24

She is horrified. Disgusted. More than a little afraid. And completely bewildered.

Here’s what she knows. Or thinks she knows.

Jean Luc and his sister beat their father to death because their father was an animal and abused their mother. Then they let dogs eat him.

But how does she know the story is true? How does she know that Jean Luc is really the boy in the story? And what can it possibly have to do with her? Did he tell her that story just to frighten her? On top of the blackmail?

She looks up to see him cross the room, pick up Isabella’s photo.

Fighting her growing nausea, she sprints across the room, takes the photograph from him, as forcefully as she dares, and places it in the end table drawer. “What do you want from me? Just tell me what the fuck you want from me.”

“Tonight? Nothing.” He takes her chin in his right hand, angles her face toward his. “But tomorrow. Tomorrow is Christmas Eve.”

“Yeah? What about it?”

“It is a magical night and I want you to have the best time possible.”

She remains absolutely still, silent.

“Tomorrow night you are going to a party,” he continues. “A party filled with laughter and goodwill and all the other joys of the season.”

She looks at his handsome face, thinks about him as a thirteen-year-old boy, a bloodied baseball bat in his hands. She considers the will that must have propelled that fury. She feels it seething from him as he moves ever closer. She retreats, little by little, until her back is to the wall. Is any of this true? She has no idea. But she is a realist, if nothing else, and knows the box score. As long as Jean Luc has those pictures of her at the Dream-A-Dream Motel, it doesn’t really matter if the story is true or not.

Jean Luc says: “All I want you to think about, between now and tomorrow night, are three little words.”

He touches her cheek.

For a moment she feels, what, charmed?

In the middle of all this?

“What three words?” she asks.

He tells her, counting each word off with his fingers.

“Merry Christmas, Jack.”

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