The Labor Union Murder

Chapter 2

The tent, on a wooden platform raised three feet above the ground, not much bigger than Wolfe’s office, was crowded with people, and I wormed through to the front entrance and on out, where the platform extended into the open air. There was plenty of air, with a breeze dancing in from the direction of the ocean, and plenty of sunshine. A fine day for the Fourth of July. The platform extension was crammed with chairs, most of them empty. I can’t report on the condition of the meadow’s grass because my view was obstructed by ten thousand restaurant workers and their guests, maybe more. A couple of thousand of them were in a solid mass facing the platform, presumably those who wanted to be up front for the speeches, and the rest were sprayed around all over, clear across to a fringe of trees and a row of sheds.

Flora’s voice came from behind my shoulder. “They’re coming out, so if there’s a chair you like, grab it. Except the six up front; they’re for the speakers.”

Naturally I started to tell her I wanted the one next to hers, but didn’t get it out because people came jostling out of the tent onto the extension. Thinking I had better warn Wolfe that the chair he was about to occupy for an hour or so was about half as wide as his fanny, to give him time to fight his impulses, I worked past to the edge of the entrance, and when the exodus had thinned out I entered the tent. Five men were standing grouped beside a cot which was touching the canvas of the far side, and a man was lying on the cot. To my left Nero Wolfe was bending over to peer at the contents of a metal box there on a table with its lid open. I stepped over for a look and saw a collection of bone-handled knives, eight of them, with blades varying in length from six inches up to twelve. They weren’t shiny, but they looked sharp, worn narrow by a lot of use for a lot of years. I asked Wolfe whose throat he was going to cut.

“They are Dubois,” he said. “Real old Dubois. The best. They belong to Mr. Korby. He brought them to use in a carving contest, and he won, as he should. I would gladly steal them.” He turned. “Why don’t they let that man alone?”

I turned too, and through a gap in the group saw that the man on the cot was Philip Holt, URWA’s director of organization. “What’s the matter with him?” I asked.

“Something he ate. They think snails. Probably the wrong kind of snails. A doctor gave him something to help his bowels handle them. Why don’t they leave him alone with his bowels?”

“I’ll go ask,” I said, and moved.

As I approached the cot James Korby was speaking. “I say he should be taken to a hospital, in spite of what that doctor said. Look at his color!”

Korby, short, pudgy, and bald, looked more like a restaurant customer than a restaurant worker, which may have been one reason he was president of URWA.

“I agree,” Dick Vetter said emphatically. I had never seen Dick Vetter in person, but I had seen him often enough on his TV show — in fact, a little too often. If I quit dialing his channel he wouldn’t miss me, since twenty million Americans, mostly female, were convinced that he was the youngest and handsomest MC on the waves. Flora Korby had told me he would be there, and why. His father had been a bus boy in a Broadway restaurant for thirty years, and still was because he wouldn’t quit.

Paul Rago did not agree, and said so. “It would be a pity,” he declared. He made it “peety,” his accent having tapered off enough not to make it “peetee.” With his broad shoulders and six feet, his slick black hair going gray, and his mustache with pointed tips that was still all black, he looked more like an ambassador from below the border than a sauce chef. He was going on. “He is the most important man in the union — except, of course, the president — and he should make an appearance on the platform. Perhaps he can before we are through.”

“I hope you will pardon me.” That was H. L. Griffin, the food and wine importer. He was a skinny little runt, with a long narrow chin and something wrong with one eye, but he spoke with the authority of a man whose firm occupied a whole floor in one of the midtown hives. “I may have no right to an opinion, since I am not a member of your great organization, but you have done me the honor of inviting me to take part in your celebration of our country’s independence, and I do know of Phil Holt’s high standing and wide popularity among your members. I would merely say that I feel that Mr. Rago is right, that they will be disappointed not to see him on the platform. I hope I am not being presumptuous.”

