The Burglar on the Prowl

Thirty-Two

The Pretenders have a rule against conducting business on club premises. Obviously they don't monitor conversations at the bar or around the billiard table to make sure no one's talking about auditions or offering a look at a script. What they want to avoid is the appearance that business is being done, and toward that end they make you check your briefcase at the door. Accordingly, I'd left the attaché case at the shop, having transferred Marty's share to a pair of plain white envelopes. I handed them to him once we were settled in with our drinks.

"These are yours," I said, and he lifted the flap on one just enough to see that it was full of currency. His eyes widened the slightest bit, and he put the envelopes in his pockets and patted them through the fabric of his suit jacket.

"Now there's a surprise," he said. "I hadn't even known you'd, uh, taken up the good fight."

"Friday night."

"Extraordinary. And I gather you were successful. Highly successful, judging from the girth of those envelopes."

"They could be all singles," I said, "but they're not. Yes, I'd call it a great success." I told him how much he'd find in the envelopes, and that it represented fifteen percent of the total sum.

"How marvelous," he said. "All of it a total loss for the shitheel, that's the best part of it."

"For me," I admitted, "the best part is the money."

"You had every right to keep all of it, Bernie. I'm quite certain I offered to waive my own interest."

"You did, but why should you? It wouldn't have happened without you."

"I'm glad you feel that way." He patted an envelope. "It's not as though I'll have trouble finding a use for it."

We worked on our drinks-a martini for him, white wine for me-and chose our lunch selections, which Marty wrote down on a check for the waiter. I'm not sure why they do it that way, the waiters can hear as well as anybody else, and could presumably either remember the orders or write them down themselves. I think they like to have things they do differently just so the members will be in no danger of forgetting that they're in a private club, not just another restaurant.

After the waiter had left, slip of paper in hand, I asked Marty if he'd had any further contact with Marisol.

"No," he said, "nor do I expect to. That's a closed chapter, Bernie. She chose another man, and it's a choice she was entirely free to make. I emerged from the experience with a strong desire to punish him, which I have to say we've done, but no desire to chastise her, or to get her back. As I said, a closed chapter."

"I'm glad to hear that," I said, "but I wonder if we could peek at a page or two."

"What do you mean?"

"I have a question or two about Marisol. Her mother's from Puerto Rico?"

"Well, of Puerto Rican descent. I believe she was born in Brooklyn."

"And the father's from northern Europe."

"One of the Baltic republics. Quite a mixture, wouldn't you say? Fire and ice."

"You don't remember which Baltic republic, do you?"

"There are three, aren't there? Two of them start withL, and it's one of those, which is just as well as I can't recall the name of the third. Eritrea? No, that can't be right."

" Estonia."

" Estonia, of course. Where's Eritrea? No, don't tell me, because wherever it is, her father's not from it, or Estonia either. Does that help?"

"It could. Did you ever tell me her last name? Because I can't seem to recall it."

"I probably didn't, and you'll understand why. It's Maris."

"Maris? What's the matter with Maris? I mean, Roger did all right with it." I thought for a moment. "Oh."

"Oh indeed. Marisol Maris. I thought she might change it, but she wouldn't hear of it. She thought it would look distinctive on a marquee or in a list of credits without striking one as absurd. And I suppose she's right. Now that her name's no longer going to be coupled with mine, I can view it more objectively."

I could see his point. There was something almost irresistibly awful about the conjunction of Marisol Maris and Martin Gilmartin.

"She wanted to honor both parts of her heritage, the Puerto Rican and the Lithuanian. Or is it Latvian?"

"It would almost have to be."

"It would?" He frowned, then shrugged it off. "She told me she was lucky, that her mother had wanted to name her Imaculata Concepción, but her father drew the line at that. Good for him, I'd say."

"And how old is she, Marty?"

