Fancy Pants

Chapter 24

"You're sellin' out, is what it is," Skeet said to Dallie, who was scowling at the back of the cab driver's neck as the taxi crawled down Fifth Avenue. "You can try to paint a pretty face on it, talkin' 'bout new opportunities and expanding horizons, but what you're doin' is giving up."

"What I'm doing is being realistic," Dallie answered with some irritation. "If you weren't so goddamn ignorant, you'd see that this is just about the chance of a lifetime." Riding in a car with someone else driving always put Dallie in a bad mood, but when he was stuck in a Manhattan traffic jam and the man behind the wheel could only speak Farsi, Dallie passed the point of being fit for human company.

He and Skeet had spent the last two hours at the Tavern on the Green, being wined and dined by the network brass, who wanted Dallie to sign an exclusive five-year contract to do color commentary during their golf tournaments. He had done some announcing for them the year before while he was recovering from a fractured wrist, and the audience response had been so favorable that the network had immediately gone after him. Dallie had the same humorous, irreverent attitude on the air as Lee Trevino and Dave Marr, currently the most entertaining of the color commentators. But as one of the network vice-presidents had remarked to his third wife, Dallie was a hell of a lot prettier than either one.

Dailie had made a sartorial concession to the importance of the occasion by putting on a navy suit, along with a respectable maroon silk tie neatly knotted at the collar of his pale blue dress shirt. Skeet, however, had settled for a corduroy jacket from J. C. Penney's along with a string tie he'd won in the fail of 1973 pitching dimes into goldfish bowls.

"You're sellin' out your God-given talent," Skeet insisted stubbornly.

Dailie whipped around to glower at him. "You're a damn hypocrite, is what you are. For as long as I can remember, you've been pushing Hollywood talent agents down my throat and trying to get me to pose for pinup pictures wearing nothing but my jockstrap, but now that I have an offer with a little dignity attached to it, you're getting all indignant."

"Those other offers didn't interfere with your golf. Dammit, Dailie, you wouldn't have missed a single tournament if you'd done a guest shot on 'The Love Boat' during the off" season, but we're talking about something entirely different here. We're talkin' about you sitting up in an announcer's booth making wise-ass remarks about Greg Norman's pink shirts while Norman's out there making golf history. We're talking about the end of your professional career! I didn't hear those network honchos say anything about you coming up into the announcers' booth only on the days you don't make the cut, the way Nicklaus does, and some of the other big boys. They're talkin' about having you there full-time. In the announcers' booth, Dailie-not out on the golf course."

It was one of the longest speeches Dallie had ever heard Skeet make, and the sheer volume of words held him momentarily in check. But then Skeet muttered something under his breath, aggravating Dallie almost past the point of endurance. He managed to keep a rein on his temper only because he knew that these past few golf seasons had just about broken Skeet Cooper's heart.

It had all started a few years back when he'd been driving home from a Wichita Falls bar and had almost killed a teenage kid riding a ten-speed bike. He'd given up taking illegal Pharmaceuticals in the late seventies, but he'd continued his friendship with the beer bottle right up until that night. The boy ended

up with nothing more serious than a broken rib, and the cops had gone a lot easier on Dallie than he'd deserved, but he'd been so badly shaken that he'd given up booze right after. It hadn't been easy, which told him just how much he'd been kidding himself about his drinking. He might never survive the cut at the Masters or finish in the money at the U.S. Classic, but he would be damned if he'd kill a kid because he drank too goddamn much.

To his surprise, going on the wagon had immediately improved his game, and the next month he'd taken a third in the Bob Hope, right in front of the television cameras. Skeet was so happy he almost cried. That night Dallie had overheard him talking to Holly Grace on the telephone. "I knew he could do it," Skeet had crowed. "You just watch. This is it, Holly Grace. He's going to be one of the greats. It's all going to come together for our boy now."

But it hadn't, not quite. And that's what was pretty much breaking Skeet's heart. Once or twice each season Dallie took a second or third in one of the majors, but it had become pretty obvious to everyone that, at thirty-seven, his best years were just about gone and the big championships would never be his.

