An hour later Fox was escorted downstairs in handcuffs. He dismissed any suggestion that he was suffering from concussion, but Monroe, who didn't like his pallor or the welts on his arms where Nancy had cut him with the razor, telephoned ahead for a secure room at the county hospital to have him checked. They lived in a compensation culture, he told Mark sourly, and he didn't plan to give Fox any room to sue the Dorset Constabulary. For the same reason, he offered Nancy a ride, but again she refused. She knew what the emergency room was like on bank holidays when the drunks started rolling in, she said, and she was damned if she'd give Fox the pleasure of seeing her wait in line while he took precedence.
A preliminary search had produced several items of interest in the capacious pockets of Fox's coat, notably a matching set of keys to those Vera held, a roll of twenty-pound notes, a mobile telephone with a distorter attachment, and, alarmingly for both Mark and Nancy, a sawn-off shotgun in a canvas lining under his left arm. Bella looked extremely thoughtful when Barker told them about it. "I thought he was wriggling a bit," she said. "Next time I'll sit on his head and make sure he doesn't come round."
From the evidence of the keys in Fox's possession, his presence in the house, and Nancy's report that Vera had claimed him as her son, it seemed likely that Fox had had a free run of Shenstead Manor for some time. As he refused to say anything, however, the issue of what he had been doing there was temporarily put on hold. James was asked to make a thorough check of the premises in advance of a police search the following morning, and a small team was sent down to check out Manor Lodge.
Mark took Monroe aside to ask him what had been in Fox's bus. He was particularly interested in the file on Nancy that Fox had taken from the Colonel's desk that afternoon. It contained privileged information, he said, which neither the Colonel nor Captain Smith wanted made public. Monroe shook his head. No such file had been found, he said. He in turn picked Mark's brains about the telephone calls, explaining that he had interviewed both Mrs. Weldon and Mrs. Bartlett.
"They both say the information came from the Colonel's daughter, Mr. Ankerton. Could there be a connection between her and this man?"
"I don't know," said Mark honestly.
Monroe eyed him thoughtfully. "The voice distorter certainly suggests it. Mrs. Bartlett claims she was told about the incest sometime in October when Leo introduced her to Elizabeth, but she denies any knowledge of the Darth Vader messages. And I believed her. So how is Fox involved?"
"I don't know," said Mark again. "I'm almost as new to this as you are, Sergeant. The Colonel told me about the calls late on Christmas Eve, and I've been trying to make sense of them ever since. The allegations aren't true, of course, but we didn't learn until this evening that Elizabeth was the alleged informant."
"Have you spoken to her?"
Mark shook his head. "I've been trying to contact her for a couple of hours." He glanced toward the drawing room, where Vera was sitting. "The Colonel recorded the messages on tape, and they include details which were known only to the family. The obvious conclusion was that one or both of the Colonel's children were involved-which is why he didn't report it-but of course the other person who was privy to the family's secrets was Vera."
"According to Captain Smith, Mrs. Dawson said she locked Mrs. Lockyer-Fox out in the cold on her son's instructions. Does that sound likely to you?"
"God knows," said Mark with a sigh. "She's completely batty."
Vera couldn't help them at all. Questions about Fox were greeted with incomprehension and fear, and she sat in a pathetic huddle in the drawing room, whimpering to herself. James asked her where Bob was, suggesting the police should try to contact him, but that only seemed to unhinge her further. As yet, James had not seen Fox, who was under restraint in the bedroom. However, he was able to say categorically that Vera had never had a child. He believed Ailsa had mentioned a stillbirth on one occasion, which had devastated the poor woman, but unfortunately, being a man, he had not paid much attention.
For her part, Nancy repeated most of what Vera had said-the part she played in Ailsa's death, her mention of someone else being responsible for Henry's mutilation, the woman's obvious confusion about her relationship with Wolfie. "I don't think anything she said can be relied on," she told Monroe. "She repeats the same phrases over and over again, like a learned mantra, and it's difficult to know if any of it's true."
"What sort of phrases?"
"About being taken for granted… do this… do that… no one cares." Nancy shrugged. "She's very confused about children. She said she taught Wolfie manners when he was younger, and that he had brown curly hair. But he can't have done. Blond hair can darken as children get older but dark hair doesn't turn ash blond. I think she's mistaking him for another child."
"What other child?"
"I've no idea. One from the village, perhaps." She shook her head. "I'm not sure it matters. She's got holes in her brain. She remembers a dark-haired child from somewhere and she's persuaded herself that that was Wolfie."
