The Master

CHAPTER THREE

OVER THE YEARS HE HAD learned something about the English which he had quietly and firmly adapted to his own uses. He had watched how men in England generally respected their own habits until those around them learned to follow suit. He knew men who did not rise until noon, or who slept in a chair each afternoon, or who ate beef for breakfast, and he noticed how these customs became part of the household routine and were scarcely commented on. His habits, of course, were sociable and, in the main, easy; his inclinations were civil and his idiosyncrasies mild. Thus it had become convenient to himself, and simple to explain to others, that he should turn down invitations, confess himself busy, overworked, engaged both day and night in his art. His time as an inveterate dinner guest in the great London houses had, he hoped, come to an end.

He loved the glorious silence a morning brought, knowing that he had no appointments that afternoon and no engagements that evening. He had grown fat on solitude, he thought, and had learned to expect nothing from the day but at best a dull contentment. Sometimes the dullness came to the fore with a strange and insistent ache which he would entertain briefly, but learn to keep at bay. Mostly, however, it was the contentment he entertained; the slow ease and the silence could, once night had fallen, fill him with a happiness that nothing, no society nor the company of any individual, no glamour or glitter, could equal.

In these days after his opening night and his return from Ireland he discovered that he could control the sadness which certain memories brought with them. When sorrows and fears and terrors came to him in the time after he woke, or in the night, they were like servants come to light a lamp or take away a tray. Carefully trained over years, they would soon disappear of their own accord, knowing not to linger.

Nonetheless, he remembered the shock and the shame of the opening night of Guy Domville. He told himself that the memory would fade, and with that admonition he tried to put all thoughts of his failure out of his mind.

Instead, he thought about money, going over amounts he had received and amounts due; he thought of travel, where he would go and when. He thought of work, ideas and characters, moments of clarity. He controlled these thoughts, he knew that they were like candles leading him through the dark. They could easily, if he did not concentrate, be snuffed out and he would again be pondering defeats and disappointments, which if not managed could lead to thoughts that left him desperate and afraid.

He woke early sometimes and when such thoughts took over he knew that he had no choice but to rise. By operating decisively, as though he were rushing somewhere, as though the train were on time and he was late, he believed that he could banish them.

Nonetheless, he knew that he had to allow his mind its freedoms. He lived on the randomness of the mind’s workings, and, now, as the day began, he found himself involved in a new set of musings and imaginings. He wondered how an idea could so easily change shape and appear fresh in a new guise; he did not know how close to the surface this story had been lurking. It was a simple tale, made simpler still by his friend Benson’s father, the Archbishop of Canterbury, who had tried to entertain him one evening after the failure of his play. He had hesitated too much and stopped too often as he attempted to tell a ghost story, knowing neither the middle nor the end and unsure even of the contours of the beginning.

Henry had set it down as soon as he arrived home. He wrote in his notebook:

Note here the ghost story told me at Addington (evening of Thursday 10th), by the Archbishop of Canterbury: the mere vague, undetailed, faint sketch of it: the story of the young children (indefinite number and age), left to the care of servants in an old country house, through the death, presumably, of parents. The servants, wicked and depraved, corrupt and deprave the children: the children are bad, full of evil to a sinister degree. The servants die (the story vague about the way of it) and their apparitions return to haunt the house and children.

He did not need to look back at his notebook to be reminded of the story; the events remained with him. He thought of setting it in Newport, in a remote house by the rocks, or in one of the newer mansions in New York, but none of these settings captured him, and gradually he abandoned the idea of an American family. It became an English story set in the past; and in the early and slow elaboration of the story he reduced the children to merely two – a boy and his younger sister.

He thought often of the death of his sister Alice, who had died three years earlier. He had read her diaries, so full of indiscretions, for the first time. Now he felt alone, much as she had throughout her life, and he felt close to her, although he never suffered her symptoms or maladies and lacked her stoicism and her acceptance.

In his darkest hours, he felt that both of them had somehow been abandoned as their family toured Europe and returned, often for no reason, to America. They had never been fully included in the passion of events and places, becoming watchers and non-participants. Their brother William, the eldest, and then Wilky and Bob, who came between Henry and Alice, had been ready for the world, expertly moulded, while Henry and Alice had been left unprotected and unready. He had become a writer and she had taken to her bed.

