another. “You offered me a servant once.”

“Yes. I thought fifteen years ago that you ought to have one. Have you changed your mind? Do you want me to…”

Now she stopped looking at him again, though her hands did not cease. “That was fifteen years ago. It would have cost at least five hundred dollars a year. That would be…”

He laughed, short and harsh. “I’d like to see the Los Angeles servant you could get for five hundred dollars a year. But what…” He stopped laughing, looking down at her.

“That would be at least five thousand dollars,” she said.

He looked down at her. After a while he said, “Are you asking me again for money?” She didn’t answer nor move, her hands picking slowly and quietly at one another. “Ah,” he said. “You want to go away. You want to run from it. So do I!” he cried, before he could catch himself this time; “so do I! But you did not choose me when you elected a child; neither did I choose my two. But I shall have to bear them and you will have to bear all of us. There is no help for it.” He caught himself now, panting, quieting himself by will as when he would rise from bed, though his voice was still harsh: “Where would you go? Where would you hide from it?”

“Home,” she said.

“Home?” he repeated; he repeated in a kind of amazement: “home?” before he understood. “You would go back there? with those winters, that snow and all? Why, you wouldn’t live to see the first Christmas: don’t you know that?” She didn’t move nor look up at him. “Nonsense,” he said. “This will blow over. In a month there will be two others and nobody except us will even remember it. And you don’t need money. You have been asking me for money for years, but you don’t need it. I had to worry about money so much at one time myself that I swore that the least I could do was to arrange your affairs so you would never even have to look at the stuff. I must go; there is something at the office today. I’ll see you tomorrow.”

It was already one o’clock. “Courthouse,” he told the Filipino, settling back into the car. “My God, I want a drink.” He rode with his eyes closed against the sun; the secretary had already sprung onto the runningboard before he realized that they had reached the courthouse. The secretary, bareheaded too, wore a jacket of authentic tweed; his turtleneck sweater was dead black, his hair was black too, varnished smooth to his skull; he spread before Ira a dummy newspaper page laid out to embrace the blank space for the photograph beneath the caption: APRIL LALEAR’S FATHER. Beneath the space was the legend: IRA EWING, PRESIDENT OF THE EWING REALTY CO., WILSHIRE BOULEVARD, BEVERLY HILLS.

“Is thirty percent all you could get?” Ira said. The secretary was young; he glared at Ira for an instant in vague impatient fury.

“Jesus, thirty percent is thirty percent. They are going to print a thousand extra copies and use our mailing list. It will be spread all up and down the Coast and as far East as Reno. What do you want? We can’t expect them to put under your picture, ‘Turn to page fourteen for halfpage ad,’ can we?” Ira sat again with his eyes closed, waiting for his head to stop.

“All right,” he said. “Are they ready now?”

“All set. You will have to go inside. They insisted it be inside, so everybody that sees it will know it is the courthouse.”

“All right,” Ira said. He got out; with his eyes half closed and the secretary at his elbow he mounted the steps and entered the courthouse. The reporter and the photographer were waiting but he did not see them yet; he was aware only of being enclosed in a gaping crowd which he knew would be mostly women, hearing the secretary and a policeman clearing the way in the corridor outside the courtroom door.

“This is O. K.,” the secretary said. Ira stopped; the darkness was easier on his eyes though he did not open them yet; he just stood, hearing the secretary and the policeman herding the women, the faces, back; someone took him by the arm and turned him; he stood obediently; the magnesium flashed and glared, striking against his painful eyeballs like blows; he had a vision of wan faces craned to look at him from either side of a narrow human lane; with his eyes shut tight now he turned, blundering until the reporter in charge spoke to him: “Just a minute, chief. We better get another one just in case.” This time his eyes were tightly closed; the magnesium flashed, washed over them; in the thin acrid smell of it he turned and with the secretary again at his elbow he moved blindly back and into the sunlight and into his car. He gave no order this time, he just said, “Get me a drink.” He rode with his eyes closed again while the car cleared the downtown traffic and then began to move quiet, powerful and fast under him; he rode so for a long while before he felt the car swing into the palm-bordered drive, slowing. It stopped; the doorman opened the door for him, speaking to him by name. The elevator boy called him by name too, stopping at the right floor without direction; he followed the corridor and knocked at a door and was fumbling for the key when the door opened upon a woman in a bathing suit beneath a loose beach cloak, a woman with treated hair also and brown eyes, who swung the door back for him to enter and then to behind him, looking at him with the quick bright faint serene smiling which only a woman nearing forty can give to a man to whom she is not married and from whom she has had no secrets physical and few mental over a long time of pleasant and absolute intimacy. She had been married though and divorced; she had a child, a daughter of fourteen, whom he was now keeping in boarding school. He looked at her, blinking, as she closed the door.

“You saw the papers,” he said. She kissed him, not suddenly, without heat, in a continuation of the movement which closed the door, with a sort of warm envelopment; suddenly he cried, “I can’t understand it! After all the advantages that… after all I tried to do for them ”

“Hush,” she said. “Hush, now. Get into your trunks; I’ll have a drink ready for you when you have changed. Will you eat some lunch if I have it sent up?”

“No. I don’t want any lunch. After all I have tried to give—”

“Hush, now. Get into your trunks while I fix you a drink. It’s going to be swell at the beach.” In the bedroom his bathing trunks and robe were laid out on the bed. He changed, hanging his suit in the closet where her clothes hung, where there hung already another suit of his and clothes for the evening. When he returned to the sitting room she had fixed the drink for him; she held the match to his cigarette and watched him sit down and take up the glass, watching him still with that serene impersonal smiling.

Now he watched her slip off the cape and kneel at the cellarette, filling a silver flask, in the bathing costume of the moment, such as ten thousand wax female dummies wore in ten thousand shop windows that summer, such as a hundred thousand young girls wore on California beaches; he looked at her, kneeling back, buttocks and flanks trim enough, even firm enough (so firm in fact as to be a little on the muscular side, what with unremitting and perhaps even rigorous care) but still those of forty. But I don’t want a young girl, he thought. Would to God that all young girls, all young female flesh, were removed, blasted even, from the earth. He finished the drink before she had filled the flask.

“I want another one,” he said.

“All right,” she said. “As soon as we get to the beach.”

“No. Now.”

“Let’s go on to the beach first. It’s almost three o’clock. Won’t that be better?”

“Just so you are not trying to tell me I can’t have another drink now.”

“Of course not,” she said, slipping the flask into the cape’s pocket and looking at him again with that warm, faint, inscrutable smiling. “I just want to have a dip before the water gets too cold.” They went down to the car; the Filipino knew this too: he held the door for her to slip under the wheel, then he got himself into the back. The car moved on; she drove well. “Why not lean back and shut your eyes,” she told Ira, “and rest until we get to the beach? Then we will have a dip and a drink.”

“I don’t want to rest,” he said. “I’m all right.” But he did close his eyes again and again the car ran powerful, smooth, and fast beneath him, performing its afternoon’s jaunt over the incredible distances of which the city was composed; from time to time, had he looked, he could have seen the city in the bright soft vague hazy sunlight, random, scattered about the arid earth like so many gay scraps of paper blown without order, with its curious air of being rootless, of houses bright beautiful and gay, without basements or foundations, lightly attached to a few inches of light penetrable earth, lighter even than dust and laid lightly in turn upon the profound and primeval lava, which one good hard rain would wash forever from the sight and memory of man as a firehose flushes down a gutter that city of almost incalculable wealth whose queerly appropriate fate it is to be erected upon a few spools of a substance whose value is computed in billions and which may be completely destroyed in that second’s instant of a careless match between the moment of striking and the moment when the striker might have sprung and stamped it out.

“You saw your mother today,” she said. “Has she…”

“Yes.” He didn’t open his eyes. “That damned Jap gave it to her. She asked me for money again. I found out what she wants with it. She wants to run, to go back to Nebraska. I told her, so did I… If she went back there, she would not live until Christmas. The first month of winter would kill her. Maybe it wouldn’t even take winter to do it.”

She still drove, she still watched the road, yet somehow she had contrived to become completely immobile. “So that’s what it is,” she said.

He did not open his eyes. “What what is?”

“The reason she has been after you all this time to give her money, cash. Why, even when you won’t do it, every now and then she asks you again.”

“What what…” He opened his eyes, looking at her profile; he sat up suddenly. “You mean, she’s been wanting to go back there all the time? That all these years she has been asking me for money, that that was what she wanted with it?”

She glanced at him swiftly, then back to the road. “What else can it be? What else could she use money for?”

“Back there?” he said. “To those winters, that town, that way of living, where she’s bound to know that the first winter would… You’d almost think she wanted to die, wouldn’t you?”

“Hush,” she said quickly. “Shhhhh. Don’t say that. Don’t say that about anybody.” Already they could smell the sea; now they swung down toward it; the bright salt wind blew upon them, with the long-spaced sound of the rollers; now they could see it: the dark blue of water creaming into the blanched curve of beach dotted with bathers. “We won’t go through the club,” she said. “I’ll park in here and we can go straight to the water.” They left the Filipino in the car and descended to the beach. It was already crowded, bright and gay with movement. She chose a vacant space and spread her cape.

“Now that drink,” he said.

“Have your dip first,” she said. He looked at her. Then he slipped his robe off slowly; she took it and spread it beside her own; he looked down at her.

“Which is it? Will you always be too clever for me, or is it that every time I will always believe you again?”

She looked at him, bright, warm, fond and inscrutable.

“Maybe both. Maybe neither. Have your dip; I will have the flask and a cigarette ready when you come out.” When he came back from the water, wet, panting, his heart a little too hard and fast, she had the towel ready, and she lit the cigarette and uncapped the flask as he lay on the spread robes.

She lay too, lifted to one elbow, smiling down at him, smoothing the water from his hair with the towel while he panted, waiting for his heart to slow and quiet. Steadily between them and the water, and as far up and down the beach as they could see, the bathers passed: young people, young men in trunks, and young girls in little more, with bronzed, unselfconscious bodies. Lying so, they seemed to him to walk along the rim of the world as though they and their kind alone inhabited it, and he with his forty-eight years were the forgotten last survivor of another race and kind, and they in turn precursors of a new race not yet seen on the earth: of men and women without age, beautiful as gods and goddesses, and with the minds of infants. He turned quickly and looked at the woman beside him, at the quiet face, the wise, smiling eyes, the grained skin and temples, the hair-roots showing where the dye had grown out, the legs veined faint and blue and myriad beneath the skin. “You look better than any of them!” he cried. “You look better to me than any of them!”

III

THE JAPANESE GARDENER, with his hat on, stood tapping on the glass and beckoning and grimacing until old Mrs. Ewing went out to him. He had the afternoon’s paper with its black headline: LALEAR WOMAN CREATES SCENE IN COURTROOM. “You take,” the Japanese said. “Read while I catch water.” But she declined; she just stood in the soft halcyon sunlight, surrounded by the myriad and almost fierce blooming of flowers, and looked quietly at the headline without even taking the paper, and that was all.

“I guess I won’t look at the paper today,” she said. “Thank you just the same.” She returned to the living room. Save for the chair, it was exactly as it had been when she first saw it that day when her son brought her into it and told her that it was now her home and that her daughter-in-law and her grandchildren were now her family. It had changed very little, and that which had altered was the part which her son knew nothing about, and that too had changed not at all in so long that she could not even remember now when she had added the last coin to the hoard. This was in a china vase on the mantel. She knew what was in it to the penny; nevertheless, she took it down and sat in the chair which she had brought all the way from Nebraska and emptied the coins and the worn timetable into her lap. The timetable was folded back at the page on which she had folded it the day she walked downtown to the ticket office and got it fifteen years ago, though that was so long ago now that the pencil circle about the name of the nearest junction point to Ewing, Nebraska, had faded away. But she did not need that either; she knew the distance to the exact half mile, just as she knew the fare to the penny, and back in the early twenties when the railroads began to become worried and passenger fares began to drop, no broker ever watched the grain and utilities market any closer than she watched the railroad advertisements and quotations.