From outside the tent, from the loudspeakers at the corners of the platform, a booming voice had been calling to the picnickers scattered over the meadow to close in and prepare to listen. As the group by the cot went on arguing, a state trooper in uniform, who had been standing politely aside, came over and joined them and took a look at Philip Holt, but offered no advice. Wolfe also approached for a look. Myself, I would have said that the place for him was a good bed with an attractive nurse smoothing his brow. I saw him shiver all over at least three times. He decided it himself, finally, by muttering at them to let him alone and turning on his side to face the canvas. Flora Korby had come in, and she put a blanket over him, and I noticed that Dick Vetter made a point of helping her. The breeze was sweeping through and one of them said he shouldn’t be in a draft, and Wolfe told me to lower the flap of the rear entrance, and I did so. The flap didn’t want to stay down, so I tied the plastic tape fastening to hold it, in a single bowknot. Then they all marched out through the front entrance to the platform, including the state trooper, and I brought up the rear. As Korby passed the table he stopped to lower the lid on the box of knives, real old Dubois.

The speeches lasted an hour and eight minutes, and the ten thousand URWA members and guests took them standing like ladies and gentlemen. You are probably hoping I will report them word for word, but I didn’t take them down and I didn’t listen hard enough to engrave them on my memory. At that, the eagle didn’t scream as much or as loud as I had expected. From my seat in the back row I could see most of the audience, and it was quite a sight.

The first speaker was a stranger, evidently the one who had been calling on them to gather around while we were in the tent, and after a few fitting remarks he introduced James Korby. While Korby was orating, Paul Rago left his seat, passed down the aisle in the center, and entered the tent. Since he had plugged for an appearance by Philip Holt I thought his purpose might be to drag him out alive or dead, but it wasn’t. In a minute he was back again, and just in time, for he had just sat down when Korby finished and Rago was introduced.

The faces out front had all been serious for Korby, but Rago’s accent through the loudspeakers had most of them grinning by the time he warmed up. When Korby left his chair and started down the aisle I suspected him of walking out on Rago because Rago had walked out on him, but maybe not, since his visit in the tent was even shorter than Rago’s had been. He came back out and returned to his chair, and listened attentively to the accent.

Next came H. L. Griffin, the importer, and the chairman had to lower the mike for him. His voice took the loudspeakers better than any of the others, and in fact he was darned good. It was only fair, I thought, to have the runt of the bunch take the cake, and I was all for the cheers from the throng that kept him on his feet a full minute after he finished. He really woke them up, and they were still yelling when he turned and went down the aisle to the tent, and it took the chairman a while to calm them down. Then, just as he started to introduce Dick Vetter, the TV star suddenly bounced up and started down the aisle with a determined look on his face, and it was easy to guess why. He thought Griffin was going to take advantage of the enthusiasm he had aroused by hauling Philip Holt out to the platform, and he was going to stop him. But he didn’t have to. He was still two steps short of the tent entrance when Griffin emerged alone. Vetter moved aside to let him pass and then disappeared into the tent. As Griffin proceeded to his chair in the front row there were some scattered cheers from the crowd, and the chairman had to quiet them again before he could go on. Then he introduced Dick Vetter, who came out of the tent and along to the mike, which had to be raised again, at just the right moment.

As Vetter started to speak, Nero Wolfe arose and headed for the tent, and I raised my brows. Surely, I thought, he’s not going to involve himself in the Holt problem; and then, seeing the look on his face, I caught on. The edges of the wooden chair seat had been cutting into his fanny for nearly an hour and he was in a tantrum, and he wanted to cool off a little before he was called to the mike. I grinned at him sympathetically as he passed and then gave my ear to Vetter. His soapy voice (I say soapy) came through the loudspeakers in a flow of lather, and after a couple of minutes of it I was thinking that it was only fair for Griffin, the runt, to sound like a man, and for Vetter, the handsome young idol of millions, to sound like whipped cream, when my attention was called. Wolfe was at the tent entrance, crooking a finger at me. As I got up and approached he backed into the tent, and I followed. He crossed to the rear entrance, lifted the flap, maneuvered his bulk through the hole, and held the flap for me. When I had made it he descended the five steps to the ground, walked to the car, grabbed the handle of the rear door, and pulled. Nothing doing. He turned to me.

“Unlock it.”

I stood. “Do you want something?”

“Unlock it and get in and get the thing started. We’re going.”

“We are like hell. You’ve got a speech to make.”

He glared at me. He knows my tones of voice as well as I know his. “Archie,” he said, “I am not being eccentric. There is a sound and cogent reason and I’ll explain on the way. Unlock this door.”