He could clearly remember the first time he sensed Alice ’s panic. They had been caught in the rain in Newport, having become too distracted by their own talk and laughter to pay attention to the darkening of the sky. She could have been fourteen or fifteen, but she had developed none of the strange, shy assurance of her cousins when they came to that age; their poised and careful way of coming into a room, or talking to a stranger, their easy and spontaneous way of being with friends and family, all this confidence Alice lacked.

It began to rain hard that hot summer’s day and the sky over the sea was a purple-grey mass of cloud. He was wearing a light jacket, but Alice was wearing only a summer dress and a flimsy straw hat. There was no shelter at hand. A few times they tried to shelter under bushes but the rain, driven by the wind, was insistent. He took off his jacket and held it over both of them and they moved slowly and silently, huddled close together, towards home. He sensed her happiness as intense, almost shrill. He had never before understood the extent of her need for the full attention, the full pity and protection, of him or William or their parents. In these minutes, as they walked the wet sandy soil of the lane from the sea walk back to the village, he felt his sister on fire with satisfaction at being close to him. Watching her radiance and delight as they neared home, he had his first sense of how difficult things were going to be for her.

He began to watch her. Until now, he had considered the joke that William was going to marry her as a light tease, a way to make her smile and William laugh and all the family join in. It was also a show put on for visitors. William, the eldest, was six years older than Alice. As soon as Alice began to present herself to visitors, wear colourful dresses and become alert to the effect she could have on a roomful of adults, the joke that she was going to marry William became a kind of ritual.

‘Oh, she’s going to marryWilliam,’ Aunt Kate would say, and if William were there, he would come over to her, take her arm, kiss her on the cheek. And she would say nothing, merely watch everybody, her eyes almost hostile before their smiles and laughter. Her father would lift her and hug her.

‘Oh, it won’t be long now,’ he would say.

Alice, Henry thought, never believed that she was going to marry William. She was rational and even when she was in her teens her intelligence had at its core a brittle anger. Yet because the idea that she would marry William had been spoken so many times, and because no outsider had presented himself as even vaguely plausible, the notion had entered surreptitiously but firmly into the silent places of her soul.

As he pondered and tried to shape the story of the two abandoned children told to him by the Archbishop, he found himself thinking about his sister’s puzzling presence in the world. He went over the scenes where she had made clear to them her considerable intelligence and her raw vulnerability. She was the only little girl he had ever known, and now, as he began to imagine a little girl, it was his sister’s unquiet ghost which came to him.

He remembered a scene when Alice must have been sixteen. It was one of those long dinners with one or two guests, he remembered, and someone was talking about life after death, and meeting members of their family after death, or hoping to, or believing they might. Then one of the guests, or Aunt Kate, had suggested praying to meet the loved ones in the next life when suddenly Alice ’s voice rose above all others and everyone stopped and looked at her.

‘One need pray for nothing,’ she said. ‘Reference to those whom we should meet again makes me shiver. It is an invasion of their sanctity. It is the sort of personal claim to which I am deeply opposed.’

She had sounded like Emerson’s aunt, someone steeped in the philosophy of life and death, someone who prided herself on the independence of her thought. It was clear to her family that she had a sharp mind and a great wit but that she knew that she would have to conceal them if she wanted to be like the other young women of her age.

Alice had friends and visitors and went on outings. She learned to be acceptable to the sisters of her brothers’ associates. But Henry observed her when a young man came into the room and he noticed the change in her behaviour. She could not relax and her silences were full of force. She would become garrulous, talking a mixture of nonsense and paradox. There was a terrible shrillness and uneasiness about her. He saw how these social occasions must exhaust her.

Even family meals could be a trial for her, as Bob and Wilky learned to delight in teasing her and leaving her defenceless. These were the years of their father’s great restlessness, when they crossed the Atlantic in search of something that none of them understood, a distraction from his father’s passionate and eager bewilderment. They were dragged from city to city, hotel to apartment, tutor to school. They spoke French fluently and they knew themselves to be strange. It made all five of them stand apart from their generation; they knew both more and less than others. More about opulence and history and European cities, more about solitude and uncertainty, more about standing alone and being independent. Less about America, and the web of connections and affections being woven by their contemporaries. In these years, they learned to lean on each other, offer each other a private language, a containment, a coherence. They were like an old walled city. No one, no matter how strong the siege, could break down their defences. And Alice, as she grew older, was trapped inside.

