The Shallowest Man

Sitting around the delicatessen, discussing shallow people we had known, Koppelman brought up the name of Lenny Mendel. Koppelman said Mendel was positively the shallowest human he'd ever come across, bar none, and then proceeded to relate the following story.

For years there was a weekly poker game amongst roughly the same personnel. It was a small stakes game played for fun and relaxation at a rented hotel room. The men bet and bluffed, ate and drank, and talked of sex and sports and business. After a while (and no one could pinpoint the exact week) the players began to notice that one of them, Meyer Iskowitz, was not looking too well. When they commented on it, Iskowitz pooh-poohed the whole thing.

"I'm fine, I'm fine," he said. "Whose bet?" But as a few months passed he grew progressively worse looking and when he didn't show up to play one week the message was that he had checked into the hospital with hepatitis. Everyone sensed the ominous truth and so it was not a complete surprise three weeks later when Sol Katz phoned Lenny Mendel at the TV show where he worked and said, "Poor Meyer has cancer. The lymph nodes. A bad kind. It's already spread over his body. He's up at Sloan-Kettering."

"How horrible," Mendel said, shaken and suddenly depressed as he sipped weakly from his malted on the other end of the phone.

"Sol and I went to see him today. Poor guy has no family. And he looks awful. He was always robust too. Oy, what a world. Anyhow, it's Sloan-Kettering. 1275 York and visiting hours are twelve to eight."

Katz hung up, leaving Lenny Mendel in a gloomy mood. Mendel was forty-four and healthy as far as he knew. (Suddenly he was qualifying his self-assessment so as not to jinx himself.) He was only six years younger than Iskowitz and though the two were not terribly close they had shared many laughs over cards once a week for five years. The poor man, Mendel thought. I guess I should send some flowers. He instructed Dorothy, one of the secretaries at NBC, to call the florist and handle the details. The news of Iskowitz's imminent death weighed heavily over Mendel that afternoon, but what was beginning to gnaw at him and unnerve him even more was the unshakable realization that he would be expected to visit his poker crony.

What an unpleasant chore, Mendel thought, He felt guilty over his desire to avoid the whole business and yet he dreaded seeing Iskowitz under these circumstances. Of course Mendel understood that all men die and even took some comfort from a paragraph he had once come across in a book that said death is not in opposition to life but a natural part of it; yet when he actually focused on the fact of his own eternal annihilation it caused him to feel limitless panic. He was not religious and not a hero and not a stoic, and during the course of his day-to-day existence he didn't want to know from funerals or hospitals or terminal wards. If a hearse went by in the street the image might stay with him for hours. Now he pictured Meyer Iskowitz's wasted figure in front of him and himself awkwardly trying to make jokes or conversation. How he hated hospitals with their functional tile and institutional lighting. All that hush-hush, quiet atmosphere. And always too warm. Suffocating. And the lunch trays and the bedpans and the elderly and lame shuffling in white gowns through the halls, the heavy air saturated with exotic germs. And what if all the speculation of cancer being a virus is true? I should be in the same room as Meyer Iskowitz? Who knows if it's catching? Let's face it. What the hell do they know about this awful disease? Nothing. So one day they'll find that one of its admittedly myriad forms is transmitted by Iskowitz coughing on me. Or clasping my hand to his chest. The thought of Iskowitz expiring before his eyes horrified him. He saw his once hearty, now emaciated acquaintance (suddenly he was an acquaintance, not actually a friend) gasping a last breath and reaching out to Mendel saying, "Don't let me go-don't let me go!" Jesus, Mendel thought as his forehead beaded up with sweat. I don't relish visiting Meyer. And why the hell must I? We were never close. For God's sake, I saw the man once a week. Strictly for cards. We rarely exchanged more than a few words. He was a poker hand. In five years we never saw one another outside the hotel room. Now he's dying, and suddenly it's incumbent upon me to pay a visit. All of a sudden we're buddies. Intimate yet. I mean, for God's sake, he was tighter with every other person in that game. If anything, I was least close to him. Let them visit him. After all, how much traffic does a sick man need? Hell, he's dying. He wants quiet, not a parade of empty well-wishers. Anyhow I can't go today because there's a dress rehearsal. What do they think I am, a man of leisure? I've just been made associate producer. I got a million things on my mind. And the next few days are out too because it's the Christmas show and it's a madhouse here. So I'll do it next week. What's the big deal? The end of next week. Who knows? Will he even live till the end of next week? Well if he does I'll be there and if not, what the hell's the difference? If that's a hard line, well, then life's hard. Meanwhile the opening monologue on the show needs punching up. Topical humor. The show needs more topical humor. Not so many brand-name jokes.

