Fer-de-Lance

CHAPTER 16

I tried it again. "Fair-duh-lahnss?"

Wolfe nodded. "Somewhat better. Still too much 'n' and not enough nose. You are not a born linguist, Archie. Your defect is probably not mechanical. To pronounce French properly you must have within you a deep antipathy, not to say scorn, for some of the most sacred of the Anglo-Saxon prejudices. In some manner you manage without that scorn, I do not quite know how. Yes, fer-de-lance. Bothrops atrox. Except for the bushmaster, it is the most dreaded of all the vipers."

Fritz had cleaned up the mess, with my help, and served lunch, and we had eaten. When the snake had finished writhing I had stretched it out on the kitchen floor and measured it: six feet, three inches. At the middle it was almost as thick as my wrist. It was a dirty yellowish brown, and even dead it looked damn mean. After measuring it I stood up and, poking at it with the yardstick, wondered what to do with it--observing to Wolfe, standing near, that I couldn’t just stuff it in the garbage pail. Should I take it and throw it in the river?

Wolfe’s cheeks folded. "No, Archie, that would be a pity. Get a carton and excelsior from the basement, pack it nicely, and address it to Mr. Manuel Kimball. Fritz can take it to the post office. It will relieve Mr. Kimball’s mind."

That had been done, and it hadn’t spoiled my lunch. Now we were back in the office, waiting for Maria Maffei, whom Wolfe had telephoned after receiving my call from Fordham Road.

I said, "It comes from South America."

Wolfe was leaning back in his chair content, with half-shut eyes. He was not at all displeased that it had been his blow that had killed it, though he had expressed regret for the beer. He murmured, "It does. It is a crotalid, and one of the few snakes that will strike without challenge or warning. Only last week I was looking at a picture of it, in one of the books you procured for me. It is abundant throughout South America."

"They found snake venom in Barstow."

"Yes. That could have been suspected when the analysis was found difficult. The needle must have been well smeared. These considerations, Archie, will become of moment if Anna Fiore fails us and we must have recourse to a siege. Many things will be discoverable with sufficient patience and--well, abandonment of reserve. Is there somewhere on the Kimball estate a pit where Manuel has carried rats to his fer-de-lance? Did he extract the venom himself by teasing its bite into the pulp of a banana? Unlikely. Has he an Argentine friend who sent the poison to him? More likely. The young man--dark and handsome, Fritz says--who brought the note not from Miss Barstow, and who is admirably deft with vipers, will he be found to be on duller days an usher in a 116th Street movie theater? Or a seaman on a South American boat, providentially arrived at the port of New York only yesterday? Difficult questions, but each has its answer, if it comes to a siege. It is likely that Manuel Kimball arranged some time ago for the journey of the fer-de-lance, as a second string to his bow; thinking that if the contrivance designed by man should for any reason fail it would be well to give nature’s own mechanism a chance. Then, when it arrived, there was a more urgent need for it; vengeance stepped back for safety. And now, to this moment at least, he has neither."

"Maybe. But he just barely missed getting one, and he may get the other any minute."

Wolfe wiggled a finger at me. "Faulty, Archie, inexcusably faulty. Vengeance will continue to wait. Mr. Manuel Kimball is not a creature of impulse. Should circumstances render him suddenly desperate he would act with desperation, but even then not impulsively.--But Miss Maffei is due in half an hour, and you should know the arrangements before she arrives. Your notebook."

I got at my desk, and he dictated twenty minutes without stopping. After the first two minutes I put on a grin, and kept it on till the end. It was beautiful, it was without a flaw, and it covered every detail. He had even allowed for Maria Maffei’s refusal or her inability to persuade Anna; in that case the action was approximately the same, but the characters were shifted around; I was to take it with Anna. He had telephoned Burke Williamson and arranged for a clear stage for us, and Saul Panzer was to call at the office at six o’clock for the sedan and his instructions. When he had finished dictating it was all so clear that there were few questions for me to ask. I asked those few, and ran back over the pages. He was leaning back in his chair, full of beer, pretending he wasn’t pleased with himself.

I said, "All right, I admit it, you’re a genius. This will get it if she’s got it."

He nodded without concern.

Maria Maffei arrived on the dot. I was waiting for her on my toes and got to the door before Fritz was out of the kitchen. She was dressed in black, and if I had met her on the street I doubt if I would have known her, she looked so worn out. I was so full of Wolfe’s program that I had a grin ready for her, but I killed it in time. She wasn’t having any grins. After I saw her I didn’t feel like grinning anyway; it sobered me up to see what the death of a brother might do to a woman. She was ten years older and the bright life in her eyes was gone.

