3. DON’T SMEAR INDUSTRIALISTS.

Don’t spit into your own face or, worse, pay miserable little rats to do it.

You, as a motion picture producer, are an industrialist. All of us are employees of an industry which gives us a good living. There is an old fable about a pig who filled his belly with acorns, then started digging to undermine the roots of the oak from which the acorns came. Don’t let’s allow that pig to become our symbol.

Throughout American history, the best of American industrialists were men who embodied the highest virtues: productive genius, energy, initiative, independence, courage. Socially (if “social significance” interests you) they were among the greatest of all benefactors, because it is they who created the opportunities for achieving the unprecedented material wealth of the industrial age.

In our own day, all around us, there are countless examples of self-made men who rose from the ranks and achieved great industrial success through their energy, ability and honest productive effort.

Yet all too often industrialists, bankers, and businessmen are presented on the screen as villains, crooks, chiselers or exploiters. One such picture may be taken as non-political or accidental. A constant stream of such pictures becomes pernicious political propaganda: It creates hatred for all businessmen in the mind of the audience, and makes people receptive to the cause of Communism.

While motion pictures have a strict code that forbids us to offend or insult any group or nation — while we dare not present in an unfavorable light the tiniest Balkan kingdom—we permit ourselves to smear and slander American businessmen in the most irresponsibly dishonest manner.

It is true that there are vicious businessmen — just as there are vicious men in any other class or profession. But we have been practising an outrageous kind of double standard: we do not attack individual representatives of any other group, class or nation, in order not to imply an attack on the whole group; yet when we present individual businessmen as monsters, we claim that no reflection on the whole class of business men was intended.

It’s got to be one or the other. This sort of double standard can deceive nobody and can serve nobody’s purpose except that of the Communists.

It is the moral — (no, not just political, but moral) — duty of every decent man in the motion picture industry to throw into the ashcan, where it belongs, every story that smears industrialists as such.

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