"You got the skill," Skeet said, staring out the murky window of the cab. "You got the skill and you got the talent, but something inside you is keeping you from being a real champion. I just wish I knew what it was."

Dallie knew, but he wasn't saying. "Now you listen to me, Skeet Cooper. Everybody understands that watching golf on television is about as interesting as watching somebody sleep. Those network honchos are getting ready to pay rne some semi-spectacular money to liven up their broadcasts, and I don't see

any need to throw their generosity back in their faces."

"Those network honchos wear fancy cologne," Skeet grumbled, as if that said it all. "And since when did you get so all-fired concerned about money?"

"Since I looked at the calendar and saw that I was thirty-seven years old, that's when." Dallie leaned forward and abruptly rapped on the glass separating him from the driver. "Hey, you! Let me out at the next corner."

"Just where do you think you're going?"

"I'm going to see Holly Grace, that's where. And I'm going by myself."

"It won't do you any good. She'll just say the same thing I been sayin'."

Dallie pushed open the door anyway and jumped out in front of Cartier. The cab pulled away, and he stepped directly into a pile of dog shit. It served him right, he thought, for eating a lunch that cost more than the yearly budget of most Third World nations.

Oblivious to the attention he was attracting from several female passersby, he began scraping the sole of his shoe on the curb. It was then that the Bear came up behind him, right there in the middle of Midtown. You 'd better sign while they still want you, the Bear said. How much longer are you going to kid yourself?

I'm not kidding myself. Dallie started back up Fifth Avenue, heading toward Holly Grace's apartment.

The Bear stayed right with him, shaking his big blond head in disgust. You thought giving up booze was going to guarantee you 'd make those eagle putts, didn't you, boy? You thought it was going to be that simple. Why don't you tell old Skeet what's really holding you back? Why don't you just come right out and tell him you don't have the guts to be a champion?

Dallie quickened his pace, doing his best to lose the Bear in the crowd. But the Bear was tenacious.

He'd stuck around for a long time, and he wasn't going anyplace now.

Holly Grace lived in the Museum Tower, the luxury condominiums built above the Museum of Modern Art, which made her fond of announcing that she slept on top of some of the greatest painters in the world. The doorman recognized Dallie and let him into Holly Grace's apartment to wait for her. Dallie hadn't seen Holly Grace for several months, but they talked on the telephone frequently and not much happened in either life that didn't get discussed between them.

The apartment wasn't Dallie's style at all-too much white furniture, with free-form chairs that didn't fit his lanky body, and some abstract art that reminded him of pond scum. He shucked off his coat and tie, then stuck a tape of Born in the U.S.A. into a cassette player he found in a cabinet that looked as if it

was designed to hold dental equipment. He fast-forwarded the tape to "Darlington County," which, in

his opinion, was one of the ten greatest American songs ever written. While the Boss sang about his adventures with Wayne, Dallie wandered about the spacious living room, finally coming to a stop in front of Holly Grace's piano. Since he'd last been in the apartment, she'd added a group of photographs in silver frames to the collection of glass paperweights that had always occupied the top of the piano. He noted several pictures of Holly Grace and her mother, a couple of photos of himself, some snapshots of the

two of them together, and a photograph of Danny they'd had taken at Sears in 1969.

Dallie's fingers tightened around the edge of the frame as he picked it up. Danny's round face looked back at him, wide-eyed and laughing, a tiny bubble of drool frozen forever on the inside of his bottom lip. If Danny had lived, he would have been eighteen years old now. Dallie couldn't imagine it. He couldn't picture Danny at eighteen, as tall as himself, blond and lithe, as good-looking as his mother. In his mind, Danny would always be a toddler running toward his twenty-year-old father with a loaded diaper sagging down around his knees and his chubby arms extended in perfect trust.

