The Fermata

7

LET US, THOUGH, BRIEFLY RETURN TO THE TIME I WAS OUTSIDE on the beach towel in the yard, since I did go on to imagine writing more than mere expostulations in paperbacks that morning, and the manner in which events developed as a result of my imaginings is quite typical of my Fold-life. (Maybe interlife would be a good word for the portion of my life I spend between-times, in the Fold.) I turned over a number of distinct thoughts that morning, but mainly I thought of writing a brief amateur sex story of my own and planting it where a woman might find it. I envisioned becoming a writer of private erotica — a rotter, a secret member of the literoti. Specifically I envisioned dashing off something about a woman on a ridem lawn-mower that I would print out, staple at the corner, and put in a plastic food-storage bag with a twist-tie closure and bury in the colder, unsiftable sand just below where some warm-skinned sunbathing woman was idly digging as she lay face-down on her towel on a beach somewhere.

I was during that period without Fold-powers — I had not, as a matter of fact, been able to disrupt sidereal time at will for eight full months, a fairly long fallow period for me, and while at first I had as usual been relieved not to have the distracting option of stopping all the clocks whenever I wanted to think or spy or feel, I was now really quite desperate to get back some of the old magic. What if I never accomplished a successful Drop again? Horrible. I wanted immediate controlled nudity. The calendar, the year-at-a-glance wallet calendar I carry around with me, that marvelous invention in which twelve locomotive-shaped months in series pull the miscellaneous freight of a full year of days along, had become my enemy. What had I done with all that free time? What had I done with my life, my interlife? Often on my mind was the slogan devised by some self-helper about ten years ago—“Today Is the First Day of the Rest of Your Life.” It is a good, exciting, up-rewing slogan. But it was beginning to occur to me to wonder what the person who thought it up had done with the rest of his life, following the momentous minute when he first conceived of it. Has he been himself helped by his own snappy bumper sticker? Has he done anything else of note aside from writing it? Is his mightiest accomplishment going to be merely the invention of a memorable formula that urges others to accomplish something? And was the world any better for his having written what he had written? The world has recognized its inspirational value and fully metabolized it; individual lives have perhaps been in some cases improved as a result of its existence — high school homework may have been done that wouldn’t have been done, new leaves may have been turned over, difficult phone calls may have been made — but now its own big moment of efficacy is finished, it can no longer surprise us into sudden effort, and yet the person who thought it up is almost certainly still with us, living out, not Day 1, but Day 1,234, or Day 3,677, of the sadly anticlimactic rest of his life — repeatedly experiencing, as we all do, those brief calendrical regrets when it is no longer the toddlingly innocent fifth or sixth of a given month but somewhere early in the teens, midway down, and then suddenly it’s the twenty-sixth and the month is going forever, the one and only October you will be given that year, and the false optimism of a new young month is about to begin, like a stock split that without changing any fundamentals makes the price per share look alluringly cheap all over again; and then the “3” of the new month’s date again slides into the “5,” and the “5” mutates into the “12,” each of the thirty or thirty-one successive numerical dates carrying with it, regardless of what actually happens on that day, a default mixture of emotions that results simply from its location on the scaffolding of the calendar — a specific ratio between the residual determination to get whatever difficult or distasteful things there are outstanding done in the days of the month that remain and the growing despair at the many difficult or distasteful things that simply cannot get done in the days that remain and must be carried forward to the next month. The calendar was my enemy because I had no control over it anymore, no option of postponement, no eject button, and I had not been in control of it for over eight months.

