The Fermata

5

OBVIOUSLY I WAS MISTAKEN IN PREDICTING EARLIER IN these pages that Joyce would play a minor role in my autobiography. I finished doing her tape and walked over to her office to deliver it, intending to ask her out. But she was talking to a witty charming SVP whom I found intimidating and didn’t want to compete with. Instead, I just nodded at them both and gave her the papers. At five o’clock I left. I got to my place feeling extremely sad, hopeless, almost tearful. On my desk were three vibrating dildos of varying degrees of stylization, along with a woman-designed vibrating butterfly, and a Jeff Stryker penis pump. They were all “mint-in-box,” as toy collectors say. I sat down in my chair and looked at them, feeling great waves of misery. I had ordered them from a company in San Francisco, paying extra for Federal Express delivery, in the momentary grip of the idea that I would be able sometime soon to watch Joyce use one or more of these devices on herself. I bought the penis pump as an afterthought, so that I would have it in reserve as a bargaining tool: “You go ahead and use these vibrating dildos for me, and I’ll pump my penis for you with this penis pump.” But I couldn’t afford these machines — almost two hundred dollars’ worth of sexual hardware — and it seemed pathetic and undignified for me to have them in storage in my life when I would never be able to use them with someone like Joyce. Sipping wine, with the radio playing some progressive jazz construct with the usual cleanly miked bongos and synthesized tribal flutes and pre-enjoyed Steely Dan chords, I filled out the return slip, wrote, Nobody to use these with, unfortunately, next to the REASON FOR RETURN line, and one by one I tucked them back in the carton they came in (they had been responsibly packed in recycled styrene), my self-pity mounting to impossible heights. I wanted … I wanted to tell Joyce my dream of a flying blue brassiere: that we would be stranded in a rowboat in the middle of a sulfur lake, and the only way we could escape is if she took off her shirt and removed her flying blue brassiere and kneeled in its cups and took strong hold of the straps and pulled up on them for lift, using them as a steering-bridle. I would ride piggyback, and she, noble bare-breasted horsewoman of Lycra, would lift us and swoosh us to verdant safety. I also wanted to tell her the dream I had many mornings just before I woke up, that my mouth was filled with an enormous wad of decayed Bazooka chewing gum: I had stuffed in eight or nine loaves of gum because the first taste was so attention-gettingly tart, but now it was changed for the worse — sticky and oppressive, almost doughy, almost friable, and I tried to hook its unpleasant mass out of my mouth with my finger and couldn’t remove it, but on waking I discovered that the gum-mass was in reality just my tongue, which as I moved up toward consciousness had made its sluggish presence known against the reviving nerves of the roof of my mouth. I wanted to tell Joyce these dreams. But she wasn’t my lover, and lovers are the only people who will put up with hearing your dreams.

I don’t think that loneliness is necessarily a bad or unconstructive condition. My own skill at jamming time may actually be dependent on some fluid mixture of emotions, among them curiosity, sexual desire, and love, all suspended in a solvent medium of loneliness. I like the heroes or heroines of books I read to be living alone, and feeling lonely, because reading is itself a state of artificially enhanced loneliness. Loneliness makes you consider other people’s lives, makes you more polite to those you deal with in passing, dampens irony and cynicism. The interior of the Fold is, of course, the place of ultimate loneliness, and I like it there. But there are times when the wish for others’ voices, for friendliness returned, reaches unpleasant levels, and becomes a kind of immobilizing pain. That was how it felt as I finished packing up the box of sex machines. I used a “tape gun” to tape it back up, just like the pros at Mailboxes USA. A tape gun is a triggerless machine with a handle that enables you to dispense tape from thick rolls one-handed. It has a set of sharp metal teeth that cut the tape at will, like the row running along a box of plastic wrap that can hurt your finger if you rummage overhastily in a drawer, but its whole function stands in swords-into-plowshares opposition to the gun — it is meant to seal, to mend, to hold together, rather than to injure and rend. I bought it at an office-supply store as a reward after an awful week working for the Department of Social Services typing Social Security numbers in boxes that were not spaced to fit either of the type sizes of the typewriter. Now, in my moment of despair, taping up the carton of sex toys, I lifted this nicely balanced tape gun and held it to my temple, and investigated my wish to die — and in doing so I immediately realized how laughably far I was from actual suicide, and how good, happy, lucky, fundamentally, my life was. The idea of trying to commit suicide over a box of vibrating dildos with a tape gun held at my temple struck me as almost comic. It got me over the hump of Joyce-loneliness. I decided that what I really needed to do was go to the library and get out some more autobiographies and read them, so that I would have a better idea of how to write this one properly. Before I left, I cut open the carton that I had just sealed up with tape and took out one of the vibrating dildos (not the Pleasure Pallas, a medium-sized Japanese-made one in the shape of Athena holding an oddly flamed torch of wisdom in her hands, the torch being in fact a pliant clitoris-stimulating projection; but rather the Monasticon, which was a large twisting Capuchin monk holding a clit-nuzzling open manuscript), and put it in my briefcase. I brushed my teeth. Then I reconsidered, and put the hot-pink vibrating Butterfly in my briefcase as well. It would be a waste of life’s possibilities to send them dolefully back, I thought, just because I might never use them with Joyce. Much more sensible to distribute them free at the library.