Henry had no real memory of Thackeray’s visit to the family table in Paris, although he remembered other sightings of him. The story was told and retold, and everyone in the family, including their mother, who was normally careful and reticent, believed that it merited recounting to every visitor.

Alice must have been eight or nine at the time. She had been placed beside the novelist and Henry knew that this could not have been easy for her. She would have been nervous about every gesture that she made, every morsel of food touched by her knife and fork. She would have spent the meal wondering what the great man thought about her. Henry knew that on these occasions her pulse would have been faster, her efforts to impress would have been complex and self-conscious and laborious.

He never remembered her wearing crinoline in those years, but the story centred on this. Thackeray turned to her and studied her attire.

‘Crinoline!’ he said. ‘I never would have guessed. So young and so depraved!’

The remark, which might have been meant kindly, would have come as a sudden blow to his sister. In the moments that followed she would have felt only shame, as though a secret, dark part of her had been exposed. He imagined the suddenness of the remark, saw his sister’s incomprehension, her attempt to smile. Henry alone understood the full cruelty of it, but he did nothing to silence the rest of them as they paraded the story in front of everyone who would listen, happiest if Alice were in the room to hear the story of her own humiliation at the hands of one of the most distinguished novelists of the age.

William was the eldest and the least vulnerable. No amount of travelling or disruption seemed to make any difference to him. He was strong and popular among his schoolmates. He was certain of his entitlement to be part of the next game. He loved shouting and noise; he loved loud companions. He loved banging doors and playing sport. No one noticed the bookish part of him, and he may not even have noticed it himself until he began to argue fearlessly with his father. He did so with such relish and exuberance that by his early teens he was doing to words and phrases and opinions what he had done previously to fences and well-tended lawns.

Alice tried to be sophisticated for William, a woman of the world, a French diarist of the eighteenth century. Their mother one day spoke of how deeply affected Ned Lowell had been by the Boston portrayed in Howells’s new novel. Alice clearly wanted to say something, and they all turned to her. She could not begin. Her face was flushed.

‘Oh, the poor dear!’ she stammered out. ‘If he is so affected by a novel, one wonders how he feels about the Sack of Rome, or indeed his own wife’s flirtations.’

Once more, the table stopped. Their mother made as though to stand up, and moved her chair back. The others looked at Alice in surprise. William did not smile at her. She kept her eyes down. She had misjudged the moment, and they had learned how strange an impression she might make if she were to be let loose on the world.

That image of her stayed with him; the gap between her inner life in all its confused privacy and the life which had been mapped out for her intrigued him. As the long winter in London began to soften and the days lengthen, he worked on no novels, instead taking notes for stories and making some tentative beginnings. His sister’s premature death haunted him, and the details of her strange life came to him when he least expected them, adding to his sense of unrecoverable past.

He remembered one night also when his sister must have been eighteen or nineteen. He had come back to the house with news of some sort, a lecture he had heard which would interest his father, or something he had published. He had walked in the door full of bright expectation to be met by his Aunt Kate who immediately alerted him to the fact that his sister was not well.

As he sat downstairs, he could hear Alice calling out. Both parents ministered to her, and Aunt Kate regularly ascended the stairs to hover near her room or join them briefly and then come back down to report to Henry in hushed tones. He could not remember precisely what term his aunt had used to describe Alice ’s trouble. Alice was having an attack, perhaps, or Alice was suffering from her nerves, but he knew that during the night both of his parents in turn had come to speak with him, and he had noticed their excitement at the new dilemma presented to them. Their nervous daughter and her strange illness deserved all their sympathy and attention.

That night, when her sobs did not die down in the room above, and he knew she was being held and comforted, Henry had noticed also that his mother, so often dismissed by Alice for her banal concern with the merely domestic, now was needed desperately by her daughter, and she seemed, in the dim light of the old parlour as she came down and sat with Henry, to derive a certain satisfaction in being so needed.

Nothing was as it seemed. He had an image for his story of a governess, a person full of sweetness and intelligence and competence, excited by the challenge of her new duties, her charges the boy and girl whom the archbishop had told him about. And he had an image also of his mother and his Aunt Kate, one of them carrying a lamp, entering the parlour where he sat, both appearing worried and exhausted, his mother’s lips pursed but her eyes all bright and her cheeks flushed, both of them sitting with him as Alice’s muffled cries came from upstairs, both women grim and dutiful in their chairs, more alive, more intensely involved than he had seen them for many years.

