The Bachman Books

Chapter 25

I held on to the pistol.

The impact of the slug knocked me straight backward against the blackboard, where the chalk ledge bit cruelly into my back. Both of my cordovan loafers flew off. I hit the floor on my fanny. I didn't know what had happened. There was too much all at once. A huge auger of pain drilled my chest, followed by sudden numbness. The ability to breathe stopped. Spots flashed in front of my eyes.

Irma Bates was screaming. Her eyes were closed, her fists were clenched, and her face was a hectic, patched red with effort. It was far away and dreamy, coming from a mountain or a tunnel.

Ted Jones was getting out of his seat again, floating really, in a slow and dreamy motion. This time he was going for the door. "They got the son of a bitch!" His voice sounded incredibly slow and draggy, like a 78-RPM record turned down to 33 1/3. "They got the crazy-'

"Sit down."

He didn't hear me. I wasn't surprised. I could hardly hear myself. I didn't have any wind to talk with. He was reaching for the doorknob when I fired the pistol. The bullet slammed into the wood beside his head, and he shied away. When he turned around, his face was a stew of changing emotions: white astonishment, agonized unbelief, and twisted, murdering hate.

"You can't . . . you're . . . "

"Sit down." A little better. Perhaps six seconds had gone by since I had been knocked on my ass. "Stop yelling, Irma. "

"You're shot, Charlie," Grace Stanner said calmly.

I looked outside. The cops were rushing the building. I fired twice and made myself breathe. The auger struck again, threatening to explode my chest with pain.

"Get back! I'll shoot them!"

Frank Philbrick stopped and looked around wildly. He seemed to want a telephone call from Jesus. He looked confused enough to try and carry on with it, so I fired again, up in the air. It was his turn to go a hundred miles in his head during half a second. "Get back!" he yelled. "Get the Christ back!"

They retreated, getting back even quicker than they had gotten down.

Ted Jones was edging toward me. That boy was simply not part of the real universe. "Do you want me to shoot your weenie off?" I asked.

He stopped, but that terrifying, twisted expression was still on his face. "You're dead," he hissed. "Lie down, God damn you."

"Sit down, Ted."

The pain in my chest was a live thing, horrible. The left side of my rib cage felt as if it had been struck by Maxwell's silver hammer. They were staring at me, my captive class, with expressions of preoccupied horror. I didn't dare look down at myself because of what I might see. The clock said 10:55.

"DECKER!"

"Sit down, Ted."

He lifted his lip in an unconscious facial gesture that made him look like a slatsided hound that I had seen lying mortally wounded beside a busy street when I was just a kid. He thought about it, and then he sat down. He had a good set of sweat circles started under his armpits.

"DECKER! MR. DENVER IS GOING UP TO THE OFFICE!"

It was Philbrick on the bullhorn, and not even the asexual sexuality of the amplification could hide how badly he was shaken up. An hour before, it would have pleased me-fulfilled me-in a savage way, but now I felt nothing.

"HE WANTS TO TALK TO YOU!"

Tom walked out from behind one of the police cars and started across the lawn, walking slowly, as if he expected to be shot at any second. Even at a distance, he looked ten years older. Not even that could please me. Not even that.

I got up a little at a time, fighting the pain, and stepped into my loafers. I almost fell, and had to clutch the desk with my free hand for support.

"Oh, Charlie," Sylvia moaned.

I fully loaded the pistol again, this time keeping it pointed toward them (I don't think even Ted knew it couldn't be fired with the clip sprung), doing it slowly so I could put off looking down at myself for as long as possible. My chest throbbed and ached. Sandra Cross seemed lost again in whatever fuzzy dream it was that she contemplated.

The clip snapped back into place, and I looked down at myself almost casually. I was wearing a neat blue shirt (I've always been fond of solid colors), and I expected to see it matted with my blood. But it wasn't.

There was a large dark hole, dead center through my breast pocket, which was on the left. An uneven scattering of smaller holes radiated out from all around it, like one of those solar-system maps that show the planets going around the sun. I reached inside the pocket very carefully. That was when I remembered Titus, whom I had rescued from the wastebasket. I pulled him out very carefully. The class went "Aaahhh! " as if I had just sawed a lady in half or pulled a hundred-dollar bill out of Pig Pen's nose. None of them asked why I was carrying my combination lock in my pocket. I was glad. Ted was looking at Titus bitterly, and suddenly I was very angry at Ted. And I wondered how he would like to eat poor old Titus for his lunch.

The bullet had smashed through the hard, high-density plastic dial, sending highspeed bits of shrapnel out through my shirt. Not one of them had touched my flesh. The steel behind the face had caught the slug, had turned it into a deadly lead blossom with three bright petals. The whole lock was twisted, as if by fire. The semi-circular lock bar had been pulled like taffy. The back side of the lock had bulged but not broken through.

[It was a year and a half later when I saw that commercial on TV for the first time. The one where the guy with the rifle takes aim at the padlock nailed to the board. You even get a look through the telescopic sight at the padlock-a Yale, a Master, I don't know which. The guy pulls the trigger. And you see that lock jump and dent and mash, and it looked in that commercial just the way old Titus looked when I took him out of my pocket. They show it happening in regular motion, and then they show it in slow motion, and the first and only time I saw it, I leaned down between my legs and puked between my ankles. They took me away. They took me back to my room. And the next day my pet shrink here looked at a note and said, "They tell me you had a setback yesterday, Charlie. Want to talk about it?" But I couldn't talk about it. I've never been able to talk about it. Until now.]

Chink! on the intercom.

"Charlie?"

"Just a minute, Tom. Don't rush me."

"Charlie, you have to-"

"Shut the fuck up."'

I unbuttoned my shirt and opened it. The class went "Aaahhh!" again. Titus was imprinted on my chest in angry purple, and the flesh had been mashed into an indentation that looked deep enough to hold water. I didn't like to look at it, any more than I liked to look at the old drunk with the bag of flesh below his nose, the one that always hung around Gogan's downtown. It made me feel nauseated. I closed my shirt.