On the other hand, my coordinator, Jenny, had not had any work for me that day, so I was free. I had been assigned to work at an architectural firm in Cambridge, but then they called and canceled and nothing else had turned up. I lay in bed for a while, took a shower, and wandered out to the back yard (my landlord’s yard, really) with a large heavy dry beach towel. I don’t know now what the date was, but I do know that it was early in the month, when I still felt full of hope (or perhaps it was so late in the month that I felt the undisturbed and imminent hope of the next month in full force), and it was sometime in the late spring. It was one of the first times I had gone out to lie in the sun that year; it was a clean, bud-popping blueout of a temperate-zone Boston weekday. A hundred very small hippopotamus-shaped clouds were on the march overhead, and though I like and respect a rigorously cloud-free morning as much as anyone — when the only possible seconds of shade you can expect out on your towel are those strangely paranormal ex-machinas when a high cruising bird (a gull on its way to inland Dumpsters) or an almost inaudible airplane comes momentarily between your eyelids and the sun, raising your consciousness of the conical geometry of umbral coincidence — given that there were all these evenly spooned-out clouds, regularly dispensing an ideal interval of coolness every five minutes or so, during which the trees regained their green depth and I had the opportunity to appreciate the heretofore-unnoticed sweat on my stomach, and given that I was nothing but a temp and lacked for the time being the one thing that kept my pride intact, which was my fermational gift, I was nonetheless quite happy with what the day had to offer. I invariably feel lucid and pleased with life after a shower anyway (there is an illusion of mental acuity that accompanies a thoroughly moistened and rejuvenated sinus-system and the sensation of wet hair-ends on the base of the neck), but seldom more pleased with life than when I can go directly from the tiley shower out to a clean warm sunlit beach towel on the lawn. I took off my watch and my glasses and set them on the edge of the towel, next to the Fieldcrest label; I took off my T-shirt and laid it gently over the portable phone, lying nestled in the grass, to keep it from overheating. I extended myself stomach-down on the towel (a blue-and-white-striped towel; the blue stripes were detectably warmer than the white ones) and let the weight on my ribcage produce a moan of utter contentment.

No thoughts of unclothed women disturbed my awareness; and it was not so late in the sunny season that lightweight, mothlike hopping creatures were liable to land annoyingly on my legs; I felt only how lucky I was that after a little rooting around, a little trial and error, the groundward side of my face was able to find, within immediate neck-flex range, as it always eventually did find, a conjunction of several sod-humps or dolmens that cradled my cheekbone fairly comfortably through the insulation of the sun-warmed towel. As when I took a seat in the older-style dentist’s chairs and discovered that the weight of my entire head was to be supported by two swiveling occipital cups that determined exactly how far back I would have to slide my ass, so my location on the lawn now became with this satisfactory cheekbone settlement suddenly unarbitrary: I was home, my eyes closed, breathing easily because of the recent shower, still damp here and there not yet with perspiration but with cleanliness, and able to hear, if I concentrated, pressing my headbones deep into Fieldcrest’s plush-blurred pattern, the lonely toils of a beetle or a grub somewhere very near my ear, chewing and pushing on some futile mission in the thatch. Was the weight of my head making life more difficult for the grub? Was there a grub there at all, or was it only the sound of the untenanted thatch itself adjusting to my weight? I couldn’t know, but I was sorry if I was causing trouble for any living thing. I plucked a few blades of grass with my fingers; I heard the muffled sounds of the breakage transmitted through the underreaching rhizomes. I felt calm, thoughtful, at rest — serenely unproductive.