I was luckier than usual in finding the books I wanted. Maurice Baring’s autobiography, The Puppet Show of Memory, was on the shelf, as was George Santayana’s Persons and Places, The Memoirs of John Addington Symonds, and Jane Addams’s Twenty Years at Hull-House. I sat down at a large table and looked my books over. The particular library table I had chosen with some care, of course: it had one other resident — a petite woman in her late thirties with curly salt-and-pepper hair, wearing a short-sleeved top and earrings made of cloudy yellow glass. She was looking through several piles of microfilm copies, sorting them and circling paragraphs every so often. She spun her pen gently, silently, on the table as she read, as if it were a spinner in a child’s game. Her eyes moved with impressive speed over the chemical-smelling legal-sized pages, but she looked tired from spending hours gazing at the gray light of one of the library’s horrible microfilm readers, contending with the trembling magnified crotch hairs and scratches on its screen. I stopped time to find out what she had been microfilming: it turned out to be copies of Harper’s Bazaar from the late forties. I didn’t touch her. I wanted only to arouse her — or not even to arouse her, but simply to be a subliminal part of her life. I wanted her to become vaguely aroused, without knowing I was the source of her arousal.

She needed, it seemed to me, to see, or sense, my Moving Psi Squares. I had in my briefcase three rarely opened envelopes. One held many one-inch squares of construction paper, some black, some pink. The second held one-inch squares I had cut out of fashion magazines and Garnet Hill catalogs, just faces: beautiful, interesting, exotic, or otherwise noteworthy women’s and men’s faces. The third envelope held squares I had cut out of a flyer I had gotten in the mail from a place called Elmwood Distributors, a somewhat low-end distributor of porn films, most of which were compilations, or “revues,” of surprising specificity, with titles such as Double Hand-Job Revue, Brunette Lactating Hermaphrodite Blowjob Revue, and Big Uncut Dick Facial Cumshot Revue. Each film was illustrated by a single one-inch-square still, some of which I had cut out. Now I arranged many of these squares randomly in a rectangle around the microfilm page that the woman was gazing at, took my seat, lifted my book, and snapped time on for a fraction of a second and then off again: snap snap. Then I went over to her and displaced each square in a counterclockwise direction, again took my seat, again snapped time on and immediately off. I did this repeatedly, dozens and dozens of times, wanting to offer her a pulsing marquee of images on the periphery of her vision as she read her forties Harper’s Bazaars. I must say, the work was tedious in the extreme — whenever I do my Moving Psi Squares I feel new respect for the most primitive of Sesame Street animated shorts, and I’m awed by Hanna-Barbera. (Sometimes, when I have less energy, I employ just one square, a face-square or a porn-square, something that I think, judging by the way the woman looks, might interest her, flashing it for an instant every minute or so in a different position on the open page of the book she is reading.) In the present case, the woman with the cloudy yellow earrings sighed and lowered her head for a moment. I stopped time and removed all the squares and put them away, then switched time on. She yawned, throwing her head back with her hands held behind her neck; then she pressed her thumb hard between her eyebrows. She thought she had been working too hard, seeing things — and in fact she had been seeing things: she had been seeing the little sexsquares that I was strobing into her life. I sensed her glance at me for a moment. I didn’t look up: I was paging in a leisurely, preoccupied way through Maurice Baring’s account of his years in Sweden. The woman yawned again and gathered her things. I had no idea what she was thinking. She walked over to the trash can beside one of the other tables. Just before she threw out some of the Bazaar pages, I stopped time and put my Monasticon vibrator on the top of the trash, where she might spot it peeping out of a paper bag. She did see it: she lifted the bag and peered inside, looked to her right and to her left, checked the contents of the bag once more. What on earth, she was wondering, was a brand-new, mint-in-box, sealed-in-plastic vibrating dildo representing a Capuchin monk and his clit-fondling manuscript doing in the trash of the Boston Public Library? She stood there for a second or two, pondering what to do, frowning, and then the bagged vibrator went quietly into her Boston University book bag. She walked toward the exit. I blew a kiss at her back. Good luck to her.

