3

25 November

All he's ever wanted to do is get off the gear. It'd sound crazy to anyone who's seen him spending 100 per cent of his time and energy on scoring to hear that actually what he wants, what he really wants more than anything, is to see a way through it all and get clean. It's November and he's standing with Bag Man, the one they call 'BM', in the shadow of the tower block, over by the waste disposals where most of the dealing is done. A grey autumn wind is whipping up the litter and the plastic bags. BM is wearing a grey hoodie with 'Malcolm X' written on the breast pocket, even though he's white, and Mossy is raging because BM's just told him there's no more credit.

'What?' Mossy says, because he and BM have serious history and there's no reason for him to go cold like this so suddenly. 'What the fuck're you talking about?'

'Sorry,' BM says, looking at him really straight. ' 'S all gone too far. Can't help you this time, man, not any more. This is the end of the line.' He pinches Mossy's arm and pulls him closer. 'It's time you got yourself into counselling.'

'Counselling? What d'you mean, counselling?'

'Don't push me, mate. Given you a tip. Don't push me more.'

Mossy does try, though, just a bit more, tries to convince BM to give him something, just a little something. But BM's determined and digs in his heels, and in the end the only avenue for Mossy is to slouch away, half thinking about killing BM and half thinking about what he's said about counselling. He surprises himself to find that by the afternoon he's in the West of the City, going into a counselling session in a weird little clinic with an old woman receptionist who is honestly totally scary. One day this action alone, the action of walking into that clinic, will be enough for Mossy to blame everything on BM.

The session's weird. Everyone dotted around the room — not meeting each other's eyes. One of them's got a two-litre bottle of spring water and keeps sucking it like it'll save his life. Mossy sits there with his elbows on his knees and pretends to be interested in them, talking in their monotones about how life isn't fair, because that's what he's noticed about people on H. They always feel self-pity and he hopes he doesn't sound like that. But all the time he's looking at them, what he's really wondering is whether one has some gear and which one'll feel sorry enough for him to share a bit. So he wheels out the story — like how he was abused by his uncle, how he learned to jack up when he was thirteen, and all the stuff with the drug treatment and testing orders he's served and the prostitution and how that came really early, when he wasn't even fifteen, and he rambles on, even though he can feel the moderator, a workedout guy who got clean years ago and owes something to society, staring at him, staring into his eyes, and Mossy thinks he's getting sympathy here, thinks he's maybe the only one here who has a really good reason to be this hooked. But then, when he's finished, the moderator goes: 'Mossy? Mossy? Where'd you get a name like that?'

He shrugs. 'Dunno. Mates made it up. Cos I'm skin and bones, me, like that model. Y'know, Kate Moss.'

There's a bit of a silence and no one looks at him, except the moderator, who stares a bit more.

'You don't think that could be considered offensive?' he goes, and there's sort of a note in his voice that Mossy knows is all wrong, like a warning. So it's time to get out, and he mumbles something about not meaning to offend no one, and waits for the subject to change. Then he gets up, quiet as he can, stashes the plastic chair against the wall, and goes outside. He walks away from the clinic, lights a roll-up and finds a place a little down the road where he can see the front of the clinic and everyone coming out of the doors, and he waits, feeling the cramps coming slowly through him from front to back. They're the worst of the agonies, the cramps, the first to come and the last to leave. He sits down and hugs his belly, wondering if there's a karsi round here. It's a warm day and that helps, and if he keeps humming it'll take his mind off it.

After a while the doors open. He can feel the moderator staring at him, but he's not going to be intimidated, so he waits while the others come out. He's like a hyena, picking off the softest-looking ones who go round the edge of the pack, the ones who'll fall for a story — you can spot them, something about the hope in their eyes: like they really believe people can be redeemed. Mossy waits till they pass, then falls into stride next to them, hands in his pockets, head down a little so he can sway it a little sideways and mutter, 'Got anything to help me, there? Hmm? Just a little? I'll pay you back. Can promise you that.' But they mutter and cross the road heads down, like they don't want to be seen with him, leaving him standing there, the sweats starting, and the itching, and when he walks back to his spot he can feel his kneebones rubbing each other raw. Is that because he's too thin or is it something else? Is it because of something weird his skin is doing?

When they've disappeared he tries to bum some money from a passer-by, but she walks past, eyes on the distance, so after a while he decides to go down the docks, see if there's anything happening down there. Maybe one of them from the Barton Hill estate'll be there in a good mood. If not, he'll think again.

He's just got up and is ambling along when it happens. One minute he's on his own thinking bad thoughts, next minute, walking next to him is this tiny, skinny black guy with his hair real tight against his skull and a bit of a moustache. He's wearing jeans that've been factory faded down the front of the legs and an olive-green Kappa jacket, the hood sort of draped round his head, and Mossy recognizes him from the counselling session — he was sitting in the corner. But the main thing Mossy notices is the way he walks: like he's oiled. Like he wasn't born here on the dry Bristol streets, but in a better place. Like he's used to walking the bush day after day after day.

'You looking for something?' he goes. 'You looking for something?'

Mossy stops. 'Yeah,' he goes, 'but I'm skint.'

And what's weird is that instead of the whack to the head he expects the skinny guy looks Mossy in the eyes and says, 'No worries about the money. No worries. I know someone who can help you.'

And that, of course, is how it all starts.

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