PREFACE

Although these essays were written over a period of twenty years, some issues, themes, and concerns echo through all of them. The most important of these is stated, if only obliquely, in the passage from which the collection takes its title: "The deadly logic of terrorism is precisely to invite repression: it is thus that it brings into being the social gulf on which its existence is predicated. To write carelessly can all too easily add to the problem by appearing to endorse either terrorism or violent repression. In such incendiary circumstances words can cost lives, and it is only appropriate that those who deal in them should pay scrupulous attention to what they say."

These words were written not today or yesterday but ten years ago, as a meditation on an event that had occurred even earlier, in 1984: they are from "The Ghosts of Mrs. Gandhi," which was published in The New Yorker in 1995. But the passage owes its origins to a Gandhi other than that of the title: the Mahatma, who was for my generation of Indians what Freud had once been to Central Europeans — that is to say, a ghost who was proof against all attempts at exorcism. His ideas had to be contended with, precisely because they were so strangely at variance with the disorder and violence of the world we lived in. For me, the aspect of Gandhi's thought that has been most productive perhaps is his insistence on the identity of means and ends. There is no such thing, Gandhi tells us, as a means to an end: means are ends.

André Breton once wrote that a ghost is "the finite representation of a torment." It is in this sense that Gandhi's ideas shaped the question that haunts these essays: is it possible to write about situations of violence without allowing your work to become complicit with the subject?

No doubt the reason that this question had a special urgency for me was because the "incendiary circumstances" of the title have been a part of the background of my everyday life since my childhood. Until recently it was possible to believe that there was something unusual or exceptional about those circumstances — that they were merely an aspect of what V. S. Naipaul has called "half-made worlds." But not the least of the many momentous changes that have followed upon the tragedy of September 11, 2001, is the realization that the half-made world has become, as I write elsewhere in this collection, "the diviner of the fully formed."

It affords me no satisfaction that the "incendiary circumstances" of these essays are no longer exceptional anywhere in the world. But their contemporary relevance lies, I hope, not merely in the circumstances they address but also in the renewed urgency of the question of means and ends. For if there is anything instructive in the present turmoil of the world, it is surely that few ideas are as dangerous as the belief that all possible means are permissible in the service of a desirable end.


AMITAV GHOSH


Brooklyn, New York


February 14, 2005

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