He had an image too of being in Geneva with Alice and Aunt Kate some years later, a time in which none of them dared say to Alice or to each other that her suffering seemed almost willed. They tried to name her malady, and the nearest her mother could come to describing it was to say that Alice was suffering from genuine hysteria. Her illness was incurable, Henry realized, because she looked after it and clung to it as though it were a visitor with whom she had fallen helplessly in love. In Geneva, during their tour of Europe, they must have seemed to onlookers, and at times even to each other, a picture of rare and dutiful New Englanders taking in the sights, observing the Old World with an intelligent and sensuous eye, the brother and sister travelling with their aunt in the time before they would settle. His sister had seemed to him at her happiest, her wittiest and her most hopeful.

He remembered how each afternoon the three of them would walk by the lake, Aunt Kate having ensured that Alice had rested enough in the morning.

‘The geography book never mentioned,’ Alice said on one of these walks, ‘that lakes have waves. The whole of poetry will have to be rewritten.’

‘Where shall we start?’ Henry asked.

‘I shall write to William,’ Alice replied. ‘He will know.’

‘You must rest every day, my dear, and not write too many letters,’ Aunt Kate said.

‘How else shall I let him know?’ Alice asked. ‘Walking is more tiring than writing letters and all this fresh air shall, I fear, be the death of me.’

She smiled condescendingly at her aunt, who did not seem amused, Henry noticed, at the mention of death.

‘Lungs love hotels,’ Alice said. ‘They long for them, especially the lobby and the stairs, but also the dining room and the bedroom, if it has a nice view and a shut window.’

‘Walk slowly, my dear,’ Aunt Kate said.

Henry watched Alice as she tried to think of a further remark which would amuse him and annoy Aunt Kate, and then, as they continued walking, she became briefly contented in her silence and in their company.

‘The heart,’ she then continued, ‘prefers a nice, warm train and the brain, of course, cries out for an ocean liner. I shall convey all of this to William as soon as I return to the hotel, and we must walk fast, aunt, dear, slow walking is anathema to the memory.’

‘If Dorothy Wordsworth,’ Henry said, ‘had let her brother know such things, then his poetry would, I think, have been much improved.’

‘Was Dorothy Wordsworth not the poet’s wife?’ Aunt Kate asked.

‘No, that was Fanny Brawne,’ Alice said and smiled mischievously at Henry.

‘Walk slowly, my dear,’ Aunt Kate repeated.

That evening, as she came down to dinner, Henry noticed how carefully Alice had dressed and done her hair, and he knew that things might have been different for her if she had been a great beauty, or not an only girl, or if her intelligence had been less sharp, or her childhood more conventional.

‘Could we move around the world staying in nice hotels, just we three, and writing letters home when some very witty remark is made by one of us?’ Alice asked. ‘Could we do this for ever?’

‘No, we could not,’ Aunt Kate said.

Aunt Kate took on the role, Henry remembered, of a stern but benevolent governess caring for two orphaned children, Henry obedient and considerate and reliable, and Alice flighty but also ready to do what she was told. And all three of them were happy in those months as long as they put no thought into what would happen to Alice when she returned home.

No one watching them could have guessed that Alice was already a strange and witty invalid. Alice came close in their company to recovery, but Henry knew even then that they could not travel from city to city with her for ever. Behind the smiling face and the figure who came so happily down the stairs of the hotel to meet them in the lobby each morning, there was a darkness ready to emerge when the time came. By then Alice’s doom was somehow written into every aspect of her being, and, despite those days of equilibrium and happiness in Geneva, what was ahead for her had the shape of a story which now puzzled him and fascinated him, of a young woman who appeared to be light and ambitious and dutiful, but who would soon hear shrill sounds in the night and see frightening faces at the window and allow her daydreams to become nightmares.

The worst time for her was the period before and just after William’s marriage, when she had her most severe nervous breakdown, an aggravated recurrence of her old troubles. In England, years later, she told him that most of her had died then, that in the hideous summer of William’s marriage to a woman, pretty and practical and immensely healthy, whose name, most cruelly, was also Alice, Alice James went down to the deep sea, and the dark waters clouded over her.