That might have ended my generosity for the evening, since the library was closing, but for the fact that as I got in line at the checkout desk, a large tall woman appeared just in front of me. I am always glad to be in line behind a woman, because I can look at her freely without making her uncomfortable. This one had loosely arranged, very thick soft hair that was possibly dyed with henna — anyway, it was a deep red-brown color. She was the sort of plump person who people say carries it well. She looked great. She was wearing an indeterminate number of layers of very loose clothes with huge loose neck-holes that slumped overlappingly over one another like the eccentric orbits of several comets — one neck-hole was almost falling off her shoulder, exposing some sort of blue bodysuit strap that probably represented the deepest layer. It was a way of dressing and looking that I had never until then thought I liked, but on her I felt I could like it very much. The shoulder that was partially exposed had lots of sun freckles on it, which made it seem unusually smooth and touchable, like some sort of river stone.

But it was not until I noticed the book that she was checking out that I was completely captivated: she was on her way home to read something called Naked Beneath My Clothes, a fairly recent book by a woman stand-up comic. I’ve looked at the book since: it is a sometimes funny, okay little book — but the greatness of it for me then was its title. For years and years I had been amazed by just this obvious truth, that we are all naked beneath our clothes; coming across a woman in the library holding a book which announced the fact in its title made me get that so-sexual-that-it’s-not-sexual melting feeling, as if my knees were no longer going to do what they were designed to do and my balls were going to droop past them like toffee and hang to my ankles, softened by the warmth of my longing. I knew that the woman had just wanted to take out this book because she wanted to laugh and she had been told it was funny, but it had this provocative title, and now she was, despite her relaxedness about sex, ever so slightly embarrassed to be checking it out of the library.

Her embarrassment was, it seemed to me, directed forward, at the man working the card machine — a spindly nice-mannered ugly man who shaved too far down on the sides of his beard. But she knew that someone was behind her as well, and she could be considering that my eyes were on the freckles of her shoulder, and she might be able to feel them moving down her arm to read the title of the book again, Naked Beneath My Clothes—a fact that, because she held the book, was being asserted not as a general truth but as a truth specifically about her and her alone, prefixed by an “I am.” I very much wanted to see her naked beneath her clothes. And of course I could have easily enough. Yet I hesitated to drop into the Fold to remove all those layers, since I would have trouble remembering how they hung with such artful sloppiness over one another when it was time to dress her back up. (She wasn’t, thank God, wearing those leggings that terminate in a bit of lace!) Every curve and movement of her body cried out, “I’m extremely single at the moment and I’m available tonight to have a drink or two with a nice man who will listen to me and make me laugh.” I knew that she was feeling that this interval in the checkout line was her last chance to meet someone, and I knew that I was at least a better catch than the library staffer with the unsightly beard.

But though I was, am, extremely single, and though I had suffered a serious attack of loneliness involving a tape gun only hours before, and was probably giving off the same rads of availability and generalized longing as she was, I didn’t strike up a conversation with her, because I was smart enough to know by now to spare a woman like this my tentative but occasionally successful pickup technique, since even if we did go out to dinner a few times and have a few nights in bed, it would all be essentially sad, essentially wrong. I wasn’t the sort of man that she really wanted, and she wasn’t for me, either — there would be a temporary wonder and excitement in those loose neck-holes, and then the differences between us would doom us — and why do any of that, when all I really wanted to know was how, exactly, she was naked beneath her clothes? I could imagine some of the unseen her in advance, having undressed so many women on the sly in my life — I’m aware of certain connoisseurial correlations between the type of face a woman has and the type of back she has: in fact, I felt that I had a fairly well defined sense of how her back would look and feel, how high her hidden waist was. But breasts were always a wild card, and the ass, too (I mean the real-world ass, not the dirty-magazine ass), was a thing of a billion unique variations.

