III

Khaled climbed back up the rope ladder, then contemplated a final visit to the burial chamber. Crossing the sump wasn't a comfortable experience. The only access was on a makeshift bridge of two planks, each just a few centimetres longer than the shaft was wide, and which bowed uncomfortably when you stepped upon them.

It hadn't mattered when they'd first brought them in, for the sump had still been nearly full of rubble, so the fall would only have been a couple of metres. But now, even with a torch, you could scarcely see the foot. Sometimes he had nightmares about tumbling into that great hungry darkness. Yet he hadn't wanted to be the first to suggest they get longer planks. And none of his men had either.

He negotiated the crossing safely, however, entered the burial chamber, high heaps of rubble obscuring much of the walls, completed and plastered but not yet decorated, presumably because the tomb hadn't been-

He froze suddenly. A voice. A man's voice. Coming from above. He listened intently. But now there was only silence. He relaxed, smiling at his foolishness, his heart slowing back down. These ancient tombs! They'd play tricks on your imagination. They'd make you feel-

The voice again. No question this time. He recognized it too. That damned TV man. He must have come back! He looked in horror up at the ceiling, unnerved by how close he sounded. Maybe he was close. There was a cleft in the hilltop above them. And the first time he'd come here, it had been ankle-deep in storm water. So there had to be a fault in the rock. He hurried back across the planks, up the passage to the entrance. Faisal and Nasser had heard the voices too; they'd turned off their lamps, were squatting there by the mouth, sackcloth curtain glowing russet against the setting sun.

'The TV people,' whispered Faisal.

Khaled nodded. 'They'll film and then they'll go.'

'What if they see our truck?'

The other side of the sackcloth, a shoe slithered on shale. Khaled went cold. Faisal sniggered with nerves, clenched his jaw in both hands to stop himself, his eyes blinking maniacally. Khaled quietly unbuttoned his holster and drew his Walther. He aimed at the mouth of the tomb. A sudden sharp vision of home, childhood, the way his mother had boasted of him, all those photographs of him in uniform on her walls. Another scuff on the ledge. A mutter of surprise and then the sackcloth drawing back and the woman Gaille standing there, silhouetted against the sunset.

How quickly a life can turn, thought Khaled bleakly, as they stared at one another. How suddenly catastrophe can strike. He felt strangely calm, like the one time he'd seen anything approaching action as a soldier, on checkpoint duty in Sinai, waving down a truck laden with timbers and other carpentry supplies, ready to haggle out a small gift of baksheesh, glimpsing a gun barrel beneath the tarpaulin. He'd been aware of his bodily reaction then too, the fizz of adrenaline, yet in a bizarrely detached way, watching the scene unfold on TV as much as living it. He'd relished the way his senses had sharpened, data flooding his mind, sharper than it had ever been; hearing breath catch in a throat, seeing the driver glance in his rear-view; feeling the truck lurch slightly as someone reached for their weapon, having all the time in the world to take command, as though they were moving in honey while he alone was free.

But this time it was Gaille who reacted first. She span on her heel, shouting warnings as she fled.

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