The Book of Cthulhu 2

The God of Dark Laughter

Michael Chabon

Thirteen days after the Entwhistle-Ealing Bros. Circus left Ashtown, beating a long retreat toward its winter headquarters in Peru, Indiana, two boys out hunting squirrels in the woods along Portwine Road stumbled on a body that was dressed in a mad suit of purple and orange velour. They found it at the end of a muddy strip of gravel that began, five miles to the west, as Yuggogheny County Road 22A. Another half mile farther to the east and it would have been left to my colleagues over in Fayette County to puzzle out the question of who had shot the man and skinned his head from chin to crown and clavicle to clavicle, taking ears, eyelids, lips, and scalp in a single grisly flap, like the cupped husk of a peeled orange. My name is Edward D. Satterlee, and for the last twelve years I have faithfully served Yuggogheny County as its district attorney, in cases that have all too often run to the outrageous and bizarre. I make the following report in no confidence that it, or I, will be believed, and beg the reader to consider this, at least in part, my letter of resignation.

The boys who found the body were themselves fresh from several hours’ worth of bloody amusement with long knives and dead squirrels, and at first the investigating officers took them for the perpetrators of the crime. There was blood on the boys’ cuffs, their shirttails, and the bills of their gray twill caps. But the country detectives and I quickly moved beyond Joey Matuszak and Frankie Corro. For all their familiarity with gristle and sinew and the bright-purple discovered interior of a body, the boys had come into the station looking pale and bewildered, and we found ample evidence at the crime scene of their having lost the contents of their stomachs when confronted with the corpse.

Now, I have every intention of setting down the facts of this case as I understand and experienced them, without fear of the reader’s doubting them (or my own sanity), but I see no point in mentioning any further anatomical details of the crime, except to say that our coroner, Dr. Sauer, though he labored at the problem with a sad fervor was hard-put to establish conclusively that the victim had been dead before his killer went to work on him with a very long, very sharp knife.

The dead man, as I have already mentioned, was attired in a curious suit—the trousers and jacket of threadbare purple velour, the waistcoat bright orange, the whole thing patched with outsized squares of fabric cut from a variety of loudly clashing plaids. It was on account of the patches, along with the victim’s cracked and split-soled shoes and a certain undeniable shabbiness in the stuff of the suit, that the primary detective—a man not apt to see deeper than the outermost wrapper of the world (we do not attract, I must confess, the finest police talent in this doleful little corner of western Pennsylvania)—had already figured the victim for a vagrant, albeit one with extraordinarily big feet.

“Those cannot possibly be his real shoes, Ganz, you idiot,” I gently suggested. The call, patched through to my boarding house from that gruesome clearing in the woods, had interrupted my supper, which by a grim coincidence had been a Brunswick stew (the specialty of my Virginia-born landlady) or pork and squirrel. “They’re supposed to make you laugh.”

“They are pretty funny,” said Ganz. “Come to think of it.” Detective John Ganz was a large-boned fellow, upholstered in a layer of ruddy flesh. He breathed through his mouth, and walked with a tall man’s defeated stoop, and five times a day he took out his comb and ritually plastered his thinning blond hair to the top of his head with a dime-size dab of Tres Flores.

When I arrived at the clearing, having abandoned my solitary dinner, I found the corpse lying just as the young hunters had come upon it, supine, arms thrown up and to either side of the flayed face in a startled attitude that fuelled the hopes of poor Dr. Sauer that the victim’s death by gunshot had preceded his mutilation. Ganz or one of the other investigators had kindly thrown a chamois cloth over the vandalized head. I took enough of a peek beneath it to provide me with everything that I or the reader could possibly need to know about the condition of the head—I will never forget the sight of that monstrous, fleshless grin—and to remark the dead man’s unusual choice of cravat. It was a giant, floppy bow tie, white with orange and purple polka dots.

“Damn you, Ganz,” I said, though I was not in truth addressing the poor fellow, who, I knew, would not be able to answer my question anytime soon. “What’s a dead clown doing in my woods?”

We found no wallet on the corpse, nor any kind of identifying objects. My men, along with the better part of the Ashtown Police Department, went over and over the woods east of town, hourly widening the radius of their search. That day, when not attending to my other duties (I was then in the process of breaking up the Dushnyk cigarette-smuggling ring), I managed to work my way back along a chain of inferences to the Entwhistle-Ealing Bros. Circus, which, as I eventually recalled, had recently stayed on the eastern outskirts of Ashtown, at the fringe of the woods where the body was found.