I wanted, failing knowledge of her nakedness, simply to announce to her, in a quiet, serious voice, “I am, too.” And when she turned her face to me in sociable puzzlement, I would gesture at her book and say, clarifyingly, “I mean that I’m naked, too, beneath. Really, I am.” Maybe she would roll with this lameness. One of the very first times I ever made out with a girl was in a park when I was fifteen: we lay on a slight slope, among many short conifer trees. Eventually her hand undid my pants and went into my underpants, and she hoisted my moist troika out into the world and left it there. Neither of us looked down for a long time — I was concentrating on making her come without taking off her jeans, which was not all that easy. Finally we gave up, needing real privacy to make any headway, and then we both looked down, and there was a sight of my naked self that I had never seen, or never paid attention to — an almost shockingly awful sight: the ultra-pale skin of my horizontalized balls was stretched very tight, stretched to a state of egg-glaze glossiness (because the waistband of my too-small underpants was underneath them, pushing my balls up), and it was overwritten with many delicate, infantile blood vessels, as in a Lennart Nilsson photograph of the head of a developing fetus. And — adding considerably to the overall obscene effect — sparse hair follicles made little white bumps in the stretched skin. Though it was highly unpleasant, or at least unromantic, to look at (my girlfriend flinched, I think, seeing more of me than she had been prepared for just then), I couldn’t help noting to myself with some satisfaction how surprisingly spermatious the ball-hairs themselves appeared, with their long wispy tails and their ovoid follicle heads: hair-sperms surrounding the egglike testicles, trying to fertilize them, as if my body were offering to anyone who cared to look its own magnified, three-dimensional representation of the task that my gonads were programming their product to perform.

The woman in front of me at the library, it now occurred to me, was older than that sixteen-year-old girlfriend of so long ago, and she might be willing to have the strange resemblance between ball-hair and spermatazoa pointed out to her — but then again she might not. So much depended, of course, on how you presented the information — a tone of self-surprised irrepressibility often worked best. My ex-girlfriend Rhody once had a barbecue and invited six or seven friends over. My job was to get the charcoal to light. Standing with my feet planted far apart, leaning over the small hemispherical grill, I fanned the coals so strenuously and rapidly with the Arts section of the Globe that my balls started flapping backward and forward in exactly the same rhythm as my arms. It was a unique experience, to be able to feel those cocktail onions to-ing and fro-ing with such gusto. I stopped to get my breath and as the flames grew looked up at the woman standing near me holding a drink (one of Rhody’s friends from work), and I said to her, in an amazed voice, “My balls are actually flapping. It’s a new experience.” She nodded sideways, smiling, and sipped her drink; she didn’t seem to mind my telling her that. I fanned the coals some more and then we talked briefly of barbecue starter-coils. “But you seem to like flapping,” she said. “I wouldn’t want to deprive you of that.” God, how I treasure those little flirtatious moments.