"Tom, those bastards tried to shoot me."

"They didn't mean-"

"Don't tell me what they didn't mean to do!" I screamed at him. There was a crazy note in my voice that made me feel even sicker. "You get your old cracked ass out there and tell that mother-fucker Philbrick he almost had a bloodbath down here, have you got it?"

"Charlie . . . " He was whining.

"Shut up, Tom. I'm through fooling with you. I'm in the driver's seat. Not you, not Philbrick, not the superintendent of schools, not God. Have you got it?"

"Charlie, let me explain."

"HAVE YOU GOT IT?"

"Yes, but-"

"All right. We've got that straight. So you go back and give him a message, Tom. Tell him that I don't want to see him or anyone else out there make a move during the next hour. No one is going to come in and talk on this goddamn intercom, and no one else is going to try and shoot me. At noon I want to talk to Philbrick again. Can you remember all that, Tom?"

"Yes, Charlie. All right, Charlie." He sounded relieved and foolish. "They just wanted me to tell you it was a mistake, Charlie. Somebody's gun went off by accident and--

"One other thing, Tom. Very important."

"What, Charlie?"

"You need to know where you stand with that guy Philbrick, Tom. He gave you a shovel and told you to walk behind the ox cart, and you're doing it. I gave him a chance to put his ass on the line, and he wouldn't do it. Wake up, Tom. Assert yourself."

"Charlie, you have to understand what a terrible position you're putting us all in."

"Get out, Tom."

He clicked off. We all watched him come out through the main doors and start back toward the cars. Philbrick came over to him and put a hand on his arm. Tom shook it off. A lot of the kids smiled at that. I was past smiling. I wanted to be home in my bed and dreaming all of this.

"Sandra," I said. "I believe you were telling us about your affaire de coeur with Ted."

Ted threw a dark glance at me. "You don't want to say anything, Sandy. He's just trying to make all of us look dirty like he is. He's sick and full of germs. Don't let him infect you with what he's got."

She smiled. She was really radiant when she smiled like a child. I felt a bitter nostalgia, not for her, exactly, or for any imagined purity (Dale Evans panties and all that), but for something I could not precisely put my hand on. Her, maybe. Whatever it was, it made me feel ashamed.

"But I want to," she said. "I want to get it on, too. I always have."

It was eleven o'clock on the nose. The activity outside seemed to have died. I was sitting well back from the windows now. I thought Philbrick would give me my hour. He wouldn't dare do anything else now. I felt better, the pain in my chest receding a little. But my head felt very strange, as if my brains were running without coolant and overheating like a big hot rod engine in the desert. At times I was almost tempted to feel (foolish conceit) that I was holding them myself, by sheer willpower. Now I know, of course, that nothing could have been further from the truth. I had one real hostage that day, and his name was Ted Jones.

"We just did it," Sandra said, looking down at her desk and tracing the engravings there with a shaped thumbnail. I could see the part in her hair. She parted it on the side, like a boy. "Ted asked me to go to the Wonderland dance with him, and I said I would. I had a new formal." She looked at me reproachfully. "You never asked me, Charlie. "

Could it be that I was shot in the padlock only ten minutes ago? I had an insane urge to ask them if it had really happened. How strange they all were!

"So we went to that, and afterward we went to the Hawaiian Hut. Ted knows the man who runs it and got us cocktails. Just like the grown-ups." It was hard to tell if there was sarcasm in her voice or not.

Ted's face was carefully blank, but the others were looking at him as if they were seeing a strange bug. Here was a kid, one of their own, who knew the man who runs it. Corky Herald was obviously chewing it and not liking it.

"I didn't think I'd like the drinks, because everybody says liquor tastes horrible at first, but I did. I had a gin fizz, and it tickled my nose." She looked pensively in front of her. "There were little straws in it, red ones, and I didn't know if you drank through them or just stirred your drink with them, until Ted told me. It was a very nice time. Ted talked about how nice it was playing golf at Poland Springs. He said he'd take me sometime and teach me the game, if I wanted."

Ted was curling and uncurling his lip again, doglike.

"He wasn't, you know, fresh or anything. He kissed me good night, though, and he wasn't a bit nervous about it. Some boys are just miserable all the way home, wondering if they should try to kiss you good night or not. I always kissed them, just so they wouldn't feel bad. If they were yucky, I just pretended I was licking a letter."

I remembered the first time I took Sandy Cross out, to the regular Saturday-night dance at the high school. I had been miserable all the way home, wondering if I should kiss her good night or not. I finally didn't.

"After that, we went out three more times. Ted was very nice. He could always think of funny things to say, but he never told dirty jokes or anything, you know, like that. We did some necking, and that was all. Then I didn't see him to go out with for a long time, not until this April. He asked me if I wanted to go to the Rollerdrome in Lewiston."

I had wanted to ask her to go to the Wonderland dance with me, but I hadn't dared. Joe, who always got dates when he wanted them, kept saying why don't you, and I kept getting more nervous and kept telling him to fuck off. Finally I got up the stuff to call her house, but I had to hang up the telephone after one ring and run to the bathroom and throw up. As I told you, my stomach is bad.

"We were having a pretty blah time, when all of a sudden these kids got into an argument on the middle of the floor, " Sandra said. "Harlow boys and Lewiston boys, I think. Anyway, a big fight started. Some of them were fighting on their roller skates, but most of them had taken them off. The man who runs it came out and said if they didn't stop, he was going to close. People were getting bloody noses and skating around and kicking people that had fallen down, and punching and yelling horrible things. And all the time, the jukebox was turned up real loud, playing Rolling Stones music."