Using one rationale or another, Lenny Mendel avoided visiting Meyer Iskowitz for two-and-a-half weeks. When his obligation rose more strongly to mind he felt very guilty and worse even yet when he caught himself half hoping that he would receive the news that it was over and Iskowitz had died, thereby getting him off the hook. It's a sure thing anyhow, he reasoned, so why not right away? Why should the man linger and suffer? I mean I know it sounds heartless, he thought to himself, and I know I'm weak, but some people can handle these things better than others. Visits to the dying that is. It's depressing. And like I don't have enough on my mind.

But the news of Meyer's death did not come. Only guilt-provoking remarks by his friends at the poker game.

"Oh, you haven't seen him yet? You really ought to. He gets so few visitors and he's so appreciative."

"He always looked up to you, Lenny."

"Yeah, he always liked Lenny."

"I know you must be very busy with the show but you should try and get up to see Meyer. After all, how much time does the man have left?"

"I'll go tomorrow," Mendel said, but when it came time he pushed it off again. The truth is, when he finally got up enough courage to make a ten-minute visit to the hospital it was more out of needing to have a self-image that he could live with rather than out of any compassion for Iskowitz. Mendel knew that if Iskowitz died and he had been too scared or disgusted to visit him, he might regret his cowardice and it would then all be irrevocable. I will hate myself for being spineless, he thought, and the others will know me for what I am-a self-centered louse. On the other hand, if I visit Iskowitz and act like a man, I will be a better person in my own eyes and in the eyes of the world. The point is that Iskowitz's need for comfort and companionship was not the force behind the visit.

Now the story takes a turn because we're discussing shallowness, and the dimensions of Lenny Mendel's record-breaking superficiality are just beginning to emerge. On a cold Tuesday evening at seven-fifty (so he couldn't visit more than ten minutes even if he wanted to) Mendel received from hospital security the laminated pass that allowed him access to room 1501 where Meyer Iskowitz lay alone in bed, surprisingly decent looking considering the stage to which his illness had advanced.

"How's it going, Meyer?" Mendel said weakly as he tried to maintain a respectable distance from the bed.

"Who's that? Mendel? Is that you, Lenny?"

"I been busy. Otherwise I'd have come sooner."

"Oh it's so nice of you to bother. I'm so glad to see you."

"How are you, Meyer?"

"How am I? I'm going to beat this thing, Lenny. Mark my words. I'm going to beat this thing."

"Sure you will, Meyer," Lenny Mendel said in a feeble voice, constricted by tension. "In six months you'll be back cheating at cards. Ha, ha, no seriously, you never cheated." Keep it light, Mendel thought, keep the one-liners coming. Treat him like he isn't dying, Mendel thought, recalling advice he had read on the subject. In the stuffy little room, Mendel imagined he was inhaling billows of the virulent cancer germs as they emanated from Iskowitz and multiplied in the warm air. "I bought you a Post," Lenny said, laying the offering down on the table.

"Sit, sit. Where you running? You just came," Meyer said warmly.

"I'm not running. It's just that the visiting instructions say to keep the visits short for the comfort of the patients."

"So what's new?" Meyer asked.

Resigned to chat the full time till eight, Mendel pulled up a chair (not too close) and tried to make conversation about cards, sports, headlines, and finances, always awkwardly conscious of the overriding, horrible fact that, despite Iskowitz's optimism, he would never be leaving this hospital alive. Mendel was perspiring and felt woozy. The pressure, the forced gaiety, the pervasive sense of disease and awareness of his own fragile mortality caused his neck to grow stiff and his mouth to dry up. He wanted to leave. It was already five after eight and he hadn't been asked to go. The visiting rules were lax. He squirmed in his seat as Iskowitz spoke softly of the old days and after five more depressing minutes Mendel thought he would faint. Then, just when it seemed he could stand it no longer, a momentous event occurred. The nurse, Miss Hill-the twenty-four-year-old, blond, blue-eyed nurse with her long hair and magnificently beautiful face- walked in and, fixing Lenny Mendel with a warm, ingratiating smile, said, "Visiting hours are over. You'll have to say goodbye." Right then Lenny Mendel, who had never seen a more exquisite creature in all his life, fell in love. It was as simple as that. He gaped, open-mouthed, with the stunned appearance of a man who had finally set eyes on the woman of his dreams. Mendel's heart virtually ached with an overwhelming feeling of the most profound longing. My God, he thought, it's like in a movie. And there was no question about it either, Miss Hill was absolutely adorable. Sexy and curvaceous in her white uniform, she had big eyes and lush, sensual lips. She had good, high cheekbones and perfectly shaped breasts. Her voice was sweet and charming as she straightened up the sheets, teasing Meyer Iskowitz good-naturedly while she projected warm concern for the sick man. Finally she picked up the food tray and left, pausing only to wink at Lenny Mendel and whisper, "Better go. He needs rest."

