On the terrace of a bar on Theaterstrasse, we stopped to eat some frankfurters, and I recovered more than I expected to, although it so happened that, once again, I couldn’t avoid a silly memory coming back to me. Since boyhood, it has been hard for me to eat a frankfurter without thinking of the two pounds of mud my grandfather claimed to have accumulated on the soles of his shoes near Frankfurt during World War I.
If the anecdote was ridiculous, its absurd tendency to come back every time I was about to swallow that sort of snack was even more so. Trying to escape the muddy memory by fleeing it mentally, I said the first thing to Boston that popped into my head. This was as spontaneous as it was outlandish and, seen from my present perspective, perhaps somewhat suicidal (although, not wishing to punish myself too much, I prefer to see the question as utter whimsy, like a McGuffin):
“Do you think there can be any point of connection between the avant-garde and Aryan perfume?”
Nobody has ever looked at me with such rage as Boston did hearing this question.
“What concept do you have of the avant-garde?” she asked.
At that moment it was hard to imagine what consequences this question would have for me.