Dallie replaced the photograph and looked away. After all these years, the ache was still there-not as acute, maybe, but still there. He distracted himself by studying a photograph of Francesca wearing bright red shorts and laughing mischievously into the camera. She was perched on a big rock, pushing her hair away from her face with one hand and propping a chubby baby between her legs with the other. He smiled. She looked happy in the picture. That time with Francesca had been a good time in his life, sort

of like living inside a private joke. Still, maybe the laugh was on him now.

Who would have ever thought Miss Fancy Pants would turn out to be such a success? She'd done it on her own, too-he knew that from Holly Grace. She'd raised a baby without anyone to help her and made a career for herself. Of course, there'd been something special about her even ten years before-a feistiness, a way she had of charging at life straight on and going after what she wanted without any thought of the consequences. For a fraction of a moment it flashed through his mind that Francesca had taken life on at a full run while he was still hanging out at the fringes.

The idea didn't please him, and he rewound the Springsteen tape to distract himself. He then went into the kitchen and opened the refrigerator, bypassing Holly Grace's Miller Lite for a Dr Pepper. He'd always appreciated the fact that Francesca had been honest with Holly Grace about that baby of hers. It had been natural for him to wonder if the baby might not be his, and Francesca could certainly have pinned old Nicky's kid on him without too much trouble. But she hadn't done it, and he admired her for it.

Popping the lid on the Dr Pepper, he walked back to the piano and looked around for another picture of Francesca's son, but found only the one. He got a kick out of the fact that whenever the child was mentioned in an article about Francesca, he was always identified as the product of an unhappy early marriage-so unhappy that Francesca had refused to give the child his father's last name. As far as Dallie knew, he, Holly Grace, and Skeet were the only people who knew the marriage had never existed, but all of them had enough respect for what Francesca had done with herself to keep their mouths shut.

The unexpected friendship that had developed between Holly Grace and Francesca seemed to Dallie one of life's more interesting relationships, and he'd mentioned to Holly Grace more than once that he would like to drop in some time when the two of them were together to see how they got along. "I just can't picture it," he'd once said. "All I can see is you going on and on about the last Cowboys game while Francie talks about her Gucci shoes and admires herself in the mirror."

"She's not like that, Dallie." Holly Grace replied. "I mean, she does talk about her shoes, but that's not all."

"It just seems ironic," he answered, "that somebody like her should be raising a male child. I'll bet you anything he grows up strange."

Holly Grace hadn't liked that remark, so he'd stopped teasing her, but he could tell she was worried

about the same thing. That's how he knew the kid was pretty much a sissy.

Dallie had rewound Bom in the U.S.A. for the third time when he heard a key turn in the front door. Holly Grace called out, "Hey, Dallie. The doorman said he let you in. You weren't supposed to show

up until tomorrow."

"I had a change of plans. Damn, Holly Grace, this place reminds me of a doctor's office."

Holly Grace had a peculiar look on her face as she walked in from the foyer, her blond hair sweeping over the collar of her coat. "That's exactly what Francesca always says. Honestly, Dallie, it's the

spookiest thing. Sometimes the two of you give me the willies."

"Now, why's that?"

She tossed her purse down on a white leather couch. "You're not going to believe this, but you have

these strange similarities. I mean, you and me, we're like two peas in a pod, right? We look alike, we

talk alike. We have just about all the same interests-sports, sex, cars."

"Is there a point in here somewhere, because I'm starting to get hungry."

"Of course there's a point. You and Francesca don't like any of the same things. She loves clothes, cities, fancy people. Her stomach gets queasy if she sees somebody sweat, and her politics are definitely getting more liberal all the time-I guess maybe because she's an immigrant." Holly Grace perched one hip on the back of the couch and looked at him thoughtfully. "You, on the other hand, don't care much about fancy stuff, and you lean so far to the right on the political spectrum that you're just about ready to fall off. Looking at the surface, two people couldn't be any more different."

"I guess that's pretty much an understatement." The Springsteen tape had reached "Darlington County" again, and Dallie tapped out the rhythm with the toe of his shoe while he waited for Holly Grace to get

to the point.