Yet, despite her fearful and debilitating maladies, she maintained a strange mental energy; nothing she did was predictable, or without deliberate ironies and contradictions. When her mother died the family watched her closely, believing this would surely cause her final and complete disintegration. Henry stayed on in Boston, imagining ways he could help her and help his father. But Alice had no more attacks; she became, as plausibly as she could, the competent, dutiful and loving daughter, organizing the domestic life of the house with a light spirit and communicating with the rest of the family as though it were she who held things together. Before he left for London, he saw her one day standing in the hallway of the house as a visitor took leave, her arms folded and her eyes bright as she told the guest to come again soon. He watched her smiling warmly and then almost sadly as she closed the door. Everything about her in those moments, from her stance, to the expressions on her face, to her gestures as she turned back to the hallway, was borrowed from their mother. She was making an effort, Henry saw, to become the woman of the house.

Their father died within a year and once he was buried her act fell apart. She had developed a close friendship with Katherine Loring, whose intelligence matched hers and whose strength equalled her weakness in its intensity. Miss Loring accompanied her when Alice decided to come to England to avoid being cared for by her Aunt Kate, an act of defiance and independence and also, of course, a cry to Henry for help. She would live for eight more years, but they were spent mainly in bed. It was, as she often said, only the shrivelling of the empty pea pod which awaited completion.

HE REMEMBERED this as he waited for her at Liverpool, on her arrival in England, and he knew that her stubborn sense of purpose and preference, and her considerable inheritance from her father’s estate, would, with the aid of Miss Loring, delay this completion for some time. He resolved not to entertain the idea that she would disturb his solitude and the fruitfulness of his exile. Nevertheless, he was frightened when he saw her, carried from the ship helpless and ill. She could not speak to him as he approached; she closed her eyes and turned her face away in distress when she thought he was going to touch her. It was clear that she should not have travelled. Miss Loring supervised the moving of Alice to suitable quarters and the finding of a nurse. She rather depended on the invalid state of his sister, Henry came to feel, as much as Alice depended on her.

She did not wish Miss Loring to leave her sight. She had lost her family and she had lost her health, but her will joined now with her intense need to have Katherine Loring to herself. Henry noticed Alice ’s deterioration verging on hysteria when Miss Loring was absent, and her taking quietly, almost happily, to her bed once Miss Loring promised to stay with her and minister to her. He wrote to his Aunt Kate and to William about this strange pair. He tried to make clear his gratitude to Miss Loring for her devotion, so generous and so perfect, but he knew that this devotion depended on Alice remaining an invalid. He was unhappy at the connection between them, the way it revelled in the unhealthy. He disliked Alice ’s abject dependence on her steadfast friend. Sometimes, he even believed that Miss Loring did his sister harm, but he could not see who, instead, would do her good and eventually he became resigned to Miss Loring.

Miss Loring stayed with Alice most of the time, caring for her, tolerating her, admiring her as no one ever had. Alice specialized in strong opinions and morbid talk, and Miss Loring seemed to enjoy listening to her as she expressed her views on death and its attendant pleasures, on the Irish question and the iniquity of the government, and on the nastiness of English life. When Miss Loring was away, however briefly, Alice became sad and indignant that she, who had sat at the table of her brothers and her father, the greatest minds of the age, was now left to the shallow mercies of an English nurse whom Miss Loring had employed.

Henry visited her as often as he could, even when she and Miss Loring took lodgings outside London. Sometimes he listened to her with wonder and fascination. She loved elaborate jokes, taking something small and odd and making it seem, by force of her personality, enormously funny. Mrs Charles Kingsley’s devotion to her late husband was a topic she relished and she was apt to tell the story over and over with indignant mockery, demanding her visitors’ agreement that it was worth the retelling quite before she had finished.

‘Did you know,’ she would say, ‘that Mrs Charles Kingsley was devoted to her husband’s memory?’

She would stop as though that were enough, there was no more to be said. And then, by a toss of her head, she would make clear she was ready to continue.

‘Did you know that she sat with his bust beside her? When you visited Mrs Charles Kingsley, you had to visit her husband too. Both of them glowered at you.’

Alice glowered herself as though pure evil were being described.