I took her to the office and moved a chair in front of Wolfe for her and went to my desk.

She exchanged greetings with Wolfe and said, "I suppose you want money."

"Money for what?" Wolfe asked.

"For finding my brother Carlo. You didn’t find him. Neither did the police. Some boys found him. I won’t pay you any money."

"You might." Wolfe sighed. "I hadn’t thought of that, Miss Maffei. I’m sorry you suggested it. It arouses me to sordid considerations. But for the moment let us forget it; you owe me nothing. Forget it. But let me ask you--I am sorry if it is painful, but it is necessary--you saw your brother’s body?"

Her eyes were dull on him, but I saw that I had been wrong: the life in them was not gone, it had merely sunk within, waiting back there as if in ambush. She said quietly, "I saw him."

"You saw perhaps the hole in his back. The hole made by the knife of the man who killed him."

"I saw it."

"Good. And if there was a chance of my discovering the man who used that knife and bringing him to punishment, and needed your help, would you help me?"

In the dull eyes a gleam came and went. Maria Maffei said, "I would pay you money for that, Mr. Wolfe."

"I suspect you would. But we shall forget that for the present. It is another kind of assistance I require. Since you are intelligent enough to make reasonable assumptions, and therefore to be made uncomfortable when only reasonable ones are available, I had better explain to you. The man who murdered your brother is sought by me, and by others, for another act he committed. An act more sensational and not less deplorable. I know who he is, but your help is needed-"

"You know? Tell me!" Maria Maffei had jerked forward in her chair, and this time the gleam in her eyes stayed.

Wolfe wiggled a finger at her. "Easy, Miss Maffei. I am afraid you must delegate your vengeance. Remember that those of us who are both civilized and prudent commit our murders only under the complicated rules which permit us to avoid personal responsibility. Let us get on. You can help. You must trust me. Your friend Fanny’s husband, Mr. Durkin, will tell you that I am to be trusted; besides, he will also help. I wish to speak of Miss Anna Fiore, the girl who works at the rooming house where your brother lived. You know her?"

"Of course I know her."

Th "Does she like you and trust you?"

"I don’t know. She is a girl who hides her flowers."

"If any? A tender way of putting it; thank you. Could you go in my automobile this evening, with a driver, and persuade Miss Fiore to take a long ride with you; give her a good excuse, so she would go willingly?"

Maria Maffei looked at him; after a moment she nodded. "She would go. It would be a strange thing, I would have to think-"

"You will have time for that. I prefer to leave it to your wit to invent the excuse; you will use it better if it is your own. But that is all that will be left to you; one of my men will drive the car; in all the rest you must carefully and precisely follow my instructions. Or rather, Mr. Goodwin’s instructions. Archie, if you please." Wolfe put his hands on the edge of the desk and shoved his chair back, and got himself up. "You will forgive me for leaving you, Miss Maffei, it is the hour for my plants. Perhaps when you and Mr. Goodwin have finished you would like him to bring you up to see them."

He left us.

I didn’t take Maria Maffei upstairs to see the orchids that day; it was nearly five o’clock when I had finished with her, and I had something else to do. She didn’t balk at all, but it took a lot of explaining, and then I went over the details three times to make sure she wouldn’t get excited and ball it up. We decided it would be better for her to make a preliminary call on Anna and get it arranged, so I took her out and put her in a taxi and saw her headed for Sullivan Street.

Then I started on my own details. I had to get the knife and the masks and the guns ready, and arrange with the garage for hiring a car, since we couldn’t take a chance on Anna recognizing the roadster, and get hold of Bill Gore and Orrie Cather. I had suggested them, and Wolfe said okay. He had already told Durkin to report at seven o’clock.

I got it all done, but without any time to spare. At six-thirty I ate a hurry-up dinner in the kitchen, while Wolfe was in the office with Saul Panzer. On his way out Saul looked in at the kitchen to make a face at me, as if his ugly mug wasn’t good enough without any embroidery. He called in to me, "Enjoy it, Arch, it may be your last meal, you’re not dealing with a quitter this night!"

I had my mouth full, so I only said, "Shrivel, shrimp."

Bill Gore and Durkin were there on time, and Orrie wasn’t late enough to matter. I gave them the story, and rehearsed Orrie several times because a lot depended on him. We hadn’t been together on anything for over two years, and it seemed like old times to see him again twisting his thin lips and looking around for a place to squirt his tobacco juice.