"Or been persuaded by somebody else?"
"It wouldn't be difficult. Anyone who sympathized with her would get a hearing. She seems to feel the whole world's against her-" she pulled a cynical expression-"except her darling boy, of course."
She remained reticent about what the old woman had said on the subject of her parentage. She told herself she was protecting Wolfie, but it wasn't true. The child had agreed to go to the kitchen with Bella, and Nancy was free to speak as openly as she wanted. Instead, she remained tight-lipped, unwilling to tempt fate. The specter of Vera as a grandmother seemed to have been removed, but it gave her no confidence that Fox was out of the picture. Deep in her stomach was a continuous nutter of foreboding that, in that respect at least, Vera had been telling the truth. And she cursed herself for ever coming to this house.
It made her brusque and sharp-tongued in response to James's solicitous queries about her welfare. She was fine, she told him. In fact, she didn't even think her arm was broken, so she was planning to drive back to Bovington to have it looked at there. She wished everyone would stop fussing and leave her alone. James retired, crushed, but Mark, with an intuition learned through growing up with seven sisters, took himself off to the kitchen for a quiet word with Wolfie. With a little coaxing from Bella, and some filling in of gaps-"she said she didn't want Fox to be her dad or the nasty lady to be her gran"… "me and her both reckoned our dads were somebody else"-Mark guessed what the trouble was. And he, too, cursed himself for helping to unlock a biological history that Nancy had never wanted to know.
Monroe was interested enough in the vanishing file to send Barker back to Fox's bus. "The solicitor says it's bulky, so where the hell has he hidden it? Take another look and see if you can spot something I've missed." He handed over Fox's keys. "We can't move the damn thing while the Welshman's blocking the exit, but if you power it up you can run the lights inside. They might help."
"What am I looking for?"
"A compartment of some sort. There has to be one, Martin. Otherwise we'd have found the file."
Mark took himself into the garden with his mobile telephone. "I'll make you a promise," he told Leo, well out of earshot of anyone in the house. "Deal with me straight over the next five minutes, and I'll try to persuade your father to reinstate you. Interested?"
"Maybe," said the other with amusement. "Is this about the granddaughter?"
"Just answer the questions," said Mark grimly. "Do you know a man who calls himself Fox Evil?"
"No. Good name, though… I might adopt it myself. Who is he? What's he done?"
"Vera claims he's her son and that she helped him murder your mother. But she's gone off the rails completely, so it may not be true."
"Good God!" said Leo in genuine surprise. There was a short pause. "Look, it can't be true, Mark. She's obviously confused. I know she saw Ma's body on the terrace, and was pretty shaken by it, because I rang her after the funeral to say I was sorry I hadn't spoken to her. She kept telling me how cold Ma must have been. She's probably convinced herself it was her fault."
"What about this man being her son?"
"It's rubbish. She doesn't have a son. Dad knows that. I was her blue-eyed boy. She'd have jumped over the moon if I'd asked her to."
Mark stared toward the house, brow furrowed in thought. "Okay, well, Fox Evil's just been arrested for breaking into the Manor, and he had a voice distorter in his possession. Did your father tell you that most of the incest allegations were made by someone who spoke like Darth Vader?"
"I thought he was barking," said Leo sourly.
"Far from it. This guy's a psychopath. He's already attacked your niece with a hammer, and when he was arrested he was carrying a sawn-off shotgun."
"Shit! Is she okay?"
It sounded genuine. "Broken arm and broken rib, but still alive. The trouble is, you and Lizzie are implicated through the voice distorter. Mrs. Bartlett has told the police that it was you who contacted her some time in October so that Lizzie could give her chapter and verse on your father's abuse. As Darth Vader's been saying identical things to Mrs. Bartlett, the obvious conclusion-which the police are already drawing-is that you and Lizzie set this bastard on your father."
"That's ridiculous," said Leo angrily. "The obvious conclusion is that the Bartlett woman's behind it."
"Why?"
"What do you mean, why? She's lying through her teeth."
"What does she have to gain by it? You and Lizzie are the only ones with a motive for destroying your father and Lizzie's child."
"Jesus!" said Leo disgustedly. "You're as bad as the old man. Give a dog a bad name and every sod on the planet can have a go at hanging him. That's what Becky's up to in case you're interested… and I'm hacked off with it."