The following day, I succeeded in reaching the circus’s general manager, a man named Onheuser, at their winter headquarters in Peru. He informed me over the phone that the company had left Pennsylvania and was now en route to Peru, and I asked him if he had received any reports from the road manager of a clown’s having suddenly gone missing.

“Missing?” he said. I wished that I could see his face, for I thought I heard the flatted note of something false in his tone. Perhaps he was merely nervous about talking to a county district attorney. The Entwhistle-Ealing Bros. Circus was a mangy affair, by all accounts, and probably no stranger to pursuit by officers of the court. “Why, I don’t believe so, no.”

I explained to him that a man who gave every indication of having once been a circus clown had turned up dead in a pinewood outside Ashtown, Pennsylvania.

“Oh, no,” Onheuser said. “I truly hope he wasn’t one of mine, Mr. Satterlee.”

“It is possible you might have left one of your clowns behind, Mr. Onheuser?”

“Clowns are special people,” Onheuser replied, sounding a touch on the defensive. “They love their work, but sometimes it can get to be a little, well, too much for them.” It developed that Mr. Onheuser had, in his younger days, performed as a clown, under the name of Mr. Wingo, in the circus of which he was now the general manager. “It’s not unusual for a clown to drop out for a little while, cool his heels, you know, in some town where he can get a few months of well-earned rest. It isn’t common, I wouldn’t say, but it’s not unusual. I will wire my road manager—they’re in Canton, Ohio—and see what I can find out.”

I gathered, reading between the lines, that clowns were high-strung types, and not above going on the occasional bender. This poor fellow had probably jumped ship here two weeks ago, holing up somewhere with a case of rye, only to run afoul of a very nasty person, possibly one who harbored no great love of clowns. In fact, I had an odd feeling, nothing more than a hunch, really, that the ordinary citizens of Ashtown and its environs were safe, even though the killer was still at large. Once more, I picked up a slip of paper that I had tucked into my desk blotter that morning. It was something that Dr. Sauer had clipped from his files and passed along to me. Coulrophobia: morbid, irrational fear of or aversion to clowns.

“Er, listen, Mr. Satterlee,” Onheuser went on. “I hope you won’t mind my asking. That is, I hope it’s not a, well, a confidential police matter, or something of the sort. But I know that when I do get through to them, out in Canton, they’re going to want to know.”

I guessed, somehow, what he was about to ask me. I could hear the prickling fear behind his curiosity, the note of dread in his voice. I waited him out.

“Did they—was there any—how did he die?”

“He was shot,” I said, for the moment supplying the least interesting part of the answer, tugging on that loose thread of fear. “In the head.”

“And there was… forgive me. No… no harm done? To the body? Other than the gunshot wound, I mean to say.”

“Well, yes, his head was rather savagely mutilated,” I said brightly. “Is that what you mean to say?”

“Ah! No, no, I don’t—”

“The killer or killers removed all the skin from the cranium. It was very skillfully done. Now, suppose you tell me what you know about it.”

There was another pause, and a stream of agitated electrons burbled along between us.

“I don’t know anything, Mr. District Attorney. I’m really sorry. I really must go now. I’ll wire you when I have some—”

The line went dead. He was so keen to hang up on me that he could not even wait to finish his sentence. I got up and went to the shelf where, in recent months, I had taken to keeping a bottle of whiskey tucked behind my bust of Daniel Webster. Carrying the bottle and a dusty glass back to my desk, I sat down and tried to reconcile myself to the thought that I was confronted—not, alas, for the first time in my tenure as chief law-enforcement officer of Yuggogheny County—with a crime whose explanation was going to involve not the usual amalgam of stupidity, meanness, and singularly poor judgment but the incalculable intentions of a being who is genuinely evil. What disheartened me was not that I viewed a crime committed out of the promptings of an evil nature as inherently less liable to solution than the misdeeds of the foolish, the unlucky, or the habitually cruel. On the contrary, evil often expresses itself through refreshingly discernible patterns, through schedules and syllogisms. But the presence of evil, once scented, tends to bring out all that is most irrational and uncontrollable in the public imagination. It is a catalyst for pea-brained theories, gimcrack scholarship, and the credulous cosmologies of hysteria.

At that moment, there was a knock on the door to my office, and Detective Ganz came in. At one time I would have tried to hide the glass of whiskey, behind the typewriter or the photo of my wife and son, but now it did not seem to be worth the effort. I was not fooling anyone. Ganz took note of the glass in my hand with a raised eyebrow and a school-marmish pursing of his lips.

“Well?” I said. There had been a brief period, following my son’s death and the subsequent suicide of my dear wife, Mary, when I had indulged the pitying regard of my staff. I now found that I regretted having shown such weakness. “What is it, then? Has something turned up?”

“A cave,” Ganz said. “The poor bastard was living in a cave.”

The range of low hills and hollows separating lower Yuggogheny from Fayette County is rotten with caves. For many years, when I was a boy, a man named Colonel Earnshawe operated penny tours of the iridescent organ pipes and jagged stone teeth of Neighborsburg Caverns, before they collapsed in the mysterious earthquake of 1919, killing the Colonel and his sister Irene, and putting to rest many strange rumors about that eccentric old pair. My childhood friends and I, ranging in the woods, would from time to time come upon the root-choked mouth of a cave exhaling its cool plutonic breath, and dare one another to leave the sunshine and enter that world of shadow—that entrance, as it always seemed to me, to the legendary past itself, where the bones of Indians and Frenchmen might lie moldering. It was in one of these anterooms of buried history that the beam of a flashlight, wielded by a deputy sheriff from Plunkettsburg, had struck the silvery lip of a can of pork and beans. Calling to his companions, the deputy plunged through a curtain of spiderweb and found himself in the parlor, bedroom, and kitchen of the dead man. There were some cans of chili and hash, a Primus stove, a lantern, a bedroll, a mess kit, and an old Colt revolver, Army issue, loaded and apparently not fired for some time. And there were also books—a Scout guide to roughing it, a collected Blake, and a couple of odd texts, elderly and tattered: one in German called “Über das Finstere Lachen,” by a man named Friedrich von Junzt, which appeared to be religious or philosophical in nature, and one a small volume bound in black leather and printed in no alphabet known to me, the letters sinuous and furred with wild diacritical marks.

“Pretty heavy reading for a clown,” Ganz said.

“It’s not all rubber chickens and hosing each other down with seltzer bottles, Jack.”

“Oh, no?”

“No, sir. Clowns have unsuspected depths.”

“I’m starting to get that impression, sir.”

Propped against the straightest wall of the cave, just beside the lantern, there was a large mirror, still bearing the bent clasps and sheared bolts that had once, I inferred, held it to the wall of a filling-station men’s room. At its foot was the item that had earlier confirmed to Detective Ganz—and now confirmed to me as I went to inspect it—the recent habitation of the cave by a painted circus clown: a large, padlocked wooden makeup kit, of heavy and rather elaborate construction. I directed Ganz to send for a Pittsburgh criminalist who had served us with discretion in the horrific Primm case, reminding him that nothing must be touched until this Mr. Espy and his black bag of dusts and luminous powders arrived.

The air in the cave had a sharp, briny tinge; beneath it there was a stale animal musk that reminded me, absurdly, of the smell inside a circus tent.

“Why was he living in a cave?” I said to Ganz. “We have a perfectly nice hotel in town.”

“Maybe he was broke.”

“Or maybe he thought that a hotel was the first place they would look for him.”

Ganz looked confused, and a little bit annoyed, as if he thought I were being deliberately mysterious.

“Who was looking for him?”

“I don’t know, Detective. Maybe no one. I’m just thinking out loud.”

Impatience marred Ganz’s fair, bland features. He could tell that I was in the grip of a hunch, and hunches were always among the first considerations ruled out by the procedural practices of Detective John Ganz. My hunches had, admittedly, an uneven record. In the Primm business, one had very nearly got both Ganz and me killed. As for the wayward hunch about my mother’s old crony Thaddeus Craven and the strength of his will to quit drinking—I suppose I shall regret indulging that one for the rest of my life.

“If you’ll excuse me, Jack…” I said. “I’m having a bit of a hard time with the stench in here.”

“I was thinking he might have been keeping a pig.” Ganz inclined his head to one side and gave an empirical sniff. “It smells like pig to me.”

I covered my mouth and hurried outside in the cool, dank pinewood. I gathered in great lungfuls of air. The nausea passed, and I filled my pipe, walking up and down outside the mouth of the cave and trying to connect this new discovery to my talk with the circus man, Onheuser. Clearly, he had suspected that this clown might have met with a grisly end. Not only that, he had known that his fellow circus people would fear the very same thing—as if there were some coulrophobic madman with a knife who was as much a part of circus lore as the prohibition on whistling in the dressing room or on looking over your shoulder when you marched in a circus parade.

I got my pipe lit, and wandered down into the woods, toward the clearing where the boys had stumbled over the dead man, following a rough trail that the police had found. Really, it was not a trail so much as an impromptu alley of broken saplings and trampled ground that wound a convoluted course down the hill from the cave to the clearing. It appeared to have been blazed a few days before by the victim and his pursuer; near the bottom, where the trees gave way to open sky, there were grooves of plowed earth that corresponded neatly with encrustations on the heels of the clown’s giant brogues. The killer must have caught the clown at the edge of the clearing, and then dragged him along by the hair, or by the collar of his shirt, for the last twenty-five yards, leaving this furrowed record of the panicked, slipping flight of the clown. The presumed killer’s footprints were everywhere in evidence, and appeared to have been made by a pair of long and pointed boots. But the really puzzling thing was a third set of prints, which Ganz had noticed and mentioned to me, scattered here and there along the cold black mud of the path. They seemed to have been made by a barefoot child of eight or nine years. And damned, as Ganz had concluded his report to me, if that barefoot child did not appear to have been dancing!

I came into the clearing, a little short of breath, and stood listening to the wind in the pines and the distant rumble of the state highway, until my pipe went out. It was a cool afternoon, but the sky had been blue all day and the woods were peaceful and fragrant. Nevertheless, I was conscious of a mounting sense of disquiet as I stood over the bed of sodden leaves where the body had been found. I did not then, nor do I now, believe in ghosts, but as the sun dipped down behind the tops of the trees, lengthening the long shadows encompassing me, I became aware of an irresistible feeling that somebody was watching me. After a moment, the feeling intensified, and localized, as it were, so I was certain that to see who it was I need only turn around. Bravely—meaning not that I am a brave man but that I behaved as if I were—I took my matches from my jacket pocket and relit my pipe. Then I turned. I knew that when I glanced behind me I would not see Jack Ganz or one of the other policemen standing there; any of them would have said something to me by now. No, it was either going to be nothing at all or something that I could not even allow myself to imagine.

It was, in fact, a baboon, crouching on its hind legs in the middle of the trail, regarding me with close-set orange eyes, one hand cupped at its side. It had great puffed whiskers and a long canine snout. There was something in the barrel chest and the muttonchop sideburns that led me to conclude, correctly, as it turned out, that the specimen was male. For all his majestic bulk, the old fellow presented a rather sad spectacle. His fur was matted and caked with mud, and a sticky coating of pine needles clung to his feet. The expression in his eyes was unsettlingly forlorn, almost pleading, I would have said, and in his mute gaze I imagined I detected a hint of outraged dignity. This might, of course, have been due to the hat he was wearing. It was conical, parti-colored with orange and purple lozenges, and ornamented at the tip with a bright-orange pompom. Tied under his chin with a length of black ribbon, it hung from the side of his head at a humorous angle. I myself might have been tempted to kill the man who had tied it to my head.

“Was it you?” I said, thinking of Poe’s story of the rampaging orang swinging a razor in a Parisian apartment. Had that story had any basis in fact? Could the dead clown have been killed by the pet or sidekick with whom, as the mystery of the animal smell in the cave now resolved itself, he had shared his fugitive existence?

The baboon declined to answer my question. After a moment, though, he raised his long crooked left arm and gestured vaguely toward his belly. The import of this message was unmistakable, and thus I had the answer to my question—if he could not open a can of franks and beans, he would not have been able to perform that awful surgery on his owner or partner.

“All right, old boy,” I said. “Let’s get you something to eat.” I took a step toward him, watching for signs that he might bolt or, worse, throw himself at me. But he sat, looking miserable, clenching something in his right paw. I crossed the distance between us. His rancid-hair smell was unbearable. “You need a bath, don’t you?” I spoke, by reflex, as if I were talking to somebody’s tired old dog. “Were you and your friend in the habit of bathing together? Were you there when it happened, old boy? Any idea who did it?”

The animal gazed up at me, its eyes kindled with that luminous and sagacious sorrow that lends to the faces of apes and mandrills an air of cousinly reproach, as if we humans have betrayed the principles of our kind. Tentatively, I reached out to him with one hand. He grasped my fingers in his dry leather paw, and then the next instant he had leapt bodily into my arms, like a child seeking solace. The garbage-and-skunk stench of him burned my nose. I gagged and stumbled backward as the baboon scrambled to wrap his arms and legs around me. I must have cried out; a moment later a pair of iron lids seemed to slam against my skull, and the animal went slack, sliding, with a horrible, human sigh of disappointment, to the ground at my feet.

Ganz and two Ashtown policemen came running over and dragged the dead baboon away from me.

“He wasn’t—he was just—” I was too outraged to form a coherent expression of my anger. “You could have hit me!”

Ganz closed the animal’s eyes, and laid its arms out at its sides. The right paw was still clenched in a shaggy fist. Ganz, not without some difficulty, managed to pry it open. He uttered an unprintable oath.

In the baboon’s palm lay a human finger. Ganz and I looked at each other, wordlessly confirming that the dead clown had been in possession of a full complement of digits.

“See that Espy gets that finger,” I said. “Maybe we can find out whose it was.”

“It’s a woman’s,” Ganz said. “Look at that nail.”

I took it from him, holding it by the chewed and bloody end so as not to dislodge any evidence that might be trapped under the long nail. Though rigid, it was strangely warm, perhaps from having spent a few days in the vengeful grip of the animal who had claimed it from his master’s murderer. It appeared to be an index finger, with a manicured, pointed nail nearly three-quarters of an inch long. I shook my head.

“It isn’t painted,” I said. “Not even varnished. How many women wear their nails like that?”

“Maybe the paint rubbed off,” one of the policemen suggested.

“Maybe,” I said. I knelt on the ground beside the body of the baboon. There was, I noted, a wound on the back of his neck, long and deep and crusted over with dirt and dried blood. I now saw him in my mind’s eye, dancing like a barefoot child around the murderer and the victim as they struggled down the path to the clearing. It would take a powerful man to fight such an animal off. “I can’t believe you killed our only witness, Detective Ganz. The poor bastard was just giving me a hug.”

This information seemed to amuse Ganz nearly as much as it puzzled him.

“He was a monkey, sir,” Ganz said. “I doubt he—”

“He could make signs, you fool! He told me he was hungry.”

Ganz blinked, trying, I supposed, to append to his personal operations manual this evidence of the potential usefulness of circus apes to police inquiries.

“If I had a dozen baboons like that one on my staff,” I said, “I would never have to leave the office.”

That evening, before going home, I stopped by the evidence room in the High Street annex and signed out the two books that had been found in the cave that morning. As I walked back into the corridor, I thought I detected an odd odor—odd, at any rate, for that dull expanse of linoleum and buzzing fluorescent tubes—of the sea: a sharp, salty, briny smell. I decided that it must be some new disinfectant being used by the custodian, but it reminded me of the smell of blood from the specimen bags and sealed containers in the evidence room. I turned the lock on the room’s door and slipped the books, in their waxy protective envelope, into my briefcase, and walked down High Street to Dennistoun Road, where the public library was. It stayed open late on Wednesday nights, and I would need a German-English dictionary if my college German and I were going to get anywhere with Herr von Junzt.

The librarian, Lucy Brand, returned my greeting with the circumspect air of one who hopes to be rewarded for her forebearance with a wealth of juicy tidbits. Word of the murder, denuded of most of the relevant details, had made the Ashtown Ambler yesterday morning, and though I had cautioned the unlucky young squirrel hunters against talking about the case, already conjectures, misprisions, and outright lies had begun wildly to coalesce; I knew the temper of my home town well enough to realise that if I did not close this case soon things might get out of hand. Ashtown, as the events surrounding the appearance of the so-called Green Man, in 1932, amply demonstrated, has a lamentable tendency toward municipal panic.

Having secured a copy of Köhler’s Dictionary of the English and German Languages, I went, on an impulse, to the card catalogue and looked up von Junzt, Friedrich. There was no card for any work by this author—hardly surprising, perhaps, in a small-town library like ours. I returned to the reference shelf, and consulted an encyclopedia of philosophical biography and comparable volumes of philologic reference, but found no entry for any von Junzt—a diplomate, by the testimony of his title page, of the University of Tübingen and of the Sorbonne. It seemed that von Junzt had been dismissed, or expunged, from the dusty memory of his discipline.

It was as I was closing the Encyclopedia of Archaeo-Anthropological Research that a name suddenly leapt out at me, catching my eye just before the pages slammed together. It was a word that I had noticed in von Junzt’s book: “Urartu.” I barely managed to slip the edge of my thumb into the encyclopedia to mark the place; half a second later and the reference might have been lost to me. As it turned out, the name of von Junzt was also contained—sealed up—in the sarcophagus of this entry, a long and tedious one devoted to the work of an Oxford man by the name of St. Dennis T.R. Gladfellow, “a noted scholar,” as the entry had it, “in the field of inquiry into the beliefs of the ancient, largely unknown peoples referred to conjecturally today as proto-Urartians.” The reference lay buried in a column dense with comparisons among various bits of obsidian and broken bronze:

G’s analysis of the meaning of such ceremonial blades admittedly was aided by the earlier discoveries of Friedrich von Junzt, at the site of the former Temple of Yrrh, in north central Armenia, among them certain sacrificial artifacts pertaining to the worship of the proto-Urartian deity Yê-Heh, rather grandly (though regrettably without credible evidence) styled “the god of dark or mocking laughter” by the German, a notorious adventurer and fake whose work, nevertheless, in this instance, has managed to prove useful to science.

The prospect of spending the evening in the company of Herr von Junzt began to seem even less appealing. One of the most tedious human beings I have ever known was my own mother, who, early in my childhood, fell under the spell of Madame Blavatsky and her followers and proceeded to weary my youth and deplete my patrimony with her devotion to that indigestible caseation of balderdash and lies. Mother drew a number of local simpletons into her orbit, among them poor old drunken Thaddeus Craven, and burnt them up as thoroughly as the earth’s atmosphere consumes asteroids. The most satisfying episodes of my career have been those which afforded me the opportunity to prosecute charlatans and frauds and those who preyed on the credulous; I did not now relish the thought of sitting at home with such a man all evening, in particular one who spoke only German.

Nevertheless, I could not ignore the undeniable novelty of a murdered circus clown who was familiar with scholarship—however spurious or misguided—concerning the religious beliefs of proto-Urartians. I carried the Köhler’s over to the counter, where Lucy Brand waited eagerly for me to spill some small ration of beans. When I offered nothing for her delectation, she finally spoke.

“Was he a German?” she said, showing unaccustomed boldness, it seemed to me.

“Was who a German, my dear Miss Brand?”

“The victim.” She lowered her voice to a textbook librarian’s whisper, though there was no one in the building but old Bob Spherakis, asleep and snoring in the periodicals room over a copy of Grit.

“I—I don’t know,” I said, taken aback by the simplicity of her inference, or rather by its having escaped me. “I suppose he may have been, yes.”

She slid the book across the counter toward me.

“There was another one of them in here this afternoon,” she said. “At least, I think he was a German. A Jew, come to think of it. Somehow he managed to find the only book in Hebrew we have in our collection. It’s one of the books old Mr. Vorzeichen donated when he died. A prayer book, I think it is. Tiny little thing. Black leather.”

This information ought to have struck a chord in my memory, of course, but it did not. I settled my hat on my head, bid Miss Brand good night, and walked slowly home, with the dictionary under my arm and, in my briefcase, von Junzt’s stout tome and the little black-leather volume filled with sinuous mysterious script.

I will not tax the reader with an account of my struggles with Köhler’s dictionary and the thorny bramble of von Junzt’s overheated German prose. Suffice to say that it took me the better part of the evening to make my way through the introduction. It was well past midnight by the time I arrived at the first chapter, and nearing two o’clock before I had amassed the information that I will now pass along to the reader, with no endorsement beyond the testimony of those pages, nor any hope of its being believed.

It was a blustery night; I sat in the study on the top floor of my old house’s round tower, listening to the windows rattle in their casements, as if a gang of intruders were seeking a way in. In this high room, in 1885, it was said, Howard Ash, the last living descendant of our town’s founder, General Hannaniah Ash, had sealed the blank note of his life and dispatched himself, with postage due, to his Creator. A fugitive draft blew from time to time across my desk and stirred the pages of the dictionary by my left hand. I felt, as I read, as if the whole world were asleep—benighted, ignorant, and dreaming—while I had been left to man the crow’s nest, standing lonely vigil in the teeth of a storm that was blowing in from a tropic of dread.

According to the scholar or charlatan Friedrich von Junzt, the regions around what is now northern Armenia had spawned, along with an entire cosmology, two competing cults of incalculable antiquity, which survived to the present day: that of Yê-Heh, the God of Dark Laughter, and that of Ai, the God of Unbearable and Ubiquitous Sorrow. The Yê-Hehists viewed the universe as a cosmic hoax, perpetrated by the father-god Yrrh for unknowable purposes: a place of calamity and cruel irony so overwhelming that the only possible response was a malevolent laughter like that, presumably, of Yrrh himself. The laughing followers of baboon-headed Yê-Heh created a sacred burlesque, mentioned by Pausanias and by one of the travellers in Plutarch’s dialogue “On the Passing of the Oracles,” to express their mockery of life, death, and all human aspirations. The rite involved the flaying of a human head, severed from the shoulders of one who had died in battle or in the course of some other supposedly exalted endeavor. The clown-priest would don the bloodless mask and then dance, making a public travesty of the noble dead. Through generations of inbreeding, the worshippers of Yê-Heh had evolved into a virtual subspecies of humanity, characterized by distended grins and skin as white as chalk. Von Junzt even claimed that the tradition of painted circus clowns derived from the clumsy imitation, by noninitiates, of these ancient kooks.

The “immemorial foes” of the baboon boys, as the reader may have surmised, were the followers of Ai, the God Who Mourns. These gloomy fanatics saw the world as no less horrifying and cruel than did their archenemies, but their response to the whole mess was a more or less permanent wailing. Over the long millennia since the heyday of ancient Urartu, the Aiites had developed a complicated physical discipline, a sort of jujitsu or calisthenics of murder, which they chiefly employed in a ruthless hunt of followers of Yê-Heh. For they believed that Yrrh, the Absent One, the Silent Devisor who, an eternity ago, tossed the cosmos over his shoulder like a sheet of fish wrap and wandered away leaving not a clue as to his intentions, would not return to explain the meaning of his inexplicable and tragic creation until the progeny of Yê-Heh, along with all copies of the Yê-Hehist sacred book, “Khndzut Dzul,” or “The Unfathomable Ruse,” had been expunged from the face of the earth. Only then would Yrrh return from his primeval hiatus—“bringing what new horror or redemption,” as the German intoned, “none can say.”

All this struck me as a gamier variety of the same loony, Zoroastrian plonk that my mother had spent her life decanting, and I might have been inclined to set the whole business aside and leave the case to be swept under the administrative rug by Jack Ganz had it not been for the words with which Herr von Junzt concluded the second chapter of his tedious work:

While the Yê-Hehist gospel of cynicism and ridicule has, quite obviously, spread around the world, the cult itself has largely died out, in part through the predation of foes and in part through chronic health problems brought about by inbreeding. Today [von Junzt’s book carried a date of 1849] it is reported that there may be fewer than 150 of the Yê-Hehists left in the world. They have survived, for the most part, by taking on work in travelling circuses. While their existence is known to ordinary members of the circus world, their secret has, by and large, been kept. And in the sideshows they have gone to ground, awaiting the tread outside the wagon, the shadow on the tent-flap, the cruel knife that will, in a mockery of their own long-abandoned ritual of mockery, deprive them of the lily-white flesh of their skulls.

Here I put down the book, my hands trembling from fatigue, and took up the other one, printed in an unknown tongue. “The Unfathomable Ruse”? I hardly thought so; I was inclined to give as little credit as I reasonably could to Herr von Junzt’s account. More than likely the small black volume was some inspirational text in the mother tongue of the dead man, a translation of the Gospels perhaps. And yet I must confess there were a few tangential points in von Junzt’s account that caused me some misgiving.

There was a scrape then just outside my window, as if a finger with a very long nail were being drawn almost lovingly along the glass. But the finger turned out to be one of the branches of a fine old horse-chestnut tree that stood outside the tower, scratching at the window in the wind. I was relieved and humiliated. Time to go to bed, I said to myself. Before I turned in, I went to the shelf and moved to one side the bust of Galen that I had inherited from my father, a country doctor. I took a quick snort of good Tennessee whiskey, a taste for which I had also inherited from my old man. Thus emboldened, I went over to the desk and picked up the books. To be frank, I would have preferred to leave them there—I would have preferred to burn them, to be really frank—but I felt that it was my duty to keep them about me while they were under my watch. So I slept with the books beneath my pillow, in their wax envelopes, and I had the worst dream of my life.

It was one of those dreams where you are a fly on the wall, a phantom bystander, disembodied and unable to speak or intervene. In it, I was treated to the spectacle of a man whose young son was going to die. The man lived in a corner of the world where, from time to time, evil seemed to bubble up from the rusty red earth like a black combustible compound of ancient things long dead. And yet, year after year, this man met each new outburst of horror, true to his code, with nothing but law books, statutes, and county ordinances, as if sheltering with only a sheet of newspaper those he had sworn to protect, insisting that the steaming black geyser pouring down on them was nothing but a light spring rain. That vision started me laughing, but the cream of the jest came when, seized by a spasm of forgiveness toward his late, mad mother, the man decided not to prosecute one of her old paramours, a rummy by the name of Craven, for driving under the influence. Shortly thereafter, Craven steered his old Hudson Terraplane the wrong way down a one-way street, where it encountered, with appropriate cartoon sound effects, an oncoming bicycle ridden by the man’s heedless, darling, wildly pedalling son. That was the funniest thing of all, funnier than the amusing ironies of the man’s profession, than his furtive drinking and his wordless, solitary suppers, funnier even than his having been widowed by suicide: the joke of a father’s outliving his boy. It was so funny that, watching this ridiculous man in my dream, I could not catch my breath for laughing. I laughed so hard that my eyes popped from their sockets, and my smile stretched until it broke my aching jaw. I laughed until the husk of my head burst like a pod and fell away, and my skull and brains went floating off into the sky, white dandelion fluff, a cloud of fairy parasols.