She paused, and then went on: "Ted and I were standing in one corner of the floor, by the bandstand. They have live music on Saturday nights, you know. This one boy skated by, wearing a black jacket. He had long hair and pimples. He laughed and waved at Ted when he went by and yelled, 'Fuck her, buddy, I did!' And Ted just reached out and popped him upside the head. The kid went skating right into the middle part of the rink and tripped over some kid's shoes and fell on his head. Anyway, Ted was looking at me, and his eyes were, you know, almost bugging out of his head. He was grinning. You know, that's really the only time I ever really saw Ted grin, like he was having a good time.

"Ted goes to me, 'I'll be right back,' and he walks across the rink to that inside part where the kid who said that was still getting up. Ted grabbed him by the back of the jacket and . . . I don't know . . . started to yank him back and forth . . . and the kid couldn't turn around . . . and Ted just kept yanking him back and forth, and that kid's head was bouncing, and then his jacket ripped right down the middle. And he goes, 'I'll kill you for ripping my best jacket, you m. f.' So Ted hit him again, and the kid fell down, and Ted threw the piece of his jacket he was holding right down on top of him. Then he came back to where I was standing, and we left. We drove out into Auburn to a gravel pit he knew about. It was on that road to Lost Valley, I think. Then we did it. In the back seat."

She was tracing the graffiti on her desk again. "It didn't hurt very much. I thought it would, but it didn't. It was nice. " She sounded as if she were discussing a Walt Disney feature film, one of those with all the cute little animals. Only, this one was starring Ted Jones as the Bald-Headed Woodchuck.

"He didn't use one of those things like he said he would, but I didn't get pregnant or anything. "

Slow red was beginning to creep out of the collar of Ted's khaki army shirt, spreading up his neck and over his cheeks. His face remained fumingly expressionless.

Sandra's hands made slow, languorous gestures. I suddenly knew that her natural habitat would be in a porch hammock at the very August height of summer, temperature ninety-two in the shade, reading a book (or perhaps just staring out at the heat shimmer rising over the road), a can of Seven-Up beside her with an elbow straw in it, dressed in cool white short-shorts and a brief halter with the straps pushed down, small diamonds of sweat stippled across the upper swell of her breasts and her lower stomach ....

"He apologized afterward. He acted uncomfortable, and I felt a little bad for him. He kept saying he would marry me if . . . you know, if I got preggers. He was really upset. And I go, 'Well, let's not buy trouble, Teddy,' and he goes, 'Don't call me that, it's a baby name.' I think he was surprised I did it with him. And I didn't get preggers. There just didn't seem to be that much to it.

"Sometimes I feel like a doll. Not really real. You know it? I fix my hair, and every now and then I have to hem a skirt, or maybe I have to baby-sit the kids when Mom and Dad go out. And it all just seems very fake. Like I could peek behind the living-room wall and it would be cardboard, with a director and a cameraman getting ready for the next scene. Like the grass and the sky were painted on canvas flats. Fake. " She looked at me earnestly. "Did you ever feel like that, Charlie?"

I thought about it very carefully. "No," I said. "I can't remember that ever crossing my mind, Sandy."

"It crossed mine. Even more after with Ted. But I didn't get pregnant or anything. I used to think every girl got pregnant the first time, without fail. I tried to imagine what it would be like, telling my parents. My father would get real mad and want to know who the son of a bee was, and my mother would cry and say, 'I thought we raised you right.' That would have been real. But after a while I stopped thinking about that. I couldn't even remember exactly what it felt like, having him . . . well, inside me. So I went back to the Rollerdrome."

The room was totally silent. Never in her wildest dreams could Mrs. Underwood have hoped to command such attention as Sandra Cross commanded now.

"This boy picked me up. I let him pick me up. " Her eyes had picked up a strange sparkle. "I wore my shortest skirt. My powder-blue one. And a thin blouse. Later on, we went out back. And that seemed real. He wasn't polite at all. He was sort of . . . jerky. I didn't know him at all. I kept thinking that maybe he was one of those sex maniacs. That he might have a knife. That he might make me take dope. Or that I might get pregnant. I felt alive. "

Ted Jones had finally turned and was looking at Sandra with an almost woodcut expression of horror and dead revulsion. It all seemed like a dream-something out of le moyen age, a dark passion play.

"That was Saturday night, and the band was playing. You could hear it out in the parking lot, but kind of faint. The Rollerdrome doesn't look like much from the back, just all boxes and crates piled up, and trashcans full of Coke bottles. I was scared, but I was excited, too. He was breathing really fast and holding on to my wrist tight, as if he expected me to try to get away. He . . . "

Ted made a horrid gagging sound. It was hand to believe that anyone in my peer group could be touched so painfully by anything other than the death of a parent. Again I admired him.

"He had an old black car, and it made me think of how my mother used to tell me when I was just little that sometimes strange men want you to get in the car with them and you should never do it. That excited me too. I can remember thinking: What if he kidnaps me and takes me to some old shack in the country and holds me for ransom? He opened the back door, and I got in. He started to kiss me. His mouth was all greasy, like he'd been eating pizza. They sell pizza inside for twenty cents a slice. He started to feel me up, and I could see he was smudging pizza on my blouse. Then we were lying down, and I pulled my skirt up for him-"

"Shut up! " Ted cried out with savage suddenness. He brought both fists crashing down on his desk, and everybody jumped. "You rotten whore! You can't tell that in front of people! Shut your mouth or I'll shut it for you! You-"

"You shut up, Teddy, or I'll knock your teeth down your fucking throat, " Dick Keene said coldly. "You got yours, didn't you?"

Ted gaped at him. The two of them shot a lot of pool together down at the Harlow Rec, and sometimes went cruising in Ted's car. I wondered if they would be hanging out together when this was all over. I had my doubts.

"He didn't smell very nice," Sandra continued, as if there had been no interruption at all. "But he was hard. And bigger than Ted. Not circumcised, either. I remember that. It looked like a plum when he pushed it out of, you know, his foreskin. I thought it might hurt even, though I wasn't a virgin anymore. I thought the police might come and arrest us. I knew they walked through the parking lot to make sure no one was stealing hubcaps or anything.