"Except you're alike in the most peculiar ways. The first thing she said when she saw this apartment was that it reminded her of a doctor's office. And, Dallie, that girl just about has you beat when it comes to picking up strays. First it was cats. Then she branched off into dogs, which was interesting because she's scared to death of them. Finally, she began picking up people-teenage girls, fourteen, fifteen years old, who'd run away from home and were selling their wares on the street."

"No kidding," Dallie said, his interest finally caught. "What does she do with them once she-" But then he stopped as Holly Grace pulled off her coat and he caught sight of the bruise on her neck. "Hey, what's that? It looks like a sucker bite."

"I don't want to talk about it." She hunched up her shoulders to cover the mark and escaped into the kitchen.

He followed her. "Damn, I haven't seen one of those things in years. I remember when I put a few of those on you myself." He propped himself in the doorway. "You feel like telling me about it?"

"You'll only start yelling."

Dallie gave a snort of displeasure. "Gerry Jaffe. You saw your old commie lover again."

"He's not a commie." Holly Grace yanked a Miller Lite from the refrigerator. "Just because you don't happen to agree with somebody's politics doesn't mean you should go around calling him a commie. Besides, you're not half as conservative as you try to make people believe."

"My politics don't have anything to do with it. I just don't want to see you get hurt again, honey."

Holly Grace deflected the conversation by curving her mouth into a syrupy sweet smile. "Speaking of old lovers, how's Bambi? Has she learned to read those movie magazines yet without moving her lips?"

"Aw, come on, Holly Grace…"

She looked at him with disgust. "I swear to God I would never have divorced you if I'd known you were going to start dating women with names that end in i."

"Are you finished yet?" It aggravated him when she teased him about Bambi, even though he pretty much admitted the girl had been a low point in his amorous career. Still, Holly Grace didn't have to rub it in. "For your information, Bambi's getting married in a few weeks and moving to Oklahoma, so I'm currently looking for a replacement."

"Are you interviewing applicants yet?"

"Just keeping my eyes open."

They heard a key turn in the door and then a child's voice, shrill and breathless, rang out from the foyer. "Hey, Holly Grace, I did it! I climbed every step!"

"Good for you," she called out absentmindedly. And then she sucked in her breath. "Damn, Francie will kill me. That's Teddy, her little boy. Ever since she moved to New York, she's made me promise I wouldn't let the two of you get together."

Dallie was offended. "I'm not exactly a child molester. What does she think I'm going to do? Kidnap him?"

"She's embarrassed is all."

Holly Grace's response told Dallie exactly nothing, but before he could question her, the boy burst into the kitchen, his auburn hair standing up at the cowlick, a small hole in the shoulder seam of his Rambo T-shirt.

"Guess what I found on the stairs? A really cool bolt. Can we go to the Seaport Museum again sometime? It's really neat and-" He broke off as he spotted Dallie standing to the side, one hand resting on the countertop, the other lightly balanced on his hip. "Gee…" His mouth opened and closed like a goldfish's.

"Teddy, this is the one and only Dallas Beaudine," Holly Grace said. "Looks like vou finally got your chance to meet him."

Dallie smiled at the boy and held out his hand. "Hey, Teddy. I've heard a lot about you."

"Gee," Teddy repeated, his eyes widening with awe. "Oh, gee…" And then he rushed forward to return Dallie's handshake, but before he got there, he forgot which hand he was supposed to put out, and he stopped.

Dallie rescued him by reaching down and grabbing the right hand for a shake. "Holly Grace tells me you two are buddies."

"We watched you play on television about a million times," Teddy said enthusiastically. "Holly Grace

has been telling me all about golf and stuff."

"Well, that's real good." The boy certainly wasn't anything to look at, Dallie thought, amused by Teddy's awestruck expression-as if he'd just landed in the presence of God. Since his mama was drop-dead beautiful, old Nicky must have been three-quarters ugly.

Too excited to stand still, Teddy shifted his weight from one foot to the other, his eyes never leaving Dallie's face. His glasses slid down on his nose and he reached up to push them back, but he was too distracted by Dallie's presence to pay any attention to what he was doing, and he knocked the frames askew with his thumb. The glasses tilted toward one ear and then went flying.