‘And what’s more,’ she went on, ‘Mrs Charles Kingsley has her dead husband’s photograph pinned to the adjoining pillow on her bed!’

She would close her eyes and laugh drily and at length.

‘Oh a good night’s sleep for Mrs Charles Kingsley! Can you think of anything more grotesquely loathsome?’

And then the doctors. Their visits and prognostications filled her with both contempt and glee, even when she was told she had cancer. One tiny foolish remark from a doctor provided conversation for days. She declared one day that she had been visited by Sir Andrew Clarke and his ghastly grin, as though the latter were a well-known appendage of his. And then, gasping, she would tell her story of how a friend, years before, had been kept waiting by Sir Andrew who announced himself upon arrival as ‘the late Sir Andrew Clarke’.

‘So I said to Miss Loring as we waited for Sir Andrew that I would bet money he would make precisely the same exclamation all these years later on coming into the room.“Hark,” I said, the door opened and a florid gentleman came in, complete with his ghastly grin, and the phrase “the late Sir Andrew Clarke” fell from his lips, as though he were saying it for the first time, followed by a very ripe burst of hilarity from the same Sir Andrew, rather too ripe indeed.’

She watched herself expectantly for signs of dying, appearing as fearless in the face of mortality as she was fearful in the face of all else. She disliked the clergyman who lived in the apartment below and discussed her dread that he might, should she take ill in the night, minister to her at the end before he could be stopped.

‘Imagine,’ she said, ‘opening your eyes for the last time and seeing this bat-like clergyman.’

She stared proudly into the distance as she spoke.

‘It would spoil my post-mortem expression which I have been practising for years.’

She laughed bitterly.

‘It is terrible to be an unprotected being.’

AS TIME WENT ON, he understood that his sister would not ever leave her bed and he discovered that Miss Loring took the same view. She vowed to remain with Alice to the end. This constant talk of ‘the end’ disturbed him, and sometimes when he watched the two of them together, the permanent patient and her companion, so cheerful and bustling and brisk, he felt an urgent need to be away from them, to cut short his stay, to return to his own hard-won solitude.

He wrote two novels during Alice ’s stay in England, which were saturated with the peculiar atmosphere of his sister’s world. He understood the dilemma of a woman in an age of reform pulled between the rules of her upbringing and the need to change those rules, but also, and, he thought, more crucially, the dilemma of a woman brought up in a free-thinking family which confined its free thought to conversation and remained respectable and conformist in every other way. When he came to write The Bostonians he had no difficulty imagining the conflict between two people who seek power over a third. Such a struggle had occurred briefly between him and Miss Loring until he had abandoned it and left the field to her. In the other novel, The Princess Casamassima, also written after Alice ’s arrival in England, he wrote, at first without realizing, a double portrait of her. In one half she was the princess herself, subtle, brilliant and darkly powerful, recently arrived in London. The other half she must have recognized: she was Rosy Munniment, confined to her bed, ‘a strange bedizened little invalid’, a ‘small, old, sharp, crippled, chattering sister’, a ‘hard, bright creature, polished, as it were, by pain’.

She read all his work, and expressed her great admiration for this new novel without mentioning the bedridden sister who is much disliked by the two main characters. In her diary she wrote of Henry’s industry and William’s success. It was not, she wrote, a bad show for one family, especially, she added, if I get myself dead, the hardest job of all.

Thus, having moved to London, she began to die in earnest, she who had played at dying for so great a duration. She longed, she told Henry, for some palpable disease, and the arrival of her cancer she viewed with enormous relief. She was only forty-three. She dreamed she saw a boat being tossed on the sea, and passing under a great black cloud she saw her dead friend Annie Dixwell who had looked back at her. She was ready to go to her.

Henry and Miss Loring watched over her as she weakened, her pain kept at bay by morphine. She seemed not to change at all and he wondered if she might slip away like this; die, as it were, without noticing. But her dying was not easy.

One day he came into her room and was startled by the change in her. She was in distress, breathing with difficulty, and her pulse, Miss Loring said, was weak and erratic. A fever had made her quiet, but at intervals a hard cough began until she retched and retched and then lay back exhausted. When she tried to speak, the cough returned and shook her to pieces, and then she became silent. The doctor said that there was no reason why she could not go on like this for days.