"And a funny thing started to happen inside me, before he even got my pants down. I never felt anything so good. Or so real." She swallowed. Her face was flushed. "He touched me with his hand, and I went. Just like that. And the funny thing was, he didn't even get to do it. He was trying to get it in and I was trying to help him and it kept rubbing against my leg and all of a sudden . . . you know. And he just laid there on top of me for a minute, and then he said in my ear: 'You little bitch. You did that on purpose,' And that was all."

She shook her head vaguely. "But it was very real. I can remember everything-the music, the way he smiled, the sound his zipper made when he opened it-everything. "

She smiled at me, that strange, dreamy smile.

"But this has been better, Charlie."

And the strange thing was, I couldn't tell if I felt sick or not. I didn't think I did, but it was really too close to call. I guess when you turn off the main road, you have to be prepared to see some funny houses. "How do people know they're real?" I muttered.

"What, Charlie?"

"Nothing. "

I looked at them very carefully. They didn't look sick, any of them. There was a healthy sheen on every eye. There was something in me (maybe it came over on the Mayflower) that wanted to know: How could she let that beyond the walls of herself? How could she say that? But there was nothing in the faces that I saw to echo that thought. There would have been in Philbrick's face. In good old Tom's face. Probably not in Don Grace's, but he would have been thinking it. Secretly, all the evening news shows notwithstanding, I'd held the belief that things change but people don't. It was something of a horror to begin realizing that all those years I'd been playing baseball on a soccer field. Pig Pen was still studying the bitter lines of his pencil. Susan Brooks only looked sweetly sympathetic. Dick Keene had a half-interested, half-lustful expression on his face. Corky's head was furrowed and frowning as he wrestled with it. Gracie looked slightly surprised, but that was all. Irma Bates merely looked vapid. I don't think she had recovered from seeing me shot. Were the lives of all our elders so plain that Sandy's story would have made lurid reading for them? Or were all of theirs so strange and full of terrifying mental foliage that their classmate's sexual adventure was on a level with winning a pinball replay? I didn't want to think about it. I was in no position to be reviewing moral implications.

Only Ted looked sick and horrified, and he no longer counted.

"I don't know what's going to happen," Carol Granger said, mildly worried. She looked around. "I'm afraid all of this changes things. I don't like it." She looked at me accusingly. "I liked the way things were going, Charlie. I don't want things to change after this is over. "

"Heh," I said.

But that kind of comment had no power over the situation. Things had gotten out of control. There was no real way that could be denied anymore. I had a sudden urge to laugh at all of them, to point out that I had started out as the main attraction and had ended up as the sideshow.

"I have to go to the bathroom," Irma Bates said suddenly.

"Hold it," I said. Sylvia laughed.

"Turnabout is fair play," I said. "I promised to tell you about my sex life. In all actuality, there isn't very much to tell about, unless you read palms. However, there is one little story which you might find interesting."

Sarah Pasterne yawned, and I felt a sudden, excruciating urge to blow her head off. But number two must try harder, as they say in the rent-a-car ads. Some cats drive faster, but Decker vacuums all the psychic cigarette butts from the ashtrays of your mind.

I was suddenly reminded of that Beatles song that starts off: "I read the news today, oh boy . . . "

I told them:

Chapter 26

In the summer before my junior year at Placerville, Joe and I drove up to Bangor to spend a weekend with Joe's brother, who had a summer job working for the Bangor Sanitation Department. Pete McKennedy was twenty-one (a fantastic age, it seemed to me; I was struggling through the open sewer that is seventeen) and going to the University of Maine, where he was majoring in English.

It looked like it was going to be a great weekend. On Friday night I got drunk for the first time in my life, along with Pete and Joe and one or two of Pete's friends, and I wasn't even very hungover the next day. Pete didn't work Saturdays, so he took us up to the campus and showed us around. It's really very pretty up there in summer, although on a Saturday in July there weren't many pretty coeds to look at. Pete told us that most of the summer students took off for Bar Harbor or Clear Lake on weekends.

We were just getting ready to go back to Pete's place when he saw a guy he knew slouching down toward the steam-plant parking lot.

"Scragg!" He yelled. "Hey, Scragg!"

Scragg was a big guy wearing paint-splattered, faded jeans and a blue workshirt. He had a drooping sand-colored mustache and was smoking an evil-looking little black cigar that he later identified as the Original Smoky Perote. It smelled like slowly burning underwear.

"How's it hanging?" He asked.

"Up a foot," Pete said. "This is my brother, Joe, and his buddy Charlie Decker," he introduced. "Scragg Simpson. "

"Howdy-doody," Scragg said, shaking hands and dismissing us. "What you doing tonight, Peter?"

"Thought the three of us might go to a movie. "

"Doan do that, Pete," Scragg said with a grin. "Doan do that, baby."

"What's better?" Pete asked, also grinning.

"Dana Collette's throwing a party at this camp her folks own out near Schoodic Point. There's gonna be about forty million unattached ladies there. Bring dope. "

"Does Larry Moeller have any grass?" Pete asked.

"Last I knew, he had a shitload. Foreign, domestic, local . . . everything but filter tips. "

Pete nodded. "We'll be there, unless the creek rises."

Scragg nodded and waved a hand as he prepared to resume his version of that ever-popular form of campus locomotion, the Undergraduate Slouch. "Meetcha," he said to Joe and me.

We went down to see Jerry Mueller, who Pete said was the biggest dope dealer in the Orono-Oldtown-Stillwater triangle. I kept my cool about it, as if I were one of the original Placerville Jones men, but privately I was excited and pretty apprehensive. As I remember it, I sort of expected to see Jerry sitting naked on the john with a piece of rubber flex tied off below his elbow and a hypo dangling from the big forearm vein. And watching the rise and fall of ancient Atlantis in his navel.

He had a small apartment in Oldtown, which borders the campus on one side. Oldtown is a small city with three distinctions: its paper mill; its canoe factory; and twelve of the roughest honky-tonks in this great smiling country. It also has an encampment of real reservation Indians, and most of them look at you as if wondering how much hair you might have growing out of your asshole and whether or not it would be worth scalping.