Around four o’clock in the morning, I woke and was conscious of someone in the room with me. There was an unmistakable tang of sea in the air. My eyesight is poor and it took me a while to make him out in the darkness, though he was standing just beside my bed, with his long thin arm snaked under my pillow, creeping around. I lay perfectly still, aware of the tips of this slender shadow’s fingernails and the scrape of his scaly knuckles, as he riled the contents of my head and absconded with them through the bedroom window, which was somehow also the mouth of the Neighborsburg Caverns, with tiny of Colonel Earnshaw taking tickets in the booth.

I awakened now in truth, and reached immediately under the pillow. The books were still there. I returned them to the evidence room at eight o’clock this morning. At nine, there was a call from Dolores and Victor Abbott, at their motor lodge out on the Plunkettsburg Pike. A guest had made an abrupt departure, leaving a mess. I got into a car with Ganz and we drove out to get a look. The Ashtown police were already there, going over the buildings and grounds of the Vista Dolores Lodge. The wastebasket of Room 201 was overflowing with blood-soaked bandages. There was evidence that the guest had been keeping some kind of live bird in the room; one of the neighboring guests reported that it had sounded like a crow. And over the whole room there hung a salt smell that I recognized immediately, a smell that some compared to the smell of the ocean, and others to that of blood. When the pillow, wringing wet, was sent up to Pittsburgh for analysis by Mr. Espy, it was found to have been saturated with human tears.

When I returned from court, late this afternoon, there was a message from Dr. Sauer. He had completed his postmortem and wondered if I would drop by. I took the bottle from behind Daniel Webster and headed on down to the county morgue.

“He was already dead, the poor son of a biscuit eater,” Dr. Sauer said, looking less morose than he had the last time we spoke. Sauer was a gaunt old Methodist who avoided strong language but never, so long as I had known him, strong drink. I poured us each a tumbler, and then a second. “It took me a while to establish it because there was something about the fellow that I was missing.”

“What was that?”

“Well, I’m reasonably sure that he was a hemophiliac. So my reckoning time of death by coagulation of the blood was all thrown off.”

“Hemophilia,” I said.

“Yes,” Dr. Sauer said. “It is associated with inbreeding, as in the case of royal families in Europe.”

Inbreeding. We stood there for a while, looking at the sad bulk of the dead man under the sheet.

“I also found a tattoo,” Dr. Sauer added. “The head of a grinning baboon. On his left forearm. Oh, and one other thing. He suffered from some kind of vitiligo. There are white patches on his nape and throat.”

Let the record show that the contents of the victim’s makeup kit, when it was inventoried, included cold cream, rouge, red greasepaint, a powder puff, some brushes, cotton swabs, and five cans of foundation in a tint the label described as “Olive Male.” There was no trace, however, of the white greasepaint with which clowns daub their grinning faces.

Here I conclude my report, and with it my tenure as district attorney for this blighted and unfortunate county. I have staked my career—my life itself—on the things I could see, on the stories I could credit, and on the eventual vindication, when the book was closed, of the reasonable and skeptical approach. In the face of twenty-five years of bloodshed, mayhem, criminality, and the universal human pastime of ruination, I have clung fiercely to Occam’s razor, seeking always to keep my solutions unadorned and free of conjecture, and never to resort to conspiracy or any kind of prosecutorial woolgathering. My mother, whenever she was confronted by calamity or personal sorrow, invoked cosmic emanations, invisible empires, ancient prophecies, and intrigues; it has been the business of my life to reject such folderol and seek the simpler explanation. But we were fools, she and I, arrant blockheads, each of us blind to or heedless of the readiest explanation: that the world is an ungettable joke, and our human need to explain its wonders and horrors, our appalling genius for devising such explanations, is nothing more than the rim shot that accompanies the punch line.

I do not know if that nameless clown was the last, but in any case, with such pursuers, there can be few of his kind left. And if there is any truth in the grim doctrine of those hunters, then the return of our father Yrrh, with his inscrutable intentions, cannot be far off. But I fear that, in spite of their efforts over the last ten thousand years, the followers of Ai are going to be gravely disappointed when, at the end of all we know and everything we have ever lost or imagined, the rafters of the world are shaken by a single, terrible guffaw.

•