"Hey, there…" Dallie said, reaching down to pick them up.

Teddy reached, too, so that they both crouched down. Their heads drew close together, the small auburn one and the larger blond one. Dallie got to the glasses first and held them out toward Teddy. Their faces were so close, less than a foot apart. Dallie felt Teddy's breath on his cheek.

On the stereo in the living room, the Boss was singing about being on fire and a knife that was cutting a six-inch valley through his soul. And for that small space of time while the Boss sang about knives and valleys, everything was still all right in Dallie Beaudine's world. And then, in the next space of time, with Teddy's breath falling like a whisper on his cheek, the fire reached out and grabbed him.

"Christ."

Teddy looked at Dallie with puzzled eyes and then lifted his glasses back toward his face.

Dallie's hand slashed out and grabbed Teddy's wrist, making the child wince.

Holly Grace realized something was wrong and stiffened at the sight of Dallie staring so chillingly into Teddy's face. "Dallie?"

But he didn't hear her. Time had stopped moving forward for him. He had tumbled back through the years until he was a kid again, a kid gazing into the angry face of Jaycee Beaudine.

Except the face wasn't large and overpowering, with unshaven cheeks and clenched teeth.

The face was small. As small as a child's.

Prince Stefan Marko Brancuzi had bought his yacht, Star of the Aegean, from a Saudi oil sheik. As Francesca stepped aboard and greeted the Star's captain, she had the uneasy sensation that time had slipped away and she was nine years old again, coming aboard Onassis's yacht, the Christina, with bowls of caviar lying in wait along with vacuous people who had too much time on their hands and nothing worthwhile to do with it.

She shivered, but it might very well have been a reaction to the damp December night. The sable definitely would have been more appropriate for the weather than her fuchsia shawl. A steward led her across the afterdeck toward the welcoming lights of the lounge. As she stepped inside the opulent room, His Royal Highness, Prince Stefan Marko Brancuzi, came forward and kissed her lightly on the cheek.

Stefan had the thoroughbred look shared by so much of European royalty-thin, elongated features, a sharp nose, a chiseled mouth. His face would have been forbidding had he not been blessed with so

ready a smile. Despite his image as a playboy prince, Stefan had an old-fashioned manner about him that Francesca found endearing. He was also a hard worker who had spent the last twenty years turning his tiny backward country into a modern resort that rivaled Monaco in its opulent pleasures. Now he needed only his own Grace Kelly to cap off his achievements, and he made no secret of the fact that he had selected Francesca for the role.

His clothes were stylish and expensive-an unstructured taupe blazer subtly windowpaned in peach, dark pleated trousers, a silk shirt, open at the throat. He took her hand and drew her toward the mahogany bar where two tulip-shaped Baccarat goblets waited. "Forgive me for not coming to get you myself. My schedule today has been beastly."

"Mine, too," she said, shrugging off her shawl. "1 can't tell you how much I'm looking forward to taking Teddy to Mexico. Two weeks with nothing to do but brush the sand off my feet." She took the champagne glass and perched on one of the bar stools. Inadvertently, she let her hand stray over the soft leather, and once again her mind drifted back to the Christina and another set of bar stools.

"Why not bring Teddy over here instead? Wouldn't you rather sail through the Greek Islands for a few weeks?"

The offer was tempting, but Stefan was pushing her too fast. Besides, something inside her rejected the idea of watching Teddy roam the decks of the Star of the Aegean. "Sorry, but I'm afraid my plans are

set. Maybe another time."

Stefan frowned but didn't press her. He gestured toward a cut-glass bowl mounded with tiny golden-brown eggs. "Caviar? If you don't like osetra, I'll call for some beluga."

"No!" The exclamation was so sharp that Stefan stared at her in surprise. She gave him a shaky smile. "I'm sorry. I-I'm not fond of caviar."

"Gracious, darling, you seem on edge tonight. Is anything wrong?"

