The fascinating part, the challenging part, what is for me the esthetically rewarding part, is that two of us must perish if the other two are to be exempted from mortality. Such are the terms offered by the Keepers of the Skulls, always assuming, first, that Eli’s translation of the manuscript is accurate, and, second, that there’s any substance to what he’s told us. I think the translation must be correct — he’s terribly precise in philological matters — but one must always allow for the possibility of a hoax, perhaps engineered by Eli himself. Or that it is all nonsense. Is Eli playing some baroque game with us? He’s capable of anything, of course, a wily Hebrew, full of tricky ghetto lore, concocting an elaborate fiction so that he might inveigle three hapless goyim to their dooms, a ritual bloodbath in the desert. Do the skinny one first, the gay one, thrust the blazing sword up his ungodly asshole! More probably I’m giving Eli credit for more deviousness than he has, projecting into him some of my own feverish warped androgynous instability. He seems sincere, a nice Jewish boy. In any group of four candidates who present themselves for the Trial, one must submit voluntarily to death, and one must become the victim of the surviving two. Sic dixit liber calvariarum. The Book of Skulls so tells us. See, me spikka da Caesarish too! Two die, two live; a lovely balance, a four-cornered mandala. I tremble in the terrible tension between extinction and infinity. For Eli the philosopher this adventure is a dark version of Pascal’s gamble, an existentialist all-or-nothing trip. For Ned the would-be artist it is an esthetic matter, a problem of form and fulfillment. Which of us shall meet what fate? Oliver with his ferocious midwestern hunger for life: he’ll snatch at the flask of eternity, he’ll have to, never for an instant admitting the possibility that he might be among the ones who must exit so that the others may live. And Timothy, naturally, will come out of Arizona intact and undying, cheerfully waving his platinum spoon. His kind is bred to prevail. How can he let himself die when he has his trust fund to look forward to? Imagine, interest compounding at 6, percent per annum for, say, 18 million years. He’ll own the universe! Far out! So those two are our obvious candidates for immortality. Eli and I therefore must yield, willingly or otherwise. Quickly the remaining roles designate their players. Eli will be the one they kill, of course; the Jew is always the victim, isn’t he? They’ll honey him along, grateful to him for having found the gateway to life everlasting lying in the musty archives, and at the proper ritual moment, wham, they seize him and give it to him, a quick whiff of Cyklon-B. The final solution to the Eli problem. That leaves me to be the one who volunteers for self-immolation. The decision, says Eli, citing appropriate chapter and verse from the Book of Skulls, must be genuinely voluntary, arising out of a pure wish for self-sacrifice, or it will not release the proper vibrations. Very well, gentlemen, I’m at your service. Say the word and I’ll do my far, far better thing. A pure wish, perhaps the first one I’ve ever had. Two conditions, however, two strings are attached. Timothy, you must dip into your Wall Street millions and subsidize a decent edition of my poems, nicely bound, good paper, with a critical foreword by someone who knows his stuff, Trilling, Auden, Lowell, someone of that caliber. If I die for you, Timothy, if I shed my blood that you may live forever, will you do that? And Oliver: I require a service from you as well, sir. The quid pro quo is a sine qua non, as Eli would say. On the last day of life I would have an hour in private with you, my dear and handsome friend. I wish to plough your virgin soil. Be mine at last, beloved Ol! I promise to be generous with the Vaseline. Your smooth glowing almost hairless body, your taut athletic buttocks, your sweet unviolated rosebud. For me, Oliver. For me, for me, for me, all for me. I’ll give my life for you if you’ll lend me your bum a single afternoon. Am I not romantic? Is your dilemma not a delicious one? Come across, Oliver, or else no deal. You will, too. You aren’t any puritan, and you’re a practical man, a me-firster. You’ll see the advantages of surrender. You’d better. Humor the little faggot, Oliver. Or else no deal.