Get Real

35

THIS TIME it WAS REAL. Darlene knew it, and she knew Ray knew it, too, so they both knew it. At long last love, the real thing.

And to think it was all because of a reality show. The irony of it. To find true love in such an artificial setting, it just went to show, didn’t it? You never knew what was going to happen, you just never did.

It all began on the Thursday, the second day of taping, when the gang got the day off while Darlene and Ray and Marcy and Roy Ombelen and the tape crew went to Central Park to work out some improv, which was just simply fun to do. Inject some of your own personality, your own feelings, your own ideas, into the story line.

The setup was this: Ray, the wall-walking specialist of the gang, had recently met Darlene and had wanted to show her off to the guys, but when he did, the contrast between her nearly fresh innocence (it’s all in the acting) and their jaded disbelief (no acting required) had shown him his life in a whole new light.

So they’d gone off to Central Park together, that was the idea, to be away from the others, unobserved, so they could talk things over. What was their relationship, really? (In reality show terms, that is.) What was their future? Did they have a future together?

They spent most of that day filming all over the park, with all the necessary permits, that was part of what made the day so special and so much fun and so liberating. They rowed a boat together on the lake, they wandered together in the Ramble, they watched the joggers endlessly circling the reservoir (without joining them, although Marcy would have dearly loved it if they had), they walked around Belvedere Castle, they observed the imposing stone buildings that stood like sentinels in long straight rows all around the periphery of the park, and they talked it all out, coming to several different conclusions in the course of several different takes of each sequence, because Roy wanted to keep his options open. (At that time, so did Ray.)

And they shared one brief tentative tremulous kiss, late in the day, on the path beside the Drive, surrounded by taxis and hansom cabs and joggers and bicyclists, all of whom, this being New York, ignored the smoochers in their midst.

And then they all went home, walking out of the park, Darlene and Ray and the others, and they didn’t even hold hands. But they knew, they both knew, and a little later that evening they confirmed their knowledge.

Ray had a very nice apartment in a small old gray stone building on West Eighty-fifth Street, pretty near Central Park, a third-floor walk-up, at the back, large living and bedrooms, very modern kitchen and bath. He was after all a financially successful actor, in everything from off-off-Broadway Strindberg revivals to Christmas-season electric shaver commercials. He was also a member of three actors’ unions, SAG, AFTRA and Actors’ Equity, which was too poor to have an acronym.

The show didn’t need them any more that week, so they spent all that time in Ray’s apartment, getting to know one another from every angle. He had a callback for an incontinence commercial Friday afternoon (he didn’t get it), and she spent that time searching the place for secrets, careful to leave no traces. She didn’t find any secrets, which was both pleasing and a little disappointing, and rewarded Ray on his return (also making up to him for the incontinence rejection) by some very special attention.

By Sunday night, sticking close to Ray’s place, they’d ordered out Thai, Italian, Mexican, Brazilian, and Bangladeshi. Monday morning they were expected back at Varick Street at ten o’clock, when Marcy would tell them where their story line was going. Ray’s shower was above the bathtub, which meant it was plenty big enough for them to shower together, again, which made them a little later leaving the apartment than they’d planned, but they were lucky in catching an immediate subway downtown and were hardly late for the call at all.

With everybody assembled on the OJ bar set, Doug was still giving them all today’s pep talk, prior to Marcy unclosing the future to them, when the sudden clank-and-broowwrrr of the damn elevator started again. Doug, already stressed and irritated by the responsibilities of reality, loudly said a couple of things his father wouldn’t have said in front of the ladies, and then the elevator snarl stopped and here came Babe again, this time accompanied by the stone-faced personnel man, Sam Quigg.

“Babe?” Doug called, no longer showing his irritation; in fact, showing a desire to be of use somehow, if a use for him could be found. “What’s up, Babe?”

For answer, Babe stopped flat-footed in front of them all, arms akimbo, as he raked them in a turning pivot of rage, like a big cannon on a battleship, and grated, “This show is canceled. Shut it down.”