In my idleness I had of course the option of letting my thinking drift in a number of mildly erotic directions at any time, but it seemed important to resist that lure for the moment. It would have been so easy to imagine three women in white bathing suits lying on white deck chairs on a pale-blue cruise ship with their heads poised in different directions, each with one knee up and with her eyes closed, each holding a forgotten bottle of sunscreen that was the color of those older Tercels and Civics whose owners had used their garages for storing other things than their cars and whose paint had consequently oxidized into states of frescoesque, unsaturated beauty, like M&Ms sucked for a minute and spit back out into the palm for study. It would have been so easy to think hard about those leggy thighs flowing into the leg-holes of those white bathing suits; about one of the women straightening one thighy leg and bending the other; about how good the sun made them feel. But I wanted to steer clear of the leg-holes until at least twelve-thirty, preferably one-thirty if possible, because it was so very delightful out in the sun, and there was, after all, an infinitude of complicated and intellectually rewarding ideas in the world that I might use my morning of otium liberate to consider, helped toward states of scholarly attentiveness by the intrinsic good of the blue sky, and if I gave my hindbrain the slightest opportunity to work up a comely sexual shape, my meditative range would inevitably narrow, the sex-thoughts would replicate busily, they would begin to polymerize, forming short, slippery narrative chains which would bind with other formerly innocent images and voluptualize them, contorting themselves like lipoproteins into self-contained masturbatory sub-realities, and from there into fully realized frigments of my invagination, and I would find that I had turned over onto my back to let the sweat on my chest declare itself, and I would bend one knee and perhaps reach tentatively inside my bathing suit to make sure everything was shipshape, and five minutes later I would be inside my apartment, where my eyes weren’t adjusted to the dimmer light, and where it was dissatisfyingly cool and unsunny, and I would send forth four gray stripes of fatherhood and fatherhood by-products onto a tree-patterned paper towel that was guaranteed to be made with more than seventy-five percent post-consumer waste, each stripe shorter and more albuminous than the last. And after that, the rest of the day would itself take on a post-consumer-waste sort of tone, an after-the-grand-fact tone, as when, on Saturdays, the mail was delivered unusually early and I would drive home from an errand in the late afternoon looking forward to it in error, thinking, Well, this was certainly a dud day, but at least there’s still the mail to come, until I slumpingly remembered that the mail had already come — the usual bulk-rate packets saying “To Be Opened by Addressee Only” or “Sexually Oriented Material Inside” or “Over 70 Brand Spanking New Items!! We Command You to Order Today.”

So I tried to draw an impermeable mental oval around myself with a kind of fantasidal foam, meaning to keep all sex-pixxxels, all prelewds, all floptical jillusions, outside its perimeter — much the way a lovely double-bass player I once knew in Santa Cruz practiced all one afternoon in her apartment in cutoffs with a big white circle of anti-bug foam sprayed on the carpeting around her so that sugar ants would not keep crawling up her tanned and defiantly unshaved legs and up the pin of her instrument and up the tripod of her music stand. She had been very nice, very nice — a nice person to know, with a pair of gorgeously autonomous Jamaicas. I had spent one afternoon lying beside her on the beach eating vanilla cookies with her, and at one point I impulsively put one round cookie on each full turquoise cup of her bikini top. She made a tolerant warning sound, lifting her head for a moment, and ate both the cookies; I then brushed a crumb lightly from a breast, saying simply, “A crumb.” But we had never had sex, she and I. And when I brushed away that crumb, I did it with such a light, shy touch that I’d felt only an inanimate bikini seam, and none of the insurgent nipple-crowned weight beneath. Such a tragic loss of a chance! (This was when I was in my junior year, a Foldless time for me.) But that of course was why I remembered her now with such longing, rather than remembering any of the women with whom I had had sex or the hundreds I had surreptitiously undressed. So I should feel thankful that I’d been so shy in brushing away her crumb, since I had her to think about and miss and want now — except that, I reminded myself, I was not supposed to be thinking in sexual directions at all.

I tried to concentrate on the brain-muffling texture of the towel against my ear and cheek, and on its clean smell, and on how little I required female nudity in order to be happy with my life. Just the idea of how clean this beach towel was, how fast it had spun for me in the laundromat’s washing machine a few days earlier so that I could lie on it now, was more than enough for me. I recalled John Lennon announcing to the world that he could get high just looking at a flower. I didn’t need big breasts, big jeroboams of titflesh, big hot fleshpots shaking in their self-serve tit-boosting black breastiers — no, I could get high just lying on a towel. Towels, though, were unfortunately not an entirely uncharged subject for me: they were closely associated with my second successful fermation, a year after I had employed the time-transformer in Miss Dobzhansky’s class — and perhaps I should describe that early episode for the record right now.

