5

When Walter got back to Putney, his dinner was not fit to eat. Cook said she would make him a salad.

Lydia had heard them talking about it. 'You took your time,' she remarked as he came into the drawing room.

'I thought you would like these.' He handed her the roses.

She was agreeably surprised. While he was out, she had been thinking about leaving him for good. 'Where did you get them, Walter?' It was the nearest she could get to thanking him.

'I didn't take them from a neighbour's garden.'

She handed them back. 'Ask Sylvia to find a vase for them. Did they give you my book?'

'Yes.'

But it wasn't tucked under his arm, and as she asked him she saw his free hand tighten suddenly. 'Who did you see?'

'The director. He was still there in the bar.'

'That doesn't surprise me. He reeked of gin this afternoon.'

'He said you were very good, my dear.'

'Hypocrite. They always say that.'

'He paid you a very nice compliment.'

'Hm.' She set her mouth contemptuously.

Walter said, 'I'll give these to Sylvia.'

'What was that, then?'

'What was what, dear?'

'The compliment.'

'Oh. He said you were a real professional.'

'A fat lot he would know about that!'

That wasn't all he said.'

'What else, then?'

'I'll just find Sylvia.' He had crossed into the hall. 'Would you like them in your room? They might look rather good on the stairs in the majolica jardiniere.'

'Leave it to Sylvia. Put them on the table in the hall and come and tell me exactly what Jasper said.'

He called back from the passage to the kitchen, 'Would you like a glass of Burgundy? I might enjoy it with the salad.'

She made a sound of irritation. The wretched man was so evasive on occasions. She could not be sure whether he really had something interesting to impart, or whether he was covering up about the book. He did this sort of thing deliberately. He knew the force of the theatre in her life. She craved it like a drug. It was painful parading herself for auditions in the provinces, but she went on doing it because she could not stop.

For as long as she could remember — she had actually been born backstage in one of the six theatres her father had owned — everything that mattered to her had been connected with the stage. Before she was twenty she had met Pinero, Barrie and Shaw. She had played at the Adelphi. Sir Herbert Tree had told her that in a year or two she would have the power to enslave a West End audience. Yet she had seen the danger of a life devoted wholly to the theatre. It was vital to her character and her art to keep a link with the real world outside. She had married Walter and financed his dental training with part of the legacy her father had left her. Walter was her hedge against unreality. What could be more down to earth than a husband who pulled teeth?

He came back into the drawing room with his salad on a tray and two glasses of wine. He handed one to her ceremoniously. He sat opposite her in the tall armchair her father had used for saying family prayers. She twitched her skirt impatiently.

'My dear,' said Walter, 'I have something rather important to discuss with you.'

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