Justice Hall

CHAPTER FIVE

The drive up from the main road had been perfectly straight, but once the summit was reached, its path began to curve with the contour of the hillside, less from necessity, since the descent was a gradual one, than to present a more dramatic approach. The track curved at the base of the hill, then dropped a fraction, so that for the last half mile one not only faced the house straight on, but felt as if the house lay above. I could not help speculating on the quantity of soil Humphry Repton had caused to be moved in order to create that subtly humbling approach.

As it was, Justice Hall waited foursquare at the head of her drive, occupying her terraces with the patient air of a queen awaiting obeisance. A wide bridge crossed the artificial lake that separated the house from the world outside the gates; as we drove over it, I happened to glance up at the roof line. A flag flew above the front portico, and below its gently undulating colours stood a figure, nearly hidden by the crenellations. A man, I thought, briefly glimpsed, and then we were circling around and coming to a halt before the house.

One clear indicator of an establishment’s degree of affluence, in 1923 as in 1723, was the number of unnecessary individuals it maintained. Messengers and footmen, rendered all but superfluous by modern methods of communication and transport, were nonetheless kept on by the grandest houses, for show more than any actual convenience they might provide. So I was curious to see how many persons would be required to recognise our arrival.

Two, it seemed (in addition to young Tom at the entrance gates). Before I could make a move towards the car door, it opened, held for me by a rigid-spined young man who stared off with proper fixity at the distant hillside. On the other side of the car an older man in a formal cutaway coat was aiding Alistair and Holmes. Alistair greeted him as Ogilby; this would be the butler.

When I was safely freed from the motorcar, I half expected the discreet young man to climb into the motor and direct Algernon in an entire circuit of the house in order to off-load our bags at the service entrance, but instead Algernon merely handed them over, and the footman disappeared promptly in the direction of the house.

While Alistair was telling Algernon that he’d ring to Badger Old Place when he wanted to go home, I looked over the top of the motorcar at the ornate fountain that formed the centre of the circle. It had not yet been drained for the winter, and the low sun collected in a million diamonds, the water playing and dripping off the bronze figures. Pelicans, I saw, and nearly laughed aloud at the unlikely frieze of beaks and outstretched wings that intertwined and emitted jets of water into the bronze sea-cliffs at their base. I did not think I had ever seen such an ornate fountain incorporating such whimsy. Certainly it did not have much in common with the immense dignity of the house itself.

A throat cleared, and I tore my eyes away from the Baroque splendour to join Holmes. We made our scrupulously escorted way up the seven wide steps of a brief but psychologically distancing terrace. A vestigial portico sheltered us; an ornate door swung wide of its carven stone surrounds; Justice Hall permitted us entrance.

Just inside the door, some surprisingly indulgent past master had built a small vestibule for the guardian of the door. The butler even had some heat source, the brush of warmth on my face informed me, and I could see a chair and foot-stool accompanying the more usual front-door implements of waiting umbrellas, a house telephone, and the all-essential silver salver for accepting the cards of callers. Once past this private oasis of comfort, the interior hall was freezing cold, but as unremittingly impressive as any duke could have asked—or many kings, for that matter. A hundred visitors might collect beneath that frescoed dome, under those arched colonnades, among those acres of echoing marble both real and faux; the grandeur would still dwarf them all. Three guests, a butler, and the house-maid receiving our outer garments made for a human element that was insignificant indeed.

I told the maid that I would keep my coat, thank you. She bobbed her response and went away with the garments of Alistair and Holmes over her arm. The butler admitted he would have to enquire as to His Grace’s whereabouts, and suggested that we follow him into the drawing room, but Alistair said we would wait in the Great Hall. Ogilby too slipped away, leaving Alistair to pick up a copy of Country Life from the top of an exquisite scagliola sideboard while Holmes and I craned our necks and gawked like a pair of museum patrons.

I had seen grander entrance halls—huge halls, halls whose every inch was encrusted with gilt and mirrors, halls dizzying with the sheer accumulation of beauty—but I had never known a room with a stronger sense of what I can only term personality. The room was a cube of marble and alabaster, the black-and-white tiles of its floor giving birth to a pale stairway slightly narrower at the top than the bottom. Near the foot of the stairway stood a larger-than-life statue of a Greek athlete, the outstretched right arm that had once held a javelin now empty; at first glance, he seemed to be preparing to stab any unwary passer-by. Fluted columns of a heavily veined alabaster tapered up to support first an upper gallery and then the side-lit dome above. The veins of chocolate and cream in the columns were peculiarly symmetrical, with a heavy streak in one leading the eye to a similar stain in the next column twelve feet away. As one studied them, the sensation grew that they had actually been cut from a single contiguous piece, the remnants of an original alabaster monolith left when the rest of the room was carved away, as if Justice Hall had been whittled from a huge block of living stone. The image was disorientating, and I tore my eyes from the fluted columns to look up.