(I have to say, as I spring around this way, that I can’t understand how real autobiographers like Maurice Baring or Robert Graves do it. How are they able to move so smoothly and so casually from a to b to c? I’m humbled by the difficulty of presenting one’s life truly without seeming to be a proponent of overfamiliar nonlinear orthodoxies. It isn’t that I think my disorder so far is in any way swanky or artistic; it’s that when I try to be a responsible memoirist and arrange my experiences in their proper places on a timeline, my interest in them dies and they altogether refuse to allow themselves to be told. I find that I have to submit to every anecdotal temptation just as it arises, regardless of temporal priority, in order for it, for me, to flower adequately into words.)

So: chronofugation. The summer after fifth grade I used to go down the clothes-strewn stairs to the basement (the basement stairway was our dirty-clothes hamper) and spend major portions of the afternoon observing my family’s sheets and towels and clothes toil and spin. There was a safety interlock, a hinged inward-swinging tab, that cut the motor if the lid was opened during the spin cycle, but it was a simple matter to disable it: I just jammed it open with a pen. I stood at the washing machine for many hours, refining my appreciation of centrifugal force.

At its peak speed, the basket of a clothes-washer turns at something like six hundred revolutions per minute. Towels, which are ordinarily the very soul of magnanimous absorbency,are at six hundred r.p.m. compressed into loutish, wedge-shaped chunks of raw textility, apotheoses of waddedness, their folds so conclusively superimposed, and their thousands of gently torqued turf-tassels so expunged, or exsponged, of reserve capacity, that I feel, after the last steady pints of blue-gray water have pulsed from the exit hose and the loud tick from within the machine signals some final disengagement of its transmission, and the spinning slows and stops, as if I am tossing boneless hams or (in the case of washcloths) little steaks into the dryer, rather than potential exhibits in a fabric-softener testimonial. Often the spun goods display on removal a pattern of raised dots, where the fabric has vainly tried to pour itself out of the holes in the spinning basket in the wake of the water it has just reluctantly released.

At first that summer I watched the wash with the lid up just because I enjoyed it — I liked imagining myself as an agitator, shouldering the water powerfully back and forth with my fins; but eventually I began to suspect that untapped temporal powers resided in the spin cycle. Nothing that could safely displace articles of clothing in a circle that fast could fail to be of help to me in my effort to discover a second way, after the race-track transformer, to remove the clothes of girls and women without their knowledge. There were words molded on the tops of the agitators’ spindles — ours said SURGILATOR — and one day I let my fingers rest lightly on this rotifer of meaning as its final acceleration began. The word, made slightly slippery from residual soap, circulated progressively faster under my touch until, vibrating into unreadability, its letters merged into a whirling probabilistic annulus, and I felt that the secret of spin had been communicated from the machine to me.

And I was right — the secret of spin was indeed at my fingertips — but it took a while for me to discover how exactly to put it to work. At first I thought that I had to spin. I went outside at twilight and practiced whirling with arms outstretched, not too terribly troubled by the possibility that I might remind an onlooker of Julie Andrews in The Sound of Music, trying to get my red blood cells to crowd down my forearms with such force that the tips of my fingers would blow off and I would hemorrhage triumphantly over the pachysandra. But of course my fingertips held and time ticked on. (Fingertips are so durable. They don’t even explode when you use them as temp shoehorns; they just tingle for a second as your impassive heel forces itself past.) Even so, I knew I was on the right track experimentally when, just around that time, I came across a paperback about UFOs in a carousel at a Mass Pike gift shop. It was a collection of letters from the general public to the air force describing flying-saucer sightings, interior layouts, and so on. One of the letters was from a man who thought that UFOs were generating the antigravity forces on which they supposedly hovered by spinning quantities of loose dirt and boulders in a doughnut-shaped inner ring built into the perimeter of the spacecraft. The author of the letter supplied a rough illustration which showed the rotating fill and the resultant lift. I knew that his idea was flawed and foolish, but I also knew that he had rightly sensed, as I had, centrifugation’s evocative peculiarity, its possibly mystical potential. It wasn’t the pull of gravity that spin would neutralize, I felt; it was the pull of time.