Wolfe was still in at his dinner when we got away a little before eight o’clock. The garage had given me a black Buick sedan, and it had four wheels and an engine but it wasn’t the roadster. Orrie got in front with me and Bill Gore and Durkin in the back. I thought to myself that it was too bad it was only a set-up, because with those three birds I would have contracted to stop anything from a Jersey bus to a truck of hooch. Orrie said I should have hung a sign on the radiator, Highwaymen’s Special. I grinned, but only with my mouth. I knew everything had to go exactly right and it was up to me. What Wolfe had said about Anna Fiore was true: her mental vision was limited, but within its limits she might see things that a broader vision would miss entirely.

I went up the west side and got onto the Sawmill River Road. The Williamson place was in the back country east of Tarrytown, on a secondary road; I knew the way as well as I knew 35th Street on account of my trips there four years before. I had expected to make it by nine-thirty but traffic up to Yonkers had held me up a little, and it was a few minutes later than that and I had the lights on when I turned into the drive where I had once picked Mrs. Williamson up in a faint and carried her to the pond to throw water on her.

I drove on up to the house, about a third of a mile, and left the three in the car and went and rang the doorbell. Tanzer, the butler, remembered me and we shook hands. I told him I wouldn’t go in, I just wanted to speak to his boss a minute. Burke Williamson came right away; he shook hands too and said he was sorry they had missed me Friday night. I said I was sorry too.

"I’m a little late, Mr. Williamson, I came on up just to make sure that everything’s set. No loose servants out hunting lightning bugs? Can we go ahead?"

"Everything’s arranged." He laughed. "No one will disturb your sinister plot. Of course we’re all itching with curiosity. I don’t suppose we could get behind a bush and watch?"

I shook my head. "You’d better stay in the house, if you don’t mind. I won’t see you again, I’ve got to make a quick getaway. Wolfe will phone you tomorrow, I expect, to thank you."

"He needn’t bother. I’ll never do enough to make Nero Wolfe owe me any thanks."

I went back to the car and turned it around and started back down the drive. I had the spot picked out, about halfway down, a full three hundred yards from the public road, where high shrubbery was on both sides with trees just beyond and it would be good and dark. There the drive was narrow enough so that I could block it with the sedan without bothering to swing it crosswise.

I got the sedan into position and turned off the lights and we all got out. It was nearly ten o’clock and our prey was due at a quarter past. I passed around the guns and gave Orrie the knife, and then handed out the masks and we put them on. We were a hard-looking bunch and I couldn’t help grinning at Orrie’s wisecracks, though to tell the truth I was pretty much keyed-up. The thing had to go absolutely right. I went over it again with them. They had it pat, and we scattered into the bushes. It was plenty dark. They began calling back and forth to one another, and pretty soon I told them to shut up so I could listen.

After a couple of minutes the sound came up from below of Wolfe’s sedan going into second on the grade. I couldn’t see the lights on account of the bushes, but soon I did. They got brighter, and then I saw the car. It buzzed along, getting close, and when the driver saw my sedan right ahead it slowed down. I left the bushes on a run, jumped to the running board of Wolfe’s sedan just as it came to a stop, and shoved my gun into the face of Saul Panzer in the driver’s seat.

The others were with me. Bill Gore was on my side, on the running board, sticking his gun through the open window; One, with Durkin behind him, was opening the other tonneau door. Maria Maffei was screaming. There was no sound from Anna.

Orrie said, "Get out of there quick. Come on, do you want me to put a hole in you?"

Anna came out and stood on the ground by the running board. Bill Gore went in and got Maria Maffei and hauled her out. Orrie growled, "Shut your trap, you." He called to me, "If that driver grunts let him have it. Put out the lights."

Bill Gore said, "I’ve got her purse, it’s fat."

"Which one?"

"This one."

"All right, keep it, and keep her trap shut. If she yells rap her one." Orrie turned to Durkin. "Here, hold this one while I put a light on her."

Durkin moved behind Anna and gripped her arms, and Orrie put a flashlight on her face. She looked pale and her lips were clamped tight; she hadn’t let out a chirp. Ornie held his light right against her and his masked face was just behind it. He said, "It’s you all right. By God, I’ve got you. So you will tell people about Carlo Maffei cutting out newspaper clippings and talking on the phone and everything you ought to forget. Will you? You won’t any more. The knife that was good enough for Carlo Maffei is good enough for you. Tell him hello for me."