It took a while for me to decide what the fresco on the dome depicted. Normally such paintings are either of battles—the ceiling at Blenheim, for example, created for the Duke of Marlborough to commemorate his victory at the battle of that name—or allegorical, with classical gods and illustrated stories. This one showed robed figures reclining at a feast, with dancers playing tambourines and musicians with harps and a variety of unlikely-looking woodwinds in the background. A cluster of remarkably serious greybeards stood to one side, looking for all the world like barristers discussing their briefs. Farther around the dome’s circle, a wood sprang up, with birds and wild animals decorating the dark and gnarled trees, and a single man, running from a tawny creature that I thought might represent a lion. The man was making for a small hut, looking back over his shoulder at the lion and thus not noticing the bear (this animal quite realistic) standing at the corner of the hut, nor the snake dangling from the eaves.

The combination of animals was unexpected in this setting, but as soon as I saw them I knew what the painter was illustrating—and indeed, in the remaining space of the dome’s bowl, in what I knew would be the eastern quarter, the sun was rising over an idealised English landscape of green fields and tidy hedgerows. Its rays illuminated the lower sides of a great and gathering darkness, crimson and black and awesome across the innocent land.

“Good Lord,” I said involuntarily.

Alistair glanced up from a Country Life article on improving one’s backhand in tennis. “Cheerful, is it not?”

“Do you see it, Holmes?” I asked. He shook his head, admitting ignorance. “From the Book of Amos. A description of Armageddon—the end of the world. ‘The Day of the Lord,’ the prophet calls it, which some desire as the time when the Lord comes to set human affairs straight, but which, Amos says, we ought to dread for just that reason. ‘Why would you want the Day of the Lord?’ ” I recited. “‘It is darkness, and not light. As if a man ran from a lion’ ”—here I pointed up at the unlikely beast—“‘and a bear met him; or went into a house to lean against the wall, and a serpent bit him.’ The Lord goes on, ‘I hate, I despise your feasts, I take no joy in your solemn conclaves.’ He accepts neither burnt offerings nor sacrifices, will not listen to the singing and music given Him. ‘But,’ He says, ‘let justice roll down like waters, righteousness like an ever-flowing stream.’ You see? It’s even written along the bottom, over and over again in Latin.” This alternated, I saw, with another phrase: Justitia fortitudo mea est, the Mediaeval Latin quaintly corrupt. “Righteousness is my strength.”

We stared at the scene overhead, at the huge black clouds flecked with crimson, at the unheeding feast-goers and the single doomed man, and at the rich blue splash in the centre of the dome, which depicted the very instant in which the dammed-up waters of justice were loosed, to roll down across the feasts and the solemn assemblies and flood the world in a torrent, that when it had passed, the stream of righteousness might flow undisturbed.

Then, between one breath and another, the master of Justice Hall was there, standing in the centre of the gallery at the top of that great staircase, framed perfectly by the arch of the doorway behind him, hands in his pockets, looking as if he’d been occupying the spot for an hour. Alistair threw the magazine down and trotted up the stairway; something about the way he swept upwards evoked the swirl of robes about his person.

Mahmoud—Marsh—remained where he was, so immobile he might have been unaware of his companion’s approach, might have believed that the objects of his gaze—Holmes and I—did not know he was there, although we were looking straight at him. He might have thought himself all alone in the hall, but for his reaction when his cousin gained the top step and reached out to embrace him in the Arab fashion: The duke pulled back. Very slightly, a mere fraction of an inch, but it cut off the embrace more effectively than a fist. Alistair stuttered awkwardly to a halt; only when he had taken his hand from the ducal arm did Maurice Hughenfort come to life. He took his hands from his pockets, turned to look into his cousin’s face, said a few words in a voice too low to hear, and reached out to grasp the younger man’s shoulder briefly. He then started down the long staircase.

Watching him descend, my first impression was that five years had turned Mahmoud into an old man, deliberate in his every movement, going grey (had I even seen his hair before?). As he drew nearer, it seemed more that he was in some deep and chronic pain, the kind that only iron control can keep at bay. But then he came off the stairs and was crossing the marble floor towards us, and the knowledge came stark into my mind: This man is dying.