Then at last the fares became stabilized with the fare back to Ewing thirteen dollars more than she had been able to save, and at a time when her source of income had ceased.

This was the two grandchildren. When she entered the house that day twenty years ago and looked at the two babies for the first time, it was with diffidence and eagerness both. She would be dependent for the rest of her life, but she would give something in return for it. It was not that she would attempt to make another Ira and Samantha Ewing of them; she had made that mistake with her own son and had driven him from home. She was wiser now; she saw now that it was not the repetition of hardship: she would merely take what had been of value in hers and her husband’s hard lives that which they had learned through hardship and endurance of honor and courage and pride and transmit it to the children without their having to suffer the hardship at all, the travail and the despairs. She had expected that there would be some friction between her and the young daughter-in-law, but she had believed that her son, the actual Ewing, would be her ally; she had even reconciled herself after a year to waiting, since the children were still but babies; she was not alarmed, since they were Ewings too: after she had looked that first searching time at the two puttysoft little faces feature by feature, she had said it was because they were babies yet and so looked like no one. So she was content to bide and wait; she did not even know that her son was planning to move until he told her that the other house was bought and that the present one was to be hers until she died. She watched them go; she said nothing; it was not to begin then. It did not begin for five years, during which she watched her son making money faster and faster and easier and easier, gaining with apparent contemptible and contemptuous ease that substance for which in niggard amounts her husband had striven while still clinging with undeviating incorruptibility to honor and dignity and pride, and spending it, squandering it, in the same way. By that time she had given up the son and she had long since learned that she and her daughter-in-law were irrevocable and implacable moral enemies. It was in the fifth year. One day in her son’s home she saw the two children take money from their mother’s purse lying on a table. The mother did not even know how much she had in the purse; when the grandmother told her about it she became angry and dared the older woman to put it to the test.

The grandmother accused the children, who denied the whole affair with perfectly straight faces. That was the actual break between herself and her son’s family; after that she saw the two children only when the son would bring them with him occasionally on his unfailing daily visits. She had a few broken dollars which she had brought from Nebraska and had kept intact for five years, since she had no need for money here; one day she planted one of the coins while the children were there, and when she went back to look, it was gone too. The next morning she tried to talk to her son about the children, remembering her experience with the daughter-in-law and approaching the matter indirectly, speaking generally of money. “Yes,” the son said. “I’m making money. I’m making it fast while I can. I’m going to make a lot of it. I’m going to give my children luxuries and advantages that my father never dreamed a child might have.”

“That’s it,” she said. “You make money too easy. This whole country is too easy for us Ewings. It may be all right for them that have been born here for generations; I don’t know about that. But not for us.”

“But these children were born here.”

“Just one generation. The generation before that they were born in a sodroofed dugout on the Nebraska wheat frontier. And the one before that in a log house in Missouri. And the one before that in a Kentucky blockhouse with Indians around it. This world has never been easy for Ewings. Maybe the Lord never intended it to be.”

“But it is from now on,” he said; he spoke with a kind of triumph. “For you and me too. But mostly for them.”

And that was all. When he was gone she sat quietly in the single Nebraska chair which she had taken out of storage, the first chair which the older Ira Ewing had bought for her after he built a house and in which she had rocked the younger Ira to sleep before he could walk, while the older Ira himself sat in the chair which he had made out of a flour barrel, grim, quiet and incorruptible, taking his earned twilight ease between a day and a day telling herself quietly that that was all. Her next move was curiously direct; there was something in it of the actual pioneer’s opportunism, of taking immediate and cold advantage of Spartan circumstance; it was as though for the first time in her life she was able to use something, anything, which she had gained by bartering her youth and strong maturity against the Nebraska immensity, and this not in order to live further but in order to die; apparently she saw neither paradox in it nor dishonesty. She began to make candy and cake of the materials which her son bought for her on credit, and to sell them to the two grandchildren for the coins which their father gave them or which they perhaps purloined also from their mother’s purse, hiding the coins in the vase with the timetable, watching the niggard hoard grow. But after a few years the children outgrew candy and cake, and then she had watched railroad fares go down and down and then stop thirteen dollars away. But she did not give up, even then. Her son had tried to give her a servant years ago and she had refused; she believed that when the time came, the right moment, he would not refuse to give her at least thirteen dollars of the money which she had saved him.

Then this had failed. “Maybe it wasn’t the right time,” she thought. “Maybe I tried it too quick. I was surprised into it,” she told herself, looking down at the heap of small coins in her lap. “Or maybe he was surprised into saying No. Maybe when he has had time…” She roused; she put the coins back into the vase and set it on the mantel again, looking at the clock as she did so. It was just four, two hours yet until time to start supper. The sun was high; she could see the water from the sprinkler flashing and glinting in it as she went to the window. It was still high, still afternoon; the mountains stood serene and drab against it; the city, the land, lay sprawled and myriad beneath it the land, the earth which spawned a thousand new faiths, nostrums and cures each year but no disease to even disprove them on beneath the golden days unmarred by rain or weather, the changeless monotonous beautiful days without end, countless out of the halcyon past and endless into the halcyon future.

“I will stay here and live forever,” she said to herself.

There Was a Queen

I

ELNORA entered the back yard, coming up from her cabin.

In the long afternoon the huge, square house, the premises, lay somnolent, peaceful, as they had lain for almost a hundred years, since John Sartoris had come from Carolina and built it. And he had died in it and his son Bayard had died in it, and Bayard’s son John and John’s son Bayard in turn had been buried from it even though the last Bayard didn’t die there.

So the quiet was now the quiet of women-folks. As Elnora crossed the back yard toward the kitchen door she remembered how ten years ago at this hour old Bayard, who was her half-brother (though possibly but not probably neither of them knew it, including Bayard’s father), would be tramping up and down the back porch, shouting stableward for the Negro men and for his saddle mare. But he was dead now, and his grandson Bayard was also dead at twenty-six years old, and the Negro men were gone: Simon, Elnora’s mother’s husband, in the graveyard too, and Caspey, Elnora’s husband, in the penitentiary for stealing, and Joby, her son, gone to Memphis to wear fine clothes on Beale Street. So there were left in the house only the first John Sartoris’ sister, Virginia, who was ninety years old and who lived in a wheel chair beside a window above the flower garden, and Narcissa, young Bayard’s widow, and her son. Virginia Du Pre had come out to Mississippi in ’69, the last of the Carolina family, bringing with her the clothes in which she stood and a basket containing a few panes of colored glass from a Carolina window and a few flower cuttings and two bottles of port. She had seen her brother die and then her nephew and then her great-nephew and then her two great-great-nephews, and now she lived in the unmanned house with her great-greatnephew’s wife and his son, Benbow, whom she persisted in calling Johnny after his uncle, who was killed in France. And for Negroes there were Elnora who cooked, and her son Isom who tended the grounds, and her daughter Saddie who slept on a cot beside Virginia Du Pre’s bed and tended her as though she were a baby.

But that was all right. “I can take care of her,” Elnora thought, crossing the back yard. “I don’t need no help,” she said aloud, to no one, a tall, coffee-colored woman with a small, high, fine head. “Because it’s a Sartoris job. Gunnel knowed that when he died and tole me to take care of her. Tole me. Not no outsiders from town.” She was thinking of what had caused her to come up to the house an hour before it was necessary. This was that, while busy in her cabin, she had seen Narcissa, young Bayard’s wife, and the ten-year-old boy going down across the pasture in the middle of the afternoon. She had come to her door and watched them the boy and the big young woman in white going through the hot afternoon, down across the pasture toward the creek. She had not wondered where they were going, nor why, as a white woman would have wondered. But she was half black, and she just watched the white woman with that expression of quiet and grave contempt with which she contemplated or listened to the orders of the wife of the house’s heir even while he was alive. Just as she had listened two days ago when Narcissa had informed her that she was going to Memphis for a day or so and that Elnora would have to take care of the old aunt alone. “Like I ain’t always done it,” Elnora thought. “It’s little you done for anybody since you come out here. We never needed you. Don’t you never think it.”

But she didn’t say this. She just thought it, and she helped Narcissa prepare for the trip and watched the carriage roll away toward town and the station without comment. “And you needn’t to come back,” she thought, watching the carriage disappear. But this morning Narcissa had returned, without offering to explain the sudden journey or the sudden return, and in the early afternoon Elnora from her cabin door had watched the woman and the boy go down across the pasture in the hot June sunlight.

“Well, it’s her business where she going,” Elnora said aloud, mounting the kitchen steps. “Same as it her business how come she went off to Memphis, leaving Miss Jenny setting yonder in her chair without nobody but niggers to look after her,” she added, aloud still, with brooding inconsistency. “I ain’t surprised she went. I just surprised she come back. No. I ain’t even that. She ain’t going to leave this place, now she done got in here.” Then she said quietly, aloud, without rancor, without heat: “Trash. Town trash.”

She entered the kitchen. Her daughter Saddie sat at the table, eating from a dish of cold turnip greens and looking at a thumbed and soiled fashion magazine. “What you doing back here?” she said. “Why ain’t you up yonder where you can hear Miss Jenny if she call you?”

“Miss Jenny ain’t need nothing,” Saddie said. “She setting there by the window.”

“Where did Miss Narcissa go?”

“I don’t know’m,” Saddie said. “Her and Bory went off somewhere. Ain’t come back yet.”

Elnora grunted. Her shoes were not laced, and she stepped out of them in two motions and left the kitchen and went up the quiet, high-ceiled hall filled with scent from the garden and with the drowsing and myriad sounds of the June afternoon, to the open library door. Beside the window (the sash was raised now, with its narrow border of colored Carolina glass which in the winter framed her head and bust like a hung portrait) an old woman sat in a wheel chair. She sat erect; a thin, upright woman with a delicate nose and hair the color of a whitewashed wall. About her shoulders lay a shawl of white wool, no whiter than her hair against her black dress. She was looking out the window; in profile her face was high-arched, motionless. When Elnora entered she turned her head and looked at the Negress with an expression immediate and interrogative.

“They ain’t come in the back way, have they?” she said.

“Nome,” Elnora said. She approached the chair.

The old woman looked out the window again. “I must say I don’t understand this at all. Miss Narcissa’s doing a mighty lot of traipsing around all of a sudden. Picking up and…”

Elnora came to the chair. “A right smart,” she said in her cold, quiet voice, “for a woman lazy as her.”

“Picking up…” the old woman said. She ceased. “You stop talking that way about her.”

“I ain’t said nothing but the truth,” Elnora said.

“Then you keep it to yourself. She’s Bayard’s wife. A Sartoris woman, now.”

“She won’t never be a Sartoris woman,” Elnora said.

The other was looking out the window. “Picking up all of a sudden two days ago and going to Memphis to spend two nights, that hadn’t spent a night away from that boy since he was born. Leaving him for two whole nights, mind you, without giving any reason, and then coming home and taking him off to walk in the woods in the middle of the day. Not that he missed her. Do you think he missed her at all while she was gone?”

“Nome,” Elnora said. “Ain’t no Sartoris man never missed nobody.”

“Of course he didn’t.” The old woman looked out the window. Elnora stood a little behind the chair. “Did they go on across the pasture?”