The longer I studied our washing machine with the lid open, the more I realized that “for best results” I would have to be directly linked to the unnatural forces that my clothes were experiencing. But I hesitated to climb into the clothes basket. I had heard stories of broken fingers and dislocated shoulders. I thought, however, that if I had a way of plucking something of my own abruptly from a state of extreme spin and putting it on while it was still damp, time would be shocked to a stop until my garment dried. It was worth a try, anyway. Just at the close of a rinse cycle, I tied a length of brown twine around a dripping dark-red T-shirt as tightly as I could and tossed it back in the machine. When the spinning began I stood on a chair and held the end of the twine above the basket so that it could bobbin freely. At the right moment I jerked hard on the twine, shouting, “Now!” My red T-shirt flew twirling into the room like a flushed duck. I put it on and ran outside, full of hope. But the two-tone leaves were aflutter on the lindens and I could hear the usual traffic, so I knew that I had failed. I liked letting the shirt dry and its color lighten on me, though.

A few days later, when there were enough dirty clothes to make another load, I hammered a finishing nail into the table next to the washing machine and mounted a spool of heavy-duty thread onto it. I wound the end of the thread clockwise around the spindle of the washing machine at the commencement of spin. Thread transfer proceeded with increasing speed. The little spool wobbled wildly as it was stripped of its cotton integument. I grabbed the spool and held it tightly, so that the thread being drawn into the machine had to snap — at that instant of rupture I expected time to be all mine. But time wasn’t mine even then; I still, it seemed, wasn’t connected intimately enough to the pure state of spin.

As so often happens, success finally came through the convergence of several independent paths of research. There was a long rope swing in our back yard. I had been climbing this swing a little higher every day, on the hunch that something unusual might happen when I was able to make it all the way to the knot at the top, which was perhaps thirty feet off the ground. The rope was smooth where we normally held it to swing (sitting on a rolled-up remnant of industrial carpeting tied in place and launching ourselves from a wooden refrigerator crate), but the higher I climbed, the rougher its hempen texture became. Every day I got a little stronger, in my stomach muscles as well as my arms, and I also got better at relieving some of the burden on my arms by winding the rope around one leg and clamping it between the top of one sneaker and the sole of the other. My hands burned more each time. I opened and closed my fists when I was safely back on the ground to make the pain inside them go away. After a week and a half, I finally reached the knot at the top and slapped the finely cracked bark on the load-bearing bough, amazed and even somewhat terrified that I had been able to work my way up so high. I expected, after that conquering slap, to return to earth with new powers, but in fact I had no new powers: I only had fourteen or fifteen excellent oval calluses on my fingers, of which I was very proud. In private I pushed at these calluses while I was thinking.

One weekend during this period my father took me to the hardware store. A man we called the Needle Man was in the parking lot. The Needle Man was deaf and dumb; he went around the city selling packets of sewing needles for a living. He was a short, toothless person of about sixty who always wore a baseball cap; there was something wrong with one of his knees, which bent sideways when he put his weight on it. He approached us and went into his silent sales pitch: he flashed the packet of needles, shrugged, looked away, flashed the packet of needles again, licked his thumb and tested the wind direction, smiled, gummed, shrugged, looked away, looked at us. My father gave him a dollar for the needles. The Needle Man nodded and left us. He never showed gratitude. I connected him with Rumpelstiltskin and with Gollum in The Hobbit. We already had five or six packets of needles that we had bought from him, so my father handed this one to me. “Maybe you can think of something to do with them,” he said.