"Unsuitably young," he said, and smiled. I asked him what that came to in human years, and he said she was somewhere in her mid-twenties. I did the math and put her date of birth somewhere in the late Seventies, which ruled out a conclusion I'd been about to jump to. Unless-

How, I asked, had her parents met? In this country? Or, uh, somewhere else?

"In Brooklyn," he said, too polite to ask why the hell I wanted to know. "He came over in the late Sixties or early Seventies. He was in Toronto for a chess tournament and defected, and then managed to immigrate to the States. He was living in Bay Ridge, and she was in Sunset Park, just a few blocks away, and they met and fell in love." He cocked his head and looked at me. "If you want to know more," he said, "you'd have to ask her. I assume she's kept the apartment, although it'll be up to the shitheel to send in the check each month. Would you like me to give you the address?"

That was the second conversation in a row to end the same way, with someone offering to furnish an address. One more and I'd be willing to add it to the list of coincidences, but for now it didn't seem all that remarkable. But I did take down Marisol Maris's address, and her phone number, too.

I went straight back to the store, and the most interesting thing that happened all afternoon took place between the covers ofLettuce Prey. I marked my place and closed the book with fifty pages to go, stopping only because I was late for my standing rendezvous at the Bum Rap. When I got there Carolyn was already at our regular table. She wasn't alone, but looked as though she wanted to be.

I said, "Hi, Carolyn. Hi Ray," and took a seat with her on my left and him on my right, perfectly placed to be the umpire if they decided to have a tennis match.

"It's good you're here," Ray said. "Short Stuff an' I was just beginnin' to get on each other's nerves."

"It must be the weather," I said. "The barometric pressure or something. You normally get along so well."

"The more small talk you make," she said, "the longer he's gonna stick around."

"I'm about to tear myself away," he said. "Bernie, you remember those newspaper clippin's in the fat guy's wallet? Well, they translated the Russian ones, an' they were all about the Black Scourge of Ringo."

" Riga."

"Whatever. They got somebody workin' on the others, workin' on findin' someone who can translate 'em, but I'd give you odds they're the same."

"No bet."

"Just as well, 'cause I'd be takin' your money. See, they're in our alphabet, an' none of the words look like what you or I'd call a word, but there was one that I recognized from the translations, on account of it's a name."

"Kukarov."

"Now how in hell did you know that?" He held up a hand to forestall an explanation. "Never mind, Bernie. You got somethin' goin', and that's all I gotta know. Any minute now those rabbits are gonna be flyin'."

When he cleared the door Carolyn said, "Of course he walked off without paying for his beer. You know something? I'd have bought him a whole case to get rid of him."

"Oh, Ray's all right."

"No," she said, "he's not. Where did the flying rabbits come from, anyway?"

"He wants me to pull one out of my attaché case."

"You've got a rabbit in your attaché case?"

"Or out of my hat, and I don't have a hat, either. He wants me to get everybody in a room and unmask a killer, and I don't see how I can."

"Because you don't know what happened."

"Oh, I've got a pretty good idea what happened," I said, "and how it happened, and who made it happen. But this isn't the usual kind of case, where there are all of these suspects and one of them did it."

"There aren't really any suspects, Bern."

"I know. Usually all sorts of people walk into the bookstore, and one of them turns out to be the killer. This time the only person who walked in was Valdi Berzins, the fat man from the Latvian embassy, and he can't be a suspect because he got killed right away."

"So what are you gonna do?"

"I shouldn't have to do anything," I said. "I already made a big score, and got away clean. I even got a girlfriend out of the deal. It's not a great way to meet girls, I wouldn't recommend it to anyone, but in this case it worked out fine. I actually told her the truth about myself, which is something I generally tend to avoid, but I had no choice, and so far she seems to be able to handle it. So I could stop now and let the police work it out or not work it out, and everything would be fine."

"But you won't, will you?"

"I might."

"Yeah, right," she said. "Fat chance, Bern."

I called Barbara, and when the machine picked up I rang off and tried her at the office. It looked like a late night, she said, and I said that was probably just as well, as I had some things I ought to take care of. She was a sworn officer of the court, she reminded me, so if the things I had to do weren't legal, she'd prefer not to have fore-knowledge of them. I told her not to worry her pretty little head, and she gave me a suggestion which, on the face of it, struck me as physically impossible. "Pardon my Latvian," she added, and we agreed we'd talk tomorrow.

I took a bus to 34th Street, had a slice of pizza and a Coke, and transferred to a crosstown bus to Lexington. I walked into and out of half a dozen saloons, including Parsifal's, but didn't spend more than a couple of minutes in any of them. I did make a few phone calls, including one to Crandall Mapes in Riverdale. A man answered, and I said, "I'm not sure I have the right number. I'm trying to reach Clifford Mapes, the composer."

"I never heard of him," he said. "I didn't even know therewas a composer named Mapes. What sort of music does he compose?"

"Oh, no music," I said. "He composes limericks. He's brilliant at it."

"Good for him," he said, and rang off, and I wasted a good twenty minutes fiddling around with the rhymed saga of a poor fellow named Mapes, who got into some terrible scrapes. Either that or he had a few narrow escapes, as you prefer. The last line might have involved women with curious shapes, or pissing all over the drapes, but the couplet in the middle was hopeless and I finally ordered myself to drop it. It's yours, if you want to mess with it. Feel free.

The other calls were to the number Marty had given me, and I got to hear the recorded voice of Marisol Maris, inviting me to leave a message. She had a nice voice, and if there was any trace of San Juan or Riga in it, I couldn't hear it. She sounded like any sweet young thing from Oakmont, PA.

I didn't leave a message, not even a fake one to see if she was screening her calls. She was an actress, she wouldn't screen her calls, she'd grab the phone the minute it rang, as sure as hope springs eternal. If the machine was picking up, that meant she was out-and not with Mapes, who was home in his big old house on Devonshire Close, trying not to think of a limerick with his name in it.

I walked uptown and west, passing through Times Square, and stopping whenever I found a working pay phone to try her number again. I had my finger poised to break the connection the instant I knew it was the machine answering. If you're quick about it, you get your coins back. I got it right all but one time, which struck me as pretty good, since you only get your coins back somewhere around sixty percent of the time from a New York pay phone even if there's no answer at all.

I got so good at it that, when I called from a phone mounted on the exterior wall of a bodega at Ninth Avenue and 46th Street, I rang off and scooped up my quarters only to realize belatedly that it wasn't a machine that had just answered. It was the same voice as the one on the machine, but it was live and in person, and I'd hung up on it all the same.

I tried the number again-I was in no danger of forgetting it-and this time her "Hello?" had an edge to it. "Sorry," I said. "That was me a moment ago, and I'm afraid we got disconnected."

"I wondered what happened."

"It's good you're home," I said. "Stay right where you are. I'll be there in a few minutes."

I got over there in a hurry. The building was your basic Hell's Kitchen tenement, with four apartments to a floor, and the bell for 3-C was markedMARIS. I rang, and her voice over the intercom was inaudible over all the static. "It's me," I said, accurately if not helpfully, and she found that sufficiently reassuring to buzz me in.

I took the stairs two at a time, and the door marked 3-C opened just as I was reaching to knock on it. The young woman who opened it was tall and slender, with the sort of awkward grace that gets called coltish. She had Baltic blue eyes and honey blonde hair and high cheekbones and rich tawny brown skin and a generous, full-lipped mouth that made you grateful the Supreme Court knocked out all those dumb laws against the very thing that mouth put you in mind of.

She looked frightened, but not necessarily of me. "Who are you?" she demanded. "Why are you here? What do you want?"

"My name is Bernie Rhodenbarr," I said. "And I want to talk to you about Valentine Kukarov."

She took a step backward, put her hand to her remarkable mouth, and burst into tears.