Single white female

5

Graham Knox had recognized her when he'd served her in Goya's that afternoon. Allie Jones. It was the first time he'd seen her in the restaurant. He'd considered introducing himself to her but didn't quite know how. "Hi, I live upstairs from you and can hear everything that goes on in your apartment through the duct work," didn't seem a wise thing for a waiter to say-it was the sort of remark that might prompt the flinging of food.

Several months ago, curiosity had goaded Graham to find out what his downstairs neighbor looked like. He'd lurked about the third-floor hall like a burglar until he'd seen her emerge from her apartment. Already he'd gotten her last name from her mailbox in the lobby.

Seeing her up close this afternoon had changed things somehow, made her vividly real and his eavesdropping both more intimate and shameful, no longer an innocent diversion before sleep. But the vent was beside his bed; there was no way not to hear what went on in the apartment below. Even in his living room, when he was working and didn't have the stereo or TV on, sound from her living room carried through the ducts. It wasn't exactly as if he were in the room with her and whoever she was talking with, but he might as well have been in the next room with his ear pressed to the door.

And now he'd seen her up close, and she was interesting. In fact, fascinating. Much more attractive than from a distance. Direct gray eyes. Soft blond hair that smelled of perfumed shampoo. Firm, squared chin with a cleft in it. She had a sureness about her that was appealing and suggested a certain freedom. Not like the rest of us; a woman with a grip on life.

Graham's apartment wa6 cheaply furnished, mostly with a hodgepodge of items he'd bought at second-hand shops. The living room walls were lined with shelves he'd constructed of pine and stained to a dark finish. The shelves were stuffed with theatrical books, mostly paperbacks, that he'd found in used bookstores on lower Broadway. One glance at the apartment might give an interior decorator a month of nightmares, but it was neat, functional, and comfortable. Despite the deprivation, Graham liked it here.

Both apartments were quiet now. Graham was in his contemplative mode, and Allie and Sam had either left or gone into the bedroom.

Graham puffed on his meerschaum pipe and paced to the window, then stared out at the darkening city. Some of the cars had their headlights on, and windows were starting to glow in random patterns on the faces of buildings. New York was putting on her jewelry, hiding squalor with splendor.

Four years ago he'd been divorced; he'd put a genuinely horrific marriage out of its misery before children arrived. Six months later, after quitting his job in Philadelphia to pursue his true calling, Graham had moved to New York and attempted to get one of his plays produced.

Some move! Even the lower echelons of the New York theater world weren't impressed by a real-estate agent from Philadelphia with the chutzpah to fancy himself a playwright. Didn't he know there were a million others in his mold?

With a final glance outside, he turned from the window and crossed the living room to an alcove directly above the one in Allie's apartment. There a thick sheet of plywood was laid over two black metal filing cabinets, creating a desk that supported a used IBM Selectric, a phone and answering machine, stacks of paper, and several reference books. Graham sat down on the folding chair in front of the makeshift desk and got Dance Through Life out of the top drawer of one of the filing cabinets. Dance was the play he'd been working on for over a year. An off-Broadway company had expressed interest in producing it, if he could satisfy them with some suggested revisions in the last act. He didn't agree with some of the advice, but this would be his first produced play. So he was in the process of following suggestions, doing the minor and, here and there, major revisions, trying all the while to preserve the essence of the play.

He picked up a red-leaded pencil and began tightening dialogue and making notes in the margins. The last scene needed more emotional punch, he'd been told. The theme had to be more clearly defined. Well, he could supply punch and clarity to order, if only they'd produce his play. If only he could see real actors walking through his script, mouthing his lines. Striking life in it onstage.

The evening, his apartment in New York, faded to haze, and he was in Chattanooga, Tennessee, at the Starshine Ballroom, where the play was set. Smoke from his pipe swirled around him as dancers and dialogue whirled through his mind.

He hunched over his typewriter and script, absently puffing on the pipe and absorbed in his work, and forgot about his downstairs neighbor until he'd gone to bed at eleven-thirty. The Scotch and water he'd downed after leaving the typewriter had eased the tension fueled by his intense concentration on the revisions, and he'd almost fallen asleep when he heard the muted ringing. Her bedroom telephone.

He stared into darkness, not liking himself very much, but telling himself he was a playwright and the study of human nature was his business. It was almost a professional obligation. Arthur Miller wouldn't pass up this kind of opportunity. Would he?

The phone abruptly stopped ringing. Allie had answered. Graham rolled over on the cool, shadowed sheet. To the side of the bed near the vent.

Lying on his stomach, he nestled his forehead in the warm crook of his arm and guiltily listened.