49

The part-time job that Pat Jennings had taken at the Walker Art Gallery had begun to make her something of a celebrity. Now that Peter Carrington had not only been charged with murder, but had been caught on tape bail-jumping and assaulting a cop, all her friends were anxious to have any tidbits of gossip that she could pass on about anyone in the Carrington family.

Pat was closemouthed with everyone except Trish, her best friend for the last twenty years. They had been assigned to the same dorm as freshmen in college, and had thought it a riot that each had chosen to be known by a different variation of their shared name, Patricia.

Now Trish worked in the business office of the tony department store Bergdorf Goodman, located at Fifth Avenue and Fifty-seventh Street, only a block away from the gallery. Once a week, the two women grabbed a quick lunch together, and, in deepest confidence, Pat caught her up on the gossip as she heard it.

She confided that she thought Richard Walker was having an affair with a young new artist, Gina Black. “He had a cocktail party for her and it didn’t draw flies. When she stops in at the gallery, I can tell she’s crazy about him. I feel sorry for her because my bet is that she won’t last. From the way he talks, he’s had plenty of girlfriends over the years. Think about it-he has two ex-wives, and both those marriages didn’t last long enough to have the tea towels washed. I bet both wives got sick of his womanizing and gambling.”

The next week, Pat discussed Elaine Carrington: “Richard told me that his mother has been staying in her New York apartment most of the time. Her feelings are hurt because she thinks that Peter Carrington’s new wife, Kay, really doesn’t want her stopping in the mansion unless she’s specifically invited to be there.

“I don’t think Richard has gone to New Jersey much, either,” she continued. “He told me that he understands how difficult it must be for Kay, knowing that in all likelihood her husband killed her father, even though he may not remember it. Richard said that he believes it must have been like the way Peter attacked that cop. Well, we both saw the tape on television. You could tell Peter Carrington was absolutely out of it. He looked scary.”

“He sure did,” Trish agreed. “What a shame to marry a guy with all that money and then find out he’s insane. Other than that young artist, are there hints of anything new in Richard’s love life?”

“Well, there are hints, but I’m not sure it’s anything new. There’s a woman who’s been calling him who must be an old flame. Her name is Alexandra Lloyd.”

“Alexandra Lloyd. That’s a fancy name,” Trish commented. “Unless it’s one she made up. Maybe she’s in show business. Did you ever meet her?”

“No. My bet is that she’s an artist. Anyhow, he’s ignoring her calls.”

Three days later, Pat Jennings couldn’t wait until their next lunch to talk to Trish, so she called her. “Richard is an absolute wreck,” she whispered into the phone. “I know he’s had a couple of big losses on the ponies. This morning his mother stopped in to see him. When I got here they were in his office with the door closed, and boy, were they going at it! He was telling her that he absolutely had to have money, and she was screaming she didn’t have it. Then he yelled something about how she knew perfectly well where she could get it, and she screamed, “ ‘Richard, don’t make me play that card.’ ”

“What did she mean?” Trish asked breathlessly.

“I have no idea,” Pat admitted, “but I’d sure love to know. If I find out, I’ll call you first thing.”

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