The most critical are not the successful, nor the complete failures, but

those who might have achieved something of worth, save for small but

crucial faults within themselves, for they can seldom bear the thought

of how close they came to greatness.


Mistress Aeylana D’Weidyn twitched, then shifted her weight in the high-backed chair. After Aeylana’s first sitting, I’d accompanied Aeylana and her aunt back to their home-if a small chateau three times the size of my parents’ dwelling and grounds could be termed “home.” While at the Chateau Weidyn, I had not only made a sketch of the actual chair that would be in the portrait, but also made the acquaintance of Charbon-a rather oversized feline with sleepy yellow eyes and a deep black coat-and done several quick sketches of him as well, one with Aeylana holding him.

Aeylana Weidyn was anything but an ideal subject. Even at age eight, she was lanky, with big bones and hands, freckles and a fair skin, and fine orange-red hair that, despite the dark green hair band, had a tendency to fly in all directions. Her eyes were a warm brown that somehow clashed with everything, and her eyebrows were so light and fine that she looked to have none at all.

“If you would please look in the direction of the easel, Mistress Aeylana?”

“Oh, I’m sorry. I was thinking about Charbon. He will be in the portrait, will he not?”

“Yes, he will.” In fact, I actually had painted much of Charbon, as if he had been sitting erect and regal upon the edge of the seat of the chair beside Aeylana. “He is most handsome.”

“He’s my cat.”

I had some doubts about any cat being a possession, but did not have time to say anything because, at that very moment, Ostrius opened the studio door and marched over to my easel.

He did not even look in the direction of Aeylana Weidyn-or her aunt, who was accompanying her to the sittings. “Rhenn . . . did you finish compounding the deep brown?”

“No. There wasn’t time before the sitting.”

“When will you learn to finish things?” he snapped.

“I worked on it all morning,” I said quietly.

“You didn’t finish, and we don’t have enough of the deep brown.”

He didn’t. That was what he meant. “Your father expects me to do a sitting when the patron is here. I’ll get back to it once she leaves.”

“You’d better.” Without another word, he stalked off.

The aunt said nothing, but her eyes expressed more than any words she might have spoken as she watched Ostrius close the studio door with a firmness just short of slamming it.

“I don’t-” began Aeylana.

“That will be all, Aeylana,” the aunt said firmly.

“If you would please look at the easel, mistress,” I repeated.

“I can do that.”

She could. She just couldn’t keep doing it for long.

I looked at the left side of her head, just forward and above the ear. Her hair had been a problem, because it was too bright to be captured fairly by any of the earthen reds, and the madder red would fade, while vermilion would darken at the edges where it touched the skin tones. Calizarin red didn’t blend well with the naranje orange, unless mixed with at least a little of one of the ochres, but I’d worked in a tiny mixture of yellow and dull red ochre as a binder between the calizarin and the naranje. Even Master Caliostrus had nodded approval at that.

Had Ostrius been angry not just because I didn’t have the deep brown formulated when he wanted it, but because he realized I could do something with the pigments that he couldn’t?

I pushed that thought away. If I didn’t do well on the one portrait assignment I had, I wouldn’t get another any time soon. I concentrated on seeing Aeylana as she was, and on working on the hairline around her right ear.

By the time the glass chimed out from the nearest anomen tower, I thought I had that section right, and I smiled, both at Aeylana and her chaperone. “Two more sittings at most.”

“Good. It’s hard to sit still that long.”

“Aeylana . . .”

“I apologize, sir.”

“I can remember when I was your age,” I said with a smile.

That got me a giggle in return.

In moments, the two had gathered themselves together and departed for the carriage waiting below. In scarcely longer than that, Master Caliostrus had entered the studio, his brow knit in a frown.

“Ostrius said that you had not finished the deep brown formulation and that you were less than deferential . . .”

“Sir, I was most deferential. I started directly after breakfast, Master Caliostrus, and I took no breaks, until just before Mistress Aeylana D’Weidyn was due to arrive. You told me never to be late in dealing with a patron, and I could not have begun the compounding yesterday, sir, because the raw earth did not arrive until just before dinner last night.”

“Ah . . . yes . . .” Caliostrus paused. “You will get to it right away?”

“As soon as I clean up brushes and trays, sir.”

“Good.” Almost as an afterthought, he glanced at the partial portrait, his eyes going to what I had painted of the cat. “You definitely have a talent for the cat. In time, if you work on that, along with other skills, it might prove . . . remunerative. Some of the wealthier older women in L’Excelsis do dote on . . . such companions.”

He stopped at the door and looked back. “Don’t be too long. Ostrius does need the brown.”

“Yes, sir.”

If Ostrius needed the brown so much, why wasn’t he down in the shed working on the formulation? Or, if he didn’t want to get dirty, he could have taught Stanus how to do it. But then, that was still dirty work and required patience, both of which Ostrius avoided whenever possible.

Загрузка...