"Just a bit tired." She smiled and made a joke. Before long they were engaged in the sort of lighthearted exchange they did so well. They dined on slivers of artichoke heart drizzled with a peppery sauce of black olives and capers, followed by slices of chicken that had been marinated in lime, coriander, and juniper. By the time the raspberry charlotte arrived in a puddle of ginger creme anglaise, she was too full to eat more than a few bites. As she sat bathed in candlelight and Stefan's affection, she thought how much she was enjoying herself. Why didn't she just tell Stefan she would marry him? What woman in her right mind could resist the idea of being a princess? For all her valued independence, she was working too hard and spending too much time away from her son. She loved her career, but she was beginning to realize that she wanted more out of life than spectacular Nielsens. Still, was this marriage what she really wanted?

"Are you listening, darling? This isn't the most encouraging response I've ever received to a marriage proposal."

"Oh, dear, I'm sorry. I'm afraid I was woolgathering." She smiled apologetically. "I need a bit more time, Stefan. To be honest, I'm not all that certain how good you are for my character."

He looked at her, puzzled. "What a curious thing to say. Whatever do you mean?"

She couldn't explain to him how afraid she was that after a few years in his company, she might be right back where she had started from-staring into mirrors and throwing a temper tantrum if her nail polish chipped. Leaning forward, she kissed him, taking a nip at his lip with her small, sharp teeth and distracting him from his question. The wine had warmed her blood, and his solicitude chipped away at the barriers she'd built around herself. Her body was young and healthy. Why was she letting it shrivel up like an old leaf? She brushed his lips with her own again. "Instead of a proposal, how about a proposition?"

A combination of amusement and desire sparked in his eyes. "I suppose that would depend on the kind

of proposition."

She gave him a saucy grin. "Take me to your bedroom, and I'll show you."

Picking up her hand, he kissed the tips of her fingers, his gesture so courtly and elegant he might have been leading her onto the ballroom floor. As they walked through the hallway, she found herself enveloped in a haze of wine and laughter so pleasurable that, by the time they actually entered his opulent stateroom, she might have believed she was really in love if she hadn't known herself better. Still, it had been so long since a man had held her in his arms that she let herself pretend.

He kissed her, gently at first and then more passionately, muttering foreign words in her ear that excited her. His hands moved to the fastenings on her clothing. "If only you knew how long I have wanted to see you naked," he murmured. Drawing down the bodice of her gown, he nuzzled at the tops of her breasts as they rose over the lacy border of her slip. "Like warm peaches," he murmured. "Full and rich and scented. I'm going to suck out every sweet drop of their juice."

Franceses found his line a little corny, but her body wasn't as discriminating as her mind and she could feel her skin growing deliciously warm. She cupped her hand around the back of his head and arched her neck. His lips dipped lower, burrowed beneath the lace of her slip for her nipple. "Here," he said, closing around her. "Oh, yes…"

Yes, indeed. Francesca gasped as she felt the suction of his mouth and then the delicious scrape of his teeth.

"My darling, Francesca…" He sucked deeper, and her knees began to feel as if they would buckle.

And then the telephone rang.

"Those imbeciles!" He cursed in a language she didn't understand. "They know I am never to be disturbed here."

But the mood had been broken, and she stiffened. She suddenly felt embarrassed to be getting ready to have sex with a man she only loved a little bit. What was wrong with her that she couldn't fall in love

with him? Why did she still have to make such a big thing out of sex?

The phone continued to ring. He snatched it and barked into the receiver, listened a moment, then held it out to her, obviously irritated. "It's for you. An emergency."

She let out an oath that was purely Anglo-Saxon, determined to have Nathan Hurd's scalp for this. No matter what his current crisis, her producer had no right to interrupt her tonight. "Nathan, I'm going to-" Stefan banged a heavy crystal brandy decanter down on a tray, and she pushed her finger into her exposed ear to shut him out. "What? I can't hear."

"It's Holly Grace, Francie."

Francesca was immediately alarmed. "Holly Grace, are you all right?"