“I don’t know. They went out of sight, still going. Toward the creek.”

“Toward the creek? What in the world for?”

Elnora didn’t answer. She stood a little behind the chair, erect, still as an Indian. The afternoon was drawing on. The sun was now falling level across the garden below the window, and soon the jasmine in the garden began to smell with evening, coming into the room in slow waves almost palpable; thick, sweet, oversweet. The two women were motionless in the window: the one leaning a little forward in the wheel chair, the Negress a little behind the chair, motionless too and erect as a caryatid.

The light in the garden was beginning to turn copper-colored when the woman and the boy entered the garden and approached the house. The old woman in the chair leaned suddenly forward. To Elnora it seemed as if the old woman in the wheel chair had in that motion escaped her helpless body like a bird and crossed the garden to meet the child; moving forward a little herself Elnora could see on the other’s face an expression fond, immediate, and oblivious. So the two people had crossed the garden and were almost to the house when the old woman sat suddenly and sharply back. “Why, they’re wet!” she said. “Look at their clothes.

They have been in the creek with their clothes on!”

“I reckon I better go and get supper started,” Elnora said.

II

IN THE kitchen Elnora prepared the lettuce and the tomatoes, and sliced the bread (not honest cornbread, not even biscuit) which the woman whose very name she did not speak unless it was absolutely necessary, had taught her to bake. Isom and Saddie sat in two chairs against the wall. “I got nothing against her,” Elnora said. “I nigger and she white. But my black children got more blood than she got. More behavior.”

“You and Miss Jenny both think ain’t nobody been born since Miss Jenny,” Isom said.

“Who is been?” Elnora said.

“Miss Jenny get along all right with Miss Narcissa,” Isom said. “Seem to me like she the one to say. I ain’t heard her say nothing about it.”

“Because Miss Jenny quality,” Elnora said. “That’s why. And that’s something you don’t know nothing about, because you born too late to see any of it except her.”

“Look to me like Miss Narcissa good quality as anybody else,” Isom said. “I don’t see no difference.”

Elnora moved suddenly from the table. Isom as suddenly sprang up and moved his chair out of his mother’s path. But she only went to the cupboard and took a platter from it and returned to the table, to the tomatoes. “Born Sartoris or born quality of any kind ain’t is, it’s does.” She talked in a level, inflectionless voice above her limber, brown, deft hands. When she spoke of the two women she used “she” indiscriminately, putting the least inflection on the one which referred to Miss Jenny. “Come all the way here by Herself, and the country still full of Yankees. All the way from Cal-lina, with Her folks all killed and dead except old Marse John, and him two hundred miles away in Missippi ”

“It’s moren two hundred miles from here to Cal-lina,” Isom said. “Learnt that in school. It’s nigher two thousand.”

Elnora’s hands did not cease. She did not seem to have heard him. “With the Yankees done killed Her paw and Her husband and burned the Cal-lina house over Her and Her mammy’s head, and She come all the way to Missippi by Herself, to the only kin She had left. Getting here in the dead of winter without nothing in this world of God’s but a basket with some flower seeds and two bottles of wine and them colored window panes old Marse John put in the library window so She could look through it like it was Callina. She got here at dusk-dark on Christmas Day and old Marse John and the chillen and my mammy waiting on the porch, and Her setting high-headed in the wagon for old Marse John to lift Her down. They never even kissed then, out where folks could see them. Old Marse John just said, ‘Well, Jenny,’ and she just said, ‘Well, Johnny,’ and they walked into the house, him leading Her by the hand, until they was inside the house where the commonalty couldn’t spy on them. Then She begun to cry, and old Marse John holding Her, after all them four thousand miles ”

“It ain’t four thousand miles from here to Cal-lina,” Isom said. “Ain’t but two thousand. What the book say in school.”

Elnora paid no attention to him at all; her hands did not cease. “It took Her hard, the crying did. ‘It’s because I ain’t used to crying,’ she said. ‘I got out of the habit of it. I never had the time. Them goddamn Yankees,’ she said. ‘Them goddamn Yankees.’” Elnora moved again, to the cupboard. It was as though she walked out of the sound of her voice on her silent, naked feet, leaving it to fill the quiet kitchen though the voice itself had ceased. She took another platter down and returned to the table, her hands busy again among the tomatoes and lettuce, the food which she herself could not eat. “And that’s how it is that she” (she was now speaking of Narcissa; the two Negroes knew it) “thinks she can pick up and go to Memphis and frolic, and leave Her alone in this house for two nights without nobody but niggers to look after Her. Move out here under a Sartoris roof and eat Sartoris food for ten years, and then pick up and go to Memphis same as a nigger on a excursion, without even telling why she was going.”

“I thought you said Miss Jenny never needed nobody but you to take care of her,” Isom said. “I thought you said yesterday you never cared if she come back or not.”

Elnora made a sound, harsh, disparaging, not loud. “Her not come back? When she worked for five years to get herself married to Bayard? Working on Miss Jenny all the time Bayard was off to that war? I watched her. Coming out here two or three times a week, with Miss Jenny thinking she was just coming out to visit like quality. But I knowed. I knowed what she was up to all the time. Because I knows trash. I knows the way trash goes about working in with quality. Quality can’t see that, because it quality. But I can.”

“Then Bory must be trash, too,” Isom said.

Elnora turned now. But Isom was already out of his chair before she spoke. “You shut your mouth and get yourself ready to serve supper.” She watched him go to the sink and prepare to wash his hands. Then she turned back to the table, her long hands brown and deft among the red tomatoes and the pale absinth-green of the lettuce. “Needings,” she said.

“It ain’t Bory’s needings and it ain’t Her needings. It’s dead folks’ needings. Old Marse John’s and Gunnel’s and Mister John’s and Bayard’s that’s dead and can’t do nothing about it. That’s where the needings is. That’s what I’m talking about. And not nobody to see to it except Her yonder in that chair, and me, a nigger, back here in this kitchen. I ain’t got nothing against her. I just say to let quality consort with quality, and unquality do the same thing. You get that coat on, now. This here is all ready.”

III

IT WAS the boy who told her. She leaned forward in the wheel chair and watched through the window as the woman and the child crossed the garden and passed out of sight beyond the angle of the house. Still leaning forward and looking down into the garden, she heard them enter the house and pass the library door and mount the stairs. She did not move, nor look toward the door. She continued to look down into the garden, at the now stout shrubs which she had fetched from Carolina as shoots not much bigger than matches. It was in the garden that she and the younger woman who was to marry her nephew and bear a son, had become acquainted. That was back in 1918, and young Bayard and his brother John were still in France. It was before John was killed, and two or three times a week Narcissa would come out from town to visit her while she worked among the flowers. “And she engaged to Bayard all the time and not telling me,” the old woman thought. “But it was little she ever told me about anything,” she thought, looking down into the garden which was beginning to fill with twilight and which she had not entered in five years. “Little enough about anything. Sometimes I wonder how she ever got herself engaged to Bayard, talking so little. Maybe she did it by just being, filling some space, like she got that letter.” That was one day shortly before Bayard returned home. Narcissa came out and stayed for two hours, then just before she left she showed the letter. It was anonymous and obscene; it sounded mad, and at the time she had tried to get Narcissa to let her show the letter to Bayard’s grandfather and have him make some effort to find the man and punish him, but Narcissa refused. “I’ll just burn it and forget about it,” Narcissa said. “Well, that’s your business,” the older woman said.

“But that should not be permitted. A lady should not be at the mercy of a man like that, even by mail. Any gentleman will believe that, act upon it. Besides, if you don’t do something about it, he’ll write you again.”

“Then I’ll show it to Colonel Sartoris,” Narcissa said. She was an orphan, her brother also in France. “But can’t you see I just can’t have any man know that anybody thought such things about me.”

“Well, I’d rather have the whole world know that somebody thought that way about me once and got horsewhipped for it, than to have him keep on thinking that way about me, unpunished. But it’s your affair.”

“I’ll just burn it and forget about it,” Narcissa said. Then Bayard returned, and shortly afterward he and Narcissa were married and Narcissa came out to the house to live. Then she was pregnant, and before the child was born Bayard was killed in an airplane, and his grandfather, old Bayard, was dead and the child came, and it was two years before she thought to ask her niece if any more letters had come; and Narcissa told her no.

So they had lived quietly then, their women’s life in the big house without men. Now and then she had urged Narcissa to marry again. But the other had refused, quietly, and they had gone on so for years, the two of them and the child whom she persisted in calling after his dead uncle. Then one evening a week ago, Narcissa had a guest for supper; when she learned that the guest was to be a man, she sat quite still in her chair for a time. “Ah,” she thought, quietly. “It’s come. Well. But it had to; she is young. And to live out here alone with a bedridden old woman. Well. But I wouldn’t have her do as I did. Would not expect it of her. After all, she is not a Sartoris. She is no kin to them, to a lot of fool proud ghosts.”

The guest came. She did not see him until she was wheeled in to the supper table. Then she saw a bald, youngish man with a clever face and a Phi Beta Kappa key on his watch chain. The key she did not recognize, but she knew at once that he was a Jew, and when he spoke to her her outrage became fury and she jerked back in the chair like a striking snake, the motion strong enough to thrust the chair back from the table. “Narcissa,” she said, “what is this Yankee doing here?”

There they were, about the candle-lit table, the three rigid people. Then the man spoke: “Madam,” he said, “there’d be no Yankees left if your sex had ever taken the field against us.”

“You don’t have to tell me that, young man,” she said.

“You can thank your stars it was just men your grandfather fought.” Then she had called Isom and had herself wheeled from the table, taking no supper. And even in her bedroom she would not let them turn on the light, and she refused the tray which Narcissa sent up. She sat beside her dark window until the stranger was gone.

Then three days later Narcissa made her sudden and mysterious trip to Memphis and stayed two nights, who had never before been separated overnight from her son since he was born. She had gone without explanation and returned without explanation, and now the old woman had just watched her and the boy cross the garden, their garments still damp upon them, as though they had been in the creek.

It was the boy who told her. He came into the room in fresh clothes, his hair still damp, though neatly combed now.

She said no word as he entered and came to her chair. “We been in the creek,” he said. “Not swimming, though. Just sitting in the water. She wanted me to show her the swimming hole. But we didn’t swim. I don’t reckon she can. We just sat in the water with our clothes on. All evening. She wanted to do it.”

“Ah,” the old woman said. “Oh. Well. That must have been fun. Is she coming down soon?”

“Yessum. When she gets dressed.”

“Well… You’ll have time to go outdoors a while before supper, if you want to.”

“I just as soon stay in here with you, if you want me to.”

“No. You go outdoors. I’ll be all right until Saddie comes.”

“All right.” He left the room.

The window faded slowly as the sunset died. The old woman’s silver head faded too, like something motionless on a sideboard. The sparse colored panes which framed the window dreamed, rich and hushed. She sat there and presently she heard her nephew’s wife descending the stairs. She sat quietly, watching the door, until the young woman entered.

She wore white: a large woman in her thirties, within the twilight something about her of that heroic quality of statuary. “Do you want the light?” she said.

“No,” the old woman said. “No. Not yet.” She sat erect in the wheel chair, motionless, watching the young woman cross the room, her white dress flowing slowly, heroic, like a caryatid from a temple facade come to life. She sat down, “It was those let…” she said.

’Wait,” the old woman said. “Before you begin. The jasmine. Do you smell it?”

“Yes. It was those ”

“Wait. Always about this time of day it begins. It has begun about this time of day in June for fifty-seven years this summer. I brought them from Carolina, in a basket. I remember how that first March I sat up all one night, burning newspapers about the roots. Do you smell it?”

“Yes.”