And I did think of something, as a matter of fact. I got a fresh spool of thread from the sewing basket. I opened the packet of needles, which had a convenient front flap like a book of matches. The needles were arranged by size and resembled the pipes in a pipe organ; they were pinned with exactitude through two folds of blue foiled paper — a hand-held cathedral. I chose a medium needle, threaded it, and spent most of the afternoon sewing my rope-climbing calluses together in various ways. When the needle was partway through a callus I tapped its tip to feel the tension within the thickened skin; the sensation was usually painless. I waggled my fingers with two needles poked into them in the mirror, pretending I was being tortured. When I had pushed a needle all the way through, the thread that followed was almost ticklish; my nerves were being stimulated in a way that left them uncertain about what was inside and what was outside. It was as if I could hear the thread tugging through the holes in my skin rather than feel it. I sewed all eight fingertips in series and walked around the house moaning and looking for an audience; then I played something very simple by Bach on the piano — the additional presence of the thread in the moment of contact with each piano key, and the restricted range my fingers had, made the music seem unusually pointed and intelligent and pure. I played better, more high-steppingly, more like Glenn Gould, with sewn hands (though with many more wrong notes) — just as show horses were (I had read somewhere) made by unethical trainers to strut prize-winningly with mustard and chains in their fetlocks. I was my own marionette. I stopped the Bach in the middle and closed the piano lid. And as I closed the lid I knew what I was meant to do.

I snipped all the thread from my hands and amassed a load’s worth of dirty clothes from the floor of my room (supplemented by several towels) and I started a large warm wash with the lid open and the interlock jammed. While the wash churned through its preliminaries, I chose a new needle, threaded it, and pushed it through the thus-far-unsewn callus at the base of my left hand’s middle finger. I put the spool in place on the nail and wrapped the loose end of the thread around the post of the washing machine. Now, as the spin cycle began, it pulled the thread through my callus, through a part of me, in winding it onto itself. The thread tugged through the hole in my skin surprisingly easily, faster and faster. My hand lay on the sill of the washer, face up. The heat of the friction began to hurt; when it became almost unbearable, and I was on the verge of closing my fist on the thread to snap it, the event, or non-event, happened. Everything stopped. I looked into the tub of the washing machine and was thrilled to be able to see and even touch that fiction of the physical sciences, centrifugal force. Without suffering harm, I could now reach in and hold clothes that were in the midst of spinning at six hundred r.p.m. I put my hand in the machine. The remaining blue water, immobilized in its turbulence and yet still wet to the touch, was especially beautiful. The world was again available for undressing. But I knew that if the thread that ran through my callus broke, time would resume. So I was unfortunately tethered to the washing machine.

Over a period of ten minutes I laboriously paid out the thread through my callus so that I could walk upstairs and out to the yard. A bird was out there, a robin, paused in the air, about three feet off the lawn — I touched its spread wings, though not hard enough to dislodge it from its pausal locus. I continued to unspool my callus-thread until I had reached the street. A woman was in a station wagon with her elbow on the door. I touched her shoulder with my hand, then reached into her blouse and went under her bra and felt her hot heavy ostrich egg of a breast. Her nipple was amazingly soft. Her hair was motionlessly wind-fluffed; the speedometer said thirty miles an hour. That soft unselfconscious nipple I touched (my very first after infancy, recall) was driving down the street at thirty miles an hour while I, caressing it at leisure, stood in place! When I had learned enough about the weight and highly advanced mobility of her entire Jamaica in my coarse and threaded hand (joggling it reminded me, to my surprise, of the variable heft of a Slinky toy as you let its arched length recoil back and forth from palm to palm), I went back to the sidewalk so that I wouldn’t be run over, and I yanked on the thread until it broke. I pulled it from the hole in my callus. The station wagon sighed promptly by — I saw a flash of the woman in profile, then the back of her car, her meaninglessly specific license plate, then her turn-signal light blinking, then she turned down Southland Street, gone. In the basement, my clothes took up with their spinning as if I were still standing at the washing machine looking in. Nobody in the cars that followed seemed to notice that I had just appeared next to a bushy spray of elm-stump suckers, out of nowhere.

