TIBETAN DINNER 1988

IT WAS A WHILE before the others at the table had finished pointing out the celebrities who had come to the restaurant for the gala benefit: the Broadway actresses, the Seventh Avenue designers, and the world's most famous rock star's most famous ex-wife, a woman to whom fame belonged like logic to a syllogism, axiomatically. Before the list was quite done, I caught a glimpse of something, a flash of saffron at the other end of the room, and I had to turn and look again.

Peering through a thicket of reed-necked women, I saw that I'd been right: yes, it was a monk in saffron robes, it really was a Buddhist monk — Tibetan, I was almost sure. He was sitting at the head of a table on the far side of the room, spectral in the glow of the restaurant's discreetly hidden lighting. But he was real. His robes were real robes, not drag, not a costume. He was in his early middle age, with clerically cropped hair and a pitted, wind-ravaged face. He happened to look up and noticed me staring at him. He looked surprised to see me: his chopsticks described a slow interrogative arc as they curled up to his mouth.

I was no less surprised to see him. He was probably a little less out of place among the dinner jackets and designer diamonds than I, in my desert boots and sweater, but only marginally so.

He glanced at me again, and I looked quickly down at my plate. On it sat three dumplings decorated with slivers of vegetables. The dumplings looked oddly familiar, but I couldn't quite place them.

"Who were you looking at?" said the friend who'd taken me there, an American writer and actress who had spent a long time in India and, in gratitude to the subcontinent, had undertaken to show me the sights of New York.

I gestured foolishly with a lacquered chopstick.

She laughed. "Well, of course," she said. "It's his show — he probably organized the whole thing. Didn't you know?"

I didn't know. All I'd been told was that this was the event of the week in New York, very possibly even the month (it wasn't a busy month): a benefit dinner at Indo-Chine, the in-est restaurant in Manhattan — one that had in fact defied every canon of in-ism by being in for almost a whole year, and that therefore had to be seen now if at all, before the tourists from Alabama got to it. My skepticism about the in-ness of the event had been dispelled by the tide of paparazzi we'd had to breast on our way in.

Laughing at my astonishment, she said, "Didn't I tell you? It's a benefit for the Tibetan cause."

More astonished still, I said, "Which Tibetan cause?"

"The Tibetan cause," someone said vaguely, picking at a curl of something indeterminately vegetal that had been carved into a flower shape. It was explained to me then that the benefit was being hosted by a celebrated Hollywood star, a young actor who, having risen to fame through his portrayal of the initiation rites of an American officer, had afterward converted to Tibetan Buddhism and found so much fulfillment in it he was reported to have sworn that he would put Tibet on the world map, make it a household word in the United States, like Maalox or Lysol.

"The odd thing is," said my friend, "that he really is very sincere about this; he really isn't like those radical chic cynics of the sixties and seventies. He's not an intellectual, and he probably doesn't know much about Tibet, but he wants to do what little he can. They have to raise money for their schools and so on, and the truth is that no one in New York is going to reach into their pockets unless they can sit at dinner with rock stars' ex-wives. It's not his fault. He's probably doing what they want him to do."

I looked at the Tibetan monk again. He was being talked to by an improbably distinguished man in a dinner jacket. He caught my eye and nodded, smiling, as he bit into a dumpling.

Suddenly I remembered what the dumpling was. It was a Tibetan mo-mo, but stuffed with salmon and asparagus and such-like instead of the usual bits of pork and fat. I sat back to marvel at the one dumpling left on my plate. It seemed a historic bit of food: one of the first genuine morsels of Tibetan nouvelle cuisine.


The last time I'd eaten a mo-mo was as an undergraduate, in Delhi.

A community of Tibetan refugees had built shacks along the Grand Trunk Road, not far from the university. The shacks were fragile but tenacious, built out of bits of wood, tin, and corrugated iron. During the monsoons they would cover the roofs with sheets of tarpaulin and plastic and weigh them down with bricks and stones. Often the bricks would be washed away and the sheets of plastic would be left flapping in the wind like gigantic prayer flags. Some of the refugees served mo-mos, noodles, and chhang, the milky Tibetan rice beer, on tables they had knocked together out of discarded crates. Their food was very popular among the drivers who frequented that part of the Grand Trunk Road.

In the university, it was something of a ritual to go to these shacks after an examination. We would drink huge quantities of chhang—it was very diluted, so you had to drink jugs of it — and eat noodle soup and mo-mos. The mo-mos were very simple there: bits of gristle and meat wrapped and boiled in thick skins of flour. They tasted of very little until you dipped them into the red sauce that came with them.

The food was cooked and served by elderly Tibetans; the young people were usually away, working. Communicating with them wasn't easy, for the older people rarely knew any but the most functional Hindi.

As we drank our jugs of chhang, a fog of mystery would descend on the windy, lamp-lit interiors of the shacks. We would look at the ruddy, weathered faces of the women as they filled our jugs out of the rusty oil drums in which they brewed the beer and try to imagine the journey they had made: from their chilly, thin-aired plateau 15,000 feet above sea level, across the passes of the high Himalayas, down into that steamy slum, floating on a bog of refuse and oil slicks on the outskirts of Delhi.

Everyone who went there got drunk. You couldn't help doing so — it was hard to be in the presence of so terrible a displacement.

It was an unlikely place, but Tibetans seem to have a talent for surviving on unlikely terrain. Ever since the Chinese invasion of Tibet, dozens of colonies of Tibetan refugees have sprung up all over India. Many of them run thriving businesses in woolen goods, often in the most unexpected places. In Trivandrum, near the southernmost tip of India, where the temperature rarely drops below eighty degrees Fahrenheit and people either wear the thinnest of cottons or go bare-bodied, there are a number of Tibetan stalls in the marketplace, all piled high with woolen scarves and sweaters. They always seem to have more customers than they can handle.

Once, going past the Jama Masjid in Delhi in a bus on a scorching June day, I noticed a Tibetan stall tucked in between the sugarcane juice vendors. Two middle-aged women dressed in heavy Tibetan bakus were sitting in it, knitting. The stall was stacked with the usual brightly colored woolen goods. The women were smiling cheerfully as they bargained with their customers in sign language and broken Hindi. A small crowd had gathered around them, as though in tribute to their courage and resilience.


I found myself looking around the restaurant, involuntarily, for another Indian face, someone who had been properly invited, unlike me. I suppose I was looking for some acknowledgment, not of a debt but of a shared history, a gesture toward those hundreds of sweaters in Trivandrum. I couldn't see any. (Later someone said they'd seen a woman in a sari, but they couldn't be sure; it might have been a Somali robe — this was, after all, New York.)

When I next caught the monk's eye, his smile seemed a little guilty: the hospitality of a poor nation must have seemed dispensable compared to the charity of a rich one. Or perhaps he was merely bewildered. It cannot be easy to celebrate the commodification of one's own suffering.

But I couldn't help feeling that if the lama, like the actor, really wanted to make Tibet a household word in the Western world, he wasn't setting about it the right way. He'd probably have done better if he'd turned it into an acronym, like TriBeCa or ComSubPac. And sold the rights to it to a line of detergents or even perhaps a breakfast cereal.

TiBet (where the Cause is): doesn't sound too bad — marketable, even.

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