"This is your usual nurse?" Mendel asked Iskowitz after she was gone.

"Miss Hill? She's new. Very cheerful. I like her. Not sour like some of the others here. Friendly as they come. And a good sense of humor. Well, you better go. It was such a pleasure seeing you, Lenny."

"Yeah, right. You too, Meyer."

Mendel rose in a daze and walked down the corridor hoping to run into Miss Hill before he reached the elevators. She was nowhere to be found and when Mendel hit the street with its cool night air he knew he would have to see her again. My God, he thought, as he cabbed home through Central Park, I know actresses, I know models, and here a young nurse is more lovely than all the others put together. Why didn't I speak to her? I should have engaged her in conversation. I wonder if she's married? Well no-not if it's Miss Hill. I should've asked Meyer about her. Of course, if she's new… He ran through all the "should-haves" imagining he blew some kind of big chance but then consoled himself with the fact that at least he knew where she worked and he could locate her again when he regained his poise. It occurred to him that she might finally prove unintelligent or dull like so many of the beautiful women he met in show business. Of course she is a nurse which could mean her concerns are deeper, more humane, less egotistical. Or it could mean that if I knew her better she'd be an unimaginative purveyor of bedpans. No-life can't be that cruel. He toyed with the notion of waiting for her outside the hospital but guessed that her shifts would change and that he'd miss her. Also that he might put her off if he accosted her.

He returned the following day to visit Iskowitz, bringing him a book called Great Sport Stories, which he felt made his visit less suspicious. Iskowitz was surprised and delighted to see him but Miss Hill was not on that night and instead a virago named Miss Caramanulis floated in and out of the room. Mendel could hardly conceal his disappointment and tried to remain interested in what Iskowitz had to say but couldn't. Iskowitz being a bit sedated never noticed Mendel's distracted anxiousness to leave.

Mendel returned the next day and found the heavenly subject of his fantasies in attendance with Iskowitz. He made some stammering conversation and when he was about to leave did manage to get next to her in the corridor. Eavesdropping on her conversation with another young nurse, Mendel seemed to get the impression that she had a boyfriend and the two were going to see a musical the following day. Trying to appear casual as he waited for the elevator, Mendel listened carefully to find out how serious the relationship was but could never hear all the details. He did seem to think she was engaged and while she had no ring he thought he heard her refer to someone as "my fiance." He felt discouraged and imagined her the adored partner of some young doctor, a brilliant surgeon perhaps, with whom she shared many professional interests. His last impression as the elevator doors closed to take him to street level was that of Miss Hill walking down the corridor, chatting animatedly with the other nurse, her hips swinging seductively and her laugh musically beautiful as it pierced the grim hush of the ward. I must have her, Mendel thought, consumed by longing and passion, and I must not blow it like I have so many others in the past. I must proceed sensibly. Not too fast as is always my problem. I must not act precipitously. I must find out more about her. Is she indeed as wonderful as I imagine she is? And if so, how committed is she to the other person? And if he didn't exist, would I even then have a chance? I see no reason why if she's free that I couldn't court her and win her. Or even win her from this man. But I need time. Time to learn about her. Then time to work on her. To talk, to laugh, to bring what gifts I have of insight and humor to bear. Mendel was practically wringing his palms like a Medici prince and drooling. The logical plan is to see her as I visit Iskowitz and slowly, without pressing, build up points with her. I must be oblique. My hard sell, direct approach has failed me too often in the past. I must be restrained.

This decided, Mendel came to see Iskowitz every day. The patient couldn't believe his good fortune to have such a devoted friend. Mendel always brought a substantial and well thought out gift. One that would help him make a score in the eyes of Miss Hill. Pretty flowers, a biography of Tolstoy (he heard her mention how much she loved Anna Karenina), the poetry of Wordsworth, caviar. Iskowitz was stunned by the choices. He hated caviar and never heard of Wordsworth. Mendel did stop short of bringing Iskowitz a pair of antique earrings although he saw some he knew Miss Hill would adore.