He moved with the ease of health and shook Holmes’ hand with no sign of discomfort, but the look on his face was one I had seen too often during the War, when one of the wounded soldiers I was nursing gave up his fight, and let go. Such was the expression on the man now taking my hand, bending over it with old-fashioned formality, calling me Mary, a name he had never used: The man was one of the walking dead, a person who had made the decision to die, who in complete peace and bemused detachment watched the antics of his neighbours and his would-be saviours, awaiting only the day when he would be permitted to leave them behind. The wounds of some of those dying soldiers had been relatively mild, just as, other than the old scar down the side of his face, this man seemed whole and psychologically undamaged. And yet, the look was unmistakable.

“Mahmoud!” I cried out—or began to. I had only let out the first pain-filled syllable when he shot me a glare that shrivelled the name on my tongue. Dying he might be, but he could definitely summon the old air of command when he needed to.

“We are such old friends, Mary,” he pronounced, his dark eyes boring into me. “Despite the change in circumstances, I insist that you continue to call me Marsh.”

The moment he saw that he had achieved my obedience, he withdrew—like that; in an instant he was once more bland and polite, his real self back inside that distant waiting room where he alone dwelt. He told Ogilby that we would be in the library, then ushered us out of the echoing hall and down chilly corridors crowded with marble busts, Regency cartoons, display cabinets bursting with priceless knick-knacks, and paintings of ancestors stamped from the Hughenfort mold—dark hair, dark eyes, proud lift to the chin. We turned into an older wing of the house, and two doors down entered a sort of masculine sitting room next to a billiards room that reeked of cigars.

It was a library with few books, and most of those dealing with the breeding lines of horses, but it was deliciously warm. As I removed my coat, hat, and gloves, I studied my surroundings. It was a big room made intimate by the placement of furniture and the apparently haphazard arrangement of objects, as if some family member had deposited his Greek souvenir in a corner as he came in the door in 1829 and nobody had bothered to move the ancient statue ever since. The walls were a combination of warm beech linen-fold panelling and faded red silk wall-paper, half hidden behind a variety of landscape paintings and a plethora of glass-fronted cabinets containing stuffed wildlife and casual archaeological discoveries, the sorts of things dug up by boys and turned over by ploughs: coins and spear-heads, scraps of Samian ware from third-century Romans and blue-figured porcelain from nineteenth-century Victorians, a pair of dusty kingfishers perching on a twist of rusty metal that might once have been a blade, and a filthy-looking object that could have been a shoe or someone’s scalp—I did not care to look too closely. The objects appeared to have been placed on the shelves willy-nilly and the doors then locked behind them, and I was quite certain the house residents never actually saw them when they were in the room. The family photographs on the mantel and desk looked similarly abandoned to become a sort of three-dimensional wall-paper, with the exception of a group of three silver frames towards the right end of the mantel. These included a handsome young lad in the uniform of a second lieutenant of the recent war, whose eyes and chin declared him a Hughenfort, a slimmer, younger Marsh.

I became aware that the butler had materialised silently, in that manner of excellent manservants, waiting for his orders.

“Tea?” the scarred duke asked us. “Coffee? Something cold? No? That will be all, Ogilby.”

Ogilby faded away. The door was shut, and Marsh Hughenfort stood before the fire, concentrating on removing a cigarette from a silver case and lighting it with a spill taken from a Chinese bowl on the mantelpiece. When the cigarette was going, he flicked the half-burnt paper fan into the flames and walked over to splash whisky and a shot from a soda-siphon into a glass. He held it out as an offer—which Holmes accepted and Alistair and I refused—and then to my astonishment he made one for himself and took it back to the fire.

I glanced at Alistair, seated with his knees crossed and his hands clasped together on his lap. It struck me then, how unusual it was to see those hands empty and unoccupied. In Palestine, Ali always had some project to hand: patching the tent, mending a buckle, working oil into the mules’ leather traces, or—first, last, and at all moments in between—whittling. He had whittled endlessly, using the deadly blade he wore at his belt to carve unexpectedly delicate and whimsical figures of donkeys and lizards and long-haired goats. Whittling, it would seem, was not an occupation for the drawing room.

The man at the fireplace did not look at his cousin, but turned instead to us, and remarked, “You two are looking well.”

The sheer conventionality of the opening took my breath away: It had been astonishing enough to see the man hold a drink to his lips, but Mahmoud Hazr, making polite conversation? The changes in Ali ought to have warned me, but the Englishness of Alistair was nothing to that of his cousin.

There was no trace of Mahmoud’s heavy accent, no accent at all apart from that of his class and education. His movements evoked no swirl of ghostly robes; nothing in his demeanour indicated that this duke had ever held something as crass as a handgun, far less a killing blade; his eyes betrayed no hint of the watchful authority that had been the very essence of the man. His voice was lighter, his eyes seemed a lesser shade of brown, his stance was that of an amiable if distracted English nobleman. Had it not been for his scar, and for that brief flash of command when I was about to speak his Arab name, I should have thought him a different man. He even held his cigarette differently.