He pulled out the long sticker and waved it and it gleamed in the light of the flash. He was too damn good. Maria Maffei yelled and jumped for him and nearly got away from Bill Gore. Bill, who weighed two hundred and no fat, got all around her. Durkin was pulling Anna Fiore back away from the knife and saying to Orrie, "None of that! Cut it! You said you wouldn’t. None of that!"

Orrie stopped waving the knife and put the light on Anna again.

"All right." He made it sound bloodthirsty. "Where’s your purse? I’ll get you later. Come on, don’t stand there shaking your head. Where’s your purse? Where’s that hundred dollars I sent you? No?--Hold her, I’ll frisk her for it."

He started for her stocking, and Anna was a wildcat. She busted loose from Durkin and let out a squawk that must have reached to White Plains. Orrie grabbed for her and tore her sleeve half off; Durkin was on her again, and when she saw she couldn’t get away she put on a kicking and biting exhibition that made me glad I was leaving that to the help. Durkin finally got her snug, with an arm wrapped around her pinning her arms and his other hand holding her head back, but Orrie never did get his hand inside her stocking, he had to tear it right off. I saw the getaway would have to be quick or we’d have to tie her up, so I had Saul back his car along the edge of the drive so I could get by with mine. Durkin came carrying Anna Fiore, still kicking and trying to bite him, and shoved her into the tonneau; Orrie was with him, growling at her, "You kept my money, did you? You wouldn’t burn it, huh? Next time you’ll keep your mouth shut."

I ran to the Buick and started the engine and rolled alongside. The others piled in. As we started off Maria Maffei was yelling at us, but I didn’t hear Anna's voice. I twisted around the curves of the drive as fast as was practicable, and as soon as I had turned into the public road I stepped on it.

Bill Gore in the back seat was laughing about ready to choke. I got to the Sawmill River Road and turned south, and eased down to forty. Orrie, beside me, wasn’t saying anything. I asked him: "You got the money?"

"Yeah, I got it." He didn’t sound very sweet. "I think I’ll keep it until I find out if Nero Wolfe carries workmen’s compensation insurance."

"Why, did she get you?"

"She bit me twice. That lassie didn’t think any more of that hundred bucks than I do of my right eye. If you’d told me I had to subdue a tiger with my bare hands I’d have remembered I had a date."

Bill Gore started laughing again.

I thought it had been pretty well staged. Wolfe couldn’t ask better than that. The only thing I had been afraid of was that Anna would get such a scare thrown into her that she would fold up for good, but now that didn’t seem likely. I was glad Wolfe had thought of using Maria Maffei and she had been ready for the job, for I wouldn’t have cared a bit about driving Anna Fiore back to town with her empty sock. The only question now was, what did she have and how soon would we get it? Would Wolfe’s program carry through to the end as he had outlined it, and if it did what kind of a climax would she hand us?

Anyhow, my next move was to get back to the office without delay, so I didn’t take time to distribute my passengers where they belonged. I dropped Bill Gore off at 19th Street and took Durkin and Orrie on uptown and left them at the Times Square subway station. Since it wouldn’t do to leave the Buick out in front, I drove to the garage and delivered it, and walked home.

I hadn’t cared much for the notion Manuel Kimball had got about the sort of present that would be appropriate for Nero Wolfe, and on leaving I had told Fritz to put the bolt on as soon as we got out, so now I had to ring him up to let me in. It was nearly midnight, but he came to the first ring.

Wolfe was in the office, eating cookies and marking items in Hoehn’s catalog. I went in and stood, waiting for him to look up. He did so at length, and said, "On time."

I nodded. "And not on my shield, but Orrie Cather is, nearly. She bit him. She bit Durkin too. She was a holy terror. Your play went off swell. They ought to be here soon; I’m going up and dress for the next act. Can I have a glass of milk?"

Wolfe said, "Good," and turned back to his catalog.

I took the milk upstairs with me to my room, and sipped it in between while I was getting undressed and putting on my pajamas. This part of the stunt seemed to me pretty fussy, but I didn’t mind because it gave me a chance to doll up in the dressing gown Wolfe had given me a couple of years before which I hadn’t had on more than about once. I lit a cigarette and finished the milk, then put on the dressing gown and gave it the once over in the mirror. While I was doing that I heard a car drive up and stop outside, and I moved closer to the open window and heard Saul Panzer’s voice, and then Maria Maffei’s. I sat down and lit another cigarette.

