Acknowledgments

I owe an immeasurable debt of gratitude to Joelle Hobeika, who not only dreamed up the premise for The 100, but whose imagination, editorial acumen, and tenacity were essential in bringing it to life. The same applies to Katie McGee, Elizabeth Bewley, and Farrin Jacobs, whose incisive questions and intelligent suggestions shaped the book at every level. I’m also grateful to the intimidatingly clever people at Alloy, specifically Sara Shandler, Josh Bank, and Lanie Davis, and the dedicated teams at Little, Brown and Hodder & Stoughton.

Thank you to my remarkable friends on both sides of the East River, the Gowanus Canal, the Mississippi, and the Atlantic for your support and encouragement. A special “shout”-out to my confidants and coconspirators at both ends of 557 Broadway, to the Crossroads crew, who first introduced me to science fiction, and to Rachel Griffiths for going light-years beyond the call of duty to help me grow as a writer and editor.

Most of all, I am grateful to my family—my father, Sam Henry Kass, whose writing overflows with unmatched wit and unparalleled heart; my mother, Marcia Bloom, whose art shimmers with the wisdom of a philosopher and the soul of an aesthete; my brilliant brother, Petey Kass, who makes me laugh until I can’t breathe; my inspiring grandparents, Nance, Peter, Nicky, and David; and the Kass/Bloom/Greenfield clans, who make so many places feel like home.

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