The smitten suitor seized every opportunity to engage Iskowitz's nurse in conversation. Yes, she was engaged, he learned, but had trepidations about it. Her fiancé was a lawyer but she had fantasies of marrying someone more in the arts. Still, Norman, her beau, was tall and dark and gorgeous, a description that left the less physically prepossessing Mendel in a discouraged state. Mendel would always trumpet his accomplishments and observations to the deteriorating Iskowitz, in a voice loud enough to be heard by Miss Hill. He sensed that he might be impressing her but each time his position appeared strong, future plans with Norman entered the conversation. How lucky is this Norman, Mendel thought. He spends time with her, they laugh together, plan, he presses his lips to hers, he removes her nurse's uniform-perhaps not every stitch of it. Oh God! Mendel sighed, looking heavenward and shaking his head in frustration.

"You have no idea what these visits mean to Mr. Iskowitz," the nurse told Mendel one day, her delightful smile and big eyes making him go a hundred. "He has no family and most of his other friends have so little free time. My theory is, of course, that most people don't have the compassion or courage to spend lots of time with a terminal case. People write off the dying patient and prefer not to think about it. That's why I think your behavior is-well-magnificent."

Word of Mendel's indulgence of Iskowitz got around and at the weekly card game he was much beloved by the players.

"What you're doing is wonderful," Phil Birnbaum said to Mendel over poker. "Meyer tells me no one comes as regularly as you do and he says he thinks you even dress up for the occasion." Mendel's mind was fixed at that second on Miss Hill's hips, which he couldn't get out of his thoughts.

"So how is he? Is he brave?" Sol Katz asked.

"Is who brave?" Mendel asked in his reverie.

"Who? Who we talking about? Poor Meyer."

"Oh, er-yeah. Brave. Right," Mendel said, not even realizing he was at that moment holding a full house.

As the weeks passed, Iskowitz wasted away. Once, in a weakened condition, he looked up at Mendel who stood over him and muttered, "Lenny, I love you. Really." Mendel took Meyer's outstretched hand and said, "Thanks, Meyer. Listen, was Miss Hill in today? Huh? Could you speak up a little? It's hard to understand you." Iskowitz nodded weakly. "Uh-huh," Mendel said, "so what'd you guys talk about? Did my name come up?"

Mendel, of course, had not dared make a move for Miss Hill, finding himself in the awkward position of not wanting her ever to dream that he was there so frequently for any reason other than to see Meyer Iskowitz.

Sometimes, being at death's door would inspire the patient to philosophize and he would say things like, "We're here, we don't know why. It's over before we know what hit us. The trick is to enjoy the moment. To be alive is to be happy. And yet I believe God exists and when I look around me and see the sunlight streaming through the window or the stars come out at night, I know that He has some ultimate plan and that it's good."

"Right, right," Mendel would answer. "And Miss Hill? Is she still seeing Norman? Did you find out what I asked you? If you see her when they come to do those tests on you tomorrow, find out."

On a rainy April day Iskowitz died. Before expiring he told Mendel once again that he loved him and that Mendel's concern for him in these last months was the most touching and deepest experience he ever had with another human being. Two weeks later Miss Hill and Norman broke up and Mendel started dating her. They had an affair that lasted a year and then they went their separate ways.

"That's some story," Moscowitz said when Koppelman finished relating this tale about the shallowness of Lenny Mendel. "It goes to show how some people are just no damn good."

"I didn't get that out of it," Jake Fishbein said.

"Not at all. The story shows how love of a woman enables a man to overcome his fears of mortality if only for a while."

"What are you talking about?" Abe Trochman chimed in. "The point of the story is that a dying man becomes the beneficiary of his friend's sudden adoration of a woman."

"But they weren't friends," Lupowitz argued. "Mendel went out of obligation. He returned out of self-interest."

"What's the difference?" Trochman said. "Iskowitz experienced a closeness. He died comforted. That it was motivated by Mendel's lust for the nurse-so?"

"Lust? Who said lust? Mendel, despite his shallowness, may have felt love for the first time in his life."

"What's the difference?" Bursky said. "Who cares what the point of the story is? If it even has a point. It was an entertaining anecdote. Let's order."

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