The book-checkout line was not short, so I had plenty of time to think as many sexual thoughts as I wanted to while I looked at the blue shoulder strap and freckled skin of Ms. Henna in front of me. The title of her book was exerting ever more roentgenizing power over my state of mind; I was almost out of control. Naked, naked, naked, naked, naked. I wanted so very much to see her back and big soft buttcheeks. I imagined her face-down on a massage table, with her soft hair pinned out of the way, her eyes half closed, dreamy from the steam room, a white towel over her legs. I would walk in bearing a large white bowl with a green rim that was filled with quarts of semi-cool tropical oil and a dozen or so stone eggs of various marbled colors. I would set the bowl on a small rolling table very near her head and begin to stir and tumble the stone eggs slowly with my hands in the oil, like a sedated saladier, so that they clicked and clocked against one another and against the sides of the bowl, and then I would let my hands close around two of them, a reddish one and a black one with gray and violet markings, and I would press these into the muscles of her back, on either side of her spine, cupping them in my palms. I would work my hands alternately as a purring cat works its paws, so that the stone eggs would palpate themselves slowly down her back, carrying their own oil with them. When they threatened to go dry, I would drop them back in the bowl, and jostle their submerged forms again with my fingers, and I would select two others; these I would again hold against her, manipulating them with my hand muscles so that they turned end over end under my slippery palms. She would try to guess by feel alone what colors they were: “Hmm, I think the left one is gray and white stone shot with pink,” she would say. But no, it was a quartzy blue. I would help her turn over so that she was on her back and I would turn the slippery eggs on her high thigh muscles and on either side of her mound, and then I would have her choose which two she wanted inside her. She would pick two and I would palm the stone eggs in, so that I could hear the muffled clocking sounds as one hit the other, and as I pulled my hand away, she would bear down with her muscles and I would see the skin of her vadge stretch as she gave birth to one of them, like those wonderful midnight sea-tortoise egg-laying scenes on Nature, where you can see the tortoise’s vagina swell and stretch over the sand pit as another egg appears, and it would fall out all slick in my hand.

The more graphic and specific my sexual imagery grew, the more the relatively simple idea of strapping the vibrating Butterfly onto her became, by contrast, tame and gentle and uninvasive — the very least I could do for her. Her neck-holes, her back, had the definite look of a vibrator-lover, anyway. I let her check out her book (she and the library man had a moment of feeling eye contact, as I had expected) and walk out onto the street, and then I brought the universe down and got out the Butterfly. My plan was to put it on her as she walked home, because I thought that she would feel it less, perhaps, if she was in a state of movement than if she was sitting down. But I had to be sure that it wouldn’t startle her — I wasn’t interested in disturbing her or making her feel she was losing her sanity. Consequently I had to test the product out on myself: I kicked off my pants and underpants, and, placing a Handi Wipe between the pleasure-nubbins of the machine and my scrotum so that I wouldn’t be exposing Ms. Henna to any of my germs when I did finally strap it on her, I stepped into its straps and pulled it snugly in place. I walked around the lobby of the library with it on, looking at the high corners of the room and concentrating on what it felt like. I was surprised to find that, though fairly tight, the black straps around my ass and thighs weren’t perceptible at all as I walked. What was perceptible, unfortunately, was the width of the Butterfly itself between my thighs. Perhaps if the bulk of my genitalia weren’t in the way the device would have nestled more comfortably, but even then it might be instantly apparent to the woman that something was there. I recalled reading a news item about a large woman who shoplifted portable TVs by walking out with them between her legs; but it wouldn’t do here to have a shape that the woman could feel as she walked. But all was not lost — I found that when I was sitting down, even with my legs crossed, it was as if the rubbery shape of the Butterfly didn’t exist. My body adjusted instantly to its presence. I put the two free Sonic-brand batteries in the pink plastic battery case and turned the dial until the vibration started. On full, the noise was appallingly loud. She would hear it. Even at the lowest level, which is where I would have it when I put it on her (so that it would remain below the threshold of consciousness, would be a vibration that was perceptible only as a change of mood, not as an actual physical signal), it made a sound that was not so much a buzz as a kind of low chuckling. My only hope now, I realized, was that she wasn’t going to walk home, but was going to take the bus or the subway, where the transit noise would mask its noise. As for the feeling of the Butterfly on my own equipment: it was not positively unpleasant, but didn’t feel at all wonderful, either (maybe the Handi Wipe was part of the problem), which I was on the whole pleased about, since it made the fact that women come so hard with vibrators all the more mysterious and womanly and different from male pleasure.

I got dressed, got back in line, flipped on the universe, and checked out my books, looking at my watch to make the checker-outer hurry. Outside, I spotted the woman at the corner of Boylston and Dartmouth, where she was waiting to cross the street. I loitered, hoping that she would go down the steps to the T, which, lucky for me, she did. I was observing her in the shadows; nobody could see me and so nobody would notice if I suddenly disappeared from where I was standing. I stopped time and caught up with the woman. Her name, I found, hastily looking through her purse, was Andrea Apuleo, a perfectly reasonable name, though like all names something of a surprise for the first few minutes if you have had the opportunity to develop an idea of the person in advance. She lived in Chestnut Hill. I hopped down the stairs ahead of her and took a seat on a bench on the platform, so that when I got on the same train as she did she wouldn’t have any suspicion that I had been following her. (I was pretty sure that she hadn’t gotten a good look at me in the library.) When a C train finally showed up, ten minutes later, she took one of the forward-oriented seats and I took one facing sideways. I had been worried about Andrea’s bodysuit, thinking I might have to take it off or slide it to the side, but when I began putting the Butterfly on her in the Fold I found that it worked beautifully to hug the device tight against her inner drapery. It could be set very low and yet she would feel something. I shook the battery case to awaken it within the Fold and turned the dial and brought it down to the barest hint of vibration — and then I thought better of it: the first time I turned time on in this sequence, she should just have the device strapped on, unvibrating, so that her body would get used to its presence. Over a series of six or seven time-perversions I gradually increased its flutter-level. Pretending to read, I watched her. At a certain point, she made a peculiar expression that was clearly pleasure and covertly reached down to feel between her legs to find out what was going on (nobody was sitting next to her): just before she would have felt the shape of the alien Butterfly with her hand, I stopped time and removed it. Satisfied that there was nothing there, Andrea sat back, and when I had reinstalled the machine and gradually accelerated its vibration with the thumb dial, as the train accelerated between Copley and Kenmore, she let herself feel good, her hands resting on the back of the seat in front of her, her head resting on the black glass of the window. She wanted to look as if she were having a long and complicated train of memories of something faintly sad and peaceful in the distant past, as if her thinking were accompanied by a soundtrack of Gregorian chant, but I could read through her veneer of inner peace to the sexual fizz that was definitely there. Very slowly her lips parted and her mouth opened, or almost opened: her lips were only in contact in the very middle, where there was a fuller part. By this time I had abandoned my book, unable to keep from looking directly at her. The train rhythm sounded like appetitive, appetitive, appetitive, appetitive. In a book called Love Cycles, about hormonal rhythms, parts of which I have read with great interest, Winnifred B. Cutler (Ph.D.) cites a study by Sullivan and Brender in a 1986 issue of Psychophysiology in which women were shown “sexually stimulating videotapes” while their faces were wired with electromyographic sensors. Consistently their zygomatic muscles (one of the several sets of smile muscles) contracted subtly as they watched the tapes, an effect which the researchers took as an indirect marker of arousal, like pupil dilation. Since reading around in this book (and I must point out in passing that Dr. Winnifred Cutler is photographed with a very slight Mona Lisa-esque zygomatic smile in her jacket photo, and that, according to the flap, the book’s publication date was October, the month, says Dr. Cutler, that male hormones reach their highest levels), I had been on the lookout for these secret zygosmiles, and had not noticed many — but I think that between Copley and Kenmore Andrea Apuleo was offering the world a stunning example of one right in the T.

Just as I resumed time after turning the Butterfly up almost to full, she noticed me looking at her, and our eyes caught and laser-locked; I tried to tell her with my look that I understood how good it felt, though she was doing a tremendous job of suppressing it, and that I was the only one in the train who could see what she was going through, and that I was very moved to be able to witness it and would make no sign to anyone else of what she was letting me see. I nodded, closing my eyes, and looked at her again: giving the nod to her approaching clasm. She looked away, up at the ads for temporary agencies over the windows, and then she looked back at me, and I watched her put her lower teeth over her upper teeth, her eyes getting bigger and browner and fuller — and (I am almost sure) she came. Then she took a deep breath and gathered her hair in an O made of her forefinger and released it and reached down again tentatively to her legs, so that I had to fermate quickly and remove the Butterfly from her and wipe it off (using several Wet Ones) and put it back in the case so that it looked unused. I put it in a blank manila envelope. Time rolling, I smiled at her again, in a wowed, foolish sort of way, and she smiled uncertainly back, not quite sure how to explain to herself what had just happened. At the Chestnut Hill stop she stood and passed where I was sitting. I said, “Excuse me?” and handed her the vibrating Butterfly in its envelope and then touched my fingers to my lips. I didn’t get off at that stop because I didn’t want to unnerve her or seem threatening; I reached home an hour later feeling that, in making gifts of two of my sex toys, I had turned the day around.