“If it’s marriage, I told you. I told you five years ago that I wouldn’t blame you. A young woman, a widow. Even though you have a child, I told you that a child would not be enough. I told you I would not blame you for not doing as I had done. Didn’t I?”

“Yes. But it’s not that bad.”

“Not? Not how bad?” The old woman sat erect, her head back a little, her thin face fading into the twilight with a profound quality. “I won’t blame you. I told you that. You are not to consider me. My life is done; I need little; nothing the Negroes can’t do. Don’t you mind me, do you hear?”

The other said nothing, motionless too, serene; their voices seemed to materialize in the dusk between them, unsourced of either mouth, either still and fading face. “You’ll have to tell me, then,” the old woman said.

“It was those letters. Thirteen years ago: don’t you remember? Before Bayard came back from France, before you even knew that we were engaged. I showed you one of them and you wanted to give it to Colonel Sartoris and let him find out who sent it and I wouldn’t do it and you said that no lady would permit herself to receive anonymous love letters, no matter how badly she wanted to.”

“Yes. I said it was better for the world to know that a lady had received a letter like that, than to have one man in secret thinking such things about her, unpunished. You told me you burned it.”

“I lied. I kept it. And I got ten more of them. I didn’t tell you because of what you said about a lady.”

“Ah,” the old woman said.

“Yes. I kept them all. I thought I had them hidden where nobody could ever find them.”

“And you read them again. You would take them out now and then and read them again.”

“I thought I had them hidden. Then you remember that night after Bayard and I were married when somebody broke into our house in town; the same night that book-keeper in Colonel Sartoris’ bank stole that money and ran away? The next morning the letters were gone, and then I knew who had sent them.”

“Yes,” the old woman said. She had not moved, her fading head like something inanimate in silver.

“So they were out in the world. They were somewhere. I was crazy for a while. I thought of people, men, reading them, seeing not only my name on them, but the marks of my eyes where I had read them again and again. I was wild. When Bayard and I were on our honeymoon, I was wild. I couldn’t even think about him alone. It was like I was having to sleep with all the men in the world at the same time.

“Then it was almost twelve years ago, and I had Bory, and I supposed I had got over it. Got used to having them out in the world. Maybe I had begun to think that they were gone, destroyed, and I was safe. Now and then I would remember them, but it was like somehow that Bory was protecting me, that they couldn’t pass him to reach me. As though if I just stayed out here and was good to Bory and you And then, one afternoon, after twelve years, that man came out to see me, that Jew. The one who stayed to supper that night.”

“Ah,” the old woman said. “Yes.”

“He was a Federal agent. They were still trying to catch the man who had robbed the bank, and the agent had got hold of my letters. Found them where the book-keeper had lost them or thrown them away that night while he was running away, and the agent had had them twelve years, working on the case. At last he came out to see me, trying to find out where the man had gone, thinking I must know, since the man had written me letters like that. You remember him: how you looked at him and you said, ‘Narcissa, who is this Yankee?’”

“Yes. I remember.”

“That man had my letters. He had had them for twelve years. He…”

“Had had?” the old woman said. “Had had?”

“Yes. I have them now. He hadn’t sent them to Washington yet, so nobody had read them except him. And now nobody will ever read them.” She ceased; she breathed quietly, tranquil. “You don’t understand yet, do you? He had all the information the letters could give him, but he would have to turn them in to the Department anyway and I asked him for them but he said he would have to turn them in and I asked him if he would make his final decision in Memphis and he said why Memphis and I told him why. I knew I couldn’t buy them from him with money, you see. That’s why I had to go to Memphis. I had that much regard for Bory and you, to go somewhere else. And that’s all. Men are all about the same, with their ideas of good and bad. Fools.” She breathed quietly. Then she yawned, deep, with utter relaxation. Then she stopped yawning. She looked again at the rigid, fading silver head opposite her. “Don’t you understand yet?” she said. “I had to do it. They were mine; I had to get them back. That was the only way I could do it. But I would have done more than that. So I got them. And now they are burned up. Nobody will ever see them. Because he can’t tell, you see. It would ruin him to ever tell that they even existed. They might even put him in the penitentiary. And now they are burned up.”

“Yes,” the old woman said. “And so you came back home and you took Johnny so you and he could sit together in the creek, the running water. In Jordan. Yes, Jordan at the back of a country pasture in Missippi.”

“I had to get them back. Don’t you see that?”

“Yes,” the old woman said. “Yes.” She sat bolt upright in the wheel chair. “Well, my Lord. Us poor, fool women Johnny!” Her voice was sharp, peremptory.

“What?” the young woman said. “Do you want something?”

“No,” the other said. “Call Johnny. I want my hat.” The young woman rose. “I’ll get it.”

“No. I want Johnny to do it.”

The young woman stood looking down at the other, the old woman erect in the wheel chair beneath the fading silver crown of her hair. Then she left the room. The old woman did not move. She sat there in the dusk until the boy entered, carrying a small black bonnet of an ancient shape.

Now and then, when the old woman became upset, they would fetch her the hat and she would place it on the exact top of her head and sit there by the window. He brought the bonnet to her. His mother was with him. It was full dusk now; the old woman was invisible save for her hair.

“Do you want the light now?” the young woman said.

“No,” the old woman said. She set the bonnet on the top of her head. “You all go on to supper and let me rest awhile. Go on, all of you.” They obeyed, leaving her sitting there: a slender, erect figure indicated only by the single gleam of her hair, in the wheel chair beside the window framed by the sparse and defunctive Carolina glass.

IV

SINCE THE BOY’S eighth birthday, he had had his dead grandfather’s place at the end of the table. Tonight however his mother rearranged things. “With just the two of us,” she said. “You come and sit by me.” The boy hesitated. “Please. Won’t you? I got so lonesome for you last night in Memphis. Weren’t you lonesome for me?”

“I slept with Aunt Jenny,” the boy said. “We had a good time.”

“Please.”

“All right,” he said. He took the chair beside hers.

“Closer,” she said. She drew the chair closer. “But we won’t ever again, ever. Will we?” She leaned toward him, taking his hand.

“What? Sit in the creek?”

“Not ever leave one another again.”

“I didn’t get lonesome. We had a good time.”

“Promise. Promise, Bory.” His name was Benhow, her family name.

“All right.”

Isom, in a duck jacket, served them and returned to the kitchen.

“She ain’t coming to supper?” Elnora said.

“Nome,” Isom said. “Setting yonder by the window, in the dark. She say she don’t want no supper.”

Elnora looked at Saddie. “What was they doing last time you went to the library?”

“Her and Miss Narcissa talking.”

“They was still talking when I went to ’nounce supper,”

Isom said. “I tole you that.”

“I know,” Elnora said. Her voice was not sharp. Neither was it gentle. It was just peremptory, soft, cold. “What were they talking about?”

“I don’t know’m,” Isom said. “You the one taught me not to listen to white folks.”

“What were they talking about, Isom?” Elnora said. She was looking at him, grave, intent, commanding.

“‘Bout somebody getting married. Miss Jenny say ‘I tole you long time ago I ain’t blame you. A young woman like you. I want you to marry. Not do like I done,’ what she say.”

“I bet she fixing to marry, too,” Saddie said.

“Who marry?” Elnora said. “Her marry? What for? Give up what she got here? That ain’t what it is. I wished I knowed what been going on here this last week…” Her voice ceased; she turned her head toward the door as though she were listening for something. From the dining-room came the sound of the young woman’s voice. But Elnora appeared to listen to something beyond this. Then she left the room. She did not go hurriedly, yet her long silent stride carried her from sight with an abruptness like that of an inanimate figure drawn on wheels, off a stage.

She went quietly up the dark hall, passing the dining-room door unremarked by the two people at the table. They sat close. The woman was talking, leaning toward the boy.

Elnora went on without a sound: a converging of shadows upon which her lighter face seemed to float without body, her eyeballs faintly white. Then she stopped suddenly. She had not reached the library door, yet she stopped, invisible, soundless, her eyes suddenly quite luminous in her almost-vanished face, and she began to chant in faint sing-song: “Oh, Lawd; oh, Lawd,” not loud. Then she moved, went swiftly on to the library door and looked into the room where beside the dead window the old woman sat motionless, indicated only by that faint single gleam of white hair, as though for ninety years life had died slowly up her spare, erect frame, to linger for a twilit instant about her head before going out, though life itself had ceased. Elnora looked for only an instant into the room. Then she turned and retraced her swift and silent steps to the dining-room door.

The woman still leaned toward the boy, talking. They did not remark Elnora at once. She stood in the doorway, tall, not touching the jamb on either side. Her face was blank; she did not appear to be looking at, speaking to, any one.

“You better come quick, I reckon!” she said in that soft, cold, peremptory voice.

Mountain Victory

I

THROUGH THE CABIN WINDOW the five people watched the cavalcade toil up the muddy trail and halt at the gate. First came a man on foot, leading a horse. He wore a broad hat low on his face, his body shapeless in a weathered gray cloak from which his left hand emerged, holding the reins.

The bridle was silver-mounted, the horse a gaunt, mud-splashed, thoroughbred bay, wearing in place of saddle a navy blue army blanket bound on it by a piece of rope. The second horse was a short-bodied, big-headed, scrub sorrel, also mud-splashed. It wore a bridle contrived of rope and wire, and an army saddle in which, perched high above the dangling stirrups, crouched a shapeless something larger than a child, which at that distance appeared to wear no garment or garments known to man.

One of the three men at the cabin window left it quickly.

The others, without turning, heard him cross the room swiftly and then return, carrying a long rifle.

“No, you don’t,” the older man said.

“Don’t you see that cloak?” the younger said. “That rebel cloak?”

“I won’t have it,” the other said. “They have surrendered. They have said they are whipped.”

Through the window they watched the horses stop at the gate. The gate was of sagging hickory, in a rock fence which straggled down a gaunt slope sharp in relief against the valley and a still further range of mountains dissolving into the low, dissolving sky.

They watched the creature on the second horse descend and hand his reins also into the same left hand of the man in gray that held the reins of the thoroughbred. They watched the creature enter the gate and mount the path and disappear beyond the angle of the window. Then they heard it cross the porch and knock at the door. They stood there and heard it knock again.

After a while the older man said, without turning his head, “Go and see.”

One of the women, the older one, turned from the window, her feet making no sound on the floor, since they were bare. She went to the front door and opened it. The chill, wet light of the dying April afternoon fell in upon her upon a small woman with a gnarled expressionless face, in a gray shapeless garment. Facing her across the sill was a creature a little larger than a large monkey, dressed in a voluminous blue overcoat of a private in the Federal army, with, tied tentlike over his head and falling about his shoulders, a piece of oilcloth which might have been cut square from the hood of a sutler’s wagon; within the orifice the woman could see nothing whatever save the whites of two eyes, momentary and phantomlike, as with a single glance the Negro examined the woman standing barefoot in her faded calico garment, and took in the bleak and barren interior of the cabin hall.

“Marster Major Soshay Weddel send he compliments en say he wishful fo sleeping room fo heself en boy en two hawses,” he said in a pompous, parrot-like voice. The woman looked at him. Her face was like a spent mask. “We been up yonder a ways, fighting dem Yankees,” the Negro said. “Done quit now. Gwine back home.”

The woman seemed to speak from somewhere behind her face, as though behind an effigy or a painted screen: “I’ll ask him.”

“We gwy pay you,” the Negro said.

“Pay?” Pausing, she seemed to muse upon him. “Hit ain’t near a ho-tel on the mou-tin.”

The Negro made a large gesture. “Don’t make no diff unce. We done stayed de night in worse places den whut dis is. You just tell um it Marse Soshay Weddel.” Then he saw that the woman was looking past him. He turned and saw the man in the worn gray cloak already halfway up the path from the gate. He came on and mounted the porch, removing with his left hand the broad slouched hat bearing the tarnished wreath of a Confederate field officer. He had a dark face, with dark eyes and black hair, his face at once thick yet gaunt, and arrogant. He was not tall, yet he topped the Negro by five or six inches. The cloak was weathered, faded about the shoulders where the light fell strongest. The skirts were bedraggled, frayed, mudsplashed: the garment had been patched again and again, and brushed again and again; the nap was completely gone.

“Goodday, madam,” he said. “Have you stableroom for my horses and shelter for myself and my boy for the night?”

The woman looked at him with a static, musing quality, as though she had seen without alarm an apparition.

“I’ll have to see,” she said.

“I shall pay,” the man said. “I know the times.”

“I’ll have to ask him,” the woman said. She turned, then stopped. The older man entered the hall behind her. He was big, in jean clothes, with a shock of iron-gray hair and pale eyes.

“I am Saucier Weddel,” the man in gray said. “I am on my way home to Mississippi from Virginia. I am in Tennessee now?”

“You are in Tennessee,” the other said. “Come in.”

Weddel turned to the Negro. “Take the horses on to the stable,” he said.

The Negro returned to the gate, shapeless in the oilcloth cape and the big overcoat, with that swaggering arrogance which he had assumed as soon as he saw the woman’s bare feet and the meagre, barren interior of the cabin. He took up the two bridle reins and began to shout at the horses with needless and officious vociferation, to which the two horses paid no heed, as though they were long accustomed to him.

It was as if the Negro himself paid no attention to his cries, as though the shouting were merely concomitant to the action of leading the horses out of sight of the door, like an effluvium by both horses and Negro accepted and relegated in the same instant.

II

THROUGH THE KITCHEN WALL the girl could hear the voices of the men in the room from which her father had driven her when the stranger approached the house. She was about twenty: a big girl with smooth, simple hair and big, smooth hands, standing barefoot in a single garment made out of flour sacks. She stood close to the wall, motionless, her head bent a little, her eyes wide and still and empty like a sleepwalker’s, listening to her father and the guest enter the room beyond it.

The kitchen was a plank lean-to built against the log wall of the cabin proper. From between the logs beside her the clay chinking, dried to chalk by the heat of the stove, had fallen away in places. Stooping, the movement slow and lush and soundless as the whispering of her bare feet on the floor, she leaned her eye to one of these cracks. She could see a bare table on which sat an earthenware jug and a box of musket cartridges stenciled U. S. Army. At the table her two brothers sat in splint chairs, though it was only the younger one, the boy, who looked toward the door, though she knew, could hear now, that the stranger was in the room. The older brother was taking the cartridges one by one from the box and crimping them and setting them upright at his hand like a mimic parade of troops, his back to the door where she knew the stranger was now standing. She breathed quietly.

“Vatch would have shot him,” she said, breathed, to herself, stooping. “I reckon he will yet.”

Then she heard feet again and her mother came toward the door to the kitchen, crossing and for a moment blotting the orifice. Yet she did not move, not even when her mother entered the kitchen. She stooped to the crack, her breathing regular and placid, hearing her mother clattering the stovelids behind her. Then she saw the stranger for the first time and then she was holding her breath quietly, not even aware that she had ceased to breathe. She saw him standing beside the table in his shabby cloak, with his hat in his left hand.

Vatch did not look up.

“My name is Saucier Weddel,” the stranger said.

“Soshay Weddel,” the girl breathed into the dry chinking, the crumbled and powdery wall. She could see him at full length, in his stained and patched and brushed cloak, with his head lifted a little and his face worn, almost gaunt, stamped with a kind of indomitable weariness and yet arrogant too, like a creature from another world with other air to breathe and another kind of blood to warm the veins.

“Soshay Weddel,” she breathed.

“Take some whiskey,” Vatch said without moving.

Then suddenly, as it had been with the suspended breathing, she was not listening to the words at all, as though it were no longer necessary for her to hear, as though curiosity too had no place in the atmosphere in which the stranger dwelled and in which she too dwelled for the moment as she watched the stranger standing beside the table, looking at Vatch, and Vatch now turned in his chair, a cartridge in his hand, looking up at the stranger. She breathed quietly into the crack through which the voices came now without heat or significance out of that dark and smoldering and violent and childlike vanity of men: “I reckon you know these when you see them, then?”

“Why not? We used them too. We never always had the time nor the powder to stop and make our own. So we had to use yours now and then. Especially during the last.”

“Maybe you would know them better if one exploded in your face.”

“Vatch.” She now looked at her father, because he had spoken. Her younger brother was raised a little in his chair, leaning a little forward, his mouth open a little. He was seventeen. Yet still the stranger stood looking quietly down at Vatch, his hat clutched against his worn cloak, with on his face that expression arrogant and weary and a little quizzical.

“You can show your other hand too,” Vatch said. “Don’t be afraid to leave your pistol go.”

“No,” the stranger said. “I am not afraid to show it.”

“Take some whiskey, then,” Vatch said, pushing the jug forward with a motion slighting and contemptuous.

“I am obliged infinitely,” the stranger said. “It’s my stomach. For three years of war I have had to apologize to my stomach; now, with peace, I must apologize for it. But if I might have a glass for my boy? Even after four years, he cannot stand cold.”

“Soshay Weddel,” the girl breathed into the crumbled dust beyond which the voices came, not yet raised yet forever irreconcilable and already doomed, the one blind victim, the other blind executioner: “Or maybe behind your back you would know it better.”

“You, Vatch”

“Stop, sir. If he was in the army for as long as one year, he has run too, once. Perhaps oftener, if he faced the Army of Northern Virginia.”

“Soshay Weddel,” the girl breathed, stooping. Now she saw Weddel, walking apparently straight toward her, a thick tumbler in his left hand and his hat crumpled beneath the same arm.

“Not that way,” Vatch said. The stranger paused and looked back at Vatch. “Where are you aiming to go?”

“To take this out to my boy,” the stranger said. “Out to the stable. I thought perhaps this door…” His face was in profile now, worn, haughty, wasted, the eyebrows lifted with quizzical and arrogant interrogation. Without rising Vatch jerked his head back and aside. “Come away from that door.” But the stranger did not stir. Only his head moved a little, as though he had merely changed the direction of his eyes.

“He’s looking at paw,” the girl breathed. “He’s waiting for paw to tell him. He ain’t skeered of Vatch. I knowed it.”

“Come away from that door,” Vatch said. “You damn nigra.”

“So it’s my face and not my uniform,” the stranger said.

“And you fought four years to free us, I understand.”

Then she heard her father speak again. “Go out the front way and around the house, stranger,” he said.

“Soshay Weddel,” the girl said. Behind her her mother clattered at the stove. “Soshay Weddel,” she said. She did not say it aloud. She breathed again, deep and quiet and without haste. “It’s like a music. It’s like a singing.”

III

THE NEGRO was squatting in the hallway of the barn, the sagging and broken stalls of which were empty save for the two horses. Beside him was a worn rucksack, open. He was engaged in polishing a pair of thin dancing slippers with a cloth and a tin of paste, empty save for a thin rim of polish about the circumference of the tin. Beside him on a piece of plank sat one finished shoe. The upper was cracked; it had a crude sole nailed recently and crudely on by a clumsy hand.

“Thank de Lawd folks can’t see de bottoms of yo feets,” the Negro said. “Thank de Lawd it’s just dese hyer mountain trash. I’d even hate fo Yankees to see yo feets in dese things.” He rubbed the shoe, squinted at it, breathed upon it, rubbed it again upon his squatting flank.

“Here,” Weddel said, extending the tumbler. It contained a liquid as colorless as water.

The Negro stopped, the shoe and the cloth suspended.

“Which?” he said. He looked at the glass. “Whut’s dat?”

“Drink it,” Weddei said.

“Dat’s water. Whut you bringing me water fer?”

“Take it,” Weddel said. “It’s not water.”

The Negro took the glass gingerly. He held it as if it contained nitroglycerin. He looked at it, blinking, bringing the glass slowly under his nose. He blinked. “Where’d you git dis hyer?” Weddel didn’t answer. He had taken up the finished slipper, looking at it. The Negro held the glass under his nose. “It smell kind of like it ought to,” he said. “But I be dawg ef it look like anything. Dese folks fixing to pizen you.”

He tipped the glass and sipped gingerly, and lowered the glass, blinking.

“I didn’t drink any of it,” Weddel said. He set the slipper down.

“You better hadn’t,” the Negro said. “When here I done been fo years trying to take care of you en git you back home like whut Mistis tole me to do, and here you sleeping in folks’ barns at night like a tramp, like a pater-roller nigger.”

He put the glass to his lips, tilting it and his head in a single jerk. He lowered the glass, empty; his eyes were closed; he said, “Whuf!” shaking his head with a violent, shuddering motion. “It smells right, and it act right. But I be dawg ef it look right. I reckon you better let it alone, like you started out. When dey try to make you drink it you send um to me. I done already stood so much I reckon I can stand a little mo fer Mistis’ sake.”

He took up the shoe and the cloth again. Weddel stooped above the rucksack. “I want my pistol,” he said.

Again the Negro ceased, the shoe and the cloth poised.

“Whut fer?” He leaned and looked up the muddy slope toward the cabin. “Is dese folks Yankees?” he said in a whisper.

“No,” Weddel said, digging in the rucksack with his left hand. The Negro did not seem to hear him.

“In Tennessee? You tole me we was in Tennessee, where Memphis is, even if you never tole me it was all disyer up-and-down land in de Memphis country. I know I never seed none of um when I went to Memphis wid yo paw dat time. But you says so. And now you telling me dem Memphis folks is Yankees?”

“Where is the pistol?” Weddel said.

“I done tole you,” the Negro said. “Acting like you does. Letting dese folks see you come walking up de road, leading Caesar caze you think he tired; making me ride whilst you walks when I can outwalk you any day you ever lived and you knows it, even if I is fawty en you twenty-eight. I gwy tell yo maw. I gwy tell um.”

Weddel rose, in his hand a heavy cap-and-ball revolver.

He chuckled it in his single hand, drawing the hammer back, letting it down again. The Negro watched him, crouched like an ape in the blue Union army overcoat. “You put dat thing back,” he said. “De war done wid now. Dey tole us back dar at Ferginny it was done wid. You don’t need no pistol now. You put it back, you hear me?”

“I’m going to bathe,” Weddel said. “Is my shirt…”

“Bathe where? In whut? Dese folks ain’t never seed a bathtub.”

“Bathe at the well. Is my shirt ready?”

“Whut dey is of it… You put dat pistol back, Marse Soshay. I gwy tell yo maw on you. I gwy tell um. I just wish Marster was here.”

“Go to the kitchen,” Weddel said. “Tell them I wish to bathe in the well house. Ask them to draw the curtain on that window there.” The pistol had vanished beneath the grey cloak. He went to the stall where the thoroughbred was.

The horse nuzzled at him, its eyes rolling soft and wild. He patted its nose with his left hand. It whickered, not loud, its breath sweet and warm.

IV

THE NEGRO entered the kitchen from the rear. He had removed the oilcloth tent and he now wore a blue forage cap which, like the overcoat, was much too large for him, resting upon the top of his head in such a way that the unsupported brim oscillated faintly when he moved as though with a life of its own. He was completely invisible save for his face between cap and collar like a dried Dyak trophy and almost as small and dusted lightly over as with a thin pallor of wood ashes by the cold. The older woman was at the stove on which frying food now hissed and sputtered; she did not look up when the Negro entered. The girl was standing in the middle of the room, doing nothing at all. She looked at the Negro, watching him with a slow, grave, secret, unwinking gaze as he crossed the kitchen with that air of swaggering caricatured assurance, and up-ended a block of wood beside the stove and sat upon it.

“If disyer is de kind of weather yawl has up here all de time,” he said, “I don’t care ef de Yankees does has dis country.” He opened the overcoat, revealing his legs and feet as being wrapped, shapeless and huge, in some muddy and anonymous substance resembling fur, giving them the appearance of two muddy beasts the size of halfgrown dogs lying on the floor; moving a little nearer the girl, the girl thought quietly His fur. He taken and cut up a fur coat to wrap his feet in “Yes, suh,” the Negro said. “Just yawl let me git home again, en de Yankees kin have all de rest of it.”

“Where do you-uns live?” the girl said.

The Negro looked at her. “In Miss’ippi. On de Domain. Ain’t you never hyeard tell of Countymaison?”

“Countymaison?”

“Dat’s it. His grandpappy named it Countymaison caze it’s bigger den a county to ride over. You can’t ride across it on a mule betwixt sunup and sundown. Dat’s how come.” He rubbed his hands slowly on his thighs. His face was now turned toward the stove; he snuffed loudly. Already the ashy overlay on his skin had disappeared, leaving his face dead black, wizened, his mouth a little loose, as though the muscles had become slack with usage, like rubber bands: not the eating muscles, the talking ones. “I reckon we is gittin nigh home, after all. Leastways dat hawg meat smell like it do down whar folks lives.”

“Countymaison,” the girl said in a rapt, bemused tone, looking at the Negro with her grave, unwinking regard.

Then she turned her head and looked at the wall, her face perfectly serene, perfectly inscrutable, without haste, with a profound and absorbed deliberation.

“Dat’s it,” the Negro said. “Even Yankees is heard tell of Weddel’s Countymaison en erbout Marster Francis Weddel. Maybe yawl seed um pass in de carriage dat time he went to Washn’ton to tell yawl’s president how he ain’t like de way yawl’s president wuz treating de people. He rid all de way to Washn’ton in de carriage, wid two niggers to drive en to heat de bricks to kept he foots warm, en de man done gone on ahead wid de wagon en de fresh hawses. He carried yawl’s president two whole dressed bears en eight sides of smoked deer venison. He must a passed right out dar in front yawl’s house. I reckon yo pappy or maybe his pappy seed um pass.”

He talked on, voluble, in soporific singsong, his face beginning to glisten, to shine a little with the rich warmth, while the mother bent over the stove and the girl, motionless, static, her bare feet cupped smooth and close to the rough puncheons, her big, smooth, young body cupped soft and richly mammalian to the rough garment, watching the Negro with her ineffable and unwinking gaze, her mouth open a little.

The Negro talked on, his eyes closed, his voice interminable, boastful, his air lazily intolerant, as if he were still at home and there had been no war and no harsh rumors of freedom and of change, and he (a stableman, in the domestic hierarchy a man of horses) were spending the evening in the quarters among field hands, until the older woman dished the food and left the room, closing the door behind her. He opened his eyes at the sound and looked toward the door and then back to the girl. She was looking at the wall, at the closed door through which her mother had vanished. “Don’t dey lets you eat at de table wid um?” he said.

The girl looked at the Negro, unwinking. “Countymaison,” she said. “Vatch says he is a nigra too.”

“Who? Him? A nigger? Marse Soshay Weddel? Which un is Vatch?” The girl looked at him. “It’s caze yawl ain’t never been nowhere. Ain’t never seed nothing. Living up here on a nekkid hill whar you can’t even see smoke. Him a nigger? I wish his maw could hear you say dat.” He looked about the kitchen, wizened, his eyeballs rolling white, ceaseless, this way and that. The girl watched him.

“Do the girls there wear shoes all the time?” she said.

The Negro looked about the kitchen, “Where does yawl keep dat ere Tennessee spring water? Back here somewhere?”

“Spring water?”

The Negro blinked slowly. “Dat ere light-drinking kahysene.”

“Kahysene?”

“Dat ere light colored lamp oil whut yawl drinks. Ain’t you got a little of it hid back here somewhere?”

“Oh,” the girl said. “You mean corn.” She went to a corner and lifted a loose plank in the floor, the Negro watching her, and drew forth another earthen jug. She filled another thick tumbler and gave it to the Negro and watched him jerk it down his throat, his eyes closed. Again he said, “Whuf!” and drew his back hand across his mouth.

“Whut wuz dat you axed me?” he said.

“Do the girls down there at Countymaison wear shoes?”

“De ladies does. If dey didn’t have none, Marse Soshay could sell a hun’ed niggers en buy um some… Which un is it say Marse Soshay a nigger?”

The girl watched him. “Is he married?”

“Who married? Marse Soshay?” The girl watched him.

“How he have time to git married, wid us fighting de Yankees for fo years? Ain’t been home in fo years now where no ladies to marry is.” He looked at the girl, his eye-whites a little bloodshot, his skin shining in faint and steady highlights. Thawing, he seemed to have increased in size a little too. “Whut’s it ter you, if he married or no?”

They looked at each other. The Negro could hear her breathing. Then she was not looking at him at all, though she had not yet even blinked nor turned her head. “I don’t reckon he’d have any time for a girl that didn’t have any shoes.” she said. She went to the wall and stooped again to the crack. The Negro watched her. The older woman entered and took another dish from the stove and departed without having looked at either of them.

V

THE FOUR MEN, the three men and the boy, sat about the supper table. The broken meal lay on thick plates. The knives and forks were iron. On the table the jug still sat. Weddel was now cloakless. He was shaven, his still damp hair combed back. Upon his bosom the ruffles of the shirt frothed in the lamplight, the right sleeve, empty, pinned across his breast with a thin gold pin. Under the table the frail and mended dancing slippers rested among the brogans of the two men and the bare splayed feet of the boy.

“Vatch says you are a nigra,” the father said.

Weddel was leaning a little back in his chair. “So that explains it,” he said. “I was thinking that he was just congenitally ill-tempered. And having to be a victor, too.”

“Are you a nigra?” the father said.

“No,” Weddel said. He was looking at the boy, his weathered and wasted face a little quizzical. Across the back of his neck his hair, long, had been cut roughly as though with a knife or perhaps a bayonet. The boy watched him in complete and rapt immobility. As if I might be an apparition he thought. A hant. Maybe I am. “No,” he said. “I am not a Negro.”

“Who are you?” the father said.

Weddel sat a little sideways in his chair, his hand lying on the table. “Do you ask guests who they are in Tennessee?” he said. Vatch was filling a tumbler from the jug. His face was lowered, his hands big and hard. His face was hard.

Weddel looked at him. “I think I know how you feel,” he said. “I expect I felt that way once. But it’s hard to keep on feeling any way for four years. Even feeling at all.”

Vatch said something, sudden and harsh. He clapped the tumbler on to the table, splashing some of the liquor out. It looked like water, with a violent, dynamic odor. It seemed to possess an inherent volatility which carried a splash of it across the table and on to the foam of frayed yet immaculate linen on Weddel’s breast, striking sudden and chill through the cloth against his flesh.

“Vatch!” the father said.

Weddel did not move; his expression arrogant, quizzical, and weary, did not change. “He did not mean to do that,” he said.

“When I do,” Vatch said, “it will not look like an accident.”

Weddel was looking at Vatch. “I think I told you once,” he said. “My name is Saucier Weddel. I am a Mississippian. I live at a place named Countymaison. My father built it and named it. He was a Choctaw chief named Francis Weddel, of whom you have probably not heard. He was the son of a Choctaw woman and a French emigre of New Orleans, a general of Napoleon’s and a knight of the Legion of Honor. His name was Francois Vidal. My father drove to Washington once in his carriage to remonstrate with President Jackson about the Government’s treatment of his people, sending on ahead a wagon of provender and gifts and also fresh horses for the carriage, in charge of the man, the native overseer, who was a full blood Choctaw and my father’s cousin. In the old days The Man was the hereditary title of the head of our clan; but after we became Europeanised like the white people, we lost the title to the branch which refused to become polluted, though we kept the slaves and the land. The Man now lives in a house a little larger than the cabins of the Negroes, an upper servant. It was in Washington that my father met and married my mother. He was killed in the Mexican War. My mother died two years ago, in ’63, of a complication of pneumonia acquired while superintending the burying of some silver on a wet night when Federal troops entered the county, and of unsuitable food; though my boy refuses to believe that she is dead. He refuses to believe that the country would have permitted the North to deprive her of the imported Martinique coffee and the beaten biscuit which she had each Sunday noon and Wednesday night. He believes that the country would have risen in arms first. But then, he is only a Negro, member of an oppressed race burdened with freedom. He has a daily list of my misdoings which he is going to tell her on me when we reach home. I went to school in France, but not very hard. Until two weeks ago I was a major of Mississippi infantry in the corps of a man named Longstreet, of whom you may have heard.”

“So you were a major,” Vatch said.

“That appears to be my indictment; yes.”

“I have seen a rebel major before,” Vatch said. “Do you want me to tell you where I saw him?”

“Tell me,” Weddel said.

“He was lying by a tree. We had to stop there and lie down, and he was lying by the tree, asking for water. ‘Have you any water, friend?’ he said. ‘Yes. I have water,’ I said. ‘I have plenty of water.’ I had to crawl; I couldn’t stand up. I crawled over to him and I lifted him so that his head would be propped against the tree. I fixed his face to the front.”

“Didn’t you have a bayonet?” Weddel said. “But I forgot; you couldn’t stand up.”

“Then I crawled back. I had to crawl back a hundred yards, where…”

“Back?”

“It was too close. Who can do decent shooting that close? I had to crawl back, and then the damned musket…”

“Damn musket?” Weddel sat a little sideways in his chair, his hand on the table, his face quizzical and sardonic, contained.

“I missed, the first shot. I had his face propped up and turned, and his eyes open watching me, and then I missed. I hit him in the throat and I had to shoot again because of the damned musket.”

“Vatch,” the father said.

Vatch’s hands were on the table. His head, his face, were like his father’s, though without the father’s deliberation. His face was furious, still, unpredictable. “It was that damn musket. I had to shoot three times. Then he had three eyes, in a row across his face propped against the tree, all three of them open, like he was watching me with three eyes. I gave him another eye, to see better with. But I had to shoot twice because of the damn musket.”

“You, Vatch,” the father said. He stood now, his hands on the table, propping his gaunt body. “Don’t you mind Vatch, stranger. The War is over now.”

“I don’t mind him,” Weddel said. His hands went to his bosom, disappearing into the foam of linen while he watched Vatch steadily with his alert, quizzical, sardonic gaze. “I have seen too many of him for too long a time to mind one of him any more.”

“Take some whiskey,” Vatch said.

“Are you just making a point?”

“Damn the pistol,” Vatch said. “Take some whiskey.”

Weddel laid his hand again on the table. But instead of pouring, Vatch held the jug poised over the tumbler. He was looking past Weddel’s shoulder. Weddel turned. The girl was in the room, standing in the doorway with her mother just behind her. The mother said as if she were speaking to the floor under her feet: “I tried to keep her back, like you said. I tried to. But she is strong as a man; hard-headed like a man.”

“You go back,” the father said.

“Me to go back?” the mother said to the floor.

The father spoke a name; Weddel did not catch it; he did not even know that he had missed it. “You go back.”

The girl moved. She was not looking at any of them. She came to the chair on which lay Weddel’s worn and mended cloak and opened it, revealing the four ragged slashes where the sable lining had been cut out as though with a knife. She was looking at the cloak when Vatch grasped her by the shoulder, but it was at Weddel that she looked. “You cut hit out and gave hit to that nigra to wrap his feet in,” she said.

Then the father grasped Vatch in turn. Weddel had not stirred, his face turned over his shoulder; beside him the boy was upraised out of his chair by his arms, his young, slacked face leaned forward into the lamp. But save for the breathing of Vatch and the father there was no sound in the room.

“I am stronger than you are, still,” the father said. “I am a better man still, or as good.”

“You won’t be always,” Vatch said.

The father looked back over his shoulder at the girl. “Go back,” he said. She turned and went back toward the hall, her feet silent as rubber feet. Again the father called that name which Weddel had not caught; again he did not catch it and was not aware again that he had not. She went out the door. The father looked at Weddel. Weddel’s attitude was unchanged, save that once more his hand was hidden inside his bosom. They looked at one another the cold, Nordic face and the half Gallic half Mongol face, thin and worn like a bronze casting, with eyes like those of the dead, in which only vision has ceased and not sight. “Take your horses, and go,” the father said.

VI

IT WAS dark in the hall, and cold, with the black chill of the mountain April coming up through the floor about her bare legs and her body in the single coarse garment. “He cut the lining outen his cloak to wrap that nigra’s feet in,” she said.

“He done hit for a nigra.” The door behind her opened.

Against the lamplight a man loomed, then the door shut behind him. “Is it Vatch or paw?” she said. Then something struck her across the back: a leather strap. “I was afeared it would be Vatch,” she said. The blow fell again.

“Go to bed,” the father said.

“You can whip me, but you can’t whip him,” she said.

The blow fell again: a thick, flat, soft sound upon her immediate flesh beneath the coarse sacking.

VII

IN THE deserted kitchen the Negro sat for a moment longer on the upturned block beside the stove, looking at the door.

Then he rose carefully, one hand on the wall.

“Whuf!” he said. “Wish us had a spring on de Domain whut run dat. Stock would git trompled to death, sho mon.”

He blinked at the door, listening, then he moved, letting himself carefully along the wall, stopping now and then to look toward the door and listen, his air cunning, unsteady, and alert. He reached the corner and lifted the loose plank, stooping carefully, bracing himself against the wall. He lifted the jug out, whereupon he lost his balance and sprawled on his face, his face ludicrous and earnest with astonishment. He got up and sat flat on the floor, carefully, the jug between his knees, and lifted the jug and drank. He drank a long time.

“Whuf!” he said. “On de Domain we’d give disyer stuff to de hawgs. But deseyer ign’unt mountain trash…” He drank again; then with the jug poised there came into his face an expression of concern and then consternation. He set the jug down and tried to get up, sprawling above the jug, gaining his feet at last, stooped, swaying, drooling, with that expression of outraged consternation on his face. Then he fell headlong to the floor, overturning the jug.

VIII

THEY STOOPED above the Negro, talking quietly to one another Weddel in his frothed shirt, the father and the boy.

“We’ll have to tote him,” the father said.

They lifted the Negro. With his single hand Weddel jerked the Negro’s head up, shaking him. “Jubal,” he said.

The Negro struck out, clumsily, with one arm. “Le’m be,” he muttered. “Le’m go.”

“Jubal!” Weddel said.

The Negro thrashed, sudden and violent. “You le’m be,” he said. “I gwy tell de Man. I gwy tell um.” He ceased, muttering: “Field hands. Field niggers.”

“We’ll have to tote him,” the father said.

“Yes,” Weddel said. “I’m sorry for this. I should have warned you. But I didn’t think there was another jug he could have gained access to.” He stooped, getting his single hand under the Negro’s shoulders.

“Get away,” the father said. “Me and Hule can do it.” He and the boy picked the Negro up. Weddel opened the door.

They emerged into the high black cold. Below them the barn loomed. They carried the Negro down the slope. “Get them horses out, Hule,” the father said.

“Horses?” Weddel said. “He can’t ride now. He can’t stay on a horse.”

They looked at one another, each toward the other voice, in the cold, the icy silence.

“You won’t go now?” the father said.

“I am sorry. You see I cannot depart now. I will have to stay until daylight, until he is sober. We will go then.”

“Leave him here. Leave him one horse, and you ride on. He is nothing but a nigra.”

“I am sorry. Not after four years.” His voice was quizzical, whimsical almost, yet with that quality of indomitable weariness. “I’ve worried with him this far; I reckon I will get him on home.”

“I have warned you,” the father said.

“I am obliged. We will move at daylight. If Hule will be kind enough to help me get him into the loft.”

The father had stepped back. “Put that nigra down, Hule,” he said.

“He will freeze here,” Weddel said. “I must get him into the loft.” He hauled the Negro up and propped him against the wall and stooped to hunch the Negro’s lax body onto his shoulder. The weight rose easily, though he did not understand why until the father spoke again: “Hule. Come away from there.”

“Yes; go,” Weddel said quietly. “I can get him up the ladder.” He could hear the boy’s breathing, fast, young, swift with excitement perhaps. Weddel did not pause to speculate, nor at the faintly hysterical tone of the boy’s voice: “I’ll help you.”

Weddel didn’t object again. He slapped the Negro awake and they set his feet on the ladder rungs, pushing him upward. Halfway up he stopped; again he thrashed out at them.

“I gwy tell um. I gwy tell de Man. I gwy tell Mistis. Field hands. Field niggers.”

IX

THEY LAY side by side in the loft, beneath the cloak and the two saddle blankets. There was no hay. The Negro snored, his breath reeking and harsh, thick. Below, in its stall, the Thoroughbred stamped now and then. Weddel lay on his back, his arm across his chest, the hand clutching the stub of the other arm. Overhead, through the cracks in the roof the sky showed the thick chill, black sky which would rain again tomorrow and on every tomorrow until they left the mountains. “If I leave the mountains,” he said quietly, motionless on his back beside the snoring Negro, staring upward. “I was concerned. I had thought that it was exhausted; that I had lost the privilege of being afraid. But I have not. And so I am happy. Quite happy.” He lay rigid on his back in the cold darkness, thinking of home. “Countymaison. Our lives are summed up in sounds and made significant. Victory. Defeat. Peace. Home. That’s why we must do so much to invent meanings for the sounds, so damned much. Especially if you are unfortunate enough to be victorious: so damned much. It’s nice to be whipped; quiet to be whipped. To be whipped and to lie under a broken roof, thinking of home.”

The Negro snored. “So damned much"; seeming to watch the words shape quietly in the darkness above his mouth.

“What would happen, say, a man in the lobby of the Gayoso, in Memphis, laughing suddenly aloud. But I am quite happy…” Then he heard the sound. He lay utterly still then, his hand clutching the butt of the pistol warm beneath the stub of his right arm, hearing the quiet, almost infinitesimal sound as it mounted the ladder. But he made no move until he saw the dim orifice of the trap door blotted out. “Stop where you are,” he said.

“It’s me,” the voice said; the voice of the boy, again with that swift, breathless quality which even now Weddel did not pause to designate as excitement or even to remark at all.

The boy came on his hands and knees across the dry, sibilant chaff which dusted the floor. “Go ahead and shoot,” he said.

On his hands and knees he loomed above Weddel with his panting breath. “I wish I was dead. I so wish hit. I wish we was both dead. I could wish like Vatch wishes. Why did you uns have to stop here?”

Weddel had not moved. “Why does Vatch wish I was dead?”

“Because he can still hear you uns yelling. I used to sleep with him and he wakes up at night and once paw had to keep him from choking me to death before he waked up and him sweating, hearing you uns yelling still. Without nothing but unloaded guns, yelling, Vatch said, like scarecrows across a cornpatch, running.” He was crying now, not aloud. “Damn you! Damn you to hell!”

“Yes,” Weddel said. “I have heard them, myself. But why do you wish you were dead?”

“Because she was trying to come, herself. Only she had to”

“Who? She? Your sister?”

“…had to go through the room to get out. Paw was awake. He said, ‘If you go out that door, don’t you never come back.’ And she said, ‘I don’t aim to,’ And Vatch was awake too and he said, ‘Make him marry you quick because you are going to be a widow at daylight.’ And she come back and told me. But I was awake too. She told me to tell you.”

“Tell me what?” Weddel said. The boy cried quietly, with a kind of patient and utter despair.

“I told her if you was a nigra, and if she done that I told her that I…”

“What? If she did what? What does she want you to tell me?”

“About the window into the attic where her and me sleep. There is a foot ladder I made to come back from hunting at night for you to get in. But I told her if you was a nigra and if she done that I would…”

“Now then,” Weddel said sharply; “pull yourself together now. Don’t you remember? I never even saw her but that one time when she came in the room and your father sent her out.”

“But you saw her then. And she saw you.”

“No,” Weddel said.

The boy ceased to cry. He was quite still above Weddel.

“No what?”

“I won’t do it. Climb up your ladder.”

For a while the boy seemed to muse above him, motionless, breathing slow and quiet now; he spoke now in a musing, almost dreamy tone: “I could kill you easy. You ain’t got but one arm, even if you are older…” Suddenly he moved, with almost unbelievable quickness; Weddel’s first intimation was when the boy’s hard, overlarge hands took him by the throat. Weddel did not move. “I could kill you easy. And wouldn’t none mind.”

“Shhhhhh,” Weddel said. “Not so loud.”

“Wouldn’t none care.” He held Weddel’s throat with hard, awkward restraint. Weddel could feel the choking and the shaking expend itself somewhere about the boy’s forearms before it reached his hands, as though the connection between brain and hands was incomplete. “Wouldn’t none care. Except Vatch would be mad.”

“I have a pistol,” Weddel said.

“Then shoot me with it. Go on.”

“No.”

“No what?”

“I told you before.”

“You swear you won’t do it? Do you swear?”

“Listen a moment,” Weddel said; he spoke now with a sort of soothing patience, as though he spoke one-syllable words to a child: “I just want to go home. That’s all. I have been away from home for four years. All I want is to go home. don’t you see? I want to see what I have left there, after four years.”

“What do you do there?” The boy’s hands were loose and hard about Weddel’s throat, his arms still, rigid. “Do you hunt all day, and all night too if you want, with a horse to ride and nigras to wait on you, to shine your boots and saddle the horse, and you setting on the gallery, eating, until time to go hunting again?”

“I hope so. I haven’t been home in four years, you see. So I don’t know any more.”

“Take me with you.”

“I don’t know what’s there, you see. There may not be anything there: no horses to ride and nothing to hunt. The Yankees were there, and my mother died right afterward, and I don’t know what we would find there, until I can go and see.”

“I’ll work. We’ll both work. You can get married in Mayesfield. It’s not far.”

“Married? Oh. Your… I see. How do you know I am not already married?” Now the boy’s hands shut on his throat, shaking him. “Stop it!” he said.

“If you say you have got a wife, I will kill you,” the boy said.

“No,” Weddel said. “I am not married.”

“And you don’t aim to climb up that foot ladder?”

“No. I never saw her but once. I might not even know her if I saw her again.”

“She says different. I don’t believe you. You are lying.”

“No,” Weddel said.

“Is it because you are afraid to?”

“Yes. That’s it.”

“Of Vatch?”

“Not Vatch. I’m just afraid. I think my luck has given out. I know that it has lasted too long; I am afraid that I shall find that I have forgot how to be afraid. So I can’t risk it. I can’t risk finding that I have lost touch with truth. Not like Jubal here. He believes that I still belong to him; he will not believe that I have been freed. He won’t even let me tell him so. He does not need to bother about truth, you see.”