He watched her, desperate to offer any comfort. He was frightened for her, and believed that, despite everything she had said, she was frightened too. At every moment he expected she would go, and he waited knowing that she would need to say one last thing before sinking into death.

And then another change came. In a few hours all the pain and discomfort seemed to cease, and all the coughing and even the fever abated, and the deathly look on her face took on a new intensity. She did not sleep. As he sat close to her, he wished his mother were here to talk to her now with words which would help her to let go, to ease herself out of the world. He tried to picture his mother in the room, he almost whispered to her to come now into the room, hover here, mother, help Alice with your tenderness. He wanted to ask his sister if she could feel their mother’s spirit in the room.

It was clear that she would not last, yet Katherine Loring insisted that he not stay into the small hours and he agreed that there was nothing he could do. He prepared to leave. But before he did he saw her becoming restless again, unable to turn in the bed and struggling to breathe. And then she whispered and both he and Miss Loring looked at each other sharply. Slowly, with effort, Alice raised her voice so that they could now hear her clearly.

‘I cannot bear to live another day,’ she said. ‘I beg that it might not be asked of me.’

The words helped him as he walked slowly back through Kensington to his own chambers. He had always feared that when the end came for her it might be what she had dreaded most, that all her talk of wanting to die might turn out, in her last days, to have been mere bravado. He felt relieved that his sister had meant what she had said. He had watched her, knowing that in her place he would be terrified, but she was different. She did not flinch.

In the reaches of the night, Katherine Loring told him, she sank into a gentle sleep. As he began another day’s vigil by her bed, he wondered about her dreams and hoped that the morphine made them golden and took away all the darkness and fear that had clouded her life. He willed her to be happy now. But he could not stop himself wanting her to go on breathing, despite everything, not to let go. He could not imagine her dead, having watched her dying for so long. The doctor, when he arrived, asked leave not to treat her, as she was in need of no further medical assistance.

For Henry, now almost fifty, this was his first death. He had not been present when his mother died nor his father. He had sat by his mother’s dead body, but he had not witnessed her last breath. He had described dying in his books, but he had not known about this, the long day waiting as his sister’s breath grew shallow, then seemed to fade, then rose again. He tried to imagine what was happening to her consciousness, her great barbed wit, and he came to feel that all that was left of her was her fitful breath and her weakened pulse. There was no will and no knowledge, merely the body moving slowly towards its end. And this to him made her even more pitiful.

Always, he had the image of the house of death as a silent place, still and watchful, but now he knew that there was no silence in this house because the sound of his sister’s breathing, the changes in its levels of intensity, filled the air. Her pulse flickered and briefly stopped but still she did not die. He wondered if his mother’s death had been like this. Alice was the only one who would know, the only one he could have asked.

He stood up and touched her as her breathing became easy and regular, her sleep peaceful. And this lasted an hour. She was still not ready to go, and he wondered who she was now, what part of her existed in these last hours? As her breathing stopped, he watched in alarm. He was unprepared, despite those days and nights of vigil. She took another breath, laboured and shallow. He wished once more that his mother was here to sit by him, hold his hand as Alice finally slipped away. Miss Loring now began to time her breathing, just one breath every minute, she said. As the end came, Alice ’s face seemed clearer in a way that was strange and oddly touching. He stood up and went to the window to let in some light and when he came back to the bed she had drawn her last breath. The room was finally still.

He stayed by her body, knowing that lying peacefully in death was what she had craved to do. She looked beautiful and noble, and he believed, after all his earlier doubts, that if she could see herself as her body awaited cremation, she would feel a grim delight at what she had become. It meant a great deal to him that her ashes would be returned to America to rest beside her parents in the cemetery in Cambridge. It consoled him that they would not bury her in England, would not leave her far from home in the wintry earth.

Her dead face changed as the light changed. She seemed young and old, exhausted and quite utterly beautiful. He smiled at her as she lay still, her face pale and drawn, yet exquisite and fine. He remembered her anger at being left a life interest in a shawl and other worldly goods by her Aunt Kate. Both he and his sister would die childless; what they owned was theirs only while they lived. There would be no direct heirs. They had both recoiled from engagements, deep companionship, the warmth of love. They had never wanted it. He felt they had both been banished, sent into exile, left alone, while their siblings had married and their parents had followed one another into death. Sadly and tenderly, he touched her cold, composed hands.