For the second time that evening, Mark ignored the rant. "What about Lizzie? Could she have been persuaded to get involved in something like this without your knowledge?"
"Don't be an idiot."
"What's so idiotic about it? If Lizzie's as shot as Becky says, it's conceivable a con artist persuaded her to go along with it… though I don't understand why, unless he can get access to the money when she inherits." He mentally crossed his fingers. "You said she never got over her first love. Perhaps he came back for another go?"
"No chance. He was a craven little sod. Took the money and ran. That was half the problem. If he'd come back, she'd have seen him for what he was, instead of remembering him as an Irish charmer."
"What did he look like?"
"I don't know. I never saw him. He was gone by the time I got back from France."
"How well did your mother know him? Would she have recognized him again?"
"I've no idea."
"I thought you said Ailsa took his education in hand."
"He wasn't one of the children, you jerk. He'd fathered most of them. That's why Ma went ballistic. This bozo knew more about sex than Don Juan, which is why Lizzie fell for him so heavily."
"Are you sure about that?"
"It's what Lizzie told me."
"Then there's only a fifty-fifty chance it was the truth," said Mark sarcastically.
Perhaps Leo agreed because, for once, he didn't react. "Look, for what it's worth, I can prove Mrs. Bartlett never spoke to Lizzie… not in October anyway. Or, if she did, she'd have been talking to her in the Intensive Care Unit at St. Thomas's hospital. Did this woman mention drips and monitors to the police? Did she say Lizzie's in such a bad way she can't even stand up anymore?"
Mark was taken aback. "What's wrong with her?"
"Her liver packed up at the end of September and she's been in and out of Tommy's ever since. In between whiles, she lives with me. At the moment she's in a hospice for a couple of weeks' respite care, but the prognosis is pretty dire."
Mark was truly shocked. "I'm sorry."
"Yes."
"You should have told your father."
"Why?"
"Oh, come on, Leo. He'll be devastated."
The other man's voice took on an amused note again as if irony were a means of coping. "That's what Lizzie's worried about. She feels ill enough without Dad weeping all over her."
"What's the real reason?"
"I gave her a promise I wouldn't tell anyone. I wouldn't have told you except that I'm buggered if I'll let a fat cow tell lies about her."
"It's Mrs. Weldon who's fat," said Mark. "Why doesn't Lizzie want anyone to know?"
There was a long silence, and when Leo spoke again his voice wasn't entirely steady. "She'd rather die quietly than find out that no one cares."
When Fox was finally brought downstairs, James was asked to wait in the hall to see if he recognized him. He was given the option of standing in shadow but he chose instead to place himself in full view, with DS Monroe on one side and his solicitor on the other. Mark tried to persuade Nancy to join them, but she refused, preferring instead to take Bella's suggestion of positioning herself in the kitchen corridor to block any accidental view Wolfie might have of Fox being taken away in handcuffs.
"Take your time, sir," Monroe told James when Fox appeared between two policemen on the landing above. "There's no hurry."
But James knew him immediately. "Liam Sullivan," he said, as the man was marched down the stairs, "though I never believed that was his real name."
"Who is he?" asked Monroe. "How do you know him?"
"He's a thief who took my wife's charity and threw it in her face." He stepped forward and forced the two constables to bring Fox to a halt. "Why?" he asked simply.
A rare smile lit Fox's eyes. "You're like Everest, Colonel," he said in perfect mimicry of the old man's baritone. "You're there."
"What were you hoping to achieve?"
"You'll have to ask Leo and Lizzie that. I'm just the hired help. They want your money and they don't much care how they get it-" his gaze flickered toward the corridor as if he knew Nancy was there-"or who gets hurt in the process."
"You're lying," said James angrily. "I know Vera filled your head with nonsense about your similarity to Leo, but that's as far as your connection with this family went."
Fox's smile widened. "Did your wife never tell you about Lizzie and me? No, I can see she didn't. She was a great one for sweeping the family scandals under the carpet." His voice dropped into Irish brogue. "Your daughter liked her men rough, Colonel. Better still if it was Irish rough."
"I don't know what you're talking about."
Fox glanced at Mark. "Mr. Ankerton does," he said with certainty.
James turned to his solicitor. "I don't understand."
Mark shrugged. "I don't think Mr. Sullivan does either," he said. "I suspect Vera's fed him a piece of gossip and he's busy trying to use it to his own advantage."
Fox look amused. "Why do you think Ailsa paid my bills? It wasn't charity. She was trying to keep the sordid details of Lizzie's love life under wraps… particularly her passion for men who reminded her of her brother."
Monroe intervened before James or Mark could say anything. "How do you know him, sir?"
James steadied himself against the newel post. He looked devastated, as if Fox had supplied some missing pieces in a jigsaw. "He claimed squatters' rights over the companion cottage to the Lodge during the summer of ninety-eight. My wife took pity on him because he had a woman and two small children with him-" He broke off clearly questioning the basis of Ailsa's sympathy.
"Go on," Monroe prompted.
"Ailsa persuaded me to let the family stay while she tried to find affordable housing for them. Meanwhile this creature-" he gestured toward Fox-"exploited a passing resemblance to my son to charge goods to the Manor accounts. My wife paid the bills, and by the time it came to my attention he'd vanished with his family, leaving debts she was unable to clear. I had to sell the cottage to honor them."
Monroe eyed Fox curiously. He'd spoken to Leo at the time of his mother's death, but he didn't remember him well enough to say if the resemblance was a strong one. "Was Wolfie one of these children?"
"I don't believe I ever saw them, but I know it worried my wife intensely that three such vulnerable people should be under the influence of this man."
"Did you inform the police?"
"Of course."
"What names did you give?"
"I don't remember now. My wife passed all the papers on the housing application to your people, so the names will be there. She may have kept copies. If so, they'll be in the dining room." With a sudden movement he stepped forward and slapped Fox across his face. "How dare you come back? What lies did you tell my wife this time?"
Fox straightened his head with a malevolent smile. "I told her the truth," he said. "I told her who fathered Lizzie's little bastard."
Monroe caught James's hand as he lifted it again. "Best not, sir."
"Ailsa wouldn't have believed you," said the old man angrily. "She knew perfectly well that nothing as disgusting as you've suggested ever happened."
"Oh, she believed me, Colonel, but I didn't say you were the father. That was Lizzie's idea-she didn't think Mrs. Bartlett would get worked up over anything less."
James turned helplessly to Mark.
"Who did you say was the father?" Mark asked.
Fox stared him down. "I've been watching you all day-you could hardly keep your hands off her. She does me credit, don't you think, Mr. Ankerton?"
Mark shook his head. "Wrong eye color, my friend. Elizabeth's are blue… as are yours… and Mendel's law says it's impossible for two blue-eyed parents to produce a brown-eyed child." Gotcha, you bastard! Either Leo had been lying for the fun of it, or this ignorant sap knew as much about genes as he did. "You shouldn't have relied on Vera for information, Fox. She never could get her head around dates. The Irish tinker came and went two years before Elizabeth's pregnancy-" he leveled a finger at Fox's heart-"which is why Ailsa wouldn't have believed you either. Whatever she died from… however she died… she knew there was no connection between her granddaughter and you."
Fox shook his head. "She knew me both times, Mr. Ankerton… paid me off the first time… would have paid me off the second time if she hadn't died. She didn't want her husband knowing how many skeletons there were in the family closet."
"Did you kill her?" asked Mark bluntly.
"No. I wasn't here that night."
Nancy moved out from the corridor. "Vera said he was trying to blackmail Ailsa. She seemed quite lucid. Apparently Ailsa said she'd rather die than give him money… so he made Vera lock the door and leave Ailsa to him."
Fox's gaze flickered briefly in her direction. "Mrs. Dawson confuses me with Leo. Perhaps you should be putting these questions to the Colonel's son, Mr. Ankerton."
Mark smiled slightly. "If you weren't here, where were you?"
"Probably Kent. We spent most of the spring in the southeast."
"We?" Mark watched a bead of sweat drip down the side of the man's forehead. He was only frightening in the dark, he thought. In the light, and under restraint, he looked diminished. Nor was he clever. Cunning, possibly… but not clever. "Where are Vixen and Cub?" he asked, when Fox didn't reply. "Presumably Vixen will support the Kent alibi if you tell the police where she is."
Fox shifted his attention to Monroe. "Are you going to do your job, Sergeant, or are you are going to allow the Colonel's solicitor to question me?"
Monroe shrugged. "You've been cautioned. You have a right to silence, just like anyone else. Go on, sir," he invited Mark. "I'm interested in what you have to say."
"I can give you the facts I know, Sergeant." He marshaled his thoughts. "First fact. Elizabeth did have a brief liaison at the age of fifteen with an Irish traveler. He persuaded her to steal for him, and her brother took the blame to protect her. Vera certainly knew about the liaison, because she told lies for Elizabeth whenever Elizabeth went out. The whole episode caused a catastrophic breach of trust between all members of the household which was never repaired. Vera, in particular, felt badly treated because the Colonel accused her of the theft… and I doubt Mrs. Lockyer-Fox behaved toward her in the same way again. I'm sure she felt Vera encouraged Elizabeth to act as she did."
He put a hand on James's arm to keep the old man silent. "Second fact. Elizabeth had a baby when she was seventeen which was put up for adoption. She was very promiscuous as a teenager and didn't know herself who the father was. Vera, of course, was privy to the birth and the adoption. However, I suspect she's confused the two episodes in her mind, which is why this man thinks the Irish traveler was the father." He watched Fox's face. "The only person left alive who can identify the traveler-apart from Vera, whose testimony is flawed-is Elizabeth herself… and she describes him as a much older man who was father to most of the children in his entourage."
"She's lying," said Fox.
"Then it's your word against hers. If she fails to identify you, the police will draw their own conclusions about the truthfulness of everything you've said… including the death of Mrs. Lockyer-Fox."
He was rewarded with a flicker of indecision in the pale eyes.
"Third fact. Vera's resentment against her husband and the Lockyer-Foxes has grown exponentially since her dementia became noticeable in ninety-seven. The date is documented because it was at that time that a decision was taken to allow her and Bob to have the Lodge rent-free until their deaths. The Colonel has just said that Vera filled this man's head with nonsense about looking like Leo. I suspect it was the other way round. He used his likeness to Leo to fill Vera's head with nonsense. I don't pretend to understand why, except that he found out how easy it was to make money the first time and thought he'd have another go." He paused. "Finally, and most importantly, neither Leo nor Elizabeth has ever met or spoken to Mrs. Bartlett. So whatever scam this man is operating, it has nothing to do with the Colonel's children."
"Mrs. Bartlett seemed very certain," said Monroe.
"Then she's lying or she's been conned herself," said Mark flatly. "I suggest you put Fox into an identity parade to see if she recognizes him. Also Wolfie's mother, when and if you find her. He and a blue-eyed blonde could probably pass muster quite successfully to someone who's only ever seen Leo and Elizabeth from a distance."
"Can you prove they weren't involved?"
"Yes." He put a hand under James's elbow to support him. "The Colonel's daughter is dying. She's been in and out of hospital since September with incurable liver disease. Had she met Mrs. Bartlett in October, it would have been within the confines of St. Thomas's Hospital."
It was a clever piece of welding, a false back to the forward luggage compartment, but it was sussed by a sharp-eyed female colleague of Barker's who questioned why a small strip of paint-the width of a chisel-had rubbed off midway down one panel. It wouldn't have been visible in daylight, but in the gleam of her torch the sliver of exposed metal winked against the gray paintwork.
"Neat," said Barker admiringly, as minimal pressure from a knife released a spring catch that allowed the entire panel to be eased away from the lip that anchored it on the other side. He leveled his torch into the foot-deep, meter-square space that was revealed. "Looks like he's been raiding half the stately homes of England."
The policewoman climbed inside the compartment to squint behind the left-hand panel. "There's more in here," she said, feeling inside and releasing a second catch at floor level. She pulled the panel toward her and lowered it flat. "How much of this belongs to the Colonel, do you reckon?"
Barker ran his torch over the paintings and bits of silverware that filled the cavity. "No idea… but you'd think the old boy would have noticed if things were going missing." He moved to the next compartment. "If the depths of these two were the same when the bus was built, then I'd say there's a false back here as well. Do you want to give it a try?"
The WPC crawled obligingly into the luggage space and fiddled with the knife again. She gave a grunt of satisfaction as the panel sprang open. "Jesus!" she said, looking at what was revealed. "What the hell does he want to do? Rob the World Bank?"
Barker lit a line of sawn-off shotguns and pistols that were attached by clamps to the rear wall. "Trade," he said dryly. "This is good currency. No wonder he's been haunting the Manor. The Colonel's family built up the largest collection of guns and rifles in Dorset. I imagine that's what Fox has been looking for."
"Then I don't have much sympathy for the Colonel," said the policewoman, releasing the second panel and laying it flat. "He's asking to be robbed."
"Except it's not on the premises anymore," said Barker. "The old boy donated the entire collection to the Imperial War Museum after his wife died. I guess no one bothered to tell Fox."