“We would work. She might not look like the Miss’ippi women that wear shoes all the time. But we would learn. We would not shame you before them.”

“No,” Weddel said. “I cannot.”

“Then you go away. Now.”

“How can I? You see that he cannot ride, cannot stay on a horse.” The boy did not answer at once; an instant later Weddel could almost feel the tenseness, the utter immobility though he himself had heard no sound; he knew that the boy, crouching, not breathing, was looking toward the ladder.

“Which one is it?” Weddel whispered.

“It’s paw.”

“I’ll go down. You stay here. You keep my pistol for me.”

X

THE DARK AIR was high, chill, cold. In the vast invisible darkness the valley lay, the opposite cold and invisible range black on the black sky. Clutching the stub of his missing arm across his chest, he shivered slowly and steadily.

“Go,” the father said.

“The war is over,” Weddel said. “Vatch’s victory is not my trouble.”

“Take your horses and nigra, and ride on.”

“If you mean your daughter, I never saw her but once and I never expect to see her again.”

“Ride on,” the father said. “Take what is yours, and ride on.”

“I cannot.” They faced one another in the darkness. “After four years I have bought immunity from running.”

“You have till daylight.”

“I have had less than that in Virginia for four years. And this is just Tennessee.” But the other had turned; he dissolved into the black slope. Weddel entered the stable and mounted the ladder. Motionless above the snoring Negro the boy squatted.

“Leave him here,” the boy said. “He ain’t nothing but a nigra. Leave him, and go.”

“No,” Weddel said.

The boy squatted above the snoring Negro. He was not looking at Weddel, yet there was between them, quiet and soundless, the copse, the sharp dry report, the abrupt wild thunder of upreared horse, the wisping smoke. “I can show you a short cut down to the valley. You will be out of the mountains in two hours. By daybreak you will be ten miles away.”

“I can’t. He wants to go home too. I must get him home too.” He stooped; with his single hand he spread the cloak awkwardly, covering the Negro closer with it. He heard the boy creep away, but he did not look. After a while he shook the Negro. “Jubal,” he said. The Negro groaned; he turned heavily, sleeping again. Weddel squatted above him as the boy had done. “I thought that I had lost it for good,” he said.

“ The peace and the quiet; the power to be afraid again.”

XI

THE CABIN was gaunt and bleak in the thick cold dawn when the two horses passed out the sagging gate and into the churned road, the Negro on the Thoroughbred, Weddel on the sorrel. The Negro was shivering. He sat hunched and high, with updrawn knees, his face almost invisible in the oilcloth hood.

“I tole you dey wuz fixing to pizen us wid dat stuff,” he said. “I tole you. Hillbilly rednecks. En you not only let um pizen me, you fotch me de pizen wid yo own hand. O Lawd, O Lawd! If we ever does git home.”

Weddel looked back at the cabin, at the weathered, blank house where there was no sign of any life, not even smoke.

“She has a young man, I suppose a beau.” He spoke aloud, musing, quizzical. “And that boy. Hule. He said to come within sight of a laurel copse where the road disappears, and take a path to the left. He said we must not pass that copse.”

“Who says which?” the Negro said. “I ain’t going nowhere. I going back to dat loft en lay down.”

“All right,” Weddel said. “Get down.”

“Git down?”

“I’ll need both horses. You can walk on when you are through sleeping.”

“I gwy tell yo maw,” the Negro said. “I gwy tell um. Gwy tell how after four years you ain’t got no more sense than to not know a Yankee when you seed um. To stay de night wid Yankees en let um pizen one of Mistis’ niggers. I gwy tell um.”

“I thought you were going to stay here,” Weddel said. He was shivering too. “Yet I am not cold,” he said. “I am not cold.”

“Stay here? Me? How in de world you ever git home widout me? Whut I tell Mistis when I come in widout you en she ax me whar you is?”

“Come,” Weddel said. He lifted the sorrel into motion.

He looked quietly back at the house, then rode on. Behind him on the Thoroughbred the Negro muttered and mumbled to himself in woebegone singsong. The road, the long hill which yesterday they had toiled up, descended now. It was muddy, rock-churned, scarred across the barren and rocky land beneath the dissolving sky, jolting downward to where the pines and laurel began. After a while the cabin had disappeared.

“And so I am running away,” Weddel said. “When I get home I shall not be very proud of this. Yes, I will. It means that I am still alive. Still alive, since I still know fear and desire. Since life is an affirmation of the past and a promise to the future. So I am still alive. Ah.” It was the laurel copse.

About three hundred yards ahead it seemed to have sprung motionless and darkly secret in the air which of itself was mostly water. He drew rein sharply, the Negro, hunched, moaning, his face completely hidden, overriding him unawares until the Thoroughbred stopped of its own accord.

“But I don’t see any path…” Weddel said; then a figure emerged from the copse, running toward them. Weddel thrust the reins beneath his groin and withdrew his hand inside his cloak. Then he saw that it was the boy. He came up trotting. His face was white, strained, his eyes quite grave.

“It’s right yonder,” he said.

“Thank you,” Weddel said. “It was kind of you to come and show us, though we could have found it, I imagine.”

“Yes,” the boy said as though he had not heard. He had already taken the sorrel’s bridle. “Right tother of the brush. You can’t see hit until you are in hit.”

“In whut?” the Negro said. “I gwy tell um. After four years you ain’t got no more sense…”

“Hush,” Weddel said. He said to the boy, “I am obliged to you. You’ll have to take that in lieu of anything better. And now you get on back home. We can find the path. We will be all right now.”

“They know the path too,” the boy said. He drew the sorrel forward. “Come on.”

“Wait,” Weddel said, drawing the sorrel up. The boy still tugged at the bridle, looking on ahead toward the copse. “So we have one guess and they have one guess. Is that it?”

“Damn you to hell, come on!” the boy said, in a kind of thin frenzy. “I am sick of hit. Sick of hit.”

“Well,” Weddel said. He looked about, quizzical, sardonic, with his gaunt, weary, wasted face. “But I must move. I can’t stay here, not even if I had a house, a roof to live under. So I have to choose between three things. That’s what throws a man off that extra alternative. Just when he has come to realize that living consists in choosing wrongly between two alternatives, to have to choose among three. You go back home.”

The boy turned and looked up at him. “We’d work. We could go back to the house now, since paw and Vatch are … We could ride down the mou-tin, two on one horse and two on tother. We could go back to the valley and get married at Mayesfield. We would not shame you.”

“But she has a young man, hasn’t she? Somebody that waits for her at church on Sunday and walks home and takes Sunday dinner, and maybe fights the other young men because of her?”

“You won’t take us, then?”

“No. You go back home.”

For a while the boy stood, holding the bridle, his face lowered. Then he turned; he said quietly: “Come on, then. We got to hurry.”

“Wait,” Weddel said; “what are you going to do?”

“I’m going a piece with you. Come on.” He dragged the sorrel forward, toward the roadside.

“Here,” Weddel said, “you go on back home. The war is over now. Vatch knows that.”

The boy did not answer. He led the sorrel into the underbrush. The Thoroughbred hung back. “Whoa, you Caesar!” the Negro said. “Wait, Marse Soshay. I ain’t gwine ride down no…”

The boy looked over his shoulder without stopping. “You keep back there,” he said. “You keep where you are.”

The path was a faint scar, doubling and twisting among the brush. “I see it now,” Weddel said. “You go back.”

“I’ll go a piece with you,” the boy said; so quietly that Weddel discovered that he had been holding his breath, in a taut, strained alertness. He breathed again, while the sorrel jolted stiffly downward beneath him. “Nonsense,” he thought. “He will have me playing Indian also in five minutes more. I had wanted to recover the power to be afraid, but I seem to have outdone myself.” The path widened; the Thoroughbred came alongside, the boy walking between them; again he looked at the Negro.

“You keep back, I tell you,” he said.

“Why back?” Weddel said. He looked at the boy’s wan, strained face; he thought swiftly, “I don’t know whether I am playing Indian or not.” He said aloud: “Why must he keep back?”

The boy looked at Weddel; he stopped, pulling the sorrel up. “We’d work,” he said. “We wouldn’t shame you.”

Weddel’s face was now as sober as the boy’s. They looked at one another. “Do you think we have guessed wrong? We had to guess. We had to guess one out of three.”

Again it was as if the boy had not heard him. “You won’t think hit is me? You swear hit?”

“Yes. I swear it.” He spoke quietly, watching the boy; they spoke now as two men or two children. “What do you think we ought to do?”

“Turn back. They will be gone now. We could…” He drew back on the bridle; again the Thoroughbred came abreast and forged ahead.

“You mean, it could be along here?” Weddel said. Suddenly he spurred the sorrel, jerking the clinging boy forward. “Let go,” he said. The boy held onto the bridle, swept forward until the two horses were again abreast. On the Thoroughbred the Negro perched, high-kneed, his mouth still talking, flobbed down with ready speech, easy and worn with talk like an old shoe with walking.

“I done tole him en tole him,” the Negro said.

“Let go!” Weddel said, spurring the sorrel, forcing its shoulder into the boy. “Let go!”

“You won’t turn back?” the boy said. “You won’t?”

“Let go!” Weddel said. His teeth showed a little beneath his mustache; he lifted the sorrel bodily with the spurs. The boy let go of the bridle and ducked beneath the Thoroughbred’s neck; Weddel, glancing back as the sorrel leaped, saw the boy surge upward and on to the Thoroughbred’s back, shoving the Negro back along its spine until he vanished.

“They think you will be riding the good horse,” the boy said in a thin, panting voice; “I told them you would be riding… Down the mou-tin!” he cried as the Thoroughbred swept past; “the horse can make hit! Git outen the path! Git outen the…” Weddel spurred the sorrel; almost abreast the two horses reached the bend where the path doubled back upon itself and into a matted shoulder of laurel and rhododendron. The boy looked back over his shoulder.

“Keep back!” he cried. “Git outen the path!” Weddel rowelled the sorrel. On his face was a thin grimace of exasperation and anger almost like smiling.

It was still on his dead face when he struck the earth, his foot still fast in the stirrup. The sorrel leaped at the sound and dragged Weddel to the path side and halted and whirled and snorted once, and began to graze. The Thoroughbred however rushed on past the curve and whirled and rushed back, the blanket twisted under its belly and its eyes rolling, springing over the boy’s body where it lay in the path, the face wrenched sideways against a stone, the arms back-sprawled, open-palmed, like a woman with lifted skirts springing across a puddle. Then it whirled and stood above Weddel’s body, whinnying, with tossing head, watching the laurel copse and the fading gout of black powder smoke as it faded away.

The Negro was on his hands and knees when the two men emerged from the copse. One of them was running. The Negro watched him run forward, crying monotonously, “The durned fool! The durned fool! The durned fool!” and then stop suddenly and drop the gun; squatting, the Negro saw him become stone still above the fallen gun, looking down at the boy’s body with an expression of shock and amazement like he was waking from a dream. Then the Negro saw the other man. In the act of stopping, the second man swung the rifle up and began to reload it. The Negro did not move. On his hands and knees he watched the two white men, his irises rushing and wild in the bloodshot whites. Then he too moved and, still on hands and knees, he turned and scuttled to where Weddel lay beneath the sorrel and crouched over Weddel and looked again and watched the second man backing slowly away up the path, loading the rifle. He watched the man stop; he did not close his eyes nor look away. He watched the rifle elongate and then rise and diminish slowly and become a round spot against the white shape of Vatch’s face like a period on a page. Crouching, the Negro’s eyes rushed wild and steady and red, like those of a cornered animal.

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