My second successful drop-phase ended there, circa August 1969: it, like the time-transformer experiment that helped me into Miss Dobzhansky’s shirt, was apparently induplicable, depending on exactly those particular clothes and towels,those calluses, and that specific new packet of needles from the Needle Man. Tethering oneself to a clothes-washer was in any case a somewhat awkward way of forcing time into remission; although as I thought that period over on the beach towel in the yard I remembered none of the awkwardness — only how leapingly happy I had been for the rest of the day because I knew then, after all my false starts and failed attempts, that there really was more than one way to trip the universal clutch.

Now, out in the back yard, because I was so desperate to stop the calendar, I considered trying something like it again: sewing through my fingers and washing the very towel I lay on. But the fact was that my adult skin was much too thin. Typing does not make for heavy callusing. (As I type I can feel the raised pleasure-dots on the J and F keys of the typical keyboard, molded there to let you know that your fingers are properly stationed in the “home” position, with something close to discomfort, so tender are my fingertips.) Perhaps there was a way to trigger a Drop by pretending I was sick and going to Commonhealth, my HMO, and listing off lots of mysterious pains and moments of dizziness in the shower, so that the doctor would order some comprehensive blood work, and when the blood was sucked from my elbow and spun at six thousand r.p.m. in a bucket centrifuge in the lab to separate the yellow plasma from the red cells, that higher-speed self-centrifugation would re-create the conditions of the primordial washing machine, and I would, while the spin was in progress, be able to unclasp the Hispanic phlebotomises bra while she posed in the Fermata, expertly tapping into someone else’s vein. But I rejected the possibility, since even if a temporal hematocrit worked, it would be too unpredictable and impossible to control; I needed a way to switch time on and off quickly and easily.

But this notion of self-centrifugation did and does have a powerful appeal, and I sometimes have the distinct sense, as I hover in the middle of a page of this memoir, choosing which of my past Fermatas I will relate next, that in order to write my life properly I need the entire receptacle of my consciousness spun, as the ultracentrifuge’s rotor spins its vials of biological freight, fast enough to conquer diffusion and impose some artificial order. I need to dangle in a severe vacuum from a one-tenth-inch-thick length of piano wire (like the rotor in the old Spinco Model E ultracentrifuge, developed in the fifties by Edward G. Pickels and his colleagues and still in use in a number of grant-depleted research programs in protein chemistry), while a xenon lamp flashes some unforgiving wavelength over my memory sample, rotating sixty times faster than the washing machine in my basement did — I want all of the semi-remembered images of half-dressed women, all these fragments of my voyeuristic history, that still remain in messy colloidal suspension to fly around at the speed of insight until they are compelled to file themselves away once and for all into neat radial gradients of macromolecular uniformity, like layered cocktails or fancy multicolored creations in Jell-O. I happen to know, from a three-week assignment in the research department of Kilmer Pharmaceuticals (for better or worse, an alert temp can pick up lots of stray knowledge), that biochemists routinely use the centrifuge (especially the low-end tabletop Beckman model called the Microfuge) to spin down, or “pellet,” lengths of DNA in order to purify or clean them. And everything in the mind — that final triumph of protein chemistry — is likewise in helpless motion, afloat, diffuse, impure, unwilling to commit to precipitation: only an artificially induced pensive force of hundreds of thousands of gravities can spin down some intelligible fraction of one’s true past self, one’s frustratingly polydisperse personality, into a pellet of print.

