The Dead Tracks

Acknowledgements

Sometimes you have to admit when you've lucked out, and I feel very blessed to have landed Stefanie Bierwerth as my editor; her kindness, support, guidance and razor- sharp editorial powers have consistently refocused the book as it journeyed between drafts. My agent Camilla Wray also has an incredible eye for a story and was instrumental in shaping the book from the first moment it landed on her desk. Handily, she's become a black belt in settling my nerves too — important for the (many) times when doubts start creeping in. Without these two wonderful women there wouldn't be a book.

A special thank you to the brilliant team at Penguin (including, but not limited to, Tom, Jessica, Jennifer, Andrew, Shona and Caroline) who do an incredible job of getting Raker out there into people's hands, and who work so tirelessly on my behalf. Also, to the ladies of Darley Anderson, who have supported and promoted my writing right from day one.

Mike Hedges was enthusiastic and gracious, filling me in on his years as one of the country's top policemen, and offered ideas and details which I've since twisted and adapted for the purposes of the book. Any errors are entirely of my own making. Bruce Bennett also provided some intriguing insights in the early stages of the novel, while plastic surgeon Rob Warr will probably be horrified with how I've portrayed his profession — although I did warn him that things might go a bit rogue. I hope he forgives me.

My family in the UK and South Africa have been amazing, going above and beyond the call of duty in their support of the books. Thank you to everyone. I must give a special mention to my mum and dad, though. This book is dedicated to you both for a reason.

Finally, the two Weaver ladies: Erin, who wakes me up at six in the morning after I've been writing until one; and Sharlé, who lets me lie in, and never complains when Raker and I disappear for months on end. Without you both, I'd be lost.