78

In Barbara Krause’s office, a court stenographer had been summoned to take down the statement given by Ambassador Charles Althorp. More composed now than he had been when he entered the office, Althorp’s voice was steady when he began to speak again.

“At the time of her disappearance, I did not reveal that I had learned my daughter, Susan, had developed an addiction to cocaine. As investigator Nicholas Greco pointed out to me the other day, had I told that to the police when Susan disappeared, the investigation might have moved in another direction.”

He looked down at his folded hands as if contemplating them. “I thought that by keeping a tight rein on Susan, and cutting off her allowance, I would force her to stop using drugs. Of course, I was wrong. Greco told me that the afternoon of the party in the Carrington mansion, the present Mrs. Carrington, who was then six years old, overheard a woman blackmailing a man because she needed money. Greco believes-and now I do as well-that it was Susan she heard. Hours later, Susan disappeared.

“For years I have kept the secret of Susan’s addiction. I told my sons about it as we stood next to their mother’s grave. Had I revealed it earlier, a great injustice might have been avoided.” Althorp closed his eyes and shook his head. “I should have…” His voice trailed off.

“What exactly did you tell your sons, Ambassador?” Tom Moran asked.

“I told them that I believed Susan started taking drugs when she returned from college the beginning of the last summer she was alive, and that she may have been blackmailing someone to get the money she needed. My confession prompted them to open up in turn, telling me things they knew about their sister, things that take on new meaning in context with recent developments.

“My son David had come home for a visit the Christmas before Susan disappeared. Susan had been spending a lot of time at the Carrington mansion. David told me that she confided to him she had noticed that several of the paintings downstairs in the Carrington mansion had been replaced with copies. She was studying art, you know, and knew a lot about the subject. She was sure she knew who was doing the copying, because on one occasion that person invited a young artist to a party in the house, and Susan saw her taking photographs of several paintings.

“David advised Susan to forget what she had discovered and not breathe a word of it to anyone. He said he knew what would happen if Mr. Carrington Sr. found out about it. It would end up as a very messy court case, and Susan might have to testify. David told her that our family had had enough grief with that family because of my earlier affair with Elaine Carrington.”

“So Susan did as David suggested, but that summer, when she needed money, she may have used her knowledge of the theft of the art to try to get it,” Krause suggested.

“I believe that’s exactly what she did,” Althorp confirmed.

“Was it Peter Carrington, Ambassador?” Moran asked. “Was he stealing from his own father?”

“No, of course not. Don’t you see why this is tormenting me? Peter is in jail right now, accused of killing Susan. He had no reason to kill her. David told me that he believes if Susan had asked Peter for the money, he would have given it to her without question, and then would have tried to get her help. But Susan would never have asked Peter because she was in love with him. David said that my silence has been a curse on Peter. When I spoke to David this afternoon, he said that if I didn’t come here tonight, he would never speak to me again.”

“Then who was stealing the paintings?”

“Elaine Carrington’s son, Richard Walker.”

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