"Not really. If you're not sitting down, you'd better do it."

Francesca sank down on the side of the bed, apprehension growing inside her at the strangely subdued sound of Holly Grace's voice. "What's wrong?" she demanded. "Are you sick? Did something happen with Gerry?" Stefan's tirade quieted as he heard the worried tone in her voice, and he came over to

stand next to her.

"No, Francie, nothing like that." Holly Grace paused for a moment. "It's Teddy."

"Teddy?" A surge of primal fear shot through Francesca, and her heart began to race.

Holly Grace's words came out in a rush. "He disappeared. Tonight, not long after I took him home."

Raw terror swept through Francesca's body with such intensity that all her senses seemed to short-circuit. An instant array of ugly pictures flashed into her mind from programs she had done, and she felt herself skimming over the edge of consciousness.

"Francie," Holly Grace went on, "I think Dallie's kidnapped him."

Her first feeling was a numbing surge of relief. The dark visions of a shallow grave and a small, mutilated body receded; but then other visions began to appear and she could barely breathe.

"Oh, God, Francie, I'm sorry." Holly Grace's words tumbled over each other. "I don't know exactly what happened. They accidentally met at my apartment today, and then Dallie showed up at your place about an hour after I'd dropped Teddy off and told Consuelo I'd sent him back to pick up Teddy so he could spend the night with me. She knew who he was, of course, so she didn't think anything of it. He had Teddy pack a suitcase, and nobody has seen either of them since. I've called everywhere. Dallie's checked out of his hotel, and Skeet doesn't know a thing. The two of them were supposed to go to Florida this week for a tournament."

Francesca felt a sickness growing in the pit of her stomach. Why would Dallie take Teddy? She could only think of one reason, but that was impossible. No one knew the truth; she had never told a soul.

Still, she couldn't come up with any other reason. A bitter rage mounted inside her. How could he do something so barbaric?

"Francie, are you still there?"

"Yes," Francesca whispered.

"I've got to ask you something." There was another long pause, and Francesca braced herself for what she knew had to be coming. "Francie, I've got to ask you why Dallie would do this. Something funny happened when he saw Teddy. What's going on?"

"I-I don't know."

"Francie…"

"I don't know, Holly Grace!" she exclaimed. "I don't know." Her voice softened. "You understand him better than anyone. Is there any possibility Dallie would hurt Teddy?"

"Of course not." And then she hesitated. "Not physically anyway. I can't say what he might do to him psychologically, since you won't tell me what this is all about."

"I'm going to hang up now and try to get a plane to New York tonight." Francesca tried to sound brisk and efficient, but her voice was quivering. "Would you call everybody you can think of who might know where Dallie is? But be careful what you say. And whatever you do, don't let the newspapers find out. Please, Holly Grace, I don't want Teddy turned into a sideshow freak. I'll be there as soon as I can."

"Francie, you've got to tell me what's going on."

"Holly Grace, I love you… I really do." And then She hung up.

As Francesca flew across the Atlantic that night, she stared vacantly into the impenetrable blackness outside the window. Fear and guilt ate away at her. This was all her fault. If she had been home, she could have prevented it from happening. What kind of mother was she to let other people raise her child? All the devils of working-mother guilt buried their pitchforks in her flesh.

What if something terrible happened? She tried to tell herself that no matter what Dallie might have discovered, he would never hurt Teddy-at least the Dailie she'd known ten years ago wouldn't have. But then she remembered the programs she'd done on ex-spouses kidnapping their own children and vanishing with them for years at a time. Surely someone with as public a career as Dallie's couldn't do that-could he? Once again, she attempted to unravel the puzzle of how Dallie had discovered that Teddy was his son-that was the only explanation she could find for the abduction-but the answer eluded her.

Where was Teddy right now? Was he frightened? What had Dallie told him? She had heard enough stories from Holly Grace to know that when Dallie was angry, he was unpredictable-even dangerous. But no matter how much he might have changed over the years, she couldn't believe he would hurt a

little boy.

What he might do to her, however, was another matter.