I shook my head. “Not till I hear the reason. I admit it’s your car.” I took the keys from my pocket and offered them. “Here. I resign.”

“Very well.” He was grim. “That man on the cot is dead. I lifted the blanket to adjust it. One of those knives is in his back, clear to the handle. He is dead. If we are still here when the discovery is made you know what will happen. We will be here all day, all night, a week, indefinitely. That is intolerable. We can answer questions at home as well as here. Confound it, unlock the door!”

“How dead is he?”

“I have told you he is dead.”

“Okay. You ought to know better. You do know better. We’re stuck. They wouldn’t ask us questions at home, they’d haul us back out here. They’d be waiting for us on the stoop and you wouldn’t get inside the house.” I returned the keys to my pocket. “Running out when you’re next on the program, that would be nice. The only question is do we report it now or do you make your speech and let someone else find it, and you can answer that.”

He had stopped glaring. He took in a long, deep breath, and when it was out again he said, “I’ll make my speech.”

“Fine. It’d be a shame to waste it. A question. Just now when you lifted the flap to come out I didn’t see you untie the tape fastening. Was it already untied?”

“Yes.”

“That makes it nice.” I turned and went to the steps, mounted, raised the flap for him, and followed him into the tent. He crossed to the front and on out, and I stepped to the cot. Philip Holt lay facing the wall, with the blanket up to his neck, and I pulled it down far enough to see the handle of the knife, an inch to the right of the point of the shoulder blade. The knife blade was all buried. I lowered the blanket some more to get at a hand, pinched a fingertip hard for ten seconds, released it, and saw it stay white. I picked some fluff from the blanket and dangled it against his nostrils for half a minute. No movement. I put the blanket back as I had found it, went to the metal box on the table and lifted the lid, and saw that the shortest knife, the one with the six-inch blade, wasn’t there.

As I went to the rear entrance and raised the flap, Dick Vetter’s lather or whipped cream, whichever you prefer, came to an end through the loudspeakers, and as I descended the five steps the meadowful of picnickers was cheering.

Our sedan was the third car on the right from the foot of the steps. The second car to the left of the steps was a 1955 Plymouth, and I was pleased to see that it still had an occupant, having previously noticed her — a woman with careless gray hair topping a wide face and a square chin, in the front seat but not behind the wheel.

I circled around to her side and spoke through the open window. “I beg your pardon. May I introduce myself?”

“You don’t have to, young man. Your name’s Archie Goodwin, and you work for Nero Wolfe, the detective.” She had tired gray eyes. “You were just out here with him.”

“Right. I hope you won’t mind if I ask you something. How long have you been sitting here?”

“Long enough. But it’s all right, I can hear the speeches. Nero Wolfe is just starting to speak now.”

“Have you been here since the speeches started?”

“Yes, I have. I ate too much of the picnic stuff and I didn’t feel like standing up in that crowd, so I came to sit in the car.”

“Then you’ve been here all the time since the speeches began?”

“That’s what I said. Why do you want to know?”

“I’m just checking on something. If you don’t mind. Has anyone gone into the tent or come out of it while you’ve been here?”

Her tired eyes woke up a little. “Ha,” she said, “so something’s missing. I’m not surprised. What’s missing?”

“Nothing, as far as I know. I’m just checking a certain fact. Of course you saw Mr. Wolfe and me come out and go back in. Anyone else, either going or coming?”

“You’re not fooling me, young man. Something’s missing, and you’re a detective.”

I grinned at her. “All right, have it your way. But I do want to know, if you don’t object.”

“I don’t object. As I told you, I’ve been right here ever since the speeches started, I got here before that. And nobody has gone into the tent, nobody but you and Nero Wolfe, and I haven’t either. I’ve been right here. If you want to know about me, my name is Anna Banau, Mrs. Alexander Banau, and my husband is a captain at Zoller’s—”

A scream came from inside the tent, an all-out scream from a good pair of lungs. I moved, to the steps, up, and past the flap into the tent. Flora Korby was standing near the cot with her back to it, her hand covering her mouth. I was disappointed in her. Granting that a woman has a right to scream when she finds a corpse, she might have kept it down until Wolfe had finished his speech.