“And you, sir,” Holmes replied, always ready to turn conventionality to his own purposes. “You are looking somewhat . . . changed.”

“They say change is inevitable.” The duke raised his gaze to face Holmes squarely.

“I find folk wisdom to be a somewhat overrated commodity,” Holmes retorted. “It generally fails to take into account the workings of cause and effect.”

Rather than bristle, or retreat, at this confrontation, Marsh Hughenfort seemed to relax, just a fraction, and opened his mouth, but before he could respond some distant sound reached him. He paused in an attitude of listening; Alistair too cocked his head; then, as one, the two men slumped into gloom. Alistair even muttered a mild oath. Marsh retreated until his back was to the fireplace, and waited.

Children’s voices, of all things. Two high-pitched excited chatterers, growing and then fading as they turned into another part of the house, giving way to the sound of a woman in monologue. The library door opened; Holmes and Alistair rose automatically to their feet.

“—just pop my head in to see if he’s in here, p’raps you’d better inform Mrs Butter that we’ll be here for luncheon after all, just too terribly tiresome of them, truly it is. Oh, hello. I didn’t know you had company, Marsh. Good morning, Alistair.”

She was a small, elegant, expensive woman in her early thirties, plucked, pencilled, and pampered, working a pair of silver-grey gloves from her thin hands as she came through the door. In her case, the ebony Hughenfort curls had been tamed, by nature or art, into a sleek shingle, but the chin and eyebrow were instantly recognisable. She radiated a natural superiority; her clothing was too perfect to be anything but Paris; I felt instantly a frump.

“My sister,” said Marsh. “Phillida Darling.”

For a startling moment, I thought he was using a term of endearment in detached irony, but I realised it had to be the surname of the teeth-on-edge Sidney. “Phillida, this is Mr Holmes and his wife, Miss Russell. They are friends.”

Her eyes lit up. She glided across the room, dropping the gloves and her cloche hat on an exquisite marquetry end-table in passing, and held out her hand to Holmes. “What a splendid surprise, to encounter not just one, but two of my brother’s friends in a single day. Any relation to the Duke of Bedford, Miss Russell? No? Well, to think one might have missed you, if the Garritsons’ two brats hadn’t broke out in horrid spots this morning. We thought we’d lunch with them,” she explained, settling onto the divan beside me and taking out a cigarette case and ivory holder, “and we’d already set out before their nanny came down to tell them about the spots, stupid girl, and although usually I’d just have let my two in—children have to get these things some time, don’t they?—it’s really not a terribly convenient time. Thank you,” she told Holmes, who had applied a light to her cigarette. “I mean, one has a party here this week-end, and a ball in a month’s time, wouldn’t it be tiresome if half the house-maids came down in spots, too? It happened to a dear friend of mine, had to cancel the evening, the food all delivered and all. So tell me,” she said, having softened us up with the flow of trivia, “where did you two meet my brother?”

Here in your entrance hall, I nearly said. I caught back the impulse, presented her with a cheerful smile, and answered, “Aleppo, wasn’t it, Marsh?” I swivelled my head around as if to consult with him, and read not so much relief as approval, and that quiet humour in the back of his gaze that made my heart leap with pleasure: Mahmoud was there, somewhere. “That tawdry little café that your friend Joshua dragged everyone to, plying us with muffins toasted over a paraffin stove? Or was that Greece, the year before? One of those grubby but romantic spots,” I told her.

“But what was he doing there?” She could see I was going to be useless as a source of information, so she turned to confide in Holmes, arching her pencilled eyebrows in appeal. “He vanishes utterly for years and years, sends us a letter every six or eight months—postmarked in London, although one knows he can’t be in London, one’s friends would have seen him—and then back he comes, positively bristling with mysteries and secrets. A person might think he’d been in prison or something—I mean, just look at his poor face. He didn’t have that when he left.” Referring to the scar, of course.

“Those Heidelberg duelling academies could be quite rough, nicht war, Marsh?” This was from Holmes, contributing his own obfuscation.

“Of course,” I added, “the Carpathian shepherds who took him in couldn’t have helped the healing any. Health care in the mountains is still quite rudimentary.”

I was interested to see a flash of real irritation beneath Lady Phillida’s sisterly exasperation. Understandable, I supposed—if nothing else, the family would want to know if the heir had a string of warrants, a pile of debts, or a wife and six sons trailing behind from some foreign land. However, if Marsh had not told her where and how he had spent the last twenty years, it was not up to me to fill the gaps.

