The Accident Man

75

Carver did not know how long he was kept alone in the darkness. He tried to get some idea of the dimensions of his cell by getting to his feet and stumbling in one direction until he hit the nearest wall. Then he made his way around the perimeter of the room. It felt square, maybe twenty of his chained, restricted paces on each side. He ended up huddled in a corner, shivering as the chill from the concrete floor seeped into his bones and stiffened his muscles.

It was pretty uncomfortable, but nothing out of the ordinary. The techniques they’d used so far had been pretty crude: basic sensory deprivation – the room was dead silent, it must have been fully soundproofed – mixed with the physical and sexual degradation of enforced nudity. If this was the best they could do, he could handle it. But given Zhukovski’s KGB training, he suspected it was only the start. They were giving him plenty of time alone to sit and imagine what might be next. His fear would only make their job easier.

Carver told himself to clear his mind of apprehension. Stay positive. Focus on his own agenda.

An age seemed to pass before he heard the bolts being drawn back and the sound of footsteps and harsh Russian voices. He was dragged back to his feet and led by the chain again. They left the room and made their way back down the corridor. Then he felt hands on his shoulders turning him around 180 degrees and he was pulled forward again.

His toes stubbed against something hard, making him cry out in pain and surprise. There was laughter around him. Then Carver received a sharp kick in the backside and he felt his arms being pulled upward. He heard just one word in English: “Stairs.”

He lifted his right foot as high as the leg-irons would allow and was just able to get a grip on the rough concrete corner of the first step. He brought his left leg up to meet it. It was a slow, degrading process, and Carver was sent on his way by regular slaps and kicks, each accompanied by his jailers’ raucous laughs.

Finally he reached the top. Soon the floor was smooth, first with cool stone tiles, then with warmer planking, before he felt the softness of carpeting underfoot. He went down a series of shallow steps, stumbling and almost falling at the bottom before a tug on the chain brought him upright again.

There was another one-word command: “Stop!”

Carver stood still. Someone grabbed his wrists and removed the mitts from his hands. Next came fingers at his throat, a sharp tug, and suddenly the hood was pulled from his head and he was blinking against the light. Gradually his vision cleared.

He was standing in the den area at one end of an open-plan living space. He could feel the warmth of flames against his bare back. There was a fire behind him, open on all four sides. The steps down which he had tripped were set beside the stone fireplace. In front of him a rich Persian rug covered the floor. To his left a long chocolate leather settee in the shape of a shallow U was set against the wall, facing a massive wide-screen TV on the other wall. Kursk’s stooges were sitting on the couch. One of them, the redhead, held what looked like a basic old-fashioned TV remote control. Kursk himself was standing next to Carver, saying nothing, just watching.

Carver’s eyes were fixed on the figure in the matching leather armchair, sitting directly in his line of sight, wearing a drab formal suit. The man looked him up and down with the detached objectivity of a coroner inspecting a corpse on the mortuary slab. There was something profoundly disturbing about this studied examination. For the first time Carver felt shamed by his nakedness and his captive status. He had to force himself to keep his head up and his gaze steady.

“Good evening,” the man said. “I am Yuri Zhukovski. Let me explain your situation. The first thing you must understand is that you have no hope of escape. Even assuming that you could somehow free yourself like Houdini from your shackles, you can be disabled in an instant.

“You will notice that there is a black nylon belt around your waist. This is a REACT belt, short for Remote Electronically Activated Control Technology. It has a power pack secured at the back, out of your reach, which is capable of sending a fifty-thousand-volt charge through your body – activated, as its name suggests, by a remote-control unit.”

Now Carver knew what the man on the couch was holding.

Zhukovski continued, “This belt is used by American authorities to restrain violent prisoners but has recently been condemned as a torture device by those feeble-minded liberals at Amnesty International. They object to the total physical incapacity induced by such a massive shock, along with agonizing pain, brain trauma, and even incontinence. For my purposes, those all seem like recommendations.”

Carver looked down at the black band that encircled him. “Ouch,” he said, drily. “I’m sure it hurts. But here’s something you should know. I have taken a copy of the computer hard drive, just as you anticipated. I have also recorded a full video confession, admitting to my part in the death of the Princess of Wales. You have a starring role. And if I’m not safe and sound tomorrow morning, every major media outlet in the Western world is going to get copies of both.”

Zhukovski frowned, as if genuinely puzzled by such misguided threats. “And this, you think, will protect you? Please, use your intelligence. How many fake confessions do you suppose have flooded into TV stations and newspapers over the past few days? Every crank in the world wants his moment of glory. As for computer disks and conspiracy theories, there are already hundreds of those. No one will pay any attention. They will simply throw your disk and your video confession into the trash, along with all the rest.

“Okay, we have dealt with that, I think. Now let me introduce you to my staff. They will, I hope, be making your short stay here as uncomfortable as possible. Mr. Kursk, of course, you have met. So now…” Like a lead singer introducing his less-important bandmates, Zhukovski pointed to the emaciated figure with the punky red hair. “That is Mr. Titov. I must say, you made a very great mess of his face. He has the control for your belt, as you may have noticed.”

The round-faced man with the sullen lips, his nose now hidden behind bandages, came next. “Mr. Rutsev,” said Zhukovski. “And finally” – he gestured toward a tough-looking, short-cropped man whose crude features had not been improved by being head-butted in a Geneva bar – “Mr. Dimitrov.”

The man gave an ironic bow. Carver nodded back.

“Of course,” Zhukovski continued, “I have saved the best till last.”

He looked up at the one person Carver had been trying to will away, the lovely figure perched against the arm of Zhukovski’s chair, running her shiny crimson fingernails through his hair and sighing with satisfaction as he ran his hand down her bare thigh.

Yuri Zhukovski smiled at Samuel Carver and said, “I believe you’ve met my mistress.”