46

I can hear the police sirens in the distance and know that they are coming for me; a sober, urgent aria, rising and falling.

The old woman sits on the plastic-slipcovered dining room chair, her eyes a dead pool of defiance. I know that she has been through worse than whatever I can offer her now. Much worse. As a child she has survived the horrors of Buchenwald, has witnessed an encyclopedia of inhuman behavior.

Initially, she had refused to tell me where the keys to the garage could be found. I needed them to get at her husband’s hot dog cart. She had lost the tip of the little finger on her right hand to this stubbornness, yet still refused. When I brought the steam iron to within an inch of her face she pointed to a drawer in an old desk, her frail shoulders sagging under the weight of her shame.

She is very tough, clearly from another time, another era. Not soft and complacent like so many of my generation. She really has nothing to do with my plan, and my instincts are to just leave her apartment, take my chances. These are my instincts. And yet I know I cannot do this. I have no hatred for her, but I need until New Year’s Eve at the very least and she has seen my real face.

My father’s face.

I look out the window as two police cars converge on the corner of Trent Avenue and Fulton Road, their blue lights a sparkling, prismatic display on the ice-crystalled facade of St. Rocco’s church.

The old woman struggles against the ropes. It appears that life, complete with all its horrors and barbarism and cruelty, is still precious to her. She tries to plead with me, but the tape over her mouth catches her fear, mutes it.

When we met, I had told her and her husband Isaac that my name was Judah Cohen. I kneel in front of her and say, in very apologetic Hebrew, acquired just for this occasion:

“Ani ve ata neshane et haolam.”

You and I will change the world.

Edith Levertov’s eyes open wide, wider.

She screams.

She has met the devil once before.

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