She pouted prettily, stubbed out her cigarette, and lounged upright. “You two are as bad as my brother. Shall we see you at luncheon?”

“They may be stopping here for a day or two. Perhaps more,” Marsh told her.

Her eyes went wide in dismay. “What, over the week-end? Oh, Marsh, why didn’t you tell me earlier we were having additional guests?”

“It was just now decided.”

“Well, next time you must let Mrs Butter know in advance.” It was a gentle scold, for the sake of keeping face before guests, but she must have heard the edge to it because she turned to me with a little laugh. “Men—they just don’t understand the servant problem, do they? We have to coddle Mrs Butter—where would we be if she up and left? Anyway, lovely to know you won’t be leaving right away, do feel free to stay on until Monday—we’ll have to get together for a nice long girlish chat. And at least we won’t have to worry about thirteen at table Saturday night.”

She stepped over and kissed the air near her brother’s cheek, which gesture he accepted without a flinch, and then she swept from the room. Alistair slowly let out a gusty breath, and reached for his cigarettes. All four of us twitched, like a group of hens settling their ruffled feathers, and I reflected that my own visceral response to the accents of power and privilege had at least become more controllable over the years. I was still intimidated by women like Phillida Darling, but I did not show it outwardly.

“We were, I believe,” Holmes said, recalling us to our state before Lady Phillida had entered, “speaking of the nature of change.”

Alistair shook out his match and cut into any response his cousin might have made. “Not here. Not with that woman and her husband listening in at the windows. I even caught the daughter with her eye to a key-hole last week.”

“This afternoon,” Marsh said, sounding resigned. “After lunch we will put on our boots and remove ourselves from windows and key-holes.”

The lack of hope or even interest in his voice stung me into speech. “We did come here to help,” I told the duke sharply.

As if I had not spoken, he flicked his cigarette into the fire and left the room.

Luncheon was every bit as difficult as we had been led to anticipate, with Marsh silent, Alistair monosyllabic, and Lady Phillida making constant gay forays in her quest for information. Sidney Darling appeared after the rest of us had settled to our first course, full of apologies (“Trunk call to London; business couldn’t wait”), bonhomie (“Alistair old man, been a while”), and charm (“Perfectly splendid to meet friends of my brother-in-law; what a perfectly lovely frock on you, Miss Russell. I say, any relation to Bedford?”). Sidney Darling was a tall, thin, languid, inbred aristocrat with protruding blue eyes and the pencil-thin moustache and sleek light hair of a film star, dressed in a height-of-fashion dove-grey lounge suit with Prince of Wales turn-ups. His topics of conversation ran the narrow gamut from horse racing and shotgun makers to the best spots to winter along the Riviera. His response to our lack of interest in those accepted passions of the leisured class was mild surprise followed by a pitying smile. Sidney Darling did indeed set one’s teeth on edge.

Despite their traditional interests, however, I could see that the Darlings were not cut to the peer’s age-old pattern. Certainly, they were the very definition of old money—at least, the wife was; nonetheless, the Darlings moved in a social milieu that included film directors, the sons and daughters of American tycoons, progressive European novelists, and the sorts of artists more often seen in newspaper columns than on museum walls. This was, I thought, the new generation of the entitled, whose traditional studied lack of interest in the getting of money, the dictates of fashion, or human beings outside their circle was being modified to include the people and places, music and talk of the West End, Europe, and even brazen America. Indeed, Lady Phillida’s own speech reflected this, wavering as it did between the lady’s compulsory “one” and the blunt and egalitarian “I”; she had even used the vulgar term “week-end” without a hint of coyness.

Eventually, at the conclusion of one long recitation of the personal history of a prized shotgun, it registered on Darling that the rest of the table was not participating in the narrative with any degree of enthusiasm. He dabbed at his thin moustache and turned dutifully to Holmes.

“Tell me, Mr Holmes, what do you do?”

“I raise bees.”

The slightly pop blue eyes blinked. “Ah. How int’resting.”

“Very.”

Seeing her husband foundering on the rock of Holmes’ avocation, Lady Phillida decided to give me a try.

“And you, Miss Russell. Do you also keep bees?”

“I read theology. At Oxford.”

“Oh. Well. That’s rather . . . interesting as well,” she replied dubiously, her mind, no doubt, filled with furious speculation concerning the private dinner conversations that took place between the spectacularly mismatched married couple which her brother had inflicted on her for the week-end.

Alistair gave a small choking sound and reached to retrieve a hastily dropped table napkin. For the rest of the meal, we spoke about gardens.