Jerry turned out to be not an ominous Jones-man type holding court amid the reek of incense and Ravi Shankar music, but a small guy with a constant wedge-of-lemon grin. He was fully clothed and in his right mind. His only ornament was a bright yellow button which bore the message GOLDILOCKS LOVED IT. Instead of Ravi and His Incredible Boinging Sitar, he had a large collection of bluegrass music. When I saw his Greenbriar Boys albums, I asked him if he'd ever heard the Tarr Brothers-I've always been a country-and-bluegrass nut. After that, we were off. Pete and Joe just sat around looking bored until Jerry produced what looked like a small cigarette wrapped in brown paper.

"You want to light it?" he asked Pete.

Pete lit it. The smell was pungent, almost tart, and very pleasant. He drew it deep, held the smoke, and passed the j on to Joe, who coughed most of it out.

Jerry turned back to me. "You ever heard the Clinch Mountain Boys?"

I shook my head. "Heard of them, though."

"You gotta listen to this," he said. "Boy, is it horny." He put an LP with a weird label on the stereo. The j came around to me. "You smoke cigarettes?" Jerry asked me paternally.

I shook my head.

"Then draw slow, or you'll lose it."

I drew slow. The smoke was sweet, rather heavy, acrid, dry. I held my breath and passed the j on to Jerry. The Clinch Mountain Boys started in on "Blue Ridge Breakdown. "

Half an hour later we had progressed through two more joints and were listening to Flatt and Scruggs charge through a little number called "Russian Around. " I was about ready to ask when I should start feeling stoned when I realized I could actually visualize the banjo chords in my mind. They were bright, like long.steel threads, and shuttling back and forth like looms. They were moving rapidly, but I could follow them if I concentrated deeply. I tried to tell Joe about it, but he only looked at me in a puzzled, fuzzy way. We both laughed. Pete was looking at a picture of Niagara Falls on the wall very closely.

We ended up sticking around until almost five o'clock, and when we left, I was wrecked out of my mind. Pete bought an ounce of grass from Jerry, and we took off for Schoodic. Jerry stood in the doorway of his apartment and waved good-bye and yelled for me to come back and bring some of my records.

That's the last really happy time I can remember.

It was a long drive down to the coast. All three of us were still very high, and although Pete had no trouble driving, none of us could seem to talk without getting the giggles. I remember asking Pete once what this Dana Collette who was throwing the party looked like, and he just leered. That made me laugh until I thought my stomach was going to explode. I could still hear bluegrass playing in my head.

Pete had been to a party out there in the spring, and we only took one wrong turn finding it. It was at the end of a narrow mile of gravel marked PRIVATE ROAD. You could hear the heavy bass signature of the music a quarter-mile from the cabin. There were so many cars stacked up that we had to walk from just about that point.

Pete parked and we got out. I was starting to feel unsure of myself and self-conscious again (partly the residue of the pot and partly just me), worried about how young and stupid I would probably look to all these college people. Jerry Mueller had to be one in a hundred. I decided I would just stick close to Joe and keep my mouth closed.

As it turned out, I could have saved the worry. The place was packed to the rafters with what seemed like a million people, every one of them drunk, stoned, or both. The smell of marijuana hung on the air like a heavy mist, along with wine and hot hods. The place was a babble of conversation, loud rock music, and laughter. There were two lights dangling from the ceiling, one red, one blue. That rounds off the first impression the place gave me-it was like the funhouse at Old Orchard Beach.

Scragg waved at us from across the room.

"Pete!" someone squealed, almost in my ear. I jerked and almost swallowed my tongue.

It was a short, almost pretty girl with bleached hair and the shortest dress I have ever seen-it was a bright fluorescent orange that looked almost alive in the weird lighting.

"Hi, Dana! " Pete shouted over the noise. "This is my brother, Joe, and one of his buddies, Charlie Decker. "

She said hi to both of us. "Isn't it a great party?" she asked me. When she moved, the hem of her dress swirled around the lace bottoms of her panties.

I said it was a great party.

"Did you bring any goodies, Pete?" Pete grinned and held up his Baggie of weed. Her eyes sparkled. She was standing next to me, her hip pressed casually against mine. I could feel her bare thigh. I began to get as horny as a bull moose.

"Bring it over here," she said.

We found a relatively unoccupied corner behind one of the stereo speakers, and Dana produced a huge scrolled water pipe from a low bookshelf that was fairly groaning with Hesse, Tolkien, and Reader's Digest condensed books. The latter belonged to the parents, I assumed. We toked up. The grass was much smoother in the water pipe, and I could hold the smoke better. I began to get very high indeed. My head was filling up with helium. People came and went. Introductions, which I promptly forgot, were made. The thing that I liked best about the introductions was that, every time a stray wandered by, Dana would bounce up to grab him or her. And when she did, I could look straight up her dress to where the Heavenly Home was sheathed in the gauziest of blue nylon. People changed records. I watched them come and go (some of them undoubtedly talking of Michelangelo, or Ted Kennedy or Kurt Vonnegut). A woman asked me if I had read Susan Brownmiller's Women Rapists. I said no. She told me it was very tight. She crossed her fingers in front of her eyes to show me how tight it was and then wandered off. I watched the fluorescent poster on the far wall, which showed a guy in a T-shirt sitting in front of a TV. The guy's eyeballs were slowly dripping down his cheeks, and there was a big cheese-eating grin on his face. The poster said: SHEEEIT! FRIDAY NIGHT AND I'M STONED AGAIN

I watched Dana cross and uncross her legs. A few filaments of pubic hair, nine shades darker than the bleach job, had strayed out of the lacy leg bands. I don't think I have ever been that horny. I doubt if I will ever be that horny again. I had an organ which felt large enough and long enough to pole-vault on. I began to wonder if the male sex organ can explode.