I sat there nearly half an hour. I heard Fritz letting them in, and their voices in the hall as they passed on their way to the office, and then all I got was silence. I waited so long that I was beginning to wonder whether it wasn’t working right, or Wolfe was finishing his charade without me. Then there were footsteps in the hall, and in a minute on the stairs, and Fritz was at my door saying that Wolfe wanted me in the office. I waited a little, long enough to get awake and into my dressing gown, as if I had been asleep, and ruffled up my hair, and went down.

Wolfe was seated at his desk. Maria Maffei was in a chair in front of him and Anna in one against the wall. Anna was a sight, with one sleeve nearly off, a leg bare, her face dirty and her hair all over.

I stared. "Miss Maffei! Anna! Did they set the dogs on you?"

Wolfe wiggled a finger at me. "Archie. I’m sony to have to disturb you. Miss Maffei and Miss Fiore have been subjected to violence. They were driving into the country, to visit Miss Maffei’s sister, when they were set upon by brigands. Their car was stopped; they were treated with discourtesy, and robbed. Miss Maffei’s purse was taken, and her rings. Miss Fiore was despoiled of the money which she has shown to us and which she so hardly earned."

"No!" I said. "Anna! They didn’t take that money!"

Anna’s eyes were on me. I met them all right, but after a second I thought it would do to turn back to Wolfe.

Anna said, "He took it."

Wolfe nodded. "Miss Fiore got the impression that the man who took her money was the one who had sent it to her. I have advised her and Miss Maffei to go to the police at once, but they do not fancy that suggestion. Miss Maffei mistrusts the police on principle. Miss Fiore seems to have conceived the idea that we, more especially you, are more likely to be of help. Of course you are not at the moment properly dressed to go out in search of robbers, and the scene is thirty miles off, but Miss Fiore asked for you. Does anything occur to you?"

"Well," I said. "This is awful. It’s terrible. And me upstairs sound asleep. I wish you had got me to drive you to the country, Anna; if you had this wouldn’t have happened, I don’t care who it was that tried to get your money. I don’t believe it could have been the man who sent it to you; that man kills people; he would have killed you."

Anna’s eyes were going back and forth between Wolfe and me, but I no longer thought there might be suspicion in them; she was only stunned, overwhelmed by her unimaginable loss. She said, "He wanted to kill me. I bit him."

"Good for you. You see, Anna, what happens when you try to act decent with a bad man. If you had burned that money the other day when I wanted you to, and told us what you know about things, now you would have Mr. Wolfe’s money. Now you can’t burn the money because you haven’t got it, and the only way you could get it back would be if I could catch him. Remember, he’s the man who killed Carlo Maffei. And look what he did to you! Tore your dress and pulled off your stockings--did he hurt you?"

Anna shook her head. "He didn’t hurt me. Could you catch him?"

"I could try. I could if I knew where to look."

"Would you give it back to me?"

"Your money? I sure would."

Anna looked down at her bare leg, and her hand slid slowly under the hem of her skirt and rested on the spot where the twenties had been. Maria Maffei started to speak, but Wolfe wiggled her into silence. Anna was still looking at her leg when she said, "I’ve got to undress."

I was slow; Wolfe got it at once. He spoke: "Ah. Certainly. Archie: the lights in the front room. Miss Maffei, if you will accompany Miss Fiore?"

I went to the front room and turned the lights on, and closed the windows and the curtains. Anna and Miss Maffei had followed me in and stood there waiting for me to leave; as I went out I gave Anna a friendly grin; she looked pale but her eyes were brighter than I had ever seen them. In the office I closed the door behind me. Wolfe was sitting up in his chair, not leaning back; there was nothing to remark on the drowsy patient hemisphere of his face, but his forearms extended along the arms of the chair and the forefinger of his right hand was moving so that its tip described a little circle over and over on the polished wood. For Wolfe that was going pretty far in the way of agitation.

I sat down. Faint sounds of movements and voices came from the front room. They were taking long enough. I said, "This is a swell toga you gave me."

Wolfe looked at me, sighed, and let his eyes go half shut again.

When the door opened I sprang up. Anna came through in front, clutching a piece of paper in her hand; her torn sleeve had been pinned together and her hair fingered back. She came up to me and stuck the paper at me and mumbled, "Mr. Archie." I wanted to pat her on the shoulder but I saw she was sure to cry if I did, so I just nodded and she went back to her chair and Maria Maffei to hers. The paper was a fat little manila envelope. I turned to Wolfe’s desk to hand it to him, but he nodded to me to open it. It wasn’t sealed. I pulled out the contents and spread them on the desk.

There was quite a collection. Wolfe and I took our time inspecting it. Item, the Barstow death clipping that Carlo Maffei had cut from the Times on June fifth. Item, a series of drawings on separate little sheets, exact and fine, with two springs and a trigger and a lot of complications; the shape of one was the head of a golf driver. Item, a clipping from a Sunday Rotogravure, a photograph of Manuel Kimball standing by his airplane, and a caption with his name commenting on the popularity of aviation among the Westchester younger set. At the bottom was written in pencil, The man I made the golf club for. See drawings. May 26, 1933. Carlo Maffei. Item, a ten-dollar bill. It was a gold note, and there was pencil-writing on it too, the signatures of four people: Sarah Barstow, Peter Oliver Barstow, Lawrence Barstow, and Manuel Kimball. The signatures had been written with a broad-pointed soft pencil and covered half of one side of the bill.

I looked it all over a second time and then murmured at Wolfe, "Lovin’ babe."

He said, "I tolerate that from Saul Panzer, Archie, I will not from you. Not even as a tribute to this extraordinary display. Poor Carlo Maffei! To combine the foresight that assembled this with the foolhardiness that took him to his fatal rendezvous! We alone profit by the foresight, he pays for the foolhardiness himself--a contemptible bargain.

"Miss Maffei, you have lost your purse but gained the means of stilling the ferment of your blood; the murderer of your brother is known and the weapon for his punishment is at hand.

"Miss Fiore, you will get your money back. Mr. Archie will get it and return it, I promise you. He will do it soon, for I can guess how little promises mean to you; the fierce flame of reality is your only warmth and light; the reality of twenty-dollar bills. Soon, Miss Fiore. Please tell me: when did Mr. Maffei give you all this?"

Anna talked. Not what you could call voluble, but willingly enough to Wolfe’s questions. He got every detail and had me take it down. She had actually seen the driver. For many days Carlo Maffei had forbidden her to enter his room when he was there working, and had kept his closet locked; but one day during his absence the closet door had opened to her trial, only to disclose nothing to her curiosity more uncommon than a golf club evidently in process of construction. On Maffei’s return, finding that the driver was not placed as he had left it, he had been sufficiently disturbed to inform her that if she ever mentioned the golf club he would cut her tongue out. That was all she knew about it.

The envelope had been given to her on June fifth, the day Maffei disappeared. Around seven o’clock, just after he had answered the telephone call, she had gone upstairs for something and he had called her into his room and given her the envelope. He had told her that he would ask her to return it in the morning, but that if he did not come back that night and nothing was heard from him Anna was to deliver the envelope to his sister.

When Anna told that Maria Maffei got active. She jumped up and started toward the girl. I went after her, but Wolfe’s voice like a whip beat me to it:

"Miss Maffei!" He wiggled his finger. "To your chair. Be seated, I say!--Thank you. Your brother was already dead. Save your fury. After pulling Miss Fiore’s hair you would, I suppose, inquire why she did not give you the envelope. That appears to me obvious; perhaps I can save her the embarrassment of replying. I do not know whether your brother told her not to look into the envelope; in any any event, she looked. She saw the ten dollar bill; it was in her possession.

"Miss Fiore, before Carlo Maffei gave you that envelope, what was the largest sum you ever had?"

Anna said, "I don’t know."

I asked her, "Did you ever have ten dollars before?"

"No, Mr. Archie."

"Five dollars?"

She shook her head. "Mrs. Ricci gives me a dollar every week."

"Swell. And you buy your shoes and clothes?"

"Of course I do."

I threw up my hands. Wolfe said, "Miss Maffei, you or I might likewise be tempted by a kingdom, only its boundaries would not be so modest. She probably struggled, and by another sunrise might have won and delivered the envelope to you intact; but that morning’s mail brought her another envelope, and this time it was not merely a kingdom, it was a glorious world. She lost; or perhaps it is somewhere down as a victory; we cannot know. At any rate her struggle is over.

"And now, Miss Maffei, do this and make no mistake: take Miss Fiore home with you and keep her there. Your driver is waiting outside for you. You can explain to your employer that your niece has come for a visit. Explain as you please, but keep Miss Fiore safe until I tell you that the danger is past. Under no circumstances is she to go to the street.--Miss Fiore, you hear?"

"I will do what Mr. Archie says."

"Good. Archie, you will accompany them and explain the requirements. It will be only a day or so."

I nodded and went upstairs to put the dressing gown away for another year and get some clothes on.