One evening after work very recently, needing to rev myself up to continue writing some section of this very document, I snapped time off and went for an indoor walk around the research buildings of Mass General, looking for ultracentrifuges and for the breathtaking women post-docs who use them. I again vaguely envisioned centrifuging some of my own cells, this time for the pure ideational rush of it: I could devote a whole Pause to placing small samples of my blood (or possibly sperm, though that seemed a needlessly cruel thing to do to my sperm) in every Sorvall and Beckman and Hitachi ultracentrifuge in Boston and Cambridge and setting them all on top speed. I would be anemic and listless by the end, but I wouldn’t care, because I would know that at that second my own perky little cells were being crushed into alternative world orders of protoplasm by exotic megagravities in expensive vacuums in every high-powered NIH-funded research program in the area, and that trickster knowledge would power me upward into raptures of self-knowledge and self-abandonment. But I didn’t actually do it, because I would then have had to clean all the bloody test tubes after their runs were completed, since I wouldn’t want to leave something as unsettling as provenanceless yellow plasma around for researchers to discover. Fear is my least favorite emotion; I want to be responsible for creating as little of it as possible. I did look at a fair number of ultracentrifuges, however, and what I noticed was that the big floor-model machines, the ones built in Palo Alto by Beckman Instruments, bore a surprisingly strong resemblance to clothes-washers. They were a little wider, and they were blue (which should be a standard color for washing machines but perplexingly is not), and a close look at the control panel revealed, in addition to familiar words like SPEED, TIME, and TEMP, the less laundry-relevant terms VACUUM and ROTOR — but they still had an oval opening in the top that you closed after loading with a simple latch, and their direct-drive motor (I learned this from flipping through a textbook in one of the lab’s libraries) operated on exactly the same induction principal as a Maytag’s. The huge difference between these two consumer durables (and I think one of the best things about centrifuge as a noun is the ghost of the word huge it safely contains) was that the Beckman machine could turn a rotor, fitted with eight or even twelve little cuvettes containing some biohazard or other, at sixty thousand r.p.m. In other words, it could dependably spin, without flying apart, or overheating, or making disturbing noises (I noticed that it was quieter than a washing machine), at a rate of over one thousand revolutions per second.

I lifted one of the rotors from a shelf in one of the labs. It was not a light object. It was milled out of some kind of compressed titanium alloy and it was finished in an elegant anodized black. It looked like a forty-five-dollar dark-chocolate birthday cake, with holes for, say, eight unusually thick candles — but it weighed about as much as a bowling ball, or a human head. I’m seldom as impressed as I should be when I hear that a weightless entity like an electrical impulse can dash around in its silicon irrigation ditches a thousand times a second, or even a million times a second, because electricity is ungraspable; opposable thumbs are of no use in its presence. But when a California company manufactured a machine that could get something heavy, something that you might grunt gently in lifting, that would dent turf if you dropped it, to rotate a thousand times a second, the achievement seemed close enough to being conceivable that it became inconceivable. A head, spinning a thousand times a second! I was impressed when the little girl in The Exorcist spun hers around once. As I held the rotor, knowing myself to be the one unstill being in the center of a temporarily still universe, I began to want very much for my own head to revolve at ultracentrifugational speeds — I wanted to spin so fast my ears would rip off my head and slap onto opposite walls; I wanted my grotesquely elongated tongue, unretractable after I opened my mouth to utter the usual “Help!” of the Faustian inventor, to form a pink Saturnian ring or an Elizabethan collar before my brain finally blew. Not only could the human head not survive sixty thousand r.p.m., I thought, it could hardly survive thinking about sixty thousand r.p.m. And in fact, when I reflect on it now, I realize that my Foldouts are in many ways equivalent to centrifugation, since when I spend a few hours of quality time in the Fold I am in fact held in the vacuum chamber of a single exceedingly patient millisecond, potentially doing a thousand things, reading whole books, wandering through buildings filled with scientific instrumentation, and thus, from a bystander’s perspective, moving over my closed loop at miraculous Spinco speeds.