She turned to mg and suddenly whispered in my ear. My stomach heated up twenty degrees instantly, as if I had been eating chili. A moment before, she had been talking to Pete and to some joker I remembered being non-introduced to. Then she was whispering in my ear, her breath tickling the dark channel. "Go on out the back door," she said. "There." She pointed.

It was hard to comprehend, so I just followed her finger. Yes, there was the door. The door was real and the door was earnest. It had one hell of a knob on it. I chuckled, convinced that I had just thought a particularly witty thought. She laughed lightly in my ear and said, "You've been looking up my dress all night. What does that mean?" And before I could say anything, she kissed my cheek softly and gave me a little shove to get me going.

I looked around for Joe, but I didn't see him anyplace. Sorry, Joe. I got up and heard both my knees pop. My legs were stiff from sitting in the same position so long. I had an urge to un-tuck my shirt and cover up the huge bulge in my jeans. I had an urge to tiptoe across the room. I had an urge to cackle wildly and announce to the general attendance that Charles Everett Decker earnestly believed that he was about to get screwed; that-to drop a bad pun-Charles Everett Decker was about to rip off his maiden piece.

I didn't do any of those things.

I went out the back door.

I was so stoned and so horny that I almost fell twenty feet to the tiny white shingle of beach that was down below. The back of the cabin overlooked a sudden rocky drop to a postage-stamp inlet. A flight of weather-washed steps led down. I walked carefully, holding on to the railing. My feet felt a thousand miles away. The music sounded distant on this side, blending and almost being covered by the rhythmic sound of the waves.

There was a slip of a moon and a ghost of a breeze. The scene was so frozenly beautiful that for a moment I thought I had walked into a black-and-white picture postcard. The cabin behind and above was only a dim blur. The trees climbed on both sides, pines and spruces that sloped off to naked rock headland-twin spurs of it, which cupped the crescent-shaped beach where the waves licked. Straight ahead was the Atlantic, pinpointed with uncertain nets of light from the moon. I could see the faintest curve of an island far out to the left, and wondered who walked there that night besides the wind. It was a lonesome thought, and it made me shiver a little.

I slipped off my shoes and waited for her.

I don't know how long it was before she came. I didn't have any wristwatch and was too stoned to be able to judge in any case. And after a little while, unease began to creep in. Something about the shadow of trees on the wet, packed sand, and the sound of the wind. Maybe the ocean itself, a big thing, a mean mother-humper full of unseen life and all those little pricks of light. Maybe the cold feel of the sand under my bare feet. Maybe none of those things, maybe all of them and more. But by the time she put her hand on my shoulder, I had lost my erection. Wyatt Earp striding into the OK Corral with no sixgun.

She turned me around, stood on tiptoe, kissed me. I could feel the warmth of her thighs, but now it was nothing special to me. "I saw you looking at me," is what she said. "Are you nice? Can you be nice?"

"I can try," I told her, feeling a little absurd. I touched her breasts, and she held me close. But my erection was still gone.

"Don't tell Pete," she said, taking me by the hand. "He'd kill me. We've got a . . . kind of a thing."

She led me underneath the back steps, where the grass was cool and matted with aromatic pine needles. The shadows made cold venetian blinds on her body as she slipped out of her dress.

"This is so crazy," she said, and she sounded excited.

Then we were rolling together and my shirt was off. She was working at the snap on the front of my jeans. But my cock was still on coffee break. She touched me, sliding her hand inside my underpants, and the muscles down there jerked-not in pleasure or in revulsion, but in a kind of terror. Her hand felt like rubber, cold and impersonal and antiseptic.

"Come on," she whispered. "Come on, come on, come on . . . "

I tried to think of something sexy, anything sexy. Looking up Darleen Andreissen's skirt in study hall and her knowing it and letting me. Maynard Quinn's pack of dirty French playing cards. I thought of Sandy Cross in sexy black underwear, and that started to move something around down there . . . and then, of all things to come cruising out of my imagination, I saw my father with his hunting knife, talking about the Cherokee Nose Job.

["The what?" Corky Herald asked. I explained the Cherokee Nose Job. "Oh," Corky said. I went on.]

That did it. Everything collapsed into noodledom again. And after that, there was nothing. And nothing. And nothing. My jeans had joined my shirt. My underpants were somewhere down around my ankles. She was quivering underneath me, I could feel her, like the plucked string of a musical instrument. I reached down and took hold of my penis and shook it as if to ask what was wrong with it. But Mr. Penis wasn't talking. I let my hand wander around to the warm junction of her thighs. I could feel her pubic hair, a little kinky, shockingly like my own. I slid an exploratory finger into her, thinking: This is the place. This is the place men like my father joke about on hunting trips and in barber shops. Men kill for this. Force it open. Steal it or bludgeon it. Take it . . . or leave it.

"Where is it?" Dana whispered in a high, breathless voice. "Where is it? Where . . . ?"

So I tried. But it was like that old joke about the guy that tried to jam a marshmallow into the piggy bank. Nothing. And all the time I could hear the soft sound of the ocean grounding on the beach, like the soundtrack of a sappy movie.

Then I rolled off. "I'm sorry." My voice was shockingly loud, rasping.

I could hear her sigh. It was a short sound, an irritated sound. "All right," she said. "It happens."

"Not to me," I said, as if this was the first time in several thousand sexual encounters that my equipment had malfunctioned. Dimly I could hear Mick Jagger and the Stones shouting out "Hot Stuff." One of life's little ironies. I still felt wrecked, but it was a cold feeling, depthless. The cold certainty that I was queer crept over me like rising water. I had read someplace that you didn't have to have any overt homosexual experience to be queer; you could just be that way and never know it until the queen in your closet leaped out at you like Norman Bates's mom in Psycho, a grotesque mugger prancing and mincing in Mommy's makeup and Mommy's shoes.

"It's just as well," she said. "Pete-"

"Look, I'm sorry."

She smiled, but it looked manufactured. I've wondered since if it was or not. I'd like to believe it was a real smile. "It's the dope. I bet you're a hell of a lover when things are right."

"Fuck," I said, and shivered at the dead sound in my own voice.

"No." She sat up. "I'm going back in. Wait until I'm gone awhile before you come up. "

I wanted to tell her to wait, to let me try it again, but I knew I couldn't, not if all the seas dried up and the moon turned to zinc oxide. She zipped into her dress and was gone, leaving me there under the steps. The moon watched me closely, perhaps to see if I might cry. I didn't. After a little while I got my clothes straightened around and most of last fall's leaves brushed off me. Then I went back upstairs. Pete and Dana were gone. Joe was over in a corner, making out with a really stunning girl who had her hands in his mop of blond hair. I sat down and waited for the party to be over. Eventually it was.

By the time the three of us got back to Bangor, dawn had already pulled most of her tricks out of her bag and a red edge of sun was peering down at us from between the smokestacks of beautiful downtown Brewer. None of us had much to say. I felt tired and grainy and not able to tell how much damage had been done to me. I had a leaden feeling that it was more than I really needed.

We went upstairs, and I fell into the tiny daybed in the living room. The last thing I saw before I went to sleep was bars of sunlight falling through the venetian blinds and onto the small throw rug by the radiator.

I dreamed about the Creaking Thing. It was almost the same as when I was small, I in my bed, the moving shadows of the tree outside on the ceiling, the steady, sinister sound. Only, this time the sound kept getting closer and closer, until the door of the bedroom burst open with an awful crack like the sound of doom.

It was my father. My mother was in his arms. Her nose had been slit wide open, and blood streamed down her cheeks like war paint.

"You want her?" he said. "Here, take her, you worthless good-for-nothing. Take her. "

He threw her on the bed beside me and I saw that she was dead, and that's when I woke up screaming. With an erection.

Chapter 27

Nobody had anything to say after that one, not even Susan Brooks. I felt tired. There didn't seem to be a great deal left to say. Most of them were looking outside again, but there wasn't anything to see that hadn't been there an hour before-actually less, because all of the pedestrians had been shooed away. I decided Sandra's sex story had been better. There had been an orgasm in hers.

Ted Jones was staring at me with his usual burning intensity (I thought, however, that revulsion had given way entirely to hate, and that was mildly satisfying). Sandra Cross was off in her own world. Pat Fitzgerald was carefully folding a cheap piece of study-hall math paper into an aerodynamically unsound aircraft.

Suddenly Irma Bates said defiantly, "I have to go to the bathroom!"

I sighed. It sounded a great deal like the way I remember Dana Collette's sigh at Schoodic Point. "Go, then."

She looked at me unbelievingly. Ted blinked. Don Lordi snickered.

"You'd shoot me."

I looked at her. "Do you need to go to the crapper or not?"

"I can hold it," she said sulkily.

I blew out my cheeks, the way my father does when he's put out. "Well, either go or stop wiggling around in your seat. We don't need a puddle underneath your desk."

Corky went haw-haw at that. Sarah Pasterne looked shocked.

As if to spite me, Irma got up and walked with flat-footed vigor toward the door. I had gained at least one point: Ted was staring at her instead of me. Once there, she paused uncertainly, hand over the knob. She looked like someone who has just gotten an electric shock while adjusting the TV rabbit ears and is wondering whether or not to try again.

"You won't shoot me?"

"Are you going to the bathroom or not?" I asked. I wasn't sure if I was going to shoot her. I was still disturbed by (jealous of?) the fact that Sandra's story seemed to have so much more power than my own. In some undefined way, they had gained the upper hand. I had the crazy feeling that instead of my holding them, it was the other way around. Except for Ted, of course. We were all holding Ted.

Maybe I was going to shoot her. I certainly didn't have anything to lose. Maybe it would even help. Maybe I could get rid of the crazy feeling that I had waked up in the middle of a new dream.

She opened the door and went out. I never raised the gun off the blotter. The door closed. We could hear her feet moving off down the hall, not picking up tempo, not breaking into a run. They were all watching the door, as if something completely unbelievable had poked its head through, winked, and then withdrawn.

For myself, I had a strange feeling of relief, a feeling so tenuous that I could never explain it.

The footfalls died out.

Silence. I waited for someone else to ask to go to the bathroom. I waited to see Irma Bates dash crazily out of the front doors and right onto the front pages of a hundred newspapers. It didn't happen.

Pat Fitzgerald rattled the wings of his plane. It was a loud sound.

"Throw that goddamn thing away," Billy Sawyer said irritably. "You can't make a paper plane out of study-hall paper. " Pat made no move to throw the goddamn thing away. Billy didn't say anything else.

New footfalls, coming toward us.

I lifted up the pistol and pointed it toward the door. Ted was grinning at me, but I don't think he knew it. I looked at his face, at the flat, conventionally good looking planes of his cheeks, at the forehead, barricading all those memories of summer country-club days, dances, cars, Sandy's breasts, calmness, ideals of rightness; and suddenly I knew what the last order of business was; perhaps it had been the only order of business all along; and more importantly, I knew that his eye was the eye of a hawk and his hand was stone. He could have been my own father, but that didn't matter. He and Ted were both remote and Olympian: gods. But my arms were too tired to pull down temples. I was never cut out to be Samson.

His eyes were so clear and so straight, so frighteningly purposeful-they were politician's eyes.

Five minutes before, the sound of the footfalls wouldn't have been bad, do you see? Five minutes before, I could have welcomed them, put the gun down on the desk blotter and gone to meet them, perhaps with a fearful backward glance at the people I was leaving behind me. But now it was the steps themselves that frightened me. I was afraid Philbrick had decided to take me up on my offer-that he had come to shut off the main line and leave our business unfinished.

Ted Jones grinned hungrily.

The rest of us waited, watching the door. Pat's fingers had frozen on his paper plane. Dick Keene's mouth hung open, and in that moment I could see for the first time the family resemblance between him and his brother Flapper, a borderline IQ case who had graduated after six long years in Placerville. Flapper was now doing postgraduate work at Thomaston State Prison, doing doctoral work in laundry maintenance and advanced spoon sharpening.

An unformed shadow rose up on the glass, the way it does when the surface is pebbly and opaque. I lifted the pistol to high port and got ready. I could see the class out of the corner of my right eye, watching with absorbed fascination, the way you watch the last reel of a James Bond movie, when the body count really soars.

A clenched sound, sort of a whimper, came out of my throat.

The door opened, and Irma Bates came back in. She looked around peevishly, not happy to find everyone staring at her. George Yannick began to giggle and said, "Guess who's coming to dinner." It didn't make anyone else laugh; it was George's own private yuck. The rest of us just went on staring at Irma.

"What are you looking at me for?" she asked crossly, holding the knob. "People do go to the bathroom, didn't you know that?" She shut the door, went to her seat, and sat down primly.

It was almost noon.

Chapter 28

Frank Philbrick was right on time. Chink, and he was on the horn. He didn't seem to be puffing and blowing as badly, though. Maybe he wanted to placate me. Or maybe he'd thought over my advice on his speaking voice and had decided to take it. Stranger things have happened. God knows.

"Decker?"

"I'm here."

"Listen, that stray shot that came through the window wasn't intentional. One of the men from Lewiston-"

"Let's not even bother, Frank," I said. "You're embarrassing me and you're embarrassing these people down here, who saw what happened. If you've got any integrity at all, and I'm sure you do, you're probably embarrassing yourself."

Pause. Maybe he was collecting his temper. "Okay. What do you want?"

"Not much. Everybody comes out at one o'clock this afternoon. In exactly"-I checked the wall clock-"fifty-seven minutes by the clock down here. Without a scratch. I guarantee it. "

"Why not now?"

I looked at them. The air felt heavy and nearly solemn, as if between us we had written a contract in someone's blood.

I said carefully, "We have a final piece of business down here. We have to finish getting it on."

"What is it?"

"It doesn't concern you. But we all know what it is." There wasn't a pair of eyes that showed uncertainty. They knew, all right, and that was good, because it would save time and effort. I felt very tired.

"Now, listen carefully, Philbrick, so we have no misunderstanding, while I describe the last act of this little comedy. In about three minutes, someone is going to pull down all the shades in here."

"No way they are, Decker." He sounded very tough.

I let the air whistle through my teeth. What an amazing man he was. No wonder he screwed up all his drive-safely spiels. "When are you going to get it through your head that I'm in charge?" I asked him. "Someone is going to pull the shades, Philbrick, and it won't be me. So if you shoot someone, you can pin your badge to your ass and kiss them both good-bye. "

Nothing.

"Silence gives consent," I said, trying to sound merry. I didn't feel merry. "I'm not going to be able to see what you're doing either, but don't get any clever ideas. If you do, some of these people are going to get hurt. If you sit until one, everything will be fine again and you'll be the big brave policeman everybody knows you are. Now, how 'bout it?"

He paused for a long time. "I'm damned if you sound crazy," he said finally.

"How about it?"

"How do I know you're not going to change your mind, Decker? What if you want to try for two o'clock? Or three?"

"How about it?" I asked inexorably.

Another pause. "All right. But if you hurt any of those kids . . ."

"You'll take away my Junior Achiever card. I know. Go away, Frank."

I could feel him wanting to say something warm, wonderful, and witty, something that would summarize his position for the ages, something like: Fuck off, Decker, or: Cram it up y'ass, Decker; but he didn't quite dare. There were, after all, young girls down here. "One o'clock," he repeated. The intercom went dead. A moment later he was walking across the grass.

"What nasty little masturbation fantasies have you got lined up now, Charlie?" Ted asked, still grinning.

"Why don't you just cool it, Ted?" Harmon Jackson asked remotely.

"Who will volunteer to close the shades?" I asked. Several hands went up. I pointed to Melvin Thomas and said, "Do it slowly. They're probably nervous."

Melvin did it slowly. With the canvas shades pulled all the way down to the sills, the room took on a half-dreamlike drabness. Lackluster shadows clustered in the comers like bats that hadn't been getting enough to eat. I didn't like it. The shadows made me feel very jumpy indeed.

I pointed to Tanis Gannon, who sat in the row of seats closest to the door. "Will you favor us with the lights?"

She smiled shyly, like a deb, and went to the light switches. A moment later we had cold fluorescents, which were not much better than the shadows. I wished for the sun and the sight of blue sky, but said nothing. There was nothing to say. Tanis went back to her seat and smoothed her skirt carefully behind her thighs as she sat down.

"To use Ted's adequate phrase," I said, "there is only one masturbation fantasy left before we get down to business-or two halves of one whole, if you want to look at it that way. That is the story of Mr. Carlson, our late teacher of chemistry and physics, the story that good old Tom Denver managed to keep out of the papers but which, as the saying goes, remains in our hearts.

"And how my father and I got it on following my suspension."

I looked at them, feeling a dull, horrid ache in the back of my skull. Somewhere it had all slipped out of my hands. I was reminded of Mickey Mouse as the sorcerer's apprentice in the old Disney cartoon Fantasia. I had brought all the brooms to life, but now where was the kindly old magician to say abracadabra backwards and make them go back to sleep?

Stupid, stupid.

Pictures whirled in front of my eyes, hundreds of them, fragments from dreams, fragments from reality. It was impossible to separate one from the other. Lunacy is when you can't see the seams where they stitched the world together anymore. I supposed there was still a chance that I might wake up in my bed, safe and still at least half-sane, the black, irrevocable step not taken (or at least not yet), with all the characters of this particular nightmare retreating back into their subconscious caves. But I wasn't banking on it.

Pat Fitzgerald's brown hands worked on his paper plane like the sad, moving fingers of death itself.

I said: