Strangers on a Train

Five

What has happened? Write immediately. Or better, telephone collect. We’re here at the Ritz for another two weeks. Missed you so on the trip, seems a shame we couldn’t have flown down together, but I understand. I wish you well every moment of the day, darling. This must be over soon and we’ll get it over. Whatever happens, tell me and let’s face it. I often feel you don’t. Face things, I mean.

You’re so close, it’s absurd you can’t come down for a day or so. I hope you’ll be in the mood. I hope there’ll be time. Would love to have you here, and you know the family would. Darling, I do love the drawings and I’m so terribly proud of you I can even stand the idea of your being away in the months ahead because you’ll be building them. Dad most impressed, too. We talk about you all the time.

All my love, and all that goes with it. Be happy, darling. A.

Guy wrote a telegram to Clarence Brillhart, the manager of the Palmyra Club: “Owing to circumstances, impossible for me to take commission. My deepest regrets and thanks for your championing and constant encouragement. Letter following.”

Suddenly he thought of the sketches they would use in lieu of his—the imitation Frank Lloyd Wright of William Harkness Associates. Worse yet, he thought as he dictated the telegram over the phone, the board would probably ask Harkness to copy some of his ideas. And Harkness would, of course.

He telegraphed Anne that he would fly down Monday and that he was free for several days. And because there was Anne, he did not bother to wonder how many months it would be, how many years, perhaps